Books like White Fox

PoppyHarp has at its heart the mystery of a forgotten children’s TV show from the 70s, so I wanted to share books that explore a similar idea–the fiction in fiction–be it an invented book, movie, or TV show that drives the narrative in some way. These five books all feature the enigmatic quality of something lost or some kind of age-old mystery waiting to be unraveled by its protagonists. They are also five books that I absolutely adore.

As an author of horror and thrillers, I have always been drawn to big mysteries, the darker the better. I blame this fascination on my love of David Lynch movies, which had originated in my early teens and persists to this day. I have also found that incorporating ‘found objects’ into mixed media narratives can help better simulate reality while also twisting it in unpredictable ways. It is no surprise that my debut What the Woods Keep is a mixed media genre-bender. While this storytelling method is not new, recent horror novels have used it in incredibly inventive and impactful ways. 

I’m an author of genre-bent stories and grew up with a love of dark tales. In particular, I was a fan of things that layered stories and linked their themes together, even if you didn’t necessarily notice initially. For example, the Alien franchise is a story of human survival, but also of corporate conspiracy. When I come across books that mix stories or add interesting structural elements, it instantly draws me in, so I set out to create exactly that with my release Ailuros. But I’m not alone in experimenting like that, so I hope you find some fun, scary releases you may not have known about in my list.

As a computational sociologist, I’m fascinated by the patterns people create, the signals they miss, and the stories they build when the world doesn’t make sense. That’s also why I’ve always been drawn to grounded horror: not monsters crashing through windows, but the quiet dread of a room, a street, a sound, or a thought that won’t behave. As a writer, I love books that make fear feel intimate and human, the kind that crawls under your skin because it’s real. These are the stories that stay with me: books where reality tilts, trust gets shaky, and everyday life becomes the scariest place imaginable.

I’ve been a lifelong lover of short fiction, novels, and comic books since I can remember. Ideas were always king, leading me to a career in the creative arts as a graphic designer with years of experience in the world of advertising. Much of the core of what I did for advertising—crafting brief tales to engage with an audience in a creative/unique way—translated over well to when I began writing my own short stories. And all of the book recommendations here directly inspired me to write White Space.

I’ve always found the art of storytelling to be important. It’s taken me to places I’ve dreamed of as well as places others have created. Drawing has always been my passion, and the desire to entertain audiences of all ages has matured with time. When I realized I could make my own stories and illustrate them, it was clear that it was something I wanted to do. I always appreciated books that spoke up to me rather than down or too simply. The books on this list do just that.

I grew up in Taiwan and have always been fascinated by cinema. I received my Ph.D. in 1998 in the UK in communications studies and shifted my research priority from media to Taiwan cinema in 2005 when I became Head of Chinese Studies at the University of Nottingham Ningbo, China. I had fun working on several projects, screening Taiwanese films, discussing Taiwan cinema and society with filmmakers and audiences, and publishing widely in Chinese and in English. I have travelled, lived, and worked in different cities and countries since 2005 and have continued to find it rewarding to study what I have been passionate about since childhood. 

I grew up in Taiwan and have always been fascinated by cinema. I received my Ph.D. in 1998 in the UK in communications studies and shifted my research priority from media to Taiwan cinema in 2005 when I became Head of Chinese Studies at the University of Nottingham Ningbo, China. I had fun working on several projects, screening Taiwanese films, discussing Taiwan cinema and society with filmmakers and audiences, and publishing widely in Chinese and in English. I have travelled, lived, and worked in different cities and countries since 2005 and have continued to find it rewarding to study what I have been passionate about since childhood. 

I’m an artist, designer, writer. I usually work in collage. I enjoy how the constraints of collage generate more inventive thinking, forcing me to come up with unexpected solutions. I also like how the found material retains traces of its original context. I’ve always been interested in the interplay between words and images – for 15 years I did the weekly Lost Consonants series in the Weekend Guardian – and that gradually led me to writing fiction. All my books have visual or structural elements designed to bring an additional narrative dimension to the story. Over the years, I’ve become fascinated by what makes great stories great. Hence this list.

I’m a historian, with a special interest in the 20th century. I’ve written about Freud’s Vienna, the aftermath of the First World War, strikes in the 1920s and 1930s in America’s cotton South, the plot to assassinate Hitler, and the notorious 1940s gangsters nicknamed “Murder, Inc.”. What intrigues me about the 20th century are the era’s underlying values and the shocking and violent collisions among them. In Casablanca’s Conscience, I use the great film as a lens with which to take another look at the tumultuous times just a generation ago.