Here are 100 books that History and Heartburn fans have personally recommended if you like
History and Heartburn.
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I am passionate about education, cinema, and Australian History. I have been lucky enough to teach university courses on History and Film and I have researched and written on the history of Australian education on film. The books I have chosen are five out of many important books in Australian film history. They were important for my own work, and because in historical research, old books can still be good books, I hope that you will enjoy reading them too!
I really enjoyed reading this book on the development of Australian film culture and history from the silent cinema to the talkies. Diane Collins looks at unexamined areas of this history, including audiences, marketing, and distribution, and even has a chapter about how picture palaces used to have live music at every screening.
This is an engagingly written account that provides important context for any consideration of Australian cinema history.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am passionate about education, cinema, and Australian History. I have been lucky enough to teach university courses on History and Film and I have researched and written on the history of Australian education on film. The books I have chosen are five out of many important books in Australian film history. They were important for my own work, and because in historical research, old books can still be good books, I hope that you will enjoy reading them too!
Two experts in the field provide a great account of Australian film that, at the time, uniquely took a genre approach. There are chapters on comedy, adventure, teen, horror, and art films, to name a few.
In discussing genres, this excellent account foregrounds the films themselves, rather than the history of the Australian film industry. To which genre does your favorite Australian film belong?
Film in Australia is a groundbreaking book that systematically addresses the wide-ranging output of Australian feature films. Adopting a genre approach, it gives a different take on Australian films made since 1970, bypassing the standard run of historical texts and actor- or character-driven studies of Australian film. Comedy, adventure, horror, science fiction, crime, art films and other types are analysed with clarity and insight so the reader can recognize and understand all kinds of Australian films, whether they are contemporary or older features, obscure gems or classic blockbusters. Film in Australia explains how particular types of films work, identifies sub-types,…
I am passionate about education, cinema, and Australian History. I have been lucky enough to teach university courses on History and Film and I have researched and written on the history of Australian education on film. The books I have chosen are five out of many important books in Australian film history. They were important for my own work, and because in historical research, old books can still be good books, I hope that you will enjoy reading them too!
This rewarding little book asks and answers the question: what happened to Australian cinema after the landmark Mabo decision on Aboriginal and Torres Strait Islander land rights overturned the colonial doctrine of terra nullius?
Theoretically informed and sensitively written, this book is essential reading for anyone interested in the intertwined relationship between history and cinema following a pivotal event in the nation’s journey toward reconciliation.
Australian Cinema after Mabo is a comprehensive 2005 study of Australian national cinema in the 1990s. Using the 1992 Mabo decision as a starting point, it looks at how the Mabo decision, where the founding doctrine of terra nullius was overruled, has destabilised the way Australians relate to the land. It asks how we think about Australian cinema in the post Mabo era, and what part it plays in the national process of reviewing our colonial past and the ways in which settlers and indigenous cultures can co-exist. Including The Tracker, Kiss or Kill, The Castle, Love Serenade and Yolngu…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I am passionate about education, cinema, and Australian History. I have been lucky enough to teach university courses on History and Film and I have researched and written on the history of Australian education on film. The books I have chosen are five out of many important books in Australian film history. They were important for my own work, and because in historical research, old books can still be good books, I hope that you will enjoy reading them too!
Australian women have been involved in the creation of cinema from the beginning.
I loved this book because it was one of the few books around at the time that seriously examined this aspect of women in cinema from a range of different perspectives, including from the filmmakers themselves. Can you name the film referenced on the cover? (A: Looking for Alibrandi–a great school film and so much more!)
Drawing upon their experience, success, contributions, and problems, this contemporary study not only focuses on female Australian filmmakers, but also traces the influence of women in television, new media, and computer games. Examining the representation of female, queer, and ethnic ideologies in the moving image, this book provides perspectives from both the artist and the subject. Articles written by women directors, academics, and designers focus on various genres such as short narrative, animation, documentary, comedy, and experimental video. Comment on the work of such filmmakers as Jane Campion (The Piano, Portrait of a Lady) is also featured.
A genuine Aussie bookish girl, I’ve been an editor in the Australian publishing industry for 25 years, and I’ve been writing Australian novels for 15 of them. When I’m not reading or writing, I’m reviewing Australian books – can’t get enough of them! I’ve dedicated my heart and mind to exploring and seeking to understand the contradictions and quirks of the country I am privileged to call home, from its bright, boundless skies to the deepest sorrows of bigotry and injustice. Acknowledging the brilliance of those women writers who’ve come before me and shining a light ahead for all those to come is the most wonderful privilege of all.
Every Australian bookish girl knows Sybylla from My Brilliant Career. She is the original feisty heroine, the unashamed young feminist who rejects the isolation and low expectations of the bush and marriage at the turn of the twentieth century, wanting to strike out on her own as a writer. That her yearnings are so irrelevant to those around her and her ambitions unfulfilled act as a dare to all of us, and to me – to have that brilliant career, to tell your truths and have your independence, whether anyone else likes it or not. Equally as vivid, witty, and socially acute as Twain, if you read only one old and dusty novel about Australia, read this one.
First published in 1901, this Australian classic recounts the live of 16-year-old Sybylla Melvyn. Trapped on her parents' outback farm, she simultaneously loves bush life and hates the physical burdens it imposes. For Sybylla longs for a more refined, aesthetic lifestyle -- to read, to think, to sing -- but most of all to do great things.
Suddenly her life is transformed. Whisked away to live on her grandmother's gracious property, she falls under the eye of the rich and handsome Harry Beecham. And soon she finds herself choosing between everything a conventional life offers and her own plans for…
I’m an actor as well as a writer. I’ve spent more hours than can be counted dissecting stories and characters in order to better understand and transmit them to an audience. While standing on a stage, an actor is never unaware that they are performing for others. We may lose ourselves in a moment, in a character, in emotion, but the applause and the gasps, and the laughter always bring us back. As a writer, I spend a lot of time tapping into that feeling of ignoring-while-being-totally-aware of the fourth wall. I love books that wink at readers the way actors can at audiences.
Though not a book, the film starring Will Ferrell and Emma Thompson borrowed heavily from "Niebla" by Miguel de Unamuno, a Spanish novel about a character who becomes aware he is being narrated by a writer and goes to visit the writer. This film lives rent-free in my heart because the style of self-awareness that Ferrell’s character experiences in this film is close to the way I conceived of the meta-awareness of the characters Forsyth and Kintyre in The Untold Tale. I love the idea of someone learning they are being puppeteered and breaking free of the expected, the prescribed, and the narrative laid out for them. Maybe that’s why I like the film The Truman Show so much, too.
In this strange and delightful tale, an IRS agent namedHarold Crick suddenly finds himself the subject of a narrationonly he can hear—narration that soon affects everythingfrom his work to his love life to his death. Starring WillFerrell, Maggie Gyllenhaal, Dustin Hoffman, Queen Latifah,and Emma Thompson, Stranger Than Fiction is a heartfelt film,perhaps a comedy, perhaps a tragedy, about love and literatureand death and taxes.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I have been writing books about film, theatre, and popular music since 1991 but my love of old movies goes back much further. Before VCRs, DVDs, and streaming, one could only catch these old films on television (often cut to allow for commercial time) or revival houses. Today even the more obscure movies from 1939 are attainable. Writing 1939: Hollywood's Greatest Year gave me the opportunity to revisit dozens of old favorites and to see the many also-rans of that remarkable year.
Because this book concentrates on only six 1939 movies – Gone with the Wind, The Wizard of Oz, Mr. Smith Goes to Washington, Stagecoach, The Hound of the Baskervilles, and The Adventures of Huckleberry Finn– Adams is able to go into much more detail about the making of each film and the critical reaction each received. I'd be hard-pressed to pick only six movies from that eventful year and movie fans will disagree with Vieira's choices somewhere down the line. But once you get past that, this book is filled with important information and plenty of trivial details that it is a great read.
Film critics and historians are virtually unanimous in considering 1939 the greatest year in the history of motion pictures. This one year produced many of the greatest films of all time, including “Gone with the Wind,” “The Wizard of Oz,” and “Mr. Smith Goes to Washington,” and marketed the height of the careers of such legendary stars as Clark Gable, Jimmy Stewart, John Wayne, and Judy Garland. To commemorate the 75th anniversary of this amazing year in Hollywood history, “1939: The Making of Six Great Films from Hollywood’s Greatest Year” profiles of six of the greatest films of the year:…
I grew up in Taiwan and have always been fascinated by cinema. I received my Ph.D. in 1998 in the UK in communications studies and shifted my research priority from media to Taiwan cinema in 2005 when I became Head of Chinese Studies at the University of Nottingham Ningbo, China. I had fun working on several projects, screening Taiwanese films, discussing Taiwan cinema and society with filmmakers and audiences, and publishing widely in Chinese and in English. I have travelled, lived, and worked in different cities and countries since 2005 and have continued to find it rewarding to study what I have been passionate about since childhood.
When I decided to study Taiwan cinema more systematically, I tried to read as much on the subject as possible. I enjoyed this book because it offered me a broad overview of many kinds of questions that can be asked about and through Taiwan cinema.
For example, I realized that it is possible to try and understand Taiwanese domestic & international politics, cross-strait relations, colonial history, and the impact of globalization in a more relatable manner by reading films and documentaries as texts. It is also possible to analyze different festivals, genres, filmmakers, and individual films from the perspectives of the film industry and film artistry.
I was totally energized by the enormous potential the subject of Taiwan cinema can offer because of this book.
Following the recent success of Taiwanese film directors, such as Hou Hsiao-hsien, Edward Yang, Ang Lee and Tsai Ming-liang, Taiwanese film is raising its profile in contemporary cinema. This collection presents an exciting and ambitious foray into the cultural politics of contemporary Taiwan film that goes beyond the auterist mode, the nation-state argument and vestiges of the New Cinema.
Cinema Taiwan considers the complex problems of popularity, conflicts between transnational capital and local practice, non-fiction and independent filmmaking as emerging modes of address, and new possibilities of forging vibrant film cultures embedded in national (identity) politics, gender/sexuality and community activism.…
Following mysterious trails and uncovering esoteric stories: it’s what I love to do, and it’s also what I love to read about. Before I released Extreme Music, I wrote extensively about unusual music subcultures and audiological anomalies, for example artists who put out hourlong blocks of unchanging white noise. I’ve learned that the most interesting ideas – and tales – exist in these outer fringes.
The filmic counterpart to Amanda Petrusich’s exposé on collectors of 78 RPM records, Do Not Sell at Any Price, this book uncovers the eccentric characters who have devoted their free time to collecting theatrical prints of movies, often risking harm (and jail time) in the process. One highlight is a profile of Mike Vraney, the man who founded Something Weird Video, a film distributor famous for re-releasing arcane Z-movies and shock films. The self-professed owner of the “largest sexploitation archive on Earth,” his stories, and those of a range of other specialized collectors, make this book a worthy compendium of a unique subculture.
A Thousand Cuts is a candid exploration of one of America's strangest and most quickly vanishing subcultures. It is about the death of physical film in the digital era and about a paranoid, secretive, eccentric, and sometimes obsessive group of film-mad collectors who made movies and their projection a private religion in the time before DVDs and Blu-rays.
The book includes the stories of film historian/critic Leonard Maltin, TCM host Robert Osborne discussing Rock Hudson's secret 1970s film vault, RoboCop producer Jon Davison dropping acid and screening King Kong with Jefferson Airplane at the Fillmore East, and Academy Award-winning film…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I was old (or young) enough to have only seen two Kubrick films in the cinema: Full Metal Jacket and Eyes Wide Shut. I began teaching film studies and Hollywood in 1998, and I have been teaching and researching Kubrick intensively since 2007, visiting his archive in London on numerous occasions. At one point, I held the record for the researcher who had spent the most hours in the Archive. I also met Christiane and Jan and spoke to many others who knew and worked with Kubrick. Having been familiar with Robert Kolker’s work, it became clear that collaborating with an international authority on film was a necessity as well as a pleasure.
Peter Biskind chronicles the rise of New Hollywood in the 1970s, featuring such "movie brat" directors as Martin Scorsese, Francis Ford Coppola, and Steven Spielberg. But he also refers to such older directors as Stanley Kubrick.
It’s written in a chatty and easy-to-read style and is full of useful tidbits of information about Kubrick and especially his new backers at Warner Brothers.
When the low-budget biker movie Easy Rider shocked Hollywood with its success in 1969, a new Hollywood era was born. This was an age when talented young filmmakers such as Scorsese, Coppola, and Spielberg, along with a new breed of actors, including De Niro, Pacino, and Nicholson, became the powerful figures who would make such modern classics as The Godfather, Chinatown, Taxi Driver, and Jaws. Easy Riders, Raging Bulls follows the wild ride that was Hollywood in the '70s -- an unabashed celebration of sex, drugs, and rock 'n' roll (both onscreen and off) and a climate where innovation and…
