Books like White Dancing Elephants — picked by fans

When I was growing up, I longed to see myself and my family represented in ways that were not demeaning. Hollywood movies showed Asian women as passive victims or hypersexualized “dragon ladies.” Depictions of Asian men were even fewer—they were mostly the enemy soldiers in the background of movies about the American war in Vietnam. I became a writer to try to correct these grossly flattened stereotypes. I am now the author of 11 books, and recipient of an American Book Award, National Endowment for the Arts Fellowship, Asian Pacific American Award for Literature, a Kiriyama Prize Notable Book, and Bakwin Award for Writing by a Woman.

When I was growing up, I longed to see myself and my family represented in ways that were not demeaning. Hollywood movies showed Asian women as passive victims or hypersexualized “dragon ladies.” Depictions of Asian men were even fewer—they were mostly the enemy soldiers in the background of movies about the American war in Vietnam. I became a writer to try to correct these grossly flattened stereotypes. I am now the author of 11 books, and recipient of an American Book Award, National Endowment for the Arts Fellowship, Asian Pacific American Award for Literature, a Kiriyama Prize Notable Book, and Bakwin Award for Writing by a Woman.

Twelve years ago, I visited Cambodia for the first time to begin co-writing the memoir of my friend Chantha Nguon, a Cambodian survivor and social entrepreneur. As I traveled around the country with Chantha, echoes of history were everywhere: ruined temples, bomb craters from American B-52s, unmarked mass graves. We also tasted history in the meals we shared—at roadside stands and in her kitchen. I soon learned that food unlocked Chantha’s memories, so we decided to tell her life story through remembered meals and recovered recipes. Meanwhile, I read books that informed our project, a few of which I’ve listed below. 

Born in the Philippines and raised in the US from the age of 4, Renee didn't see the stories of her culture reflected in books until she was a freshman in college at UC Berkeley. Renee wrote her first novel, The Hour of Daydreams, which was inspired by the ghost stories her family told. It received the inaugural Institute for Immigration Research New American Voices Finalist award. Her children’s book One Hundred Percent Me is the book she wishes she could’ve read to her own daughters. With her latest book, The ABCs of Asian American History, Renee hopes young readers will celebrate the vast contributions of Asian Americans to US culture, politics, arts, and society.

I started writing fiction and writing about fiction at about the same time. My novels and stories tend to be about solitary characters pulled into the maelstrom that is contemporary Indian urban life and trying to make sense of it. I’ve always believed that to be an effective observer of your society you need to stay in tune with what your peers are doing and the last two decades in which I’ve been writing and publishing have been some of the most exciting for Indian fiction in general.  

Since my 40s, I have been plagued by the question: Who packed the suitcase we carry all our lives? My mother never stopped talking about her Holocaust experience, but I didn’t want to hear it. I lost my parents before I was 30 and eventually began to wonder why I hadn’t asked more questions when I could. We are shaped as much by the stories we are not told as by those selected for us to hear. I began to imagine what it would have been like to have a mother who never spoke about her experiences and the secrets that get locked into the suitcase I might carry.  

As a queer millennial myself, I’m fascinated by the many different approaches writers of my generation have taken to queerness. American millennials have, I think, a unique perspective—when we were kids, gay jokes were prevalent everywhere on TV. Now same sex marriage is legal. On the other hand, there has also been a hard swing of the pendulum, and LGBTQ rights are being curtailed once again. Celebrating the plurality of queer contemporary stories is important to me, a reminder that we’re always going to be here, and that just as queer artists always have, we’ll continue having an impact on the cultural landscape.  

Anurag Anand is a keen observer of humankind. He believes that the diversity of human emotions, motivations, and actions offer him a rich palette of tones to paint his stories with. He is the author of thirteen books across genres like self-help, historical fiction, crime thrillers, and contemporary fiction. Anurag’s works have been lauded for their realism, simplicity, and sharp characterization by readers across the spectrum. Of course, he is an avid reader and likes to remain abreast with the developments in the Indian writing space. He is a familiar face (and voice) in literature festivals, television debates and other related forums across the country.  

I am a professional historian who came to the Indian world years ago through studies of epic, mythology, and gender. When I read the Mahabharata, I was surprised that its internal coherence was not apparent. I connected with authors such as Alf Hiltebeite, who saw things in the same way. By then, I found evidence that its author used different materials, including Greco-Roman. And that his work was set at the time—around the turn of the era—when Afro-Eurasia was united in a very intense network of relations, exchanging merchandise, ideas, and many other things (including viruses). I have been trying to find out things about this brilliant author since.

I lived the first 24 years of my life in Mumbai and traveled to many parts of India. I’ve had close friends of every community and religion and been fascinated by the incredible diversity. By studying historical crimes and how they were reported and investigated, I learned a great deal about the norms of Indian culture. Reading (and writing) historical mysteries allowed me to dive into past eras and immerse myself in the tumultuous events that have shaped our world today. While I’m obsessed with the turn of the 20th century, mysteries in later years also delight me. Enjoy this selection of mysteries set in India that reveal the inner workings of its diverse culture.