Books like Where the Wild Things Were — picked by fans

Farley Mowat once declared: “I never let facts get in the way of a good story.” I have read Never Cry Wolf as fiction many times, even though its author pretended it was factual. As a writer interested in Canada’s north, Mowat’s universe is an obvious choice for me. The inclusion of Inuit characters is also quite appealing. In this book, a naturalist studies Arctic wolves in a makeshift camp in northern Manitoba and deals with the ridiculous expectations of the bureaucrats who sent him out there to fend for himself. He discovers that contrary to public opinion, wolves are not responsible for the decimation of caribou herds, humans are. Some elements are exaggerated for comic effect, and as one of Canada’s best storytellers, Mowat delivers on laughs. 

Lyrical and personal, this breathtaking book leads you on a journey to discover sides of the wolf you might never have expected would exist. The way a deer signals to the wolf that it will give in to the chase, to become the wolf’s prey, and the wolf’s ‘reply.’ Lopez gets into the head of wolves and the social systems of wolf packs. Years ago, travelling through rural Washington State, USA, I met the endangered buffalo timberwolves close-up. I carried Lopez’s thoughts in my head to calm my nerves. After reading this book, I longed to learn as much about killer whales such that we could have this same intimate relationship with them, learning about their ways, understanding their signs. It took time but eventually, we did just that.

This is another amazing nonfiction book by ecologist and New York Times bestselling author Carl Safina.

With his usual exquisite prose, the author delves deep into the lives and feelings of other beings, from elephants to dolphins. And once again, Safina does an outstanding job in uncovering the secrets of the natural world that surrounds us using many of his personal experiences in the wild and his wonderful ability to tell stories to the general public.

Reflecting on the first decade with wolves back in Yellowstone National Park, this book highlights milestones in the reintroduction effort, takes you out in the field with a wildlife biologist, and shares compelling stories of individual Yellowstone wolves and their packs. With more than 25 years spent overseeing wolves and elk in the park, Doug Smith is a unique authority on wolves and wolf behavior. Around the time our wolf project was coming to an end in the mid-’90s, those first wolves were released into central Idaho and Yellowstone. When we read this book some ten years later, we heard the echoes of our own experience in the behavior and characteristics of the wolves in Yellowstone.

If it’s not already abundantly clear, humans can’t help but argue about wild canids and other carnivores. The concept of trophic cascades, whereby the impacts of apex predators cascade throughout wood febs and whole ecosystems, is no exception. Many people celebrate wolves’ contributions to a wilder Yellowstone ecosystem. Others argue that trophic cascades are limited to certain landscapes. Cristina Eisenberg is a conservation biologist with a writer’s bent and will help you understand the science behind this important topic.

If you’ve ever felt the sensation of being hunted by a predator who’s higher on the food chain than you are – a man-eater – Quammen's book will bring it all back to you. If you haven’t had that particular pleasure, the book’s discussion of the planet’s most exotic predators – crocodiles, lions, bears, and tigers – will fascinate and educate you. The focus here is not just the ‘big, fierce animals,’ but also the human communities that interact with them, fear them, track them, and try to understand them. In one desperately drawn passage, Quammen describes a tracker ‘who followed a single tiger for more than forty-five days... feeding himself from the leftovers of the tiger’s kills when his food stocks got low.’ Wow. 

Jay Griffiths is a gorgeous writer, sparky and original. When I was working on my book, a friend gave me this book, and I gobbled it down. It was definitely the perfect companion along the way: funny, tender, quirky, passionately informed. The back cover features praise by both Fritjof Capra and Gary Snyder. “Amusing and erudite, fascinating and spirited,” says the Times Literary Supplement. “Bravo!”

This one took me by surprise in the best way.

It starts with a sense of innocence, almost playful, but you quickly realize something much darker is clawing its way to the surface. It’s brutal, fast, and sharp, with a kind of feral energy that keeps you constantly on edge.

I loved how the horror builds from something small and personal into full-blown carnage. You can feel the characters running not just from the creature, but from their own guilt, instincts, and past. There’s no safe space here, no moral high ground. Just blood, teeth, and the terrifying question: what happens when the thing you love turns on you? 

It’s violent, tragic, and completely unflinching. I devoured it in a single sitting, and it devoured me right back.

Vonda N. McIntyre is an often over-looked science fiction and alternate history author whose prose is lush, whose imagination is daunting, and who was unfailingly generous to the fan community, and to the community of writers she knew and supported; she was also my teacher, my mentor and my friend of thirty years, and she knew how to make you laugh! Exile is back in print after being out of print, and it is a terrifyingly beautiful, thought-provoking read.

When Magnolia’s grandmother dies, the nineteen-year-old protagonist of Brashear’s sultry novel experiences another kind of loss as well. Her predatory landlord turns Magnolia’s home into a hostile space, quite literally forcing her out of the protection her grandmother left behind. 

I love the way fairytales take center stage… Magnolia often imagines herself as part of iconic fables. I devoured fairytales as a child, so I felt particularly drawn into this obsession. 

Without her own house, Magnolia seeks shelter with a mysterious artist named Cotton. But as always happens in such tales, nothing comes without a cost. Magnolia agrees to pose as mourners’ lost loved ones. Just like her house is no longer her own, even Magnolia’s own body doesn’t fully belong to her.

This book is smart, weird, and thought-provoking.