91 Books Like What Do People Do All Day?

365 Days of Drawing is such a positive and personal book. It feels like an art diary that I can take in my bag for whenever I get a quiet moment between hectic moments of life. You can look back on your year through the prompts and see how much you have improved, whilst taking some time to practice your craft and to do something that you enjoy.

It is perfect for those who want to draw more but don’t know where to begin.   

This book is such a perfect example of how funny and full of personality art can be.

Gemma’s work has such a strong voice, it is like a visual diary being told through illustration. Not only is everything impeccably drawn, but it is telling a story and making me laugh (a lot!) through many relatable moments! It is a very popular coffee table book in my house. 

I’m a firm believer that picture books are for everyone. They are modern, affordable, and accessible works of art that can be viewed at home, school, or a library, rather than a busy gallery. You will find some of the most inspiring, creative and charming work being made today in them and The Artist is a perfect example of this.

Art is for everyone at every age and this book perfectly reflects this and encourages everyone to have a go, no matter what stage you are at! It is a mantra I try to instil in my work and that Ed Vere delivers in this book so perfectly. 

I have had a copy of this book since I was a teenager. It is now slightly worn with a ragged sleeve from all of the rereads in my stages of life.

I wanted a career in art, and I just didn’t know how to make it happen. Martin Salisbury is a well-known and hugely respected lecturer of children’s book illustration and founded the MA in Children’s Book Illustration in Cambridge, UK. This course has produced a large list of incredible talent, whose work you will find everywhere in book shops.

This book talks about different mediums and methods of creating illustrations in a way that not many other books discuss, such as printmaking and collage. Although I am a big doodler myself, there is such a rich tapestry of mediums for everyone to try!

This book is brilliant for those looking to learn more about children’s illustration as a… show more.

In this fun follow-up to Dog Loves Books, Dog receives a special package in the mail - a blank book! His Aunt Dora tells him it’s for drawing. Dog begins to fill the pages with characters and draws himself right into the adventure across the pages. I love how the illustrations are approachable and will get kids excited to break out pen and paper and draw their own adventures. It makes me feel like breaking out my sketchbook right now!

Grief, unfortunately, is a part of life. Western culture has a habit of ignoring and minimizing grief in detrimental ways. When we gently turn toward the difficult stuff in life, we can “feel and deal” in ways that benefit mental health. There are many books about grieving the death of a loved one (a list for another day, perhaps), but few acknowledge the other intense and life-altering kinds of loss and change that children are grieving. Dr. Coombes’ book is much more inclusive–plus, it delivers a treasure trove of activities to help children (and adults) navigate this challenging part of being human. The delightful doodles will appeal to upper elementary and quite a few tweens and teens.

I’m 61 years old, and I was diagnosed with ADHD ten years ago. Though it answered many of my questions about concentration, it’s still difficult to focus while reading any book.

This journal has been so helpful because 1) each volume contains only one book of the Bible; 2) when I open a passage, the left page is filled with Scripture; and 3) the right page is either blank (with faint lines for journaling) or has a small graphic to help creative doodlers start drawing. I write a date in the margins next to the Scripture and then journal what God is doing in my life or answer the question, “What does this verse—or these verses—say to me in this season of life?”

Richard Scarry books are nostalgic gold. There’s so much going on on every page, and I remember it all like it was yesterday (which it probably was, because half of the illustrations are on Twitter as memes).

The little vignettes cover all the traditional kids’ book themes—firemen, policemen, ship voyages, road construction—but then go further. Everyone is a Worker talks about how money flows through the economy, and Wood & How We Use It discusses a supply chain, from raw materials to production and manufacturing to transportation (albeit in grossly unrealistic trucks). 

I read Scarry’s city books as a child and I read them with my children when they were young. The detailed descriptions of the richness of urban life remain impressive. It’s all spelled out. Economics, food security, circular economy, neighbours, small businesses, diversity (of animals). For fun you can compare older versions with newer ones and see the number of female characters increase, rightly ousting the Patriarchy from various jobs as the publishers responded to societal developments.

It is still a relevant cautionary tale about our car-centric, fossil-fueled reality. All those drivers crashing - “silly motorists!” and creating havoc. Coal mines happily illustrated without comment. Pigs eating pork hotdogs. My kids both noticed the shocking lack of bikes, but then again, they’re Copenhageners. If you dig this recommendation, then watch one of the best films about urbanism: Who Framed Roger Rabbit.

Try to get your hands on the original 1963 edition that made Richard Scarry‘s fortune and allowed him to move his family to Switzerland, for the skiing. It’s a fabulous book that’s crowded with scenes of purpose and industry, and with labeled pictures that bespeak the world’s exciting wideness. There are birds (the quail, pheasant, wren, bittern), buildings (a cathedral, pyramid, fort, skyscraper), flowers (clover, pansies, asters, foxgloves), and houses (the igloo, grass house, half-timbered house, chalet). Over time, subsequent editions were stripped of this eccentric specificity and of Scarry’s courtly depictions of traditional social roles (gone, for instance, are the “handsome pilot” and the “pretty stewardess”).