77 Books Like What a Carve Up!

A daring satire on race, politics, and cultural identity in America that somehow manages to be both outrageous and deeply sobering.

Beatty’s voice is like Richard Pryor meets Zora Neale Hurston—sharp, fearless, acerbic, wickedly funny, and incredibly smart.

Notably, although Beatty is an American writer, his book was published in the UK (likely because America prefers to live in denial about race) and went on to win the Booker Prize in 2016.

While I had seen the film adaptation with Meryl Streep and Shirley MacClaine in my teens, I only came to read Carrie Fisher’s extremely funny autobiographical book at the recommendation of the writer Lou Sarabadzic, who rightly thought I’d be amused that the rehab clinic inhabitants are not so focused on not doing drugs as they are on doing not drugs.

Carrie and her friends spend thirty days talking and thinking of such things as quitting, stopping, committing to not doing drugs, not playing an instrument, giving it up, and ‘using up all the Not Cry.’ The whole thing made me re-think how human agency, willpower, and control work.

No living writer rivals Hillary Mantel in terms of sheer accomplishment and talent, so it might be annoying for us mortals to learn that on top of it all, she is also very, very funny. Fludd was a wonderful surprise for me after reading her previous works. A mysterious curate joins the parish of a small, bleak British and Catholic town whose priest has lost his faith and whose parishioners are wallowing in superstition. What could possibly go wrong? Mantel elegantly satirizes the eccentricities and harsh judgments of the religious townsfolk, while giving us a thoroughly pleasurable read about faith and love.    

I was able to be on a couple of panels with Mr. Greer where he discussed this novel and its sequel, Less is Lost. The first book, Less, is a queer novel that won the Pulitzer Prize, a well-deserved accolade for this story about second chances in life—or third or fourth chances, depending upon the situation.

It’s remarkable to see a novel like this win such a major literary prize. Mr. Greer deserves it for his dynamic work.

Fictionalizing her large and extremely eccentric family—shabby members of the British gentry in the 1930s, lacking the wealth of earlier times—Nancy Mitford managed to create a novel that is both hilarious and poignant, with a style uniquely her own. Her characters seem almost too bizarre to be real, yet if you read about the real Mitfords, you discover that, if anything, this novel (published in 1945) softened their edges! She writes brilliantly not only about the fun and tensions among an array of strongminded siblings but also about her domineering father and, later, about the blissful madness of falling in love after an isolated childhood.

I like the historical setting of Gentil’s books (mainly 1930s Australia, although her characters venture overseas in a couple of the books) and the original newspaper clippings that introduce the chapters, which give you a glimpse of current affairs that form the backdrop to the story. Personally, I also enjoy the fact that her protagonist is an artist, albeit one with a wealthy family behind him. There’s danger, disapproving family, Blackshirts, unrequited love, and above all, staunch friendships; Rowland and his mates are people you wish you could hang out with. Give the Devil His Due is the seventh book in the Rowland Sinclair series.  

Although dipping into glamorous strata of New York society, the friendship dynamics reminded me of the period of adulthood where you start to make your way in the world… Often it involves new jobs or new cities and sometimes women discover the people they thought were close friends are not. Parallel journeys of female friends can put them into tension where paths diverge and taking space is the only solution. Here, avid reader Katey is moving beyond her humble beginnings by talent and character alone, while room-mate Eve is escaping her privilege and family ties; their agendas blend well for a while until they spin off in different directions. Resourceful Katey continually starts over in her smart, sharp-humoured style becoming ever more able to rely on herself.

Kevin Kwan takes a well-educated, confident Chinese-American woman and shows us how different her partner’s culture in Singapore is when she goes home with him and his family doesn’t accept her. I love how she doesn’t give up without a fight. I also enjoyed the side story about Aster and her husband. Nick and Aster were two of my favorite characters because of the humbleness they exude.

Beyond the characters, the clothing, the homes, the cars, the parties—it all blew my mind. I felt like I was Rachel, and all of it was happening to me. As soon as I finished the first book, I devoured the other two in the series. Kevin Kwan gives details that easily pull his readers into the story, causing them to wonder what crazy thing will happen next.

Jane Austen is unparalleled in her depiction of good and evil on a domestic level. While the situations are slightly less dramatic than in the other books I have selected, Mansfield Park compellingly presents the consequences of habituated action. Fanny Price is not perfect and certainly not most people’s cup of tea, but, like all Austen heroines, represents virtue and a growing self-knowledge over the course of the novel. The Crawford siblings are vivid examples of dulled moral vision. Without committing the literary sin of giving away the end, I will say that the “anti-romance” trajectory of the plot is wonderfully satisfying. Further, Sir Thomas Bertram may be my favorite male Austen character of all.

It turns out that privilege, entitlement, and lofty ambition are baked into every aspect of the top private boarding schools in the United States. The authors are two sociologists who took me behind the scenes of an elite school whose graduates are subtly—and not so subtly—groomed for power and success.

On magnificent residential high school campuses, students are surrounded by wealthy peers, portraits of celebrated alumni on the walls, seminar-style academic debates, famous guest speakers, and more. The authors paint a convincing and readable account of how exclusive schools imbue their students with the habits, dispositions, and ambitions to join society’s elites.