74 Books Like Give the Devil His Due

This is another extremely well-plotted book, set in rural Australia. The detective, Joe Cashin, is living in the small town where he grew up, when a rich guy living on a huge estate is brutally murdered. The local police think it was three Aboriginal teens, but an operation to take them in for questioning goes awry.

I love the setting here; the small coastal town is really vivid. There’s the mystery, which gathers steam and gets very compelling, but there are also lots of great descriptions of Joe’s two dogs, annoying well-written dialogue and plenty of dry humor as well.

From the first page of this book, I was there. The drought-ridden farming community of Kiewarra, Australia, is evoked so vividly that the whole story feels as gritty and parched as the landscape. For me, this book has all the ingredients that make a claustrophobic setting even more intense: harsh weather conditions, hostile locals, and a dingy bar where fights break out and people drink away their troubles. For these reasons alone, I was sold! This is a community where everyone knows everyone, but they’re all under so much pressure you just know they’d turn on their neighbors in a heartbeat.

I’m also a sucker for a narrative in which someone who has moved away from their hometown is drawn reluctantly back, and this book has that in spades. The main character, Detective Aaron Falk, left Kiewarra under murky circumstances as a teenager and is forced to return when his… show more.

Corris and his protagonist, the hard-scrabble private detective Cliff Hardy, are quintessentially Australian. The Dying Trade introduces Cliff (smoker, drinker, ex-boxer) and sets the standard for all the books that follow in this series. It’s dry and laconic, with a wonderful sense of place (a very gritty 1980s Sydney). There’s a definite nod to the greats— Chandler and Hammett in this series; you know Cliff Hardy probably shouldn’t take this job, it’s odds-on he’ll cop a beating along the way, possible he’ll find love and lose it again. I enjoy the author’s economy with words and the moral complexity of his characters. If you like hard-boiled crime, this series is worth a look!

*Note: Sydney is much nicer than it may seem when you walk in Corris’s shoes!

I lived in Australia for several years and loved visiting historic buildings with their wrap-around verandas, pressed-tin high ceilings, and old-world grandeur. Greenwood’s books, set in 1920s Melbourne, remind me of those buildings. Her heroine, investigator Phryne Fisher, epitomizes 1920s glamour.

She’s wealthy, educated, sexy, and self-assured, and conducts her investigations in a dazzling array of sumptuous outfits. But what I like most about Phryne is her ability to talk to anyone, whether that’s the grandest society hostess or the roughest docker.

In this book, she’s investigating a series of murders in a theatre and also finds herself drawn to Melbourne’s Chinese community. She moves easily between worlds, often kind, always shrewd, never flinching.

Can I make this list and not include a golden-age detective story set in a country house at Christmas? This one has all the ingredients required for an afternoon by the fire, looking out at the wintry weather—a locked room, an appealing detective, and a cast of people compelled, rather unwisely, to spend Christmas in each other’s company. "If you ask me, there very likely wouldn’t have been a murder at all if it hadn’t been for him getting ideas about peace and goodwill, and assembling all these highly uncongenial people under the same roof at the same time.” 

I think Jane Prescot is the perfect sleuth for this story of old money versus new money in 1910 New York City. She is a ladies’ maid to the new money Benchley daughters and she’s determined to keep them out of trouble. Her task becomes more difficult when Charlotte Benchley’s brand new fiancée is murdered. 

Jane is uniquely positioned to move through the city streets as well as into the homes of the upper crust. She’s smart, resourceful, and tenacious, but it’s her loyalty to her not-so-nice employers that had me rooting for her to uncover the killer. It definitely gave me Upstairs, Downstairs as well as Downton Abby vibes.

I love a well-written underdog, and Ashley Gardner delivers in this book. Captain Gabriel Lacey acts as the bridge between the highest echelons of society and the poor at the bottom, humanizing every one of them while solving twisty crimes.

I adored the unexpected friendship between the retired military man and Grenville, a fashion-conscious man of high society. This long-running series remains one of my absolute favorites because of the mix of upstairs/downstairs intrigues and excellent character development.

What a surprise find! I was introduced to Fractured by the ABC/Hulu series Will Trent—credit to my wife. After watching the premiere episode together, she informed me it was based on a Karin Slaughter novel. While the characters' histories were the same in both media, they were quite different in print, physically, and culturally. They’re equally intriguing but different. 

Nevertheless, the main character is totally fascinating because of his background—raised in a children’s home, abused by foster parents, dyslexic, but incredibly observant—which makes him a great detective for the Georgia Bureau of Investigation. As the author, Slaughter must have done copious research for the background information and details. Her great writing made it all believable. I was—and am—hooked.

I just love an uber-private, members-only resort setting, and this book delivers.

The club caters to celebs and the wealthy elite who want to be in the presence of famous people. Ned, the creator of The Home, has outdone himself this time and created an island destination to die for.

But when he goes missing, chaos envelops the island and its guests. It kept me on the edge of my seat. 

Terrible things happen to the women in this book, but they all, every single one of them, rock the boat to try and make their own lives. In this retelling of The Great Gatsby that centers the POVs of three women critical to the story (Jordan Baker, Daisy Buchanan, and Myrtle Wilson’s suffragist sister), we get the story that was always hiding between the lines.

I found myself proud of and mourning the lives of each of these women. I felt furious on their behalf and hopeful that the generations that came after them would reap the benefits of their mistakes and their work. 

Perhaps most surprising to me, I found myself wanting to know these women more than I ever, ever wanted to get to know Gatsby’s world.