Here are 100 books that We Have Never Been Modern fans have personally recommended if you like
We Have Never Been Modern.
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I write because I want to tell stories–and I also want to share great stories with others. An avid reader and writer of fantasy and speculative fiction, I have a love of the fantastic, the remarkable and the supernatural, which I have managed to sustain and develop alongside a successful working life in government and social administration. If you want to know about power–and what you need to wield it and control it, just give me a call. Great fantasy should tell universal truths, and sometimes, more difficult messages can be told more effectively using a supernatural metaphor. Telling those stories is what I do.
My favorite fantasy novels are those that take place in real and recognizable worlds because they allow me to imagine more clearly what it could be like if the marvelous, the magical, and the mythical were just as real as the kitchen sink and the laundry basket.
Susanna Clark’s iconic first novel, set against the turmoil of the Napoleonic Wars, is built upon a recognizable and very credibly created backdrop of social and economic unrest, bloody conflict, and international politics—at the heart of which is the quest of the eponymous Strange and Norrell to bring real magic back to the world.
The two magicians are the only people able to make the magic work—and as they become more successful in their endeavors, they become the most famous men of their day—helping the Duke of Wellington to defeat Napoleon and setting the country on its heels with their…
Two magicians shall appear in England. The first shall fear me; the second shall long to behold me The year is 1806. England is beleaguered by the long war with Napoleon, and centuries have passed since practical magicians faded into the nation's past. But scholars of this glorious history discover that one remains: the reclusive Mr Norrell whose displays of magic send a thrill through the country. Proceeding to London, he raises a beautiful woman from the dead and summons an army of ghostly ships to terrify the French. Yet the cautious, fussy Norrell is challenged by the emergence of…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Arshin Adib-Moghaddam is Professor in Global Thought and Comparative Philosophies at SOAS University of London and Fellow of Hughes Hall, University of Cambridge. Among over a dozen honorary appointments all over the world, Adib-Moghaddam is the inaugural Director of the SOAS Centre for AI Futures.
First published in 1947, this iconic book of the “Frankfurt School” could not be a study of AI and 21st-century technologies per see.
Instead it is a phantasmic explainer of how the mistakes of the past impinge on our humanity and the prospects for a better future. "What we had set out to do," Adorno and Horkheimer famously wrote in the Preface, "was nothing less than to explain why humanity, instead of entering a truly human state, is sinking into a new kind of barbarism."
With spectacular erudition, the authors clearly show how the terror regime of the Nazis was rooted in the nefarious legacies of enlightenment Europe and its obsession with racial purity. As such, Adorno and Horkheimer presaged why it is that our polluted history feeds into racist AI technologies: Bad data, Adorno and Horkheimer would agree, produces bad outcomes.
Dialectic of Enlightenment is undoubtedly the most influential publication of the Frankfurt School of Critical Theory. Written during the Second World War and circulated privately, it appeared in a printed edition in Amsterdam in 1947. "What we had set out to do," the authors write in the Preface, "was nothing less than to explain why humanity, instead of entering a truly human state, is sinking into a new kind of barbarism."
Yet the work goes far beyond a mere critique of contemporary events. Historically remote developments, indeed, the birth of Western history and of subjectivity itself out of the struggle…
My father was an artist who painted passionately, almost always outdoors. When I told him I wanted to become an art historian, he was sad partly because he hated art historians, but mainly because he imagined me chained (as a writer) to a desk, rather than marching the countryside looking for things to paint or draw. Like most writers, I sometimes get seriously bogged down, and his sadness comes back to haunt me. But then I pick up a book that, in just a few pages, puts my writing back on track, gladdening my father’s ghost.
Prose turned into poetry, history made uncanny, this slim volume by the master of cryptic visual illustration is an incredibly useful prompt for how to get one’s own writing going on a new and stranger track. Along the way, Sebald (author of The Emigrants and Austerlitz) delivers yet another powerful suite of stories entwining art and life.
After Nature is the very first literary work by W. G. Sebald, author of Austerlitz
'The greatest writer of our time' Peter Carey
After Nature by W.G. Sebald, author of Austerlitz, is his first literary work and the start of his highly personal and brilliant writing journey.
In this long prose poem, Sebald introduces many of the themes that he explores in his subsequent books. Focusing on the conflict between man and nature, each of the three distinct parts of After Nature give centre stage to a different character from a different century - the last being W.G. Sebald himself.…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
My father was an artist who painted passionately, almost always outdoors. When I told him I wanted to become an art historian, he was sad partly because he hated art historians, but mainly because he imagined me chained (as a writer) to a desk, rather than marching the countryside looking for things to paint or draw. Like most writers, I sometimes get seriously bogged down, and his sadness comes back to haunt me. But then I pick up a book that, in just a few pages, puts my writing back on track, gladdening my father’s ghost.
Are you stuck on a single sentence that keeps expanding but goes nowhere? Then tame it by cutting it down and finishing it off now. Ian Hacking is the master of the subject-verb-predicate sentence in historical writing. And this book, in addition to being a model of stylistic clarity, changes how we think about modernity, mathematics, danger, and risk. You’ll never be afraid of being clear again.
In this important study Ian Hacking continues the enquiry into the origins and development of certain characteristic modes of contemporary thought undertaken in such previous works as the best-selling The Emergence of Probability. Professor Hacking shows how by the late-nineteenth century it became possible to think of statistical patterns as explanatory in themselves, and to regard the world as not necessarily deterministic in character. In the same period the idea of human nature was displaced by a model of normal people with laws of dispersion. These two parallel transformations fed into each other, so that chance made the world seem…
My father was an artist who painted passionately, almost always outdoors. When I told him I wanted to become an art historian, he was sad partly because he hated art historians, but mainly because he imagined me chained (as a writer) to a desk, rather than marching the countryside looking for things to paint or draw. Like most writers, I sometimes get seriously bogged down, and his sadness comes back to haunt me. But then I pick up a book that, in just a few pages, puts my writing back on track, gladdening my father’s ghost.
Unable to finish a manuscript? This delicious book came about (I’m told) by accident, when its author, struggling with his vast magnum opus, decided to put it down, almost randomly, into a little book of startling essays. The result is an eye-opening study of how “things” need “persons” to speak on their behalf, becoming personable. Includes amazing insights into iconoclasm, ecological litigation, and the legal fight of Abolitionists. And teaches how to write less, cut more, and edit with creative abandon.
A strikingly original work, Friends of Interpretable Objects re-anchors aesthetics in the object of attention even as it redefines the practice, processes, meaning, and uses of interpretation.
Miguel Tamen's concern is to show how inanimate objects take on life through their interpretation--notably, in our own culture, as they are collected and housed in museums. It is his claim that an object becomes interpretable only in the context of a "society of friends." Thus, Tamen suggests, our inveterate tendency as human beings to interpret the phenomenal world gives objects not only a life but also a society. As his work unfolds,…
My father was an artist who painted passionately, almost always outdoors. When I told him I wanted to become an art historian, he was sad partly because he hated art historians, but mainly because he imagined me chained (as a writer) to a desk, rather than marching the countryside looking for things to paint or draw. Like most writers, I sometimes get seriously bogged down, and his sadness comes back to haunt me. But then I pick up a book that, in just a few pages, puts my writing back on track, gladdening my father’s ghost.
Steven’s poems have the cadence of philosophical argument. Entering into this cadence can raise one’s own writing, and thoughts, to a higher plane, without its becoming flowery or affective. For years I kept this collection open to the poem “The Poems of Our Climate,” with its consolation: “...the imperfect is so hot in us / Lies in flawed words and stubborn sounds."
This selection of works by Wallace Stevens--the man Harold Bloom has called “the best and most representative American poet”--was first published in 1967. Edited by the poet's daughter Holly Stevens, it contains all the major long poems and sequences, and every shorter poem of lasting value in Stevens' career, including some not printed in his earlier Collected Works. Included also is a short play by Stevens, "Bowl, Cat and Broomstick."
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I am an award-winning historian and philosopher of the human sciences. But I got here by means of an unusually varied path: working for a private investigator, practicing in a Buddhist monastery, being shot at, hiking a volcano off the coast of Africa, being jumped by a gang in Amsterdam, snowboarding in the Pyrenees, piloting a boat down the canals of Bourgogne, playing bass guitar in a punk band, and once I almost died from scarlet fever. Throughout my journey, I have lived and studied in five countries, acquired ten languages, and attended renowned universities (Oxford, Harvard, and Stanford), all while seeking ways to make the world a better place.
In this book, the Canadian philosopher Charles Taylor challenges the notion that modernization automatically leads to secularization.
Instead of viewing modernity as either the decline of religion or subtraction of religion from public life, Taylor presents the idea that modernity brings about the expansion and variety of religious beliefs. In Taylor’s view Christianity has been relativized insofar as it has been rendered but one kind of belief among others.
He also argues that many transcendent values have been replaced by immanent concerns. But in certain important ways the book is still hopeful. It is a very long text, but it is definitely important reading for anyone navigating faith, spirituality, and the search for meaning in today’s world.
What does it mean to say that we live in a secular age? Almost everyone would agree that we--in the West, at least--largely do. And clearly the place of religion in our societies has changed profoundly in the last few centuries. In what will be a defining book for our time, Charles Taylor takes up the question of what these changes mean--of what, precisely, happens when a society in which it is virtually impossible not to believe in God becomes one in which faith, even for the staunchest believer, is only one human possibility among others.
I am an award-winning historian and philosopher of the human sciences. But I got here by means of an unusually varied path: working for a private investigator, practicing in a Buddhist monastery, being shot at, hiking a volcano off the coast of Africa, being jumped by a gang in Amsterdam, snowboarding in the Pyrenees, piloting a boat down the canals of Bourgogne, playing bass guitar in a punk band, and once I almost died from scarlet fever. Throughout my journey, I have lived and studied in five countries, acquired ten languages, and attended renowned universities (Oxford, Harvard, and Stanford), all while seeking ways to make the world a better place.
Chakrabarty’s monograph is a classic work of postcolonial theory.
Basically, it shows that despite their pretensions to universality, a lot of the humanities and social sciences have been founded on unexamined Eurocentric perspectives on world history. While modernity is often held up as a universal standard, Chakrabarty unmasks the widely held assumptions about “sovereignty,” “disenchanted space,” and “secular time,” as European constructs.
Famously, he also shows how the transition to capitalism was an act of translation that changed the way people saw the world and their relationship to each other. This book can be hard going, but it is very much crucial reading as it really undercuts some of the most widely held myths of modernity.
First published in 2000, Dipesh Chakrabarty's influential Provincializing Europe addresses the mythical figure of Europe that is often taken to be the original site of modernity in many histories of capitalist transition in non-Western countries. This imaginary Europe, Dipesh Chakrabarty argues, is built into the social sciences. The very idea of historicizing carries with it some peculiarly European assumptions about disenchanted space, secular time, and sovereignty. Measured against such mythical standards, capitalist transition in the third world has often seemed either incomplete or lacking. Provincializing Europe proposes that every case of transition to capitalism is a case of translation as…
At age sixteen, I traveled from Pennsylvania to Alaska’s wilderness to live for three months. I took Einstein’s book on relativity. My mind swirled and expanded. The next year, I wrote a paper for high school titled My Universe in Four Realities. Seven years later, I read Julian Jaynes’ book on consciousness. The epiphanies rolled in. The reality we’re taught to believe in always rang false to me. When I learned the inside tricks lawmakers use to stop Americans from blocking environmentally harmful industrial actions, I wrote a book about it. I’m passionate about exposing deceit, whether cultural or legal. These books helped.
For me, intelligence is the ability to change one’s mind, given new information and reasoned insight. This book changed my mind profoundly by challenging me to reexamine Western cultural dogmas about my place in the world, the unnatural life I was encouraged to build in pursuit of material convenience and luxury, and how the fantasy of material “progress” robbed me of the simple magic that is ever-present.
I know a book is particularly good when I have repeatedly taken it from my bookshelf over the years.
The Reenchantment of the World is a perceptive study of our scientific consciousness and a cogent and forceful challenge to its supremacy. Focusing on the rise of the mechanistic idea that we can know the natural world only by distancing ourselves from it, Berman shows how science acquired its controlling position in the consciousness of the West. He analyzes the holistic, animistic tradition-destroyed in the wake of Scientific Revolution of the sixteenth and seventeenth centuries-which viewed man as a participant in the cosmos, not as an isolated observer. Arguing that the holistic world view must be revived in some credible…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
My name is Carl Rhodes, and I am a Professor of Management and Organization at the University of Technology Sydney. Like many others, in recent years I have become increasingly concerned, sometimes angry even, about how the organization of business and the economy is creating massive economic injustice. I am convinced that the economic system that has billionaires at its apex is deeply unfair, creating hardship, pain, and even death for too many people around the world. I am also convinced that we do not have to accept this gross injustice as being inevitable.
Jonathan Taplin’s excellent book focuses on just four billionaires–Elon Musk, Mark Zuckerberg, Peter Thiel, and Marc Andreessen. What I found special about this book is that it shows how these billionaires have created and sold utopian futures to the world, whether they come in the form of the metaverse, cryptocurrency, space travel, or transhumanism.
Even more disturbing is Taplin’s argument that under the pretense of these utopias, billionaires have been able to grow their wealth and power without interference from the government. Meanwhile, inequality continues to expand, nature is replaced with technology, and oligarchy gets more and more entrenched. In short, billionaire utopian visions are a distraction from the real and present danger of gross economic inequality.
'A wake-up call ... fascinating' Scott Galloway, author of The Four
'Please read this' Jaron Lanier, author of Ten Arguments For Deleting Your Social Media
From the author of Move Fast and Break Things comes a withering takedown of four billionaires (from Andreessen to Zuckerberg) who are selling us fantasies while the world burns.
At a time when multiple crises are compounding to create epic inequality, four billionaires are hyping schemes that are designed to divert our attention away from issues that really matter. Each scheme - from the metaverse to cryptocurrency, space travel and transhumanism - is an existential…
