Here are 100 books that We Have Always Been Here fans have personally recommended if you like
We Have Always Been Here.
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I have gone through the refugee experience, and it has shaped me. I grew up queer in Syria, became a man in Egypt, a refugee in Lebanon, then an author in Canada. At the expense of romanticizing something so deeply painful, I do believe that the experience has made me a better man. It matured me, offered me a deep connection with others within my community, and built an unmatched appreciation of my culture of home back in Syria and my culture of diaspora here in Canada. As a fiction writer, I am obsessed with writing queer stories about immigration.
I only knew of this book because my British publisher introduced me to it. For that, I’m truly thankful. The book feels honest and unflinching and makes for a great read for both myself as an immigrant as well as for those navigating a world where immigration is a constant daily reality.
I read it over a weekend in 2020 and have read it once more in 2022. I had to return to it, especially when I was faced with microaggressions or felt unheard in my new home in Canada.
What is it like to be a refugee? It is a question many of us do not give much thought, and yet there are more than 25 million refugees in the world. To be a refugee is to grapple with your place in society, attempting to reconcile the life you have known with a new, unfamiliar home. All this while bearing the burden of gratitude in your host nation: the expectation that you should be forever thankful for the space you have been allowed.
Aged eight, Dina Nayeri fled Iran along with her mother and brother, and lived in the…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I am the Chief Legal Officer at a US publicly traded company. Although I was born in Iran, I immigrated to the US from Iran at age ten. When I was three years old, my father’s side of the family tried to take my brother and me away from my mother after my father passed away. She fought a custody battle and lawsuit and eventually was forced to flee Iran with us during the revolution. I am passionate about the Iranian Revolution, my relationship with my very strong and remarkable mother who has been a mentor to me, as well as family relationships within Iranian families.
I love the transparency with which the author describes her family, immigrants who moved to Southern California in the 1970s.
At times, she mocks her family, but ultimately, it is endearing how she describes family love and how tradition can overcome everyday life for immigrants. By including her Uncle, she depicts how much, in the Iranian culture, an extended family can be involved in everyday life. She writes with a great deal of humor, making a heavy topic seem quite light.
NEW YORK TIMESBESTSELLER • Finalist for the PEN/USA Award in Creative Nonfiction, the Thurber Prize for American Humor, and the Audie Award in Biography/Memoir
This Random House Reader’s Circle edition includes a reading group guide and a conversation between Firoozeh Dumas and Khaled Hosseini, author of The Kite Runner!
“Remarkable . . . told with wry humor shorn of sentimentality . . . In the end, what sticks with the reader is an exuberant immigrant embrace of America.”—San Francisco Chronicle
In 1972, when she was seven, Firoozeh Dumas and her family moved from Iran to Southern California, arriving with no…
I have gone through the refugee experience, and it has shaped me. I grew up queer in Syria, became a man in Egypt, a refugee in Lebanon, then an author in Canada. At the expense of romanticizing something so deeply painful, I do believe that the experience has made me a better man. It matured me, offered me a deep connection with others within my community, and built an unmatched appreciation of my culture of home back in Syria and my culture of diaspora here in Canada. As a fiction writer, I am obsessed with writing queer stories about immigration.
I read this book back in 2018. As a Syrian writer, I was feeling quite lonely at the time, singular in the publishing community. Someone told me they heard about this book on NPR, and I jumped on it.
The book is a reversal of my own story. The author, a Syrian born in the US, travels back to Syria to search for her grandmother’s home. The observations feel authentic, and the storytelling feels meaningful. I was quite engrossed by the narrative; I could barely put the book down.
At the Arab Spring's hopeful start, Alia Malek returned to Damascus to reclaim her grandmother's apartment, which had been lost to her family since Hafez al-Assad came to power in 1970. Its loss was central to her parent's decision to make their lives in America. In chronicling the people who lived in the Tahaan building, past and present, Alia portrays the Syrians-the Muslims, Christians, Jews, Armenians, and Kurds-who worked, loved, and suffered in close quarters, mirroring the political shifts in their country. Restoring her family's home as the country comes apart, she learns how to speak the coded language of…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
I have gone through the refugee experience, and it has shaped me. I grew up queer in Syria, became a man in Egypt, a refugee in Lebanon, then an author in Canada. At the expense of romanticizing something so deeply painful, I do believe that the experience has made me a better man. It matured me, offered me a deep connection with others within my community, and built an unmatched appreciation of my culture of home back in Syria and my culture of diaspora here in Canada. As a fiction writer, I am obsessed with writing queer stories about immigration.
I want to end this list on a strong note: this book by an immigrant to New York felt personal to me. Navigating life in New York is a dream for many immigrants, one that, realistically, I know I shouldn’t keep, but emotionally, I’m still connected to.
Still, this book carries more than just the background of NYC, it also has such a strong case against the idea that undocumented immigrants have nothing of value for the US. After reading this book, I kinda wanted Dan-el to be my friend.
An undocumented immigrant’s journey from a New York City homeless shelter to the top of his Princeton class
Dan-el Padilla Peralta has lived the American dream. As a boy, he arrived in the United States legally with his family. Together they had traveled from Santo Domingo to seek medical care for his mother. Soon the family’s visas lapsed, and Dan-el’s father eventually returned home. But Dan-el’s courageous mother decided to stay and make a better life for her bright sons in New York City.
Without papers, she faced tremendous obstacles. While Dan-el was only in grade school, the…
I wasn’t a fan of reading when I was young. I was a lazy reader. Subjects and genres were always chosen for me during education, until I hunted for my own. I used to write a lot more than reading in early high school. I wrote a horror journal, submitted to my English teacher every week. He told me that my writing was good but advised me that reading the genre could help develop my ideas. Funny, a young teenager couldn’t work that out? So, off I went to the local bookstore and bought my first horror novel. I devoured it within a week. I've been a reader and writer of horror ever since.
A book I’d wanted to read for a long time, but it wasn’t until later in life I was able to get it. When I was just on the early stages of my writing career, my now longtime friend, Marty, said he had a spare copy of Cabal laying around and offered to send it to me. Marty was my writing mentor at the time as he’d been writing horror for many years previous, and his work is inspiring. So, knowing I was getting a book in the mail from my mentor, to whom I hadn’t met in person yet, was very exciting. The book itself was a tired secondhand copy (which I was told it was) yet this gave it more special meaning. Even the cover was a little torn and it was a pocket edition. So, I sat back with this little book, which I still have as…
A fabulous journey through the mind of the master of dark imaginative fiction, Clive Barker.
The nightmare had begun....
Boone knew that there was no place on this earth for him now; no happiness here, not even with Lori. He would let Hell claim him, let Death take him there.
But Death itself seemed to shrink from Boone. No wonder, if he had indeed been the monster who had shattered, violated and shredded so many others' lives.
And Decker had shown him the proof - the hellish photographs where the last victims were forever stilled, splayed…
I was born in Mumbai, lived in Kolkata for most of my life, and am an educator and poet who lives in the US. I am a Bene Israel Jew from India. As a child, I was fascinated by all kinds of literature, mythology, folktales, and stories. I have been influenced by everything around me. My passion for literature probably inspired me to become a teacher and later a writer who is constantly exploring, creating, re-imagining, and evolving. My books are about the immigrant experience, displacement, racism, women’s issues, nature, the animal kingdom, to name a few. But within these themes, I also explore identity and belonging, death, loss and recovery.
Ayelet Tsabari’s stunning memoir is all about departure, wandering, displacement, identity, and belonging. As a Mizrahi, or non-European Jew, and a minority in Israeli society and culture, she establishes herself as a powerful voice for emigrants and minorities and speaks truth to power.
In the West, Ashkenazi Jewish culture dominates, and most people are ignorant of, and/or quite indifferent to, the myriad Jewish communities of the world and their complex and rich cultures. Her experiences in the Israeli army, her travels, her difficult relationships, her escape from trauma and pain as she enters into different worlds, and how she makes peace with herself. She focuses on those like herself on the margins of Israeli society and exposes the misogyny and discrimination she and other immigrants like herself experience on a daily basis.
Many of the aspects she writes about resonate deeply with me as an Indian immigrant in the US,…
An intimate memoir in essays by an award-winning Israeli writer who travels the world, from New York to India, searching for love, belonging, and an escape from grief following the death of her father when she was a young girl
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY KIRKUS REVIEWS
This searching collection opens with the death of Ayelet Tsabari’s father when she was just nine years old. His passing left her feeling rootless, devastated, and driven to question her complex identity as an Israeli of Yemeni descent in a country that suppressed and devalued her ancestors’ traditions.
Big Ideas... For Small Businesses
by
John Lamerton,
Big Ideas… for Small Businesses is a straight-talking, no-nonsense guide to growing a small business without sacrificing your lifestyle. Written by a former civil servant turned entrepreneur, the book challenges hustle culture and instead champions the idea of an "ambitious lifestyle business" - one that provides freedom and financial stability,…
When I moved to Kingston, Ontario, Canada in 2001 I was amazed to find how this city, unlike many North American cities, has preserved and celebrated its past. It’s in the architecture, the streets, the fabric, and the soil. As someone with a deep love of reading and exploring history, I immediately began to research my new home. I didn’t discover the sort of bloodless accounts often taught in school, replete with dates and facts. This history simmers and boils; full of tales of pirates and officers, gadflies and ne’er-do-wells, countless plucky frontiersmen and women. There is enough raw material for a thousand novels.
Roy’s history of Kingston is a fiction writer’s dream. It is crammed with colourful anecdotes and amazing descriptions of life two hundred years ago, each one a possible starting point for a novel. This is not your dry, elementary school history; Roy’s account sweats and stinks, crackles and clangs, chews and spits. He writes of revolting spectacles such as “disfigured or putrified or naked human bodies lying exposed on the shores of the town, or kept afloat and fastened by a rope while the preparations for interment were being made.” Life in a frontier town was not for the faint of heart.
A few years ago, while researching my novel Incarnate, I sought out Arctic, Alaskan, and winter horror novels. These books explored the dangers of such places—brutal nature, isolation, depression, fear, and suicidal tendencies. Combined with the supernatural, Lovecraftian, and unexplainable, they created gripping stories.
I also read non-fiction essays, books, articles, and watched YouTube videos about these harsh environments. The authors captured the reality of isolation and danger perfectly. If you're curious about what it’s like to venture into these perilous, frozen landscapes—without risking frostbite—these novels are a thrilling way to experience it.
Part of the challenge of writing my novel was trying to study the various cultures, people, rituals, economies, beliefs, and ways the locals survived. This anthology had a bounty of information and a variety of stories that were written by northern authors who knew the area, some of them living there for prolonged periods of time.
The word “Taaqtumi” is an Inuktitut word that means “in the dark”—which seems appropriate. With story titles like “Insinaqtutalik Piqtuq: The Haunted Blizzard” and “Wheetago War II: Summoners,” you can see that the native POV is important to these stories. It is so important that I hired one of the authors, Repo Kempt, to be my Arctic advisor on my book—to help me get the details right.
"Taaqtumi" is an Inuktitut word that means "in the dark"-and these spine-tingling horror stories by Northern writers show just how dangerous darkness can be. A family clinging to survival out on the tundra after a vicious zombie virus. A door that beckons, waiting to unleash the terror behind it. A post-apocalyptic community in the far North where things aren't quite what they seem. With chilling tales from award-winning authors Richard Van Camp, Rachel and Sean Qitsualik-Tinsley, Aviaq Johnston, and others, this collection will thrill and entertain even the most seasoned horror fan.
I am an aficionado of lost objects, lost time, afterlives; of writing which never “fitted” its era. Examples would be that of John Aubrey, Herman Melville, Fernando Pessoa, Djuna Barnes, Elizabeth Hardwick, Ralph Ellison… the list goes on. I look for writing that has stood the test of time, not celebrated for the fame and bling of the moment. I look for the futile products of those who possessed genius, but who never earned enough readers until decades or centuries later, once they were released from the prison-house of genre. I look for the posthumous brilliance of language; the phosphoric glow of its offerings and of the buried treasures found therein.
I just love the way she is so contemptuous of people telling false “stories”. Her writing falls between every genre imaginable, a collage of well-researched facts and the indelible list of the horrors of war. She makes lists as monuments to dead victims; she names names; she calls out nationalism and racism. Wry and ironic, she has composed a battle-hymn against the barbarity of the Yugoslav wars between 1991 and 2001. To my lasting regret, I missed meeting her in Melbourne not long before she died.
Tea Radan, the narrator of the novel Canzone di Guerra, reflects on her own past and in doing so, composes a forgotten mosaic of historical events that she wants to first tear apart and then reassemble with all the missing fragments. In front of the readers eyes, a collage of different genres takes place - from (pseudo) autobiography to documentary material and culinary recipes. With them, the author Dasa Drndic skillfully explores different perspectives on the issue of emigration, the unresolved history of the Second World War, while emphasizing the absurdity of politics of differences between neighboring nations. The narrator…
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicit…
I’m an English nonfiction writer who is, I suppose, best-known for Members Only, my biography of the London strip club owner, theatre impresario, property magnate, and porn baron Paul Raymond, which was adapted into a big-budget movie called The Look of Love. Like many of my books, Members Only strayed into true crime, a genre that has, for all sorts of reasons, been attractive to me as a writer. Probably the most important of those is that it provides the opportunity to tell inherently dramatic stories and to convey a vivid picture of the past, thanks to the wealth of documentation associated with major crimes.
Now that’s a question that can be answered in a few sentences. Here’s goes…
This is among the finest examples of the true-crime genre. It’s an enthralling, pacey, and ingeniously structured account of the murders committed on both sides of the Atlantic by Dr. Neill Cream, a Scottish-born Canadian whose medical career served as camouflage for his psychopathic misogyny.
Macabre though the subject matter is, Jobb never wallows in that side of things, preferring to use the story as a vehicle for his vivid and insightful portrait of late nineteenth-century society.
The Case of the Murderous Dr. Cream takes readers to the late nineteenth century as Scotland Yard follows the trail of a cold-blooded serial killer who was as brazen as the notorious Jack the Ripper and who would finally be brought to justice by detectives employing a new science called forensics.
"When a doctor does go wrong, he is the first of criminals," Sherlock Holmes observed during one of his most baffling investigations. "He has nerve and he has knowledge." In the span of fifteen years, Dr. Thomas Neill Cream poisoned at least ten women in the United States, Britain,…