Books like We Have Always Been Here — picked by fans

I only knew of this book because my British publisher introduced me to it. For that, I’m truly thankful. The book feels honest and unflinching and makes for a great read for both myself as an immigrant as well as for those navigating a world where immigration is a constant daily reality.

I read it over a weekend in 2020 and have read it once more in 2022. I had to return to it, especially when I was faced with microaggressions or felt unheard in my new home in Canada. 

I love the transparency with which the author describes her family, immigrants who moved to Southern California in the 1970s.

At times, she mocks her family, but ultimately, it is endearing how she describes family love and how tradition can overcome everyday life for immigrants. By including her Uncle, she depicts how much, in the Iranian culture, an extended family can be involved in everyday life. She writes with a great deal of humor, making a heavy topic seem quite light.

I read this book back in 2018. As a Syrian writer, I was feeling quite lonely at the time, singular in the publishing community. Someone told me they heard about this book on NPR, and I jumped on it.

The book is a reversal of my own story. The author, a Syrian born in the US, travels back to Syria to search for her grandmother’s home. The observations feel authentic, and the storytelling feels meaningful. I was quite engrossed by the narrative; I could barely put the book down. 

I want to end this list on a strong note: this book by an immigrant to New York felt personal to me. Navigating life in New York is a dream for many immigrants, one that, realistically, I know I shouldn’t keep, but emotionally, I’m still connected to.

Still, this book carries more than just the background of NYC, it also has such a strong case against the idea that undocumented immigrants have nothing of value for the US. After reading this book, I kinda wanted Dan-el to be my friend. 

A book I’d wanted to read for a long time, but it wasn’t until later in life I was able to get it. When I was just on the early stages of my writing career, my now longtime friend, Marty, said he had a spare copy of Cabal laying around and offered to send it to me. Marty was my writing mentor at the time as he’d been writing horror for many years previous, and his work is inspiring. So, knowing I was getting a book in the mail from my mentor, to whom I hadn’t met in person yet, was very exciting. The book itself was a tired secondhand copy (which I was told it was) yet this gave it more special meaning. Even the cover was a little torn and it was a pocket edition. So, I sat back with this little book, which I still have as… show more.

Roy’s history of Kingston is a fiction writer’s dream.  It is crammed with colourful anecdotes and amazing descriptions of life two hundred years ago, each one a possible starting point for a novel.  This is not your dry, elementary school history; Roy’s account sweats and stinks, crackles and clangs, chews and spits. He writes of revolting spectacles such as “disfigured or putrified or naked human bodies lying exposed on the shores of the town, or kept afloat and fastened by a rope while the preparations for interment were being made.” Life in a frontier town was not for the faint of heart. 

I first discovered Charles de Lint as a fantasy writer, so I was curious to see he had written a cyberpunk novel. While it is a bit of a departure for him, I was very happy to see that he still brings in fantasy touches. I liked this book because of the animist idea of spirits interacting with our world, even when that world is a futuristic dystopia. I also liked there’s a lot of hope, especially in his depiction of the indigenous Claver society.

I loved seeing this world through Gahzee’s eyes as he journeys from his own society (which is sort of proto-solar punk) to the dystopian city, as well as between the human world and the spirit world, as he finds his “Tribe of Three.”

Pastoral is one of my favorite recent discoveries. It’s one of a quincunx of novels linked by exploration of five classic literary genres—in this case the currently unfashionable pastoral. Newly ordained priest Christopher Pennant isn’t greatly pleased that his first parish assignment is to a rural town where sheep are numerous. He assumes he’ll be a suitable shepherd to the humans, people he expects to be simple and straightforward. Of course, they aren’t. They’re not only as complex as people anywhere else, but very unexpected. Father Pennant not only finds he has a self-appointed cello-playing chef as rectory caretaker, but he witnesses three possible miracles. Or are they trickery? I love the depth and gentle humor in the priest’s attempts to understand his parishioners and himself. And nature, too.

Ayelet Tsabari’s stunning memoir is all about departure, wandering, displacement, identity, and belonging. As a Mizrahi, or non-European Jew, and a minority in Israeli society and culture, she establishes herself as a powerful voice for emigrants and minorities and speaks truth to power.

In the West, Ashkenazi Jewish culture dominates, and most people are ignorant of, and/or quite indifferent to, the myriad Jewish communities of the world and their complex and rich cultures. Her experiences in the Israeli army, her travels, her difficult relationships, her escape from trauma and pain as she enters into different worlds, and how she makes peace with herself. She focuses on those like herself on the margins of Israeli society and exposes the misogyny and discrimination she and other immigrants like herself experience on a daily basis.

Many of the aspects she writes about resonate deeply with me as an Indian immigrant in the US,… show more.

Part of the challenge of writing my novel was trying to study the various cultures, people, rituals, economies, beliefs, and ways the locals survived. This anthology had a bounty of information and a variety of stories that were written by northern authors who knew the area, some of them living there for prolonged periods of time.

The word “Taaqtumi” is an Inuktitut word that means “in the dark”—which seems appropriate. With story titles like “Insinaqtutalik Piqtuq: The Haunted Blizzard” and “Wheetago War II: Summoners,” you can see that the native POV is important to these stories. It is so important that I hired one of the authors, Repo Kempt, to be my Arctic advisor on my book—to help me get the details right.