72 Books Like We Are the Origin

This book is both a fascinating vision of a tumultuous world and a deep dive into the mind of a troubled and compelling protagonist.

The character work in this book is incredibly impressive, with the long arc of the protagonist’s development drawn in convincing and gripping detail that left me feeling like I had known this person for years through all their triumphs, tragedies, and mistakes, which is to say nothing of its creative and plausible magic, its socio-political commentary, and its meditation on family and grief. Rightfully recognized as a modern classic, it is a book all fans of fantasy should read.

Legendborn is a King Arthur tale set in modern-day Georgia. With that description, how could I not love this book?

Tracy Deonn is a master at blending Southern folk traditions and African lore with Arthurian legends. I fell in love with Bree, the typical Southern teenager starting out at UNC-Chapel Hill. She has magic, but it’s not the same magic as the mages who are gearing up for a magical war.

The tale is a clash of magical cultures topped off with a Romeo and Juliet romance. It grabbed me from the first page, and I haven’t stopped thinking about it since.

Faeblood Unbroken by Alyiah Marie Gonzales is exactly what I needed when I started reading indie novels. In this diverse collision of fae and vampire lore, we follow Elyria through a magnetic, romantic slow burn with Zarina Sinclair, and both women are incredibly tender and fierce through Gonzales’ descriptive writing. The tension in this novel shines through how the women communicate and handle complications, while the lightheartedness in this novel does an excellent job of propelling us through the darkness of their character arcs and introspective decisions. This novel brings the feelings of women to the forefront of its imaginative storytelling, and I look forward to seeing where else the diversity will unfold as the series continues. 

Very rarely are we given the voice of a Black woman unraveling the depths of the genre that is horror. Jean Nicole Rivers gives us exactly that with Black Water Tales: To the Moon and Back, a riveting thriller that follows Simone Parker, a protagonist that wants to break generational curses while protecting her family from a haunting town legend. This novel left me wanting more as soon as I put it down, and I was incredibly happy to know that this Jean Nicole Rivers is anything but finished in terms of making sure that Black women can be seen and written into horror stories. The Black Water Tales has become a favorite series of mine, and I look forward to what’s to come… 

How do monarchies begin and why do they fail? Remarkably few serious studies of Greece’s deposed royal family have appeared in print. Monarchy in Modern Greece, now available in this excellent English translation, offers readers a highly informative and thoughtful account of Greece’s experiment with “crowned democracy.” Written in essay form, scholars and general readers alike will find much to illuminate and entertain as Costas Stamatopoulos judiciously reviews the reigns of the seven monarchs whose reigns were buffeted by domestic and international crises. The lengthy footnote section is a veritable gold mine for anyone wanting to explore further and dig deeper.

I love this book because John Darwin takes the history of empires very seriously.

He argues that the present world is the legacy of the great empires that came into existence after the fall of Tamerlane in 1405. He was the last powerful Eurasian ruler who followed in the footsteps of Genghis Khan and Attila the Hun. This allowed Asian and European empires such as the Romanovs, Ottomans, the Mughals, the Manchus, the British, the French, the Nazis, and the Soviets to build their empires in space that yoked together Asia and Europe in shared imperial ambitions.

This is an accessible and beautifully written introduction to world history that is well worth your time and effort. It is a great book for a serious book club.

The extent of an evil leader’s influence can be measured in terms of whether he or she enters popular folklore. In the case of Ivan the Terrible, the Russian “grozny” in “Ivan Grozny” is actually translated as “awe-inspiring,” though the “terrible” tag has ensured that the czar would be remembered for his paranoia, brutality, and alleged insanity.

In folklore it was different: as Perrie’s book demonstrates, Ivan was a sympathetic figure through the twentieth century, in tales that recounted his triumphs in war or his repenting after an act of cruelty. Perrie attributes the favorable views of Ivan to “popular monarchism,” but he was also a figure whose image could be grafted onto existing folkloric archetypes to powerful effect.

I’ve owned this book for over thirty years, and it’s still my ‘go-to-book’ for the earliest of the English kingdoms—charting the centuries when Northumbria, Mercia, and then Wessex were in the ascendant during Saxon England. It’s so readable and engaging. Without it, I don’t believe my passion for the era would ever have gained flight. And it’s not that it shies away from the more complicated arguments about source material and complexities in the narrative record. No, it does all that and much, much more. I still believe it to be one of the best books on the period, and I know for a fact, that many other Saxon historical fiction authors have this book on their bookshelves.

This is the first history that details how the late nineteenth-century monarchy became an engine of philanthropy. As kings and queens were sidelined, or reduced to insignificance, in political transactions, they increased their role in assisting non-profit institutions that contributed to the public good. They gave their patronage, for example, to hospitals, veterans’ associations, and civic charities. This gave the royal family an outsized influence in the do-good world, and this itself increased the respect in which the monarchy was held by people of all parties. Frank Prochaska is an American historian of Great Britain, so he brings a healthy objectivity to literature about royalty that is sometimes too credulous and deferential.

Where so many other fantasy novels focus primarily on young characters discovering their abilities, this book introduced me to Durzo Blint, an assassin at the peak of his powers with a legendary reputation and a leave-no-one-alive attitude.

I loved seeing his humanity through his interactions with his apprentice (Azoth/Kylar), but what made this series one of my all-time favorites is knowing that anytime Durzo goes against an enemy, he goes hard and doesn’t stop until he’s the last man left standing. It has insane action, a beautifully dark flavor, and a truly epic story.