Here are 84 books that Watch Me Disappear fans have personally recommended if you like
Watch Me Disappear.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I love stories so much I majored in English at UVa. Though I showed up in New York with only reading and waitressing skills, I’ve somehow enjoyed the privilege of working in the arts at some of the greatest institutions (Paul Taylor, Cooper Union, ABT). I respond to art, people and especially art-people. Encountering their deep love (and glorious dysfunction) in books enables me to extend the special communion that grows around audiences and artists. This is central to me. It reminds me that beauty is important. It helps me hold on.
This is such an insightful glimpse into what happens when an artist—in this case, an architect—stops creating, that’s both hilarious and heartbreaking.
Describing the price of privilege, but without preciousness, Maria Semple illustrates the decline of a mother and professional, doing what seem like the right things while producing disastrous results that really ring true.
Fatigued by the priorities of high-tech Seattle, Bernadette loses her confidence and misplaces her trust. Then it’s her daughter who has to pull her back from the brink. Their love withstands the tests of culture, community, and commodity, reminding us of the remarkable symbiosis between mothers and daughters while showcasing Semple’s irrepressible, satiric wit.
A misanthropic matriarch leaves her eccentric family in crisis when she mysteriously disappears in this "whip-smart and divinely funny" novel that inspired the movie starring Cate Blanchett (New York Times).
Bernadette Fox is notorious. To her Microsoft-guru husband, she's a fearlessly opinionated partner; to fellow private-school mothers in Seattle, she's a disgrace; to design mavens, she's a revolutionary architect; and to 15-year-old Bee, she is her best friend and, simply, Mom.
Then Bernadette vanishes. It all began when Bee aced her report card and claimed her promised reward: a family trip to Antarctica. But Bernadette's intensifying allergy to Seattle --…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I grew up in a family that avoided expressing any emotion. A happy house was one where anger and frustration were unheard of. Even laughter was suspect. Books allowed me to experience joy and sorrow. Books allowed me to express my feelings, even though it was behind my closed bedroom door, clutching a handful of sodden tissues, exhausted from the novelty of letting my emotions out. These books are not the books of my childhood. Instead, they are the books of the grown-up me who no longer has to hide behind her bedroom door. I think you will love them just as much as I do.
This book is set in Shaker Heights, a neighborhood so relevant it becomes a character in the story. Plant these actors and this plot in a community where perfection isn’t the rule, and the book flounders.
The characters in this book are no different than the people in my own neighborhood, until the author let me see what they were really like. Little Fires Everywhere is filled with secrets and beliefs that turn out to be drastically wrong—just the kind of book I celebrate.
"Witty, wise, and tender. It's a marvel." -Paula Hawkins, author of The Girl on the Train and A Slow Fire Burning
"To say I love this book is an understatement. It's a deep psychological mystery about the power of motherhood, the intensity of teenage love, and the danger of perfection. It moved me to tears." -Reese Witherspoon
From the bestselling author of Everything I Never Told You and Our Missing Hearts comes a riveting novel that traces the intertwined fates of the picture-perfect Richardson family and the enigmatic mother and daughter who upend their…
Many years ago I was outside, clothespins in hand as I hung damp towels on the clothesline at our small beach house. A yard over, I heard a mother and daughter arguing loudly. I didn’t pick up all the details, but it was clear that the mother and daughter’s expectations were miles apart. At that moment, I found myself frozen solidly in the center. Was I mother? Was I daughter? I connected equally. Since that time I’ve been interested in the dynamics and criticality of the mother-daughter relationship, and I knew my first novel would be an exploration of that theme.
Sometimes a mother fails. In My Name is Lucy Barton, the title character fled her home because of her abusive father. Although her mother loved Lucy and her siblings, she was unable to protect her children. Many years later when Lucy falls ill and her mother visits her, the two reconnect and develop a shared understanding. Strout addresses the imperfection of a mother while retaining the magnetic pull between mother and daughter.
LONGLISTED FOR THE MAN BOOKER PRIZE 2016 AND THE BAILEYS WOMEN'S PRIZE FOR FICTION 2016. A #1 NEW YORK TIMES BESTSELLER.
An exquisite story of mothers and daughters from the Pulitzer prize-winning author of Olive Kitteridge
Lucy is recovering from an operation in a New York hospital when she wakes to find her estranged mother sitting by her bed. They have not seen one another in years. As they talk Lucy finds herself recalling her troubled rural childhood and how it was she eventually arrived in the big city, got married and had children. But this unexpected visit leaves her…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
In the ‘60s, everyone was reading—or claiming to have read—Jack Kerouac’s On the Road. I faked reading it, to appear cool. The idea of a road trip, though—characters running away, running toward, or often both—and the self-discovery that ensues—was so intriguing, I made it the heart of the novel I first drafted decades ago. I wrote about a middle-aged woman who flees her life to find a lost love and her lost youth, then put the manuscript away. For 30 years. When I retired from my social work career, I pulled it from the closet, revised it, and became an author at 74.
When this astonishing debut novel about a complicated mother-daughter relationship came out, I wondered if the author had met my mother. Because Adele August believes there’s nothing for her in her small Wisconsin town, she sets off for Los Angeles with her twelve-year-old daughter and a dream—Ann will be a child star; Adele will make a wealthy marriage; they’ll live the lives they were meant to. Simpson’s writing is gorgeous: “My mother and I should have both been girls who stayed out on the porch a little longer than the rest… who strained to hear the long-distance trucks on the highway... girls who looked at the sky and wanted to go away… but who finally sighed, and calling the dog with a mixture of reluctance and relief, shut the door and went home.” Reality can’t live up to Adele’s delusions; mother-child roles are often reversed; but love underlies this tangled…
A national bestseller—adapted into a movie starring Natalie Portman and Susan Sarandon—Anywhere But Here is the heart-rending tale of a mother and daughter. A moving, often comic portrait of wise child Ann August and her mother, Adele, a larger-than-life American dreamer, the novel follows the two women as they travel through the landscape of their often conflicting ambitions. A brilliant exploration of the perennial urge to keep moving, even at the risk of profound disorientation, Anywhere But Here is a story about the things we do for love, and a powerful study of familial bonds.
I've been an avid reader across many genres since I learned to read as a child and have wandered into all sorts of categories to find literature I love. Fantasy became my first love, but that didn't mean I had to abandon everything else. I like finding great books that don't make the big publisher lists with their generic output. Since the rise of indie publishing, I've developed a habit of sampling anything that sounds like it might be interesting and have found some amazing and very original stories!
Sometimes Fantasy can be dark or even cross into the realm of Horror. The concept of this book certainly would appeal to most Fantasy readers. An old, out-of-use post box in a small English village is reputed to be a conduit for local residents to ask for favours from dead relatives. Cris Lopez from California, mourning the loss of his estranged wife whom he still loves, sees a tabloid story about the box and decides a change of scene would do him good. His desire to have some hope of contact with his deceased wife is something he's not ready to admit to himself.
Rather than terrifying, this one moves into the weird, or I should say wyrd. It has all the earmarks of magical English villages and folklore brought to life.
Cris Lopez has just lost his wife. His hopes of ending their separation ended with a freak accident that robbed him of even the chance to say goodbye. When a tabloid newspaper prints an article about an uncanny post box in a small English village that supposedly transports letters to dead relatives, Cris' natural scepticism is overshadowed by the thought that a change of scene might help him come to terms with his loss.However, the residents of the village refuse to discuss supernatural intervention and having long since abandoned his childhood faith, Cris' logical mind won't accept the outlandish tale.Eerie…
I have been writing and publishing memoirs since I was in my twenties and working at The New York Times, where I learned the power of sharing what it is we know after what we’ve been through. What I now know is that memoir is the single greatest portal to self-discovery. I do not know how I feel about anything until I write it down. Teaching memoir for thirty years has allowed me to witness people reoccupy themselves after they take back the power of their stories from oppressors, abusers, medical trauma, and the other deep influences of life. Getting one’s story in one’s hands is the road to change. Memoir allows for that change, both for the reader and the writer.
I love this book and keep it on my desk because opening it to any page is to be invited to share the humanity of a writer who knows how to deliver a universal tale through a deeply personal story. Thomas is the master of the short form, creating whole chapters in half a page and taking on grief in this slender, transformative volume.
When Abigail Thomas's husband, Richard, was hit by a car, it destroyed his short-term memory and consigned him to permanent brain trauma. He had been taking their dog, Harry, out for a walk, and Harry had come home alone. Subject to rages, terrors, and hallucinations, Rich must live the rest of his life in an institution. He has no memory of what he did the hour, the day, the year before. This tragedy is the ground on which Abigail had to build a new life rather than abandon her husband. How she built that life is a story of great…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’ve been an avid fantasy reader since I was old enough to read—starting with a Greek mythology book beloved by young adults everywhere—and my love with reading translated into my love of writing. After years of scouring for the perfect story, I have indie-published three fantasy romance books. I see reading as the gateway to all creative endeavors and a rekindling of the imagination. After almost two decades of storytelling, I have established a commitment to finding good stories and sharing them with others. I use my platform to uplift authors, especially marginalized writers or fellow indies, knowing that community is what makes reading fun.
A story with magic and mystery, like my first book, Daughter of the Burning City is unlike any book I have read. The magic system within the book is called “Jynx-work” and the users of the magic often inhabit the traveling city circus of Gomorrah Festival, a place of vice and sin shunned by the more pious world around them.
Sorina is the first illusion worker in years. She creates tangible illusions, ones with personalities and free will to exist outside of her control. But when they start dying like real people would in a series of gruesome murders, there appears more to Sorina’s magic than meets the eye. I love magic mysteries because they keep readers engaged and wanting to unravel the questions left behind during shocking twists.
'Utterly original. Amanda Foody has a wicked imagination.' Stephanie Garber, Sunday Times bestselling author of Caraval
Reality is in the eye of the beholder...
Even among the many unusual members of the travelling circus that has always been her home sixteen-year-old Sorina stands apart as the only illusion-worker born in hundreds of years.
This rare talent allows her to create illusions that others can see, feel and touch, with personalities all of their own. Her creations are her family, and together they make up the cast of the Festival's Freak Show.
There is nothing quite like the thrill of discovery: both as a reader and writer. Stumbling upon books in bookstores, or chancing upon gems, is one of life’s greatest delights for me. There are so many works that never make it past the gatekeepers in a mainstream publishing market that has become increasingly narrower, drier, and scarcer of vision. There are indie publishers out there, doing what they can to support and showcase the written word, and Voice, and I feel grateful and enriched by the countless books and authors I’ve discovered through my curiouser and curiouser seeking. Listed below are some favorites I’ve encountered in my intrepid literary travels.
Efficiency has become the catchword and hell-hound in our society. And in Hiroko Oyamada’s mordant fable, efficiency has taken on the form of a sprawling factory, a city unto itself, which is regulating, ordering, and arranging its brave new world one rote directive after the next.
Here’s what I saw when metaphysically touring the interior: An emaciated Kafka stooped over one of the desks, half-obscured behind a tower of documents, staring out bleary-eyed at the ledge of a window where black birds are gathering.
Across from him, a nerve-bitten Nietzsche paces, furiously smoking a cigarette, and refashioning his notions of the abyss to fit the conditions in which he finds himself atrophying. The abyss, now an omnipotent complex, an unnamable morass with a bottomless capacity for soul-feeding.
People are no longer staring into the abyss, they are wearing it, breathing it, speaking it, and perpetuating its slow-drip filtration to the…
I learned the Western Canon at school and from various teachers during my youth; all along, I was yearning for something other, different, and, possibly, truer. Since my early twenties I've been exploring another canon, which exists in opposition to the Aristotelian-Euclidean-Cartesian-Newtonian-Darwinian/Spencerian one. While the western world in the 21st century is free from alacritous canon-enforcing enterprises such as the Holy Inquisition, it nevertheless operates by a canon that remains very much the mentioned Aristotelian-Euclidean-Cartesian-Newtonian-Darwinian/Spencerian one, inculcated into us all from kindergarten to the grave, echoed not only by schools of all levels, but by governments, the media, official institutions and nonofficial entities, and, last but not least, by the entertainment industry.
More on the wacky side, and far more entertaining, is Terence McKenna’s True Hallucinations: Being an Account of the Author’s Extraordinary Adventures in the Devil’s Paradise. For those who will never try “heroic doses” of psilocybin mushrooms deep in the Colombian jungle, this is a wild, vicarious ride, an amalgam of science, literature, myth, and exotica from an adventurer whose genuine inquisitiveness in things psychedelic goes hand in hand with mythomania—what an exuberant explosion of literary and philosophical high kitsch! If not persuaded, there follows the endorsement from The New York Times: “The polysyllabic sentences he lards with intellectual references are an attempt to lend credibility to the otherwise debunked subject of drugs.” Yes, a hatchet job from The New York Times could not make for a more valuable endorsement.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I’m a romance novelist who writes about otherwise smart people who deal badly with their feelings. Love, sorrow, jealousy, anger, hopelessness, and grief make appearances in my books because I write in a genre that centers the emotional lives of its characters. When I’m not wreaking havoc on fictional people, I take long walks and eavesdrop on conversations. I’m a recent transplant to Toronto, Canada, after having lived in New York City for more than 20 years.
James finds out that he has terminal brain cancer and starts to wind up his affairs, including looking for Andy, his lost love. This book takes place in the reality of James’s diagnosis with family and friends sometimes painful reactions to his illness and in the alternate universe of James’ increasingly real hallucinations of a life that could have been with Andy. This book both devastated and buoyed me with its intense and very real portrayal of someone grieving his own life, but who nonetheless seizes the chance to make give himself a happy resolution.
With one diagnosis, editor James Daniels learns that he's literally running out of time. Looking at his life, he sees one regret: Andy, the one that got away. Andy was the first man that James ever loved, but Andy has been gone for years, and might not want to be found.
But as his cancer progresses and James starts to lose his grip on time and memory, it might just be that time and memory are losing their grip on James, too.
It's the biggest and most important re-write of his life. Restoring love from nothing but memory might be…