Here are 100 books that The Factory fans have personally recommended if you like
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There is nothing quite like the thrill of discovery: both as a reader and writer. Stumbling upon books in bookstores, or chancing upon gems, is one of lifeâs greatest delights for me. There are so many works that never make it past the gatekeepers in a mainstream publishing market that has become increasingly narrower, drier, and scarcer of vision. There are indie publishers out there, doing what they can to support and showcase the written word, and Voice, and I feel grateful and enriched by the countless books and authors Iâve discovered through my curiouser and curiouser seeking. Listed below are some favorites Iâve encountered in my intrepid literary travels.Â
Katya Apekinaâs debut novel, The Deeper the Water the Uglier the Fish, compelled me to do something that I have not done in a very long time: read an entire book, cover to cover, in a single night.
There are certain writers who excel at meting out their prose with deceptive flatness, or muted lucidity (Raymond Carver and Marguerite Duras being two prime examples), and it is this âawesome simplicity,â of which the jazz musician Charles Mingus raved, which Apekina deftly demonstrates in her rendering of a searing family drama and modern American gothic.
Subtly weaving together a tapestry of voices and shifting perspectives, the novel centers on two teenage daughtersâEdith, sixteen, and Mae, fourteenâwho go to live with their dad in New York, after their mother has been hospitalized for a suicide attempt and breakdown.
Their dad, about whom Mae has no memories and Edith has a scattered scarcityâŚ
*2018 Los Angeles Times Book Prize Finalist *Longlisted for The Crookâs Corner Book Prize *Longlisted for the 2019 VCU Cabell First Novelist Award *Shortlisted for the 2020 William Saroyan International Prize for Writing for Fiction *A Best Book of 2018 âKirkus Reviews, BuzzFeed News, Entropy, LitReactor, LitHub *35 Over 35 Award 2018 *One of the Most Anticipated Books of the Fall âVulture, Harper's BAZAAR, BuzzFeed News, Publishers Weekly, The Millions, Bustle, Fast Company
Itâs 16-year-old Edie who finds their mother Marianne dangling in the living room from an old jump rope, puddle of urine on the floor, barely alive. Upstairs,âŚ
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn theâŚ
There is nothing quite like the thrill of discovery: both as a reader and writer. Stumbling upon books in bookstores, or chancing upon gems, is one of lifeâs greatest delights for me. There are so many works that never make it past the gatekeepers in a mainstream publishing market that has become increasingly narrower, drier, and scarcer of vision. There are indie publishers out there, doing what they can to support and showcase the written word, and Voice, and I feel grateful and enriched by the countless books and authors Iâve discovered through my curiouser and curiouser seeking. Listed below are some favorites Iâve encountered in my intrepid literary travels.Â
I savor and relish stories that play with the dynamics and boundaries of reality and fiction, truth and illusion, and Nicholas Rombesâs Lisa 2 is dissonantly steeped in these hybrid conceptual relations.
Revolving around a snapshot of an idyllic family vacation, that morphs into a portrait of family disintegration, with a Lisa 2 Apple computer (1984 model) enacting the role of devilâs advocate, this novel plays out new-wavishly lo-fi, generating its own glitchy nostalgia in a liminal haunt.
What is not there casts a visceral and auditory spell, or a space in which memory and imagination proliferate like incubi rabbits. There is a line spoken by a character in David Lynchâs film, Lost Highway âa creed that I liken to the unstable calculus of Lisa 2: âI like to remember things my own wayâŚnot necessarily the way they happened.â Â
An idyllic family summer in bucolic northern Michigan takes a turn when a playwright (Lisa) discovers a dusty Apple Lisa 2 computer in the closet of her aunt's cottage. Seduced by the retro '80s kitsch of this early Mac prototype, Lisa boots it up it to infuse new blood into her otherwise stagnating writing. But as the resulting scripts genre-switch to horror, is this Lisa's exploratory stab at a new direction, or is she under the shape-shifting spell of this Lisa 2? Which Lisa scripts the play that portends an inauspicious destiny?
There is nothing quite like the thrill of discovery: both as a reader and writer. Stumbling upon books in bookstores, or chancing upon gems, is one of lifeâs greatest delights for me. There are so many works that never make it past the gatekeepers in a mainstream publishing market that has become increasingly narrower, drier, and scarcer of vision. There are indie publishers out there, doing what they can to support and showcase the written word, and Voice, and I feel grateful and enriched by the countless books and authors Iâve discovered through my curiouser and curiouser seeking. Listed below are some favorites Iâve encountered in my intrepid literary travels.Â
One of my favorite contemporary authors is the Ukrainian-born Yelena Moskovich, and her third novel, A Door Behind A Door is crime story in a house of broken and mostly blacked out mirrors.
Centered around brother and sister, Olga and Misha, who relocate to the United States from the Soviet Union in 1991, the jittery contagions of violence, longing, and desire for absolution pepper the spiritual core of the novel, while the phantom ties that bind familyâsometimes as breath-damming corset, other times as a cortege of tendernessâserve as lynchpins.Â
Moskovichâs multi-layered novel speaks to mercy and salvation, on undisclosed terms, and her architecting of the narrative is rendered in a series of scintillating poetic drive-bys.Â
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa storiesâall reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argueâŚ
There is nothing quite like the thrill of discovery: both as a reader and writer. Stumbling upon books in bookstores, or chancing upon gems, is one of lifeâs greatest delights for me. There are so many works that never make it past the gatekeepers in a mainstream publishing market that has become increasingly narrower, drier, and scarcer of vision. There are indie publishers out there, doing what they can to support and showcase the written word, and Voice, and I feel grateful and enriched by the countless books and authors Iâve discovered through my curiouser and curiouser seeking. Listed below are some favorites Iâve encountered in my intrepid literary travels.Â
Discovery has its own timeline and date with destiny, and in the case of Meridel Le Sueurâs small masterwork, The Girl, that is unequivocally true.
Written in 1939, it had to wait nearly forty years until it saw the light of publication day (1978), thanks to John Crawford of West End Press, whose mission was âto print works by American writers neglected by publishers in the mainstream."
The Girl is set in St. Paul, Minnesota, during the Depression, with most of its action centered in a speakeasy known as the German Village. This is where the protagonist, a young naif known only as âGirl,â works as waitress and initiates her crash course into a harsh and unsentimental educationâan extended blues song chronicling her passage from innocence to experience.
There is a raw and taut musicality, a nerve-strung throb to Le Sueurâs prose, as she wrings hard-boiled lyricism from passagesâŚ
Read the revised third edition, published in 2022 by Midwest Villages & Voices, in conjunction with the Meridel LeSueur Family Circle.
âWords should heat you, they should make you rise up out of your chair and move!â - Meridel LeSueur
The Girl transports us with resonant authenticity into the head of a young woman struggling to survive the depression of the 1930s in St. Paul, Minnesota. On a backdrop of state violence and poverty, and in a life shaped by desperation and gender-based violence, The Girl illustrates the ways working-class women keep each other alive and seed transformational change throughâŚ
Many years ago I was outside, clothespins in hand as I hung damp towels on the clothesline at our small beach house. A yard over, I heard a mother and daughter arguing loudly. I didnât pick up all the details, but it was clear that the mother and daughterâs expectations were miles apart. At that moment, I found myself frozen solidly in the center. Was I mother? Was I daughter? I connected equally. Since that time Iâve been interested in the dynamics and criticality of the mother-daughter relationship, and I knew my first novel would be an exploration of that theme.
When my mother died, a friend insisted, âNow youâll come to know her in ways you never imagined.â I thought the notion was ludicrous. My mother and I were close, our relationship strong. As it turns out my friend was right. In Watch Me Disappear, Janelle Brown explores this idea. When Billie Flanagan disappears, her husband and teenaged daughter Olive find out more than they could have imagined about Billieâs secret life.Â
NEW YORK TIMES BESTSELLER ⢠The disappearance of a beautiful, charismatic mother leaves her family to piece together her secrets in this propulsive novel for fans of Big Little Liesâfrom the bestselling author of All We Ever Wanted Was Everything and the upcoming Pretty Things.
âWatch Me Disappear is just as riveting as Gone Girl.ââSan Francisco Chronicle
Who you want people to be makes you blind to who they really are.
Itâs been a year since Billie Flanaganâa Berkeley mom with an enviable lifeâwent on a solo hike in Desolation Wilderness and vanished from the trail. Her body was neverâŚ
I have been writing and publishing memoirs since I was in my twenties and working at The New York Times, where I learned the power of sharing what it is we know after what weâve been through. What I now know is that memoir is the single greatest portal to self-discovery. I do not know how I feel about anything until I write it down. Teaching memoir for thirty years has allowed me to witness people reoccupy themselves after they take back the power of their stories from oppressors, abusers, medical trauma, and the other deep influences of life. Getting oneâs story in oneâs hands is the road to change. Memoir allows for that change, both for the reader and the writer.
I love this book and keep it on my desk because opening it to any page is to be invited to share the humanity of a writer who knows how to deliver a universal tale through a deeply personal story. Thomas is the master of the short form, creating whole chapters in half a page and taking on grief in this slender, transformative volume. Â
When Abigail Thomas's husband, Richard, was hit by a car, it destroyed his short-term memory and consigned him to permanent brain trauma. He had been taking their dog, Harry, out for a walk, and Harry had come home alone. Subject to rages, terrors, and hallucinations, Rich must live the rest of his life in an institution. He has no memory of what he did the hour, the day, the year before. This tragedy is the ground on which Abigail had to build a new life rather than abandon her husband. How she built that life is a story of greatâŚ
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother hadâŚ
Iâve been an avid fantasy reader since I was old enough to readâstarting with a Greek mythology book beloved by young adults everywhereâand my love with reading translated into my love of writing. After years of scouring for the perfect story, I have indie-published three fantasy romance books. I see reading as the gateway to all creative endeavors and a rekindling of the imagination. After almost two decades of storytelling, I have established a commitment to finding good stories and sharing them with others. I use my platform to uplift authors, especially marginalized writers or fellow indies, knowing that community is what makes reading fun.
A story with magic and mystery, like my first book, Daughter of the Burning City is unlike any book I have read. The magic system within the book is called âJynx-workâ and the users of the magic often inhabit the traveling city circus of Gomorrah Festival, a place of vice and sin shunned by the more pious world around them.Â
Sorina is the first illusion worker in years. She creates tangible illusions, ones with personalities and free will to exist outside of her control. But when they start dying like real people would in a series of gruesome murders, there appears more to Sorinaâs magic than meets the eye. I love magic mysteries because they keep readers engaged and wanting to unravel the questions left behind during shocking twists.
'Utterly original. Amanda Foody has a wicked imagination.' Stephanie Garber, Sunday Times bestselling author of Caraval
Reality is in the eye of the beholder...
Even among the many unusual members of the travelling circus that has always been her home sixteen-year-old Sorina stands apart as the only illusion-worker born in hundreds of years.
This rare talent allows her to create illusions that others can see, feel and touch, with personalities all of their own. Her creations are her family, and together they make up the cast of the Festival's Freak Show.
I learned the Western Canon at school and from various teachers during my youth; all along, I was yearning for something other, different, and, possibly, truer. Since my early twenties I've been exploring another canon, which exists in opposition to the Aristotelian-Euclidean-Cartesian-Newtonian-Darwinian/Spencerian one. While the western world in the 21st century is free from alacritous canon-enforcing enterprises such as the Holy Inquisition, it nevertheless operates by a canon that remains very much the mentioned Aristotelian-Euclidean-Cartesian-Newtonian-Darwinian/Spencerian one, inculcated into us all from kindergarten to the grave, echoed not only by schools of all levels, but by governments, the media, official institutions and nonofficial entities, and, last but not least, by the entertainment industry.
More on the wacky side, and far more entertaining, is Terence McKennaâs True Hallucinations: Being an Account of the Authorâs Extraordinary Adventures in the Devilâs Paradise. For those who will never try âheroic dosesâ of psilocybin mushrooms deep in the Colombian jungle, this is a wild, vicarious ride, an amalgam of science, literature, myth, and exotica from an adventurer whose genuine inquisitiveness in things psychedelic goes hand in hand with mythomaniaâwhat an exuberant explosion of literary and philosophical high kitsch! If not persuaded, there follows the endorsement from The New York Times: âThe polysyllabic sentences he lards with intellectual references are an attempt to lend credibility to the otherwise debunked subject of drugs.â Yes, a hatchet job from The New York Times could not make for a more valuable endorsement.
I wrote my first romance with >40 characters in my mid-forties. It wasnât like I never saw people of my age in the genre, but I have to say they were (and are) still rare, especially in traditionally published books. I love to see how people navigate what partnership looks like when people are established and their conflicts and experiences have changed. Elder care, relationships with adult children, fighting age-related stereotypes and discrimination: these are just a few of the nuances that set these types of books apart. But you still get that delicious well of emotion and the satisfaction of a happy ending.
This is less a romance novel and more a high fantasy novel with romantic elements, but the romance subplot is exceedingly strong.
(I can highly recommend a mental fan-casting of either Arhys or Ilvin as Pedro Pascal, because heâd absolutely knock one of those roles out of the park if this was ever made into a miniseries).
Ista is over 40, a queen, a new grandmother, a recovered madwoman, andâŚwait for itâŚa living saint. Seeking to get away from the suffocating (yet loving) arms of her family, she goes on a pilgrimage (Road Trip!) with a group of younger people and ends up getting into multiple adventures and a more than near miss with outright war. Itâs an absolute romp and one of my all-time favorites.
Lois McMaster Bujold has won the Hugo award four times, and the Nebula award twice. This is her second epic fantasy and the sequel to Curse of Chalion.
The Golden General's curse has been lifted from the royal family and Cazaril can now rest easy and enjoy his new life with his bride Betriz.
However, life for Ista, the Dowager Royina has not improved. With the death of her mother, the Provincara, and with her surviving child Iselle now ruling Chalion from the Capital Cardegross, she is left without purpose. Her brother's family still think she's mad and aim toâŚ
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to runâŚ
Before writing cozy mysteries, I was a ladiesâ apparel sales exec. To be a successful, humorous, cozy mystery author, character development is the key. Fortunately for my writing gig, salespeople are also students of human nature. I've been fascinated by what makes people tick all my life and have taken all I have learned and applied it to my writing. How characters react in life and death situations makes my casts imperfect but believable, accents their individuality, and lets their personalities come alive so that readers canât help but invest in them.
I love a story that features flawed characters who stand up for themselves and fight for what they believe in when it counts the most. Part science-fiction, part fantasy, part nail-biting thriller, part teenage angst.
This book is a heart-pounding fight of good versus evil that throws the protagonist and her friends into a baptism-by-fire situation and fight for survival. This beauty is one of the most imaginative tales I ever read. If you start out reading this book doubting the existence of dragons and parallel universes, youâll change your tune by the time you finish the story. Â
Shutterbug Allison Lee is trying to survive high school while suffering the popular girl's abuse. Her life is often abysmal, but at least her green hair is savage. Her talent for photography is recognized by the school paper and the judges of a photo contest. While visiting her friend Joe, a homeless vet, Allison's life irrevocably changes after an attack leaves her blind. All her dreams as a photojournalist are dashed as she realizes she'll never see again. Despair sets in until she is offered an experimental procedure to restore her vision. But there are side effects, or are theyâŚ