Books like Warbreaker — picked by fans

Who hasn’t dreamt of being able to converse with a wolf? We get our chance in this intriguing story of Fitz Farseer, my all-time favorite character.

There’s much to enjoy in this series—royal assassins, secret mentors, and family betrayal—but what I love most is the outlawed magic that creates a deep bond between Fitz and a fearless wolf named Nighteyes, allowing them to communicate.

Nighteyes, another favorite character, reminds me of my childhood golden retriever, only with sharper fangs and claws. He reveals exactly how much we’re missing out on when we can’t converse with animals like him—sharing their sharper perceptions, grasping the wolfishly obvious, or having our human foolishness pointed out in their bluntly canine way.

This book blew me away with an entirely new level of action and adventure!

The characters effortlessly drew you into them. I wanted to shout and cheer and curse all at once! I loved how the storyline took me along for the ride, almost like I was one of the characters. 

The story was so beautifully written that I had no problems following it and couldn’t wait to finish a page so that I could find out what was happening next. I daydreamed and analyzed the depths of the story. I just couldn’t get enough of it!

I love this book because Tolkien took the fantasy genre to a new, unprecedented level, resurrecting ancient legends of old, with countless mythical creatures.

His magnificent characters defined their races, occupations, and even their languages, later inspiring the game, Dungeons and Dragons, of which I was once a Dungeon Master. Many of The Fellowship serve messianic roles. Gandalf, for example, conquers death following his battle with a demon, and Stryder, an obscure ranger, turns out to be Aragorn, heir of the fallen kingdom.

Tolkien captures keen insight into the human condition regarding the struggle against sin. He also whispers a mystery; while an evil wizard created the One Ring to rule them all, a hidden, even more powerful force is clearly behind the ring’s eventual destruction.

I tend to enjoy a pallet cleanser between the various epics that color the fantasy landscape. This book is the perfect remedy.

The novella is a quick read that is an inspiration of love. Its protagonist delights in the small things, and you see the world of wonder through the eyes of someone who is neurodivergent. Yes, this tale also deals with a tortured and troubled soul, yet it does not leave the world a darker place.

The Sorcerer of the Wildeeps, Wilson’s debut work, is another wonder among wonders.

It feels like an epic fantasy, but instead of following more Viking-blonde heroes with their magical swords, we’re following hired mercenaries to escort a caravan through dangerous lands.

And instead of the usual fantasy worlds descended from the Western European Middle Ages, we’re in one influenced by re-colonial Africa.

There are magical jungles and magical tigers, and violence and death, and an LGBT love story between smart, dedicated men.

It’s a character study worthy of a literary novel, but the love of words, and the masterful inclusion of various dialects, particularly a kind of medieval hip-hop slang, makes this a truly fascinating read.

The prose in this book felt like a wolf bite. Stories of destiny and power are juicy, and this has it in abundance. A young woman, Red, sacrifices herself for the good of all to the Wolf of the Wood. The woods are magickal, with haunted trees and shadows, creating an intense atmosphere that held me throughout. So moody! Murderous realms, too, which I sunk into easily.

Not quite like "Little Red Riding Hood," but the suspense certainly had me turning the pages. I admired how the author weaved in the emotional elements among the empowerment and disempowerment themes. The myth and folklore elements brought me back to my childhood nostalgia of curling up in bed, secretly turning the pages without regard for bedtime. 

I thought it was great to have Circe herself narrate her love affair with Odysseus.

The first half of the novel interestingly shares her tribulations growing up as a child in a family of gods. I found that this establishes a theme of immortality vs. mortality that the book explores in profound ways. Especially fascinating was Circe’s personal story of her love affair with Odysseus.

I was surprised and delighted that Miller included the resulting child, Telegonus, who is not in Homer but is in ancient myth. Even more surprising to me was Circe falling in love with Telemachus, Odysseus’ son by Penelope (also not in Homer!). This relationship allows the novel to end on a positive note as Circe learns to live like a mortal in her new life with Telemachus.

Set in a fantasy world inspired by North African folklore and mythology, A River of Royal Blood creates the perfect environment for magic not seen in the mainstream literary fiction.

Within the story, magic plays an integral part in the conflict known as the “Rival Heir” tradition, where the female heirs to the throne must fight one another to the death when the youngest turns of age. Only one of them can be queen. The magic is their greatest tool but is somehow Eva’s greatest curse as no one knows how to use her magic, least of all her. And when more than just her older sister wants her dead because of her powerful magic, I was on the edge of my seat and impatiently awaiting a sequel.

This fairytale fantasy for young readers is one of the most poignant books I have ever read, in any genre. My best friend, Emma, and I were both fans of Levine growing up. A few months ago, we realized we could both recite the epic poem that concludes this book word for word. Step follows step, hope follows courage. It’s a beautiful story of familial love, growing up and finding yourself, and grappling with the inevitability of illness and loss, all set in a delightfully adventurous fantasy world. The tone is playful and bright throughout, the message ultimately hopeful, but there’s no denying the heartbreak along the way.

My mind was blown when I encountered the work of Philippe Druillet in the mid-1970s. This French cartoonist is considered one of the greatest of them all, creating alien worlds of startling originality and stupefying grandeur. Fifty years later, his work is as startling and original as it appeared back then.

No one has surpassed his ability to depict scenes of such mind-boggling scale and otherworldliness, as if he had a unique glimpse of some higher realm. As a young cartoonist, I was strongly influenced by Druillet, who inspired me with his demonstration of what it was possible to achieve in the comic book form. His work is not drug-oriented but depicts the sort of visions those who take hallucinogens would hope to experience.