Books like Walking the Tree — picked by fans

I’m a bit fairy tale obsessed. I love how the characters go into the woods and face wolves, witches, stepmothers, and ogres. But despite the abuse and neglect and trauma, they somehow emerge whole. These five books each have a unique heroine, not with a sword, but with her own quiet strength. Each one is a cathartic but reassuring guide into the woods and out again, acknowledging that though there will be hurt and heartbreak, transformation and healing will follow. If you love fairy tales for the same reasons I do, come, step onto the path. The magic of hope and healing awaits.

I’m a fantasy addict, I work with wild animals for return to native ecosystems, and my favourite place to be is in a forest! People mock all the hiking in Lord of the Rings. But how better to tune into an unfamiliar landscape than to turn over that mossy stone, to uncover that buried gem, to find mushrooms? I enjoy fairy rings on three levels. First, by knowing they’re a food source for malleefowl and bush turkeys. Second, by understanding that their structure stems from the radius travelled by the hyphae underground. Third, by imagining where I might be whisked off to if I only dared set foot inside.

I’ve been reading fantasy novels since around 1989, when I was twelve. I actually – stupidly! – thought it would be much easier to write a fantasy novel than a historical fiction one. Well, after writing about eighteen historical novels, I turned my hand to fantasy with Singers of the Sword Song and finally discovered just how hard it is to create a compelling new world completely from scratch. The books in this list are the ones that have inspired me for decades and continue to do so as I work on my second fantasy novel with a newfound appreciation, and love, for this magical genre.

I have always adored fairy tales, most particularly rewritings of fairy tales where the heroines seize a destiny all their own. But beyond feminine agency, I want a story that sweeps me away in every respect: lose me in a forest, turn my head with magic, let me stand and face my inner darkness, and, perhaps most importantly, entrance me with gorgeous language—it has to feel like a fairy tale. As fate would have it, these particular proclivities led me to write fantasy novels in my own right! You won’t find princesses, but you will find magic libraries and stories that dwell on the power of stories themselves!

As a psychologist and university professor teaching internationally, I’ve had opportunities to listen to people’s stories globally, and impart wisdom gleaned from my own cross-cultural experiences. Invitations to share ranged from teaching others inner and spiritual healing methods to being Reader’s Digest’s “Online Ask an Expert about Infidelity”, to training local recovery workers during the two deadliest disasters of this century. Therefore, I cannot say I ‘chose’ to become an expert on betrayal. It chose me. From childhood on, betrayal gave me opportunities to personally experience and learn from interpersonal infidelities, health crises, social injustice, and mass trauma. The school of hard-knocks tests us first—then we get the teaching.

I was drawn to Haiti for two reasons; the Haitian Revolution is the only one of the three 18th century upheavals to fulfill the declared ideology of the French and American Revolutions by extending basic human rights to all people, not just white people. Secondly, or maybe I should put it first, the practice of Vodou makes Haiti one of the few places where one can meet divinity in the flesh, an experience I coveted, although (as it is written) it is a fearful thing to fall into the hands of the Living God.

I’ve been fascinated with forests ever since running wild as a kid in the Appalachian woods of Pennsylvania. Now living at the edge of the Pacific in the Coast Range in Oregon, I’ve engaged with a host of forest issues involving watershed health, wilderness protection, fire management, and fish. Among the 30 books I’ve written, three are germane here: Trees and Forests of America, Twilight or the Hemlocks and Beeches, and America’s Great Forest Trails. I’m always learning more by reading everything I find about forests. For my afternoon break and exercise I typically work on my own 8-acre wooded parcel where I maintain trails, eradicate exotic invaders, and restore native trees.  

I grew up in a family of nature lovers and went with my parents and my brother on numerous nature hikes. These are my most precious childhood memories. I learned as a child to appreciate nature, I was fascinated by wild animals and inspired by the beauty of the natural world. As I grew up, I became more and more aware of how fragile the natural world is today and how important it is to protect it. This is one of the main motivators for me to create books for kids that will inspire them to love and respect nature.

As a child, I enjoyed a special relationship with an oak tree in my backyard. My father indulged my love of nature with backpacking trips in the mountains of California. In my teens, he published my booklet on edible wild plants. My maternal grandmother encouraged my interest in Indigenous uses of plants with books, field trips, and stories from her anthropology studies at UC Berkeley. My mother cultivated my creativity with ferocious intensity and supported my desire to earn a Ph.D. I landed my dream job at an alternative, interdisciplinary, small, public liberal arts college and have taught botany there for nearly 30 years. I love teaching plant-centric environmental history.

I've been the resident playwright at First Stage Children’s Theater in Milwaukee for over twenty years. I began my career by adapting classic titles for the stage: Little House Christmas, Treasure Island, Huck Finn, Through the Looking Glass, Tom Sawyer. As I researched previous adaptions of these novels, I discovered how so many of them were quite different from the author’s original intentions. I don’t feel these adaptations are 'bad,' by any means—in fact, I believe you have to break free of a novel to truly adapt it for a different medium—but often the 'adaptation' is the only part of the story that gets passed down to us.