Here are 100 books that Americans and their Forests fans have personally recommended if you like
Americans and their Forests.
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As a child, I enjoyed a special relationship with an oak tree in my backyard. My father indulged my love of nature with backpacking trips in the mountains of California. In my teens, he published my booklet on edible wild plants. My maternal grandmother encouraged my interest in Indigenous uses of plants with books, field trips, and stories from her anthropology studies at UC Berkeley. My mother cultivated my creativity with ferocious intensity and supported my desire to earn a Ph.D. I landed my dream job at an alternative, interdisciplinary, small, public liberal arts college and have taught botany there for nearly 30 years. I love teaching plant-centric environmental history.
Langston tells a complex story about how the U.S. Forest Service, early in its history, demonized fire and developed a national policy of fire suppression, which has had profoundly negative ecological consequences, particularly in the West.
This case study centered on yellow pine forests illustrates how a poor understanding of forest history and ecology can result in management approaches that squander valuable timber resources.
Across the inland West, forests that once seemed like paradise have turned into an ecological nightmare. Fires, insect epidemics, and disease now threaten millions of acres of once-bountiful forests. Yet no one can agree what went wrong. Was it too much management-or not enough-that forced the forests of the inland West to the verge of collapse? Is the solution more logging, or no logging at all? In this gripping work of scientific and historical detection, Nancy Langston unravels the disturbing history of what went wrong with the western forests, despite the best intentions of those involved.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
As a child, I enjoyed a special relationship with an oak tree in my backyard. My father indulged my love of nature with backpacking trips in the mountains of California. In my teens, he published my booklet on edible wild plants. My maternal grandmother encouraged my interest in Indigenous uses of plants with books, field trips, and stories from her anthropology studies at UC Berkeley. My mother cultivated my creativity with ferocious intensity and supported my desire to earn a Ph.D. I landed my dream job at an alternative, interdisciplinary, small, public liberal arts college and have taught botany there for nearly 30 years. I love teaching plant-centric environmental history.
Jennifer L. Anderson provides a good reminder in this bookthat consumers often enjoy goods without a full picture of the environmental and social costs of bringing them to the marketplace. Early American consumption of mahogany furnishings contributed to Indigenous dispossession of land, the enslavement of Africans, and tropical deforestation.
Early Americans, with the means, sought out beautiful furniture made from old-growth mahogany trees to assert their class privilege. Anderson uses material culture to illuminate the effects of consumer culture in the 18th and 19th centuries. Her global perspective provides valuable insights into the impacts overseas of chasing after luxuries at any cost.
In the mid-eighteenth century, colonial Americans became enamored with the rich colors and silky surface of mahogany. This exotic wood, imported from the West Indies and Central America, quickly displaced local furniture woods as the height of fashion. Over the next century, consumer demand for mahogany set in motion elaborate schemes to secure the trees and transform their rough-hewn logs into exquisite objects. But beneath the polished gleam of this furniture lies a darker, hidden story of human and environmental exploitation.
Mahogany traces the path of this wood through many hands, from source to sale: from the enslaved African woodcutters,…
As a child, I enjoyed a special relationship with an oak tree in my backyard. My father indulged my love of nature with backpacking trips in the mountains of California. In my teens, he published my booklet on edible wild plants. My maternal grandmother encouraged my interest in Indigenous uses of plants with books, field trips, and stories from her anthropology studies at UC Berkeley. My mother cultivated my creativity with ferocious intensity and supported my desire to earn a Ph.D. I landed my dream job at an alternative, interdisciplinary, small, public liberal arts college and have taught botany there for nearly 30 years. I love teaching plant-centric environmental history.
In this book, I love how Douglas Cazaux Sackman uses image analysis to develop his arguments about gender, race, and class in this historical account of California's iconic citrus tree.
He favors factual history inclusive of multiple perspectives and experiences including those of people often marginalized or disappeared entirely in master narratives. I value authors who challenge simplistic accounts of the past.
This innovative history of California opens up new vistas on the interrelationship among culture, nature, and society by focusing on the state's signature export - the orange. From the 1870s onward, California oranges were packaged in crates bearing colorful images of an Edenic landscape. This book demystifies those lush images, revealing the orange as a manufactured product of the state's orange industry. "Orange Empire" brings together for the first time the full story of the orange industry - how growers, scientists, and workers transformed the natural and social landscape of California, turning it into a factory for the production of…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
As a child, I enjoyed a special relationship with an oak tree in my backyard. My father indulged my love of nature with backpacking trips in the mountains of California. In my teens, he published my booklet on edible wild plants. My maternal grandmother encouraged my interest in Indigenous uses of plants with books, field trips, and stories from her anthropology studies at UC Berkeley. My mother cultivated my creativity with ferocious intensity and supported my desire to earn a Ph.D. I landed my dream job at an alternative, interdisciplinary, small, public liberal arts college and have taught botany there for nearly 30 years. I love teaching plant-centric environmental history.
Jonathan E. Robins illustrates how a tree that provides vegetable oil aided colonialism and the rise of a global food system built on the exploitation of people and places. To weave an engaging narrative, he draws evidence from multiple disciplines, including agricultural science, economic botany, environmental history, and gender studies.
Backed by the evidence, his conclusion is compelling that trying to catalyze sustainable and socially just practices through responsible consumerism is a flawed strategy by itself. I appreciate how he tackles a complex history from a global perspective and addresses environmental justice concerns in a historically grounded way.
Oil palms are ubiquitous--grown in nearly every tropical country, they supply the world with more edible fat than any other plant and play a role in scores of packaged products, from lipstick and soap to margarine and cookies. And as Jonathan E. Robins shows, sweeping social transformations carried the plant around the planet. First brought to the global stage in the holds of slave ships, palm oil became a quintessential commodity in the Industrial Revolution. Imperialists hungry for cheap fat subjugated Africa's oil palm landscapes and the people who worked them. In the twentieth century, the World Bank promulgated oil…
I've been the resident playwright at First Stage Children’s Theater in Milwaukee for over twenty years. I began my career by adapting classic titles for the stage: Little House Christmas, Treasure Island, Huck Finn, Through the Looking Glass, Tom Sawyer. As I researched previous adaptions of these novels, I discovered how so many of them were quite different from the author’s original intentions. I don’t feel these adaptations are 'bad,' by any means—in fact, I believe you have to break free of a novel to truly adapt it for a different medium—but often the 'adaptation' is the only part of the story that gets passed down to us.
I remember the first time someone told me to read this book, and I replied, “Bambi? Really? No thank you.” I, of course, had only known the Disney-ized version of the story. I assumed it was a book for toddlers, with cute little bunny rabbits and birds singing in the trees. I was very wrong. It is a profound coming-of-age story dealing with family, love, parents, adulthood, loss, intolerance, death, betrayal, and the horrors which humans can inflict on both the environment and each other. It was banned and burned in Germany in 1936 as it was seen as a political allegory of the Nazi Party. A powerful book, and, unfortunately, still a very timely one.
Immerse yourself in a young deer's world in this resplendent, collectible edition of the richly imagined and vividly illustrated masterpiece that inspired the beloved Disney film.
Bambi lives in a thicket in the forest. From his kind and caring mother, to all the friends he makes among the forest's inhabitants, to his twin cousins Faline and Gobo, he is surrounded by animals who wish him well. But there are dangers within and surrounding the forest, and all too soon they will make themselves known.
A beautifully written and critically acclaimed classic that has been translated into more than twenty languages…
I come from a family of some of the earliest big-game hunters turned conservationists of India and grew up treading jungles with my naturalist father. As a child, I was often found trying to catch a snake or spin a yarn or reading from the collection of wildlife and natural history books at home. Jungles were as much a part of growing up as was going to school, and I learnt precious life lessons from them. To pursue the cause of conservation, I’ve written several fiction and non-fiction books, as well as articles in national dailies/magazines on wildlife and nature, and I was appointed the Honorary Wildlife Warden of Udaipur, India.
Another book (1958 edition) from my father’s fascinating library.
When I began penning my first book, I wanted to be as true as I could to a rainforest and bring forth the actual characteristics and legends of the jungles. On the Track of… gave me ideas for unusual creatures, instead of the normal elves and dwarves and fairies of fantasies. I came to know about the less-known local legends, ‘hidden’ animals, and strange creatures from the remote wild corners of our planet, be it tatzulwurms or Kongamato, the last flying dragon.
The author has combined zoology and cultural anthropology in a captivating account.
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
I grew up in a family of nature lovers and went with my parents and my brother on numerous nature hikes. These are my most precious childhood memories. I learned as a child to appreciate nature, I was fascinated by wild animals and inspired by the beauty of the natural world. As I grew up, I became more and more aware of how fragile the natural world is today and how important it is to protect it. This is one of the main motivators for me to create books for kids that will inspire them to love and respect nature.
I really connected with the message of this book, that nature allows us to be free. The book reminded me that there are so many fun things that we could do in nature, like running, singing, and even shouting!
The short text and beautiful illustrations gave me ideas for fun activities and exploring nature with all the senses that I can try, especially when going outdoors with children. Activities like following footprints, finding small natural treasures, dipping your feet in the water, listening to the sounds of the animals, and much more.
A Walk in the Forest is a stunning invitation to discover the woods as a place for both imaginative play and contemplation: collect pinecones, feathers, or stones; follow the tracks of a deer; or listen to the chirping of birds and the whisper of trees. Build a shelter and play hide-and-seek. Pretend the woods are a jungle, or shout out loud to stir up the birds! The forest comes alive in all its mysterious glory in Maria Dek's charming watercolour images and poetic text.
Ever since my parents gave me a copy of Dorothy Aldis’ The Secret Place and Other Poems, I have enjoyed a lifelong love of poetry. Now, as a traditionally-published children’s author, I have had numerous books and poems published over the years, including books that began as poems, like Flashlight Night (Astra Young Readers, 2017) and Once Upon Another Time (Beaming Books, 2021). My poems can be found in various anthologies including The National Geographic Book of Nature Poetry (National Geographic Children's Books, 2015).
Amy has a way of making every poem feel personal, not just in the way the reader connects with the words, but in the way the subjects are presented. The poems are intimate, friendly, surprising, and comforting, whether they are written from a third-person perspective or from the point of view of the animals themselves. Beautiful to read, and beautiful to look at, readers will never look at the forest the same way again.
A spider is a “never-tangling dangling spinner / knitting angles, trapping dinner.” A tree frog proposes, “Marry me. Please marry me… / Pick me now. / Make me your choice. / I’m one great frog / with one strong voice.” VanDerwater lets the denizens of the forest speak for themselves in twenty-six lighthearted, easy-to-read poems. As she observes, “Silence in Forest / never lasts long. / Melody / is everywhere / mixing in / with piney air. / Forest has a song.” The graceful, appealing watercolor illustrations perfectly suit these charming poems that invite young readers into the woodland world…
I’ve been fascinated with forests ever since running wild as a kid in the Appalachian woods of Pennsylvania. Now living at the edge of the Pacific in the Coast Range in Oregon, I’ve engaged with a host of forest issues involving watershed health, wilderness protection, fire management, and fish. Among the 30 books I’ve written, three are germane here: Trees and Forests of America, Twilight or the Hemlocks and Beeches, and America’s Great Forest Trails. I’m always learning more by reading everything I find about forests. For my afternoon break and exercise I typically work on my own 8-acre wooded parcel where I maintain trails, eradicate exotic invaders, and restore native trees.
Another classic, Understanding Forests is the finest all-around narrative explaining the values of forests and the nuts and bolts of their management, their mismanagement, the bureaucracies of forestry and how they function, the needed reforms, and the political strides that must be taken, both twenty-five years ago and now. In one or two sittings a forest advocate can graduate from knowing very little to having an effective grasp of what we need to do for better care of our forests.
Provides an introduction to the complex ecosystem of the North American forest and the economic, social, and political issues that are crucial to forest preservation
My love since childhood for the natural world made me use my art to speak for those who don't have a voice to fight back: the animals who are losing their habitat daily, the old-growth forests getting cut down, and the waters that are polluted mindlessly. When my partner and I adopted our puppy, Reynard, we were so obsessed with him that we decided to write and illustrate a book about his adventures, and naturally, it ended up also touching on different environmental topics. Our art endeavors also inspired us to begin a movement to stop a toxic sulfide mine from being built next to Lake Superior and the Porcupine Mountains in Michigan.
This almost dialogue-free graphic novel brought me closer to Nature, giving me an opportunity to stop and listen, to admire, and to be more present.
The beauty and intricacy of the illustrations reminded me of why I enjoy being in the woods so much – the unexpected animal encounters, the surprising small changes in the plants around me, the different speed of life.
To expand our compassion (and our own world), we have to recognize that there are more than Human characters and stories that need to be heard.
Poppy's mother hasn't been the same since Gran passed away. She stays inside and watches TV, unable to leave the couch. So maybe that's why Poppy has started spending more time outside, taking her dog Pepper for walks around the neighborhood. When Pepper leads Poppy through a hole in the fence, she finds a forgotten forest that's been there all along, as well as a new friend named Rob.
