Here are 100 books that Valuable Humans in Transit and Other Stories fans have personally recommended if you like
Valuable Humans in Transit and Other Stories.
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I’ve been reading science fiction and fantasy, and specifically space opera, since I was seven and first discovered The Wonderful Flight to the Mushroom Planet. I read my way through every book in the school library and public library that dealt with aliens, space travel, starships, and especially adventure.
Young Dane Thorson signs on to the Solar Queen as an apprentice cargo handler. The crew of the independent ship pools all their resources to buy trading rights to a planet in an auction, hoping to strike it rich. But Limbo turns out to be more than they bargained for.
Rich with vivid imagery, weird aliens, ancient artifacts, remnants of a lost civilization, space pirates, and a whole lot more, Sargasso of Space has been one of my favorite books since I was a teen. No list of Female SF authors would be complete without Andre Norton. Her vision of aliens and space travel has been a huge influence on my own writing.
Stellar exploration—and depredation—in the exciting first novel in the Solar Queen series from a “superb storyteller” (The New York Times).
In the future, venturing out into the stars is more than a way for humanity to chart the cosmos—it’s big business. Every time a new planet is discovered, the highest bidder gets first dibs with exclusive property rights for a year. Anything they can find, they can keep.
The planet Limbo was considered a waste of rock to most, which is the only reason apprentice cargo master Dane Thorson and the rest of the crew of the Solar…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
As a longtime arts educator who has worked predominantly with kids ages 3 to 12, I initially set out to find books that could inspire them about theatre. For many years I have searched for the perfect books that achieve this and have used all of these books in my teaching.
There are many jobs in theatre, from the performers on stage, to all of the people like the writers, directors, and designers who make their magic behind the scenes. This book makes the excellent case that there is a place for anyone in the theatre, taking kids by the hand walking them through how it requires a team effort to make a production happen.
A delightful introduction to opera, Bravo! Brava! A Night at the Opera teaches elementary school children what opera is by showing how it is made. "Who writes the words?", "Who makes an opera happen? "Who is backstage?"--these questions and more are answered with easy-to-understand explanations and are illustrated with whimsical watercolors by the author. From composer, choreographer, and costume designers to the conductor, lighting and special effects crew, and, of course, the singers, the excitement builds as Anne Siberell explains each person's role in producing an opera. Bravo! Brava! A Night at the Opera reveals details of the most famous…
Having been a professional singer for about five decades and having grown up with, and studied the early recordings of operatic singers for just as long, I feel that I am in an unusual position when it comes to analyzing their art. The ability to describe a singer’s voice on paper is a unique challenge but one that I enjoy solving–especially since each voice is a law unto itself. When done correctly, analysis like this should make the reader want to go and find the recording so that they can listen for themselves. This is especially true for my expanded Kindle version of Early 20th Century Opera Singers.
A remarkable tracing of the evolution of singing throughout the decades. Occasionally Scott is dismissive, (sometimes of the most famous singers) but his remarks are always intriguing and thought-provoking. Through his text, Scott causes one to re-evaluate some of the most famous singers and the reason for their fame.
Katie's Gamble is an unexpected, unique story about a young woman who's trying to support her younger siblings by keeping her family's confectionery shop open.
In order to do that, she has to take on her older brother, who's a notorious gambler in Louisiana. Additionally, she has to outsmart Rowdy…
Having been a professional singer for about five decades and having grown up with, and studied the early recordings of operatic singers for just as long, I feel that I am in an unusual position when it comes to analyzing their art. The ability to describe a singer’s voice on paper is a unique challenge but one that I enjoy solving–especially since each voice is a law unto itself. When done correctly, analysis like this should make the reader want to go and find the recording so that they can listen for themselves. This is especially true for my expanded Kindle version of Early 20th Century Opera Singers.
This series of 3 books traces the recordings of various operas from the infancy of recording through modern-day recording and is another fascinting read. Making this even more interesting is the fact that each opera is taken on by a different writer so you always get a fresh view on the works being discussed.
I’ve held a burgeoning interest in the stars since I was a young girl. Daydreams of adventure and exploration guided me to the genre. Once I found it, I consumed everything I could find, both on-screen and in the pages of books. There’s something to be said about the vulnerability of being in the vastness of space, oftentimes with strangers who grow to be family. I guess, in a way, it reminds me of that moment when we set out into the world, away from our families, to learn and explore more about our surroundings and the characters we meet along the way (only on a much grander scale).
I don’t typically read military sci-fi or hard science fiction, but these two incredible authors have pulled me in. This series is part of a bigger universe called Aeon 14 and all of it is a joy to read. The authors work together to weave a story full of well-developed characters, flawless character interactions, along with conflict and resolution.
The Silstrand Alliance lies at the intersection of vast empires. And they're losing ground... Kylie Rhoads, one-time officer in the Silstrand Space Force, is now a junker. Captain of the Dauntless, she plies the black at the edge of the Gedri System, looking for derelict hulls to pull in and sell for salvage. So that she can bring Maverick his cut of the take...
But the Silstrand Alliance hasn't forgotten Kylie, and Maverick has something they desperately need.
Kylie finds herself caught up with old friends, enemies, and a rather terrifying new technology that will make or break whatever future…
Having been a professional singer for about five decades and having grown up with, and studied the early recordings of operatic singers for just as long, I feel that I am in an unusual position when it comes to analyzing their art. The ability to describe a singer’s voice on paper is a unique challenge but one that I enjoy solving–especially since each voice is a law unto itself. When done correctly, analysis like this should make the reader want to go and find the recording so that they can listen for themselves. This is especially true for my expanded Kindle version of Early 20th Century Opera Singers.
One of the greatest series of books ever written about the early years of live broadcasting from the Metropolitan Opera. Jackson’s detailed analysis of the existing broadcasts is informative and fascinating. Even better they can be read by themselves, or even better, when listening to the actual broadcast. The amount of information in this series (3) is unbelievably vast and fascinating. All three are recommended.
(Amadeus). In this first of three volumes, Paul Jackson begins a rich and detailed history of the early years of the Metropolitan Opera broadcasts, bringing to life more than 200 recorded broadcasts.
Papyrologist Lisa Emmer's world flips when the Sûreté detains her at her Metro station with news of the savage murder of the esteemed Paris historian Dr. Raimond Foix, her friend and mentor in the study of ancient documents.
Horrified, Lisa finds clues at the crime scene left behind for her…
I’ve always thought that the Venn diagram of Space Opera and Military Science Fiction should not be a circle. I thought there should be stories about people living in interstellar civilizations that didn’t involve massive wars across unimaginable distances, resulting in untold misery and suffering. So, I wrote some, starting with Quarter Share. Each of these books shows mostly normal people trying to get by in a galaxy far, far away.
Skylar Ramirez kicks off this twisty series by introducing the alcoholic Captain Brad Mendoza and his troubled executive officer. Along the way, a crooked path leads the reader deeper into a well-developed universe of money, politics, and betrayal.
Every character plays a role, but some play more than one. While these are technically military people, their mission isn’t supposed to involve flying missiles and drawn-out battles. Mostly, it’s about a bunch of troubled people finding their way back from the brink.
This one has more military than the first three, but it's still a great read.
Brad Mendoza is an idiot. He knows it, and so does everyone else in the star nation of Prometheus. A promising naval career down the drain just because he accidentally killed 504 civilians. So, it's time for him to give up and accept a dead-end command on Persephone, the worst starship in the fleet. Until he meets the beautiful and cunning Jessica Lin, his new executive officer, who harbors a terrible secret of her own. Now, with an enemy warship four times their size bearing down on them, Brad's in a race to save Jessica and his stupid ship.
I fell in love with opera history as an undergraduate exchange student in Vienna and went on to pursue my passion in graduate school. Rather than writing about opera composers and their music, I chose the unusual path of studying famous singers from the nineteenth century, especially the prima donnas who exerted extraordinary authority over composers, theater directors, and spectators. In my books and articles, I focus on the power of divas to thrill audiences and to shape the musical culture of which they are an integral part. The books I am recommending explore the lives and careers of some of the most fascinating prima donnas of the nineteenth century.
Through a dazzling collection of sources that include letters, contracts, memoirs, biographies, newspaper reviews, and fictional stories about the figure of the cantatrice, Kimberly White’s French Singers on the French Stage is a brilliant account of the various stages of singers’ lives in nineteenth-century France, beginning with their births and following them up to and past their retirements. In between, she describes their training at the Paris Conservatoire, debuts, marriages, benefits, and scores of other important issues that they grappled with throughout their careers. I do not know of any other work in the field of prima donna or opera studies that is at once as thorough and as lucidly written—it is a page-turner from beginning to end.
The study of singers' art has emerged as a prominent area of inquiry within musicology in recent years. Female Singers on the French Stage, 1830-1848 shifts the focus from the artwork onstage to the labour that went on behind the scenes. Through extensive analysis of primary source documents, Kimberly White explores the profession of singing, operatic culture, and the representation of female performers on the French stage between 1830 and 1848, and reveals new perspectives on the social, economic, and cultural status of these women. The book attempts to reconstruct and clarify contemporary practices of the singer at work, including…
I am a spy aiming to uncover hidden documents, private journals, and secret messages penned in the distant past. I am a detective racing to reveal the world’s most dastardly deeds and daring escapades. I am an adventurer zooming around the planet along with history’s bravest heroes and most despicable villains. I am an artist whose illustrations transform ancient stone-cold statues by turning them into living, breathing human beings that laugh and cry, win and lose, love and hate, and spring vividly to life. And I am a storyteller striving to lure readers of all ages, whether they are children or adults.
Destitute Jasper Ankle will pay any price to attend his beloved opera. But when its most famous diva chokes to death on an admirer’s candied violet, a hitherto unknown beauty named Ortenzia Caviglia takes her place, and as her star rises, everyone who might stand in her way conveniently drops dead. But as her fame and fortune increase, Jasper Ankle becomes more and more impoverished, and if you are familiar with Edward Gorey’s dreadfully terrifying tales and his delicate, elegantly devilish black and white penmanship, perhaps you can imagine what is happening herein. (By the way, Gorey is also dead but you can still get hold of his evil little books.)
Ortenzia Caviglia is an undiscovered opera understudy whose lucky break results from the mysterious murder of the reigning diva. Upon hearing her sing, Jasper Ankle becomes her deepest admirer, undaunted by perilous weather and abject poverty in his quest to hear her sing. As Ortenzia's star rises, Jasper sinks further into despair, until performer and fan collide in true Edward Gorey fashion. Exquisitely illustrated with Gorey's signature pen-and-ink crosshatching, The Blue Aspic is a heart-wrenching and oddly hilarious tale of unrequited love and the dangers of celebrity.
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
I’ve held a burgeoning interest in the stars since I was a young girl. Daydreams of adventure and exploration guided me to the genre. Once I found it, I consumed everything I could find, both on-screen and in the pages of books. There’s something to be said about the vulnerability of being in the vastness of space, oftentimes with strangers who grow to be family. I guess, in a way, it reminds me of that moment when we set out into the world, away from our families, to learn and explore more about our surroundings and the characters we meet along the way (only on a much grander scale).
Nicole has done something really great with this series. She’s created memorable, detailed characters to build a cast you really care about. I really love seeing how other authors have humans interact with aliens and vice versa. This series was a great blend of everything you need for an epic adventure.
1900 pages of space opera adventure for fans of Firefly, Killjoys, and the Mandalorian... Holly Drake just got out of prison... but that doesn't mean she’s free.
The City of Jade Spires is no paradise, though everything about it says otherwise: the glimmering jade towers, the glow of a gas giant, and the 6 Moons balanced between four supposedly equal races.
Serving an unfair sentence like Holly’s clears up such a gross misconception pretty quick. When she walks free due to the intervention of a mysterious source, she soon realizes they want her to do something: Steal a priceless jewel…