85 Books Like Up the Line

I‘ve been thinking about the forces that drive humanity together and pull us apart at the same time since my late teens; back then, I started reading the classical dystopian tales. The (perceived) end of time always speaks to me, because I think it‘s in those moments of existential dread that we learn who we really are. That‘s why I like reading (and reviewing) books, and also why those topics are an undertone in my own writings. I do hope you enjoy these 5 books as much as I have.

I've been an avid reader of SF in general, and its sub-genre of time-travel, for most of my life, and have tackled this topic in my own writings as well. Time-travel tales often deal with inherent paradoxes, such as the Grandfather Paradox, which asks: If you go back in time and kill your grandfather, would you then never be born and therefore never commit the murder? If so, then your grandfather lives and you were born and . . . Such paradoxes boggle the mind and provide fascinating territory for SF authors to explore. 

I became hooked into science fiction as a kid the day I read an illustrated book of 20,000 Leagues Under the Sea. From then on, science fiction became an important part of my reading repertoire. Having wide-ranging interests, I enjoy military techno-thrillers, Anglo-French naval warfare, Greek/Egyptian/Roman mythology, most sciences, history of religions, with an occasional novel that strays from the norm and adds a sparkle to my reading. Mary Stewart’s The Crystal Cave and The Hollow Hills are very close to my heart. Just shows that I’m different. After all, I must do something when I am not writing my own novels! Although I have an extensive library of modern science fiction works, I am fond of many oldies.

As a genre reader since childhood, I’m all-too-familiar with the tropes of the Chosen One, the Prophecy and all those things that lead the unsuspecting child of humble birth to fulfil their Great Destiny. I’ve no complaint against it, it’s been the source of many rich and inventive stories, but I find myself increasingly drawn to stories where the protagonist is an ordinary Joe (or Jo), sucked into uncommon events beyond their normal lives and forced to find a way to survive. It’s easy to grab attention with the threatened destruction of the galaxy. How much more satisfying, then, to make a reader care about the soul of one character.

I’ve been fascinated by science and space since I was a child and naturally gravitated toward science fiction. In many respects, it was a form of escapism, as I didn’t enjoy school. I always preferred escaping into another world or being taken on a journey to another world. It wasn’t until I got older that I realized that most great science fiction is a commentary on our own world and the issues we face daily. Science fiction, more than any other genre, does a better job of exploring and dissecting aspects of our world, which in turn helps us better understand our world and our relationship with it.

My great interests have been ships and space travel, and if one takes time to consider the similarities the parallels stand out. Ships, especially submarines, travel in a medium and through an environment that is hostile to human life. In space travel, the ‘ship’ becomes the only habitat in which we can survive for any extended period, leaving it without a space suit is a fatal move. I cannot claim to be an expert in closed environments, but it's a subject that has fascinated me throughout my life. Every ‘biosphere’ is unique and incredibly complex and depends on the symbiosis of an enormous number of living creatures right down to bacteria and even viruses. 

I am an author of science fiction, as well as nonfiction, a singer/songwriter, and a Professor at Fordham University, and time travel has played a role in all of these endeavors.  I’ve written four novels and numerous stories which feature time travel, several songs (for example, “If I Traveled to the Past”), and talk about it in my classes.  The opportunity of going back in history and stopping a bad thing has always intrigued me, as has traveling to the future to see how things turn out. The paradoxes that can get in the way of that make thinking and writing and talking and singing about it even more fun.

Every morning when I sit at my computer, I’m reminded by a post-it note stuck to my monitor that my self-ordained purpose is to “bring readers joy.” Like many, I escaped into books as a child, and I’ve been seeking out stories that encapsulate wonder, delight, and, most importantly, love ever since. I began my self-publishing journey in 2020 and am thrilled to have found my place in the fantasy romance genre, writing romcoms with a heaping spoonful of ridiculous magic. I’ve written a number of standalone novels as well as a (sub)urban fantasy series, Vacancy, and a traditional fantasy romance series with a satirical twist, Villains & Virtues.

I was born and raised in Mississippi, where ink and river mud run through our veins in equal measure. My parents were readers, and thus, I followed in their footsteps. Before long, I was reading their library choices and mine and still running out of books before it was time to visit again. From the moment I laid eyes on Elizabeth Peters’ Amelia Peabody series, I was hooked on historical mysteries. It took me forty years of life to realize I had stories of my own to share. I now live in Oxford, England, with my husband, two daughters, three cats, and lots of shadowy corners for inspiration.

As an autistic person, I was a deeply unhappy and anxious child, so naturally I grew up to be a goth, with scary stories becoming a way for me to manage my constant fear. The Gothic became one of my special interests, and something I’ve always enjoyed studying. Additionally, I’ve always loved imaginative, fantastical tales that helped me feel like I was escaping from the real world I hated (and honestly, still hate) so much. As a result, there’s a special place in my heart for books that combine the weird Gothic trappings I hold so dear with the action and magic of a fantastical adventure novel.