Here are 100 books that Under the Eagle fans have personally recommended if you like
Under the Eagle.
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I have a fascination for Roman history, having been born in the UK, and visiting Hadrian’s Wall. I have read many, many works of both history and historical fiction about Rome. To me, these five are the most memorable. Obviously the story has to be fantastic but it's important to be accurate. The opening battle in Gladiator annoyed me because the Romans never broke lines to fight man to man with barbarians. The concept of the Celts living among the rubble of the Empire, of being surrounded by things they cannot understand helped inspire my Empire Of Bones series. I even have a gladius sword and use it to inspire my own battle scenes.
This starts the Twilight Of The Empire series as Aurelius Castus—known as Knucklehead to his troops—slaughters his way across the Roman Empire. It’s gritty and believable and starts with an absolutely eye-popping fight. And then it just gets better from there.
We meet Castus as a simple soldier but he becomes a Centurion and then a senior officer as the series develops and his concern changes from just staying alive and slaughtering his enemies to complex moral and political issues. But don't worry, no matter what uniform he wears, he still swings a sword with the best of them.
Once a soldier in an elite legion from the Danube, newly promoted centurion Aurelius Castus now finds himself stuck in Britain's provincial backwater. But when the king of the Picts, the savages beyond Hadrian's Wall, dies under mysterious circumstances, Castus is selected to command the bodyguard of a Roman envoy sent to negotiate with the barbarians. What starts as a simple diplomatic mission ends in bloody tragedy, and soon Castus and his men are fighting for their lives-and it isn't long before the legionnaire discovers that nothing about his doomed mission was ever what it seemed. The first book in…
An air assault many times stronger than the London Blitz threatens to break the resistance of the British in Malta and enable the Axis Powers to seize Suez and Middle Eastern Oil.
Voices on the Wind is a story of four of Malta's defenders: Senior Intelligence Officer and former Battle…
I am a writer, classical historian, and journalist. While there is no shortage of Roman historians in Britain and the US, I have long felt that English-speaking historians have had a blind spot as far as Roman Germany goes. Fascinated by the Battle of Teutoburg Forest for many years, while there were numerous accounts in German, it frustrated me that there was no general account of what happened in English. So I wrote it! I wasclearly not alone in my interest in Roman Germany and have presented a number of documentaries on the battle on the History Channel and National Geographic since.
So closely does he follow what is known about the battle and its aftermath that Ben Kane’s trilogy about the Battle of Teutoburg Forest – Eagles of War, Hunting the Eagles, and Eagles in the Storm – blurs the line between fiction and historical fact and makes the reader feel that they are there.
He has a sympathetic hero in the centurion Lucius Tullus and he brings many of the historical characters to life. Aside from the vivid writing, what particularly stands out are the nods towards the archaeology of the battle and Roman Germany.
A TIME FOR VENGEANCE AD 9, German frontier: Close to the Rhine, a Roman centurion, Lucius Tullus, prepares to take his soldiers on patrol. On the opposite side of the river, German tribes are resentful of the harsh taxes about to be imposed upon them. Suspicious that there might be unrest, Tullus knows that his men's survival will be determined not just by their training and discipline, but by his leadership.
A TIME FOR WAR What neither Tullus nor his commander, Governor Varus, realise is that ranged against them is the charismatic chieftain and trusted…
I have a fascination for Roman history, having been born in the UK, and visiting Hadrian’s Wall. I have read many, many works of both history and historical fiction about Rome. To me, these five are the most memorable. Obviously the story has to be fantastic but it's important to be accurate. The opening battle in Gladiator annoyed me because the Romans never broke lines to fight man to man with barbarians. The concept of the Celts living among the rubble of the Empire, of being surrounded by things they cannot understand helped inspire my Empire Of Bones series. I even have a gladius sword and use it to inspire my own battle scenes.
High-born Marcus Aquila finds himself on Hadrian’s Wall in a lowly auxiliary cohort after his family angers the mad Emperor Commodus. He arrives just in time for a tribal rebellion and finds himself up to his neck in crazed berserkers. The action is fast, the battles incredible. Be careful as you turn the page, because you might just slip in all the entrails. The series loses steam around book 7 but the first three are stunning.
Marcus Valerius Aquila has scarcely landed in Britannia when he has to run for his life - condemned to dishonorable death by power-crazed Emperor Commodus. The plan is to take a new name, serve in an obscure regiment on Hadrian's Wall and lie low until he can hope for justice. Then a rebel army sweeps down from the wastes north of the Wall, and Marcus has to prove he's hard enough to lead a century in the front line of a brutal, violent war.
Royal Academy, London 1919: Lily has put her student days in St. Ives, Cornwall, behind her—a time when her substitute mother, Mrs. Ramsay, seemingly disliked Lily’s portrait of her and Louis Grier, her tutor, never seduced her as she hoped he would. In the years since, she’s been a suffragette…
I have a fascination for Roman history, having been born in the UK, and visiting Hadrian’s Wall. I have read many, many works of both history and historical fiction about Rome. To me, these five are the most memorable. Obviously the story has to be fantastic but it's important to be accurate. The opening battle in Gladiator annoyed me because the Romans never broke lines to fight man to man with barbarians. The concept of the Celts living among the rubble of the Empire, of being surrounded by things they cannot understand helped inspire my Empire Of Bones series. I even have a gladius sword and use it to inspire my own battle scenes.
Flavius Ferox is kind of like a Roman sheriff looking after tribal lands in northern England. What looks like a simple raid soon turns into something much more. Ferox is a fantastic character and there’s some subtle humour in with the bloodshed. The start of an excellent trilogy, this gets you in from the start.
Yes, technically Flavius Ferox isn't a Roman as he was born a Silurian (a very warlike tribe of Wales) but he fights for the Romans and he has no problems at all in being bathed in barbarian blood at the end of a battle. That makes him a more than worthy addition to this list.
Gripping, authentic novel set in Roman Britain from bestselling historian, Adrian Goldsworthy.
AD 98: VINDOLANDA. A FORT ON THE EDGE OF THE ROMAN WORLD.
The bustling army base at Vindolanda lies on the northern frontier of Britannia and the entire Roman world. In just over twenty years time, the Emperor Hadrian will build his famous wall. But for now defences are weak as tribes rebel against Rome, and local druids preach the fiery destruction of the invaders.
It falls to Flavius Ferox, Briton and Roman centurion, to keep the peace. But it will take more than just a soldier's courage…
I am Professor of Classics at George Mason University. I learned about ancient Romans and Greeks in my native Germany, when I attended a humanist high school, possibly the oldest in the country. (It was founded during the reign of Charlemagne, as the eastern half of the Roman Empire was still flourishing.) My mother once informed me that I betrayed my passion for stories long before I could read because I enthusiastically used to tear pages out of books. In my teens I became fascinated with stories told in moving images. I have been a bibliophile and, em, cinemaniac ever since and have pursued both my obsessions in my publications.
Scobie presents a concise exposition of the Nazis’ inferiority complex vis-à-vis imperial Rome.
Hitler, ever a fan of grotesque gigantomania, found a soulmate in Albert Speer. Their designs for rebuilding major cities on Roman principles became reality only to a small degree.
The apex was to have been Berlin, renamed Germania, as world capital. Its most stupendous building, modeled on but dwarfing the Pantheon in Rome, was the Great Hall (also People’s Hall, Hall of Glory). It was to accommodate 180,000 standing people. Above it a copper-plated dome sixteen times the size of St. Peter’s in Rome was to have risen.
Inside, the balcony from which Hitler was to deliver his addresses would have made him appear tiny. The contrast exemplifies the essence of Kitsch: unrestrained grandiosity turns ridiculous.
Adolf Hitler admired ancient Rome as the "crystallization point of a world empire," a capital with massive public monuments that reflected the supremacy of the State and the political might of the ancient world's "master-race." He also admired the way Mussolini turned the monuments of imperial Rome into validatory symbols of Fascism. Hitler planned a Reich that would be a as durable as the Roman Empire. Its capital, Berlin, would surpass the architectural magnificence of ancient Rome before the advent of Christianity as its official religion.
This book examines Hitler's views on Roman imperialism, town planning, and architecture, and shows…
They say true happiness is finding something you love, and getting paid to do it, which makes me one happy bunny. Ancient history has been my passion, my hobby and my job for the past three decades, and I still wake up every morning looking forward to another day of it. Thanks to the internet I can study the classics and still hike in the mountains and kayak the mountain lakes of my corner of British Columbia. It doesn't get better than this.
A self-contained description of a war fought in Africa against an ambitious monarch, in which the Roman superpower struggles with an elusive enemy. Roman efforts are badly hampered by corrupt generals and Sallust, writing a generation later makes no attempt to conceal his contempt for the aristocratic establishment which happily pocketed Jugurtha's bribes. A book that reads well and is relevant today. Get the Oxford University Press edition, and get the Catiline conspiracy thrown in for free.
Sallust (86-c. 35 bc) is the earliest Roman historian of whom complete works survive, a senator of the Roman Republic and younger contemporary of Cicero, Pompey and Julius Caesar. His Catiline's War tells of the conspiracy in 63 bc led by L. Sergius Catilina, who plotted to assassinate numerous senators and take control of the government, but was thwarted by Cicero. Sallust's vivid account of Roman public life shows a Republic in decline, prey to moral corruption and internal strife. In The Jugurthine War he describes Rome's fight in Africa against the king of the Numidians from 111 to 105…
Who was the man who would become Caesar's lieutenant, Brutus' rival, Cleopatra's lover, and Octavian's enemy?
When his stepfather is executed for his involvement in the Catilinarian conspiracy, Mark Antony and his family are disgraced. His adolescence is marked by scandal and mischief, his love affairs are fleeting, and yet,…
I’m a Roman historian (associate professor at the University of Birmingham, UK), who’s particularly interested in understanding the nature of Roman power and how Rome’s presence and impact within the Mediterranean changed over time. I’m dyslexic and I think this, in part, might explain why I am quite a visual learner and find material culture a really valuable way to engage with the past, just as much as through written sources. I really hope that my selection of books offers you various different (and perhaps new) ways to think about ancient Rome!
What I really enjoy about this book is the engaging and lively way in which Emma Dench examines, across a broad chronological (third century BC to third century AD) and geographical scope, the various different ways in which local peoples, groups, identities, and cultures experienced and responded to Roman power.
I particularly appreciate how the emphasis is not on accepting a sense of loyalty to Rome but rather the importance of the political currency of Roman symbols of power within a complex and wide-ranging negotiation of identity in the Mediterranean world. Perhaps one of my favourite things about the book is the diverse range of places, peoples, and evidence explored.
This book evaluates a hundred years of scholarship on how empire transformed the Roman world, and advances a new theory of how the empire worked and was experienced. It engages extensively with Rome's Republican empire as well as the 'Empire of the Caesars', examines a broad range of ancient evidence (material, documentary, and literary) that illuminates multiple perspectives, and emphasizes the much longer history of imperial rule within which the Roman Empire emerged. Steering a course between overemphasis on resistance and overemphasis on consensus, it highlights the political, social, religious and cultural consequences of an imperial system within which functions…
My fascination with the relationship between Rome and America grows out of the work I have done on early American culture, contemporary political thought, and ancient Rome. My most recent work, Rome and America: Communities of Strangers, Spectacles of Belonging, took shape through a lot of conversations over the years with friends and colleagues about the different tensions I saw in Roman politics and culture around questions of national identity, tensions that I saw being played out in the United States. I don’t like tidy histories. I am drawn to explorations of politics and culture that reveal the anxieties and dissonance that derive from our own attempt to resolve our incompleteness.
One of the issues I have sought to counter in my work is our sense of the Romans as boring. At times they even saw themselves that way. We know the Romans by way of their contributions to law, constitutionalism, administration, and oratory. This collection of essays is engaging because of the surprising ways in which Rome not only figures into popular culture, from Broadway to the movies, but is employed in explorations of marginal identities.
The phenomenal success of the recent film Gladiator ensures that ancient Rome will continue to inspire moviemakers and attract audiences as it has done since the dawn of cinema. Indeed, the creators of popular culture have so often appropriated elements of Roman history and society for films and television programs, novels and comic books, advertising and computer games that most people's knowledge of ancient Rome derives from these representations. In Imperial Projections, scholars from a variety of fields-classics, history, film studies, and gender theory-provide an interdisciplinary look at how ancient Rome has been depicted in the media and what these…
I’m a writer and educator working in central Virginia, and I’ve been in love with the ancient world since my first Latin class back in the seventh grade. I’ve always been interested in social history more than just the chronology of battles and the deeds of famous men, so my research looks for sources that can illuminate daily life and the viewpoints of marginalized populations. I hold a BA in English and History from the College of William and Mary and an MLitt from Mary Baldwin University.
This book provides an exemplary hour-by-hour guide to what life was like for a citizen of Rome at the height of its power. I love that Angela not only gives us the high-society angle, bringing us into the lush gardens and sumptuous homes of Rome’s wealthy and powerful, but also the crowded apartments and streets that were home to the vast majority of the ancient city’s citizens. You walk alongside them, getting a ground-level view of the patterns of a normal day in all its mundane details, from clothing to food to labor to entertainment, rendered in fascinating prose.
The wondrous extravagance of banquets where flamingos are roasted whole and wine flows like rivers. The roar of frenzied spectators inside the Colosseum during a battle between gladiators. A crowd of onlookers gathered at a slave auction. The silent baths and the boisterous taverns...Many books have dealt with the history of ancient Rome, but none has been able to so engage its readers in the daily life of the Imperial capital.
This extraordinary armchair tour, guided by Alberto Angela with the charm of a born storyteller, lasts twenty-four hours, beginning at dawn on an ordinary day in the year 115…
As a kid, I was fascinated by Greek mythology. Through myth, I encountered many powerful female characters—Athena was my favorite—but I felt frustrated by how women’s lives were told in my books. My interest in Greek myth and curiosity about untold stories led me to become a Classics professor. I love teaching and writing about women in the ancient world, helping people to understand how they navigated their lives. Luckily for me, many recent books across various genres, from novels to translations to histories, have illuminated the lives of ancient women. There’s so much more to read than when I was growing up!
Very few histories of Rome manage to be both trenchant and laugh-out-loud funny. Emma Southon’s is one. I was laughing and wincing at the same time. I was especially impressed because many of the figures Southon discusses (Tanaquil, Lucretia, Tarpeia) are shrouded in Rome’s self-serving patriotic myths.
Southon tells their stories in a colorful, empathetic narrative that dares to imagine what the women’s point of view might have been like. She also makes clear how much Rome, that quintessentially patriarchal ancient empire, imagined itself as founded on the bodies of women.
From the acclaimed author of A Fatal Thing Happened on the Way to the Forum, a wildly entertaining new history of Rome that uses the lives of 21 women to upend our understanding of the ancient world
The history of Rome has long been narrow and one-sided, essentially a history of “the Doing of Important Things.” And as far as Roman historians have been concerned, women don’t make that history. From Romulus through the political stab-fest of the late Republic, and then on to all the emperors, Roman historians may deign to give you a wife or a mother to…
