Here are 100 books that Two Years Eight Months and Twenty-Eight Nights fans have personally recommended if you like
Two Years Eight Months and Twenty-Eight Nights.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I am a fiction writer and currently live in Cairo, where I have lived for over twenty years. I noticed that the way I started telling stories was influenced by learning Arabic and by listening to the stories of the people in the city. My interest in Arabic also led me to read Arabic literature, like A Thousand and One Nights.
I admired the creativity and originality of this epic novel. Brink has yoked the harsh political reality of South Africa with the frame of the One Hundred and One Nights.
On the eve of cataclysmic change in nineties South Africa, a young South African émigré, Kristien, who lives in London, has been summoned back to her grandmother’s deathbed. In between the tense atmosphere before impending elections in post-apartheid South Africa, the ancient Ouma tells her granddaughter the history of all of the women in their Afrikaans family, blending fable, African folktale, and actual fact. One relative even turns into a tree! Once Ouma finishes her last story, there is one more tragedy which hits very close to home.
I loved the wide sweep of this novel, which reminded me somewhat of Faulkner, that traces the literal Calvinism and fierce militarism of the first Afrikaans settlers to South Africa—and…
When expatriate Afrikaner Kristien Müller hears of her grandmother's impending death, she ends her self-imposed exile in London and returns to the South Africa she thought she'd escaped. But irrevocable change is sweeping the land, and reality itself seems to be in flux as the country stages its first democratic elections. Kristien's Ouma Kristina herself is dying because of the upheavals: a terrorist attack on her isolated mansion has terminally injured her. As Kristien keeps vigil by her grandmother's sickbed, Ouma tells Kristien stories of nine generations of women in the family, stories in which myth and reality blur, in…
This is a novel about choices. How would you have chosen to act during the Second World War if your country had been invaded and occupied by a brutal enemy determined to isolate and murder a whole community?
That’s the situation facing an ordinary family man with two children, a…
I am a fiction writer and currently live in Cairo, where I have lived for over twenty years. I noticed that the way I started telling stories was influenced by learning Arabic and by listening to the stories of the people in the city. My interest in Arabic also led me to read Arabic literature, like A Thousand and One Nights.
This was a wonderful novel that gave me a sense of how cruel the Spanish occupation was in New Mexico in the 1600s. I loved how Anaya adapted Spanish folktales throughout the novel.
The Spanish treatment of indigenous people can be compared to any occupier, even in present times. The main character in the novel is the Governor of New Mexico and his difficulties governing Pueblo Indians and other indigenous tribes who reject the Spanish occupation and the religious beliefs of the Catholic Church. He is a sympathetic character who has just lost his wife and is lonely.
A group of Pueblo Indians are arrested for plotting a rebellion against the Spanish—the punishment is usually harsh: either death or enslavement. One of the conspirators is a fifteen-year-old girl named Serafina, who speaks Spanish well and is a gifted storyteller. She makes a wager with the governor to tell him a…
New Mexico's master storyteller creates a southwestern version of the Arabian Nights in this fable set in seventeenth-century Santa Fe. In January 1680 a dozen Pueblo Indians are charged with conspiring to incite a revolution against the colonial government. When the prisoners are brought before the Governor, one of them is revealed as a young woman. Educated by the friars in her pueblo's mission church, Serafina speaks beautiful Spanish and surprises the Governor with her fearlessness and intelligence.
The two strike a bargain. She will entertain the Governor by telling him a story. If he likes her story, he will…
I am a fiction writer and currently live in Cairo, where I have lived for over twenty years. I noticed that the way I started telling stories was influenced by learning Arabic and by listening to the stories of the people in the city. My interest in Arabic also led me to read Arabic literature, like A Thousand and One Nights.
I loved this quirky, surreal novel, which is set in Cairo during the time of the Mamluks. Alternating between dreams and fables, the novel also takes us on a tour of Cairo. He uses the mock diary of a traveler for every section of old Cairo, but then diverges into the individual stories of characters in the city.
Balian, a British pilgrim who has come to visit St. Catherine’s Monastery in Sinai, is really a spy sent by European powers to scout out the power of the Mamluk force, as well as the political intentions of the Sultan. Soon over his head, he finds himself meeting a variety of flamboyant characters. An Italian spy, Giancristoforo, is soon arrested and disappears into state custody. Balian has bizarre dreams at night, but even during the daytime he can’t distinguish between dream and reality.
Arabian Nightmare is a book which has hung around…
' ...a classic orientalist fantasy tells the story of Balian of Norwich and his misadventures in a labyrinthine Cairo at the time of the Mamelukes. Steamy, exotic and ingenious, it is a boxes-within-boxes tale featuring such characters as Yoll, the Storyteller, Fatima the Deathly and the Father of Cats. It is a compelling meditation on reality and illusion, as well as on Arabian Nights-style storytelling. At its elusive centre lies the affliction of the Arabian Nightmare: a dream of infinite suffering that can never be remembered on waking, and might almost have happened to somebody else.' Phil Baker in The…
A fast-paced literary thriller with a strong sci-fi element and loaded with existential questions. Beyond the entertainment value, this book takes a hard look at the perilous world of publishing, which is on a crash course to meet the nascent, no-holds-barred world of AI. Could these worlds co-exist, or will…
I am a fiction writer and currently live in Cairo, where I have lived for over twenty years. I noticed that the way I started telling stories was influenced by learning Arabic and by listening to the stories of the people in the city. My interest in Arabic also led me to read Arabic literature, like A Thousand and One Nights.
I enjoyed Mafouz’s marvelous retelling of the Thousand and One Nights.
Although Mafouz sets the time in mediaeval era, the novel is a
political fable with contemporary overtones for any authoritarian
government.
Arabian Nights and Days,
tells the story of the Sultan, Shahriyar, and his entourage of rotating
police chiefs, spies, and informers. Many of the same characters from A Thousand and One Nights
appear in his version: Sindbad the Sailor, Aladdin, Shahrazad and her
sister, Dunyazad. And characters do tell stories to one another, but
Shahrazad is not as prominent.
The “jinn” or evil spirits do take
over each of the most noble characters, who are tempted by money, sex,
and power. Many “fall into the abyss” either in this world or the next.
There are disappearances, robberies, murders, purges—and those who are in favor might have their fortunes drastically changed in the course of…
The Nobel Prize-winning Egyptian writer Naguib Mahfouz refashions the classic tales of Scheherazade into a novel written in his own imaginative, spellbinding style. Here are genies and flying carpets, Aladdin and Sinbad, Ali Baba, and many other familiar stories from the tradition of The One Thousand and One Nights, made new by the magical pen of the acknowledged dean of Arabic letters, who plumbs their depths for timeless truths.
I’ve always been fascinated by folklore and religious myth. A passion further inspired by my path as an Eclectic Pagan, and my pursuit of a Masters in Mythological Studies. My interest in mythology was first inspired by my mother as she told us bedtime stories filled with the exploits of heroes, of gods, and angels. My upbringing in Christianity introduced me to the mythologies of Judaism, which eventually led me into the greater world of Paganism and an entire universe filled with a multitude of pantheons filled with their own gods, heroes, and legends.
The start of an epic fantasy adventure. Filled with djinn, magic, and myth, Dalen Pax and the Beads of Fire pulls you into an engaging fantasy world where time unravels and reforms a world of wild imagine. The protagonist begins his adventure as a normal teenager trying to find his place in the world. A world that expands with the revelation that magic exists, that time is a construct. Joined by a band of engaging characters I highly recommend joining the adventure.
Dalen Pax and the Beads of Fire is a delightfully inventive Fantasy novel, a remarkably touching and insightful coming-of-age story, and a philosophical tour de force.
Dalen Pax is a typical high school misfit who has always wished that magic was real. One fateful night, he found that it was when he risked his life to save Mathias, a man he didn't know. A man with the ability to wield real magic. After their meeting, Mathias enlists Dalen to help him retrieve a powerful artifact known as the Beads of Fire, which connects its wearer to the Fire Jinn, a…
A lot of people feel intimidated by fantasy. Admittedly, the classics of the genre can be hard to get into, with their epic worldbuilding and thousand-page counts. But what made me fall in love with fantasy was the way it made me feel. Growing up queer, Jewish, fat, and chronically ill in the American South made it impossible for me to relate to the people around me. But fantasy, with its stories of outcasts becoming saviors, resonated with me. That’s why I started writing Queen of All when I was only twelve years old—I wanted to make people feel seen and understood. That’s what these books have done for me.
The conclusion to a charming middle-grade trilogy about a quick-witted demon named Bartimaeus, this book also depicts love and loss with an intensity and realism that resonates with readers of any age. I first read this book when I was about nine years old, eager to find out what would happen to the hilarious characters I’d loved so much in the first few books. I’ll never forget how hard I cried on that school bus home. I was just old enough to understand what that kind of loss would feel like, and still young enough to be moved by the story’s idealism and for the fantastical world to feel real for me. But I think, no matter who you are, this is a story at once heartbreaking and hilarious.
Three years on from the events in The Golem's Eye, the magicians' rule in London is teetering on a knife-edge, with strikes, riots and general unrest. The Prime Minister is largely controlled by two advisers, one of whom is 17-year-old Nathaniel. Meanwhile, living under a false identity, Kitty has been researching djinn; she has come to believe that the only way to destroy the magicians is with an alliance between djinn and ordinary people.
Kitty seeks out Bartimaeus and embarks on a terrifying journey into the djinn's chaotic domain - the Other Place…
The Great West Wood is a magic realist thriller set in Westwood - a vibrant urban village set upon a hilltop, looking out across London, in an area once covered by an ancient forest.
This is a place where magic is taken for granted; where trees can talk; and children…
As a fantasy writer, I love to play with possibilities and invent new words for our experiences. I find that humorous fantasy is especially powerful in this regard because it pairs possibilities with absurdity, coming at reality sideways or backwards, putting everyday life into a new and more interesting light. Humor has the unique ability to transcend genres, from thrillers to cozy mysteries. It helps you process difficult emotions, or lift your spirits when the world feels a little too dark. These are some of my favorites within this category, and they all happen to be the first books in a series (you’re welcome). I hope you enjoy them as much as I do!
This is possibly the best known book on my list, yet it took me a long time to discover it.
This is a thriller-style adventure that follows Nathaniel, a young magician’s apprentice on a quest for revenge, who summons Bartimaeus, an all-powerful djinni. Nathaniel (unwittingly) and Bartimaeus (unwillingly) get caught up in a tangled plot of magic-fueled mayhem in which they have to work together to survive.
Bartimaeus’ sarcastic observations and side tangents add an element of humor that keep it from staying dark and somber, while also highlighting the underlying threads of slavery and social injustice in this fantasy world.
The first volume in the brilliant, bestselling Bartimaeus sequence.
When the 5,000-year-old djinni Bartimaeus is summoned by Nathaniel, a young magician's apprentice, he expects to have to do nothing more taxing than a little levitation or a few simple illusions. But Nathaniel is a precocious talent and has something rather more dangerous in mind: revenge. Against his will, Bartimaeus is packed off to steal the powerful Amulet of Samarkand from Simon Lovelace, a master magician of unrivalled ruthlessness and ambition. Before long, both djinni and apprentice are caught up in a terrifying flood of magical intrigue, murder and rebellion.
My favorite books—to read and to write—have always been funny Christian romances. But all four of my kids prefer fantasy. They want me to read with them, and they’ve been asking me to read nothing but fantasy for years. Now I can say it’s my second favorite genre. In fact, I learned to like it so much I eventually started writing a children’s fantasy series of my own, in between all the mushy stuff. Beyond Wisherton is the first in that series.
There is a fine line between silly and slapstick. This book manages to stay just barely on the good side of that line. Basically, we have two kids with genies being chased by bad guys. The danger motivates the kids to make wishes. The wishes are unlimited, but so are the consequences. Little wishes have little consequences while a big enough wish comes with death. Reading about the kids being forced to hop up and down, clap their hands and make weird noises as a result of the wishes is highly entertaining. But there are also a lot of openings for serious discussion as the kids try to negotiate smaller wishes to achieve similar results. Which consequences would you accept?
"Looking for a fantastically fast-paced and funny read? Your wish is granted!" -Chris Grabenstein, #1 New York Times bestselling author of Escape from Mr. Lemoncello's Library
Twelve-year-old Ace's life is about to change in the most unexpected and magical ways-all because of a peanut butter jar.
When he opens it, he inadvertently releases a genie named Ridge. Now a Wishmaker, Ace is given a week to complete a seemingly impossible quest, and if he fails the world will end in the most tragic (but cuddly) way imaginable.
Luckily, Ridge can help by granting Ace an unlimited number of wishes...as long…
I’ve adored reading a good snarky first-person story since I first read Bloodlist, so long as the snark doesn’t go too far and become total unlikeable jerk… It can be a fine line!I hope I stay on the right side of it, but having read it enough and written in it for years with my Blood Rights Series, I feel qualified to say I’m a…snark connoisseur. (If you ask my family, this is how my own internal/life narrator speaks! My mother says that my character Dakota is me if I “said everything aloud that I think in my head.” She’s probably right, and I’m okay with that.)
The description opens with “When the snarky Glory St. Pierre,” so I’m all over it right there. A. Star is an author I’ve read a lot of, and she cultivates both snark and take-no-crap female leads…with a frequent dash of hot hero. Where can you go wrong with that? This series is a sort of cross between urban and epic fantasy, following a modern girl who stumbles into a Djinn and ends up entangled in his world, with danger, suspense, and all the snark you can handle along the way.
When the snarky Glory St. Pierre discovers the gold mechanical vase in her deceased grandmother’s basement, she has no idea that she has uncovered a priceless treasure: a genie lamp. With a real genie inside. A very sexy genie with a not-so-sexy grudge against the entire human race.
Irving Amir hates being called a genie. He’s a Djinn, and he is none too happy to be in the service of Glory, who is as intolerable, and beautiful, as humans come. Now he owes her his gratitude for freeing him and three wishes. Damn his…
Embark on a riveting journey into Washington State’s untamed Olympic Peninsula, where the threads of folklore legends and historical icons are woven into a complex ecological tapestry.
Follow the enigmatic Petr as he fearlessly employs his pirate radio transmitter to broadcast the forgotten and untamed voices that echo through the…
I am a conflict resolution coach. I have a master's degree in conflict and am an ICF professional coach. I like my clients to live “clean” between their ears—even when life is not going their way. My book is light and fun. Deep and meaningful. And a flashlight to help those who are in the clouds of conflict get “good with themself.” Conflict becomes less scary when you identify the words that caused the issue. There is no use surviving a bad situation and then replaying it over and over again. Keeping the past alive in your mind keeps the past alive. Bury it with honor and grace.
The development of both of these characters was amazing. Sometimes, you read a book where you relate to one character and not as much to the other. Not with this book!
Both voices and stories were gripping by themselves. Then, when they met, the explosions happened and you saw two “people” with the same background (but under vastly different circumstances), merge.
'One of only two novels I've ever loved whose main characters are not human' BARBARA KINGSOLVER
For fans of The Essex Serpent and The Mermaid and Mrs Hancock.
'By far my favourite book of of the year' Guardian
Chava is a golem, a creature made of clay, brought to life by a disgraced rabbi who dabbles in dark Kabbalistic magic. When her master, the husband who commissioned her, dies at sea on the voyage from Poland, she is unmoored and adrift as the ship arrives in New York in 1899.