Here are 100 books that Two Boys Kissing fans have personally recommended if you like
Two Boys Kissing.
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Ever since I was a child, I’ve been dismayed by the humdrum monotony of everyday life. Of course, that is why one is drawn to books. The books on this list are historical fiction with otherworldly wonder. The world of the imagination is not an escape; it’s a portal to a new view of life. I’ve written four books set in the Italian Renaissance and two set in ancient Britain. Because of the depth of research, each one has taken about eight years. I’m constantly astonished at how imagination can fill the gaps history leaves. Striving always for plausibility, it is encouraging to count historians and archaeologists amongst my readers, cheering me on.
I love the way Miller treats mythic figures as sharing reality with humans.
Who can forget blue-green Thetis coming out dripping from the sea to meet her son, the hero Achilles? This is how the ancients wrote about the gods, and it's terrific to see it making a comeback after a hundred years or so when myth was treated as a source for psychoanalysis.
I was not so much inspired by this book (it came late) as encouraged and confirmed in my own treatment of otherworldly figures. They are there, for those with the eyes or imagination to see.
**OVER 1.5 MILLION COPIES SOLD** **A 10th ANNIVERSARY SPECIAL EDITION, FEATURING A NEW FOREWORD BY THE AUTHOR**
WINNER OF THE ORANGE WOMEN'S PRIZE FOR FICTION THE INTERNATIONAL SENSATION A SUNDAY TIMES AND NEW YORK TIMES BESTSELLER
'Captivating' DONNA TARTT 'I loved it' J K ROWLING 'Ravishingly vivid' EMMA DONOGHUE
Greece in the age of heroes. Patroclus, an awkward young prince, has been exiled to the court of King Peleus and his perfect son Achilles. Despite their differences, Achilles befriends the shamed prince, and as they grow into young men skilled in the arts of war and medicine, their bond blossoms…
Quinton Wyatt's summer break before high school should be nothing but wall-to-wall fun. Instead, his best friend has stopped talking to him; his fiendish older sister has filled his head with tales of a sadistic high school ritual called "The Freshman Stomp"; and his divorced father has started dating the…
I’ve always been a big fan of sci-fi and fantasy, especially anything involving superheroes or D&D-style adventure. For the longest time, I had to find queer representation through subtle glances and creative readings of characters. I loved these stories for the sci-fi and fantasy elements, but it was frustrating that every love story that came up was straight. It didn’t feel possible for queer love to be a part of a plot, and even when there was a queer character it had a “very special episode” vibe to it. Finally, queer characters are becoming part of the story, and it doesn’t have to be a “big deal.”
I love a soft sci-fi and Adam Silvera knows how to deliver.
What makes his world different from ours is a technology that can let people know the day they are going to die, on that day, so they have a chance to say goodbye. It provides such potential for deep introspection (for his readers as much as his characters) and heartbreak.
From the author of the INTERNATIONAL NO. 1 BESTSELLER THEY BOTH DIE AT THE END comes an explosive examination of grief, mental illness, and the devastating consequences of refusing to let go of the past.
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You're still alive in alternate universes, Theo, but I live in the real world where this morning you're having an open casket funeral. I know you're out there, listening. And you should know I'm really pissed because you swore you would never die and yet here we are. It hurts even more because this isn't the first promise you've…
I have always been a lover of love stories, yet it can be difficult to find “love stories” that aren’t put into other boxes or aren’t genre romances. My debut is also a family drama that spans sixty years of the twentieth century, but it’s a love story at its core. It’s sometimes classified as a romance because it’s a love story set on a beach. Still, it doesn’t quite fit into typical romance frameworks, which have characters meet and pulled apart before finally ending up back together. My book, instead, explores the reality of loving someone over decades and building a life together.
This is one of those books I am in awe of. Deeply immersive, I had to be pried away from this story once I began. The writing is spectacular and an absolute masterclass on writing chemistry between characters and writing young love.
This book falls on nearly any top-five list of mine. It is truly stunning and heartbreaking in turn. (Sorry, this isn’t a very light list, is it??) But to me, what makes love stories powerful is all the ways that love can be lost, the truth that love can be fleeting, impossible to hold onto forever, even if you have spent a lifetime with the one you love, at some point we all have to say goodbye. This is what makes love so beautiful.
Now a Major Motion Picture from Director Luca Guadagnino, Starring Armie Hammer and Timothee Chalamet, and Written by James Ivory
WINNER BEST ADAPTED SCREENPLAY ACADEMY AWARD Nominated for Four Oscars
A New York Times Bestseller A USA Today Bestseller A Los Angeles Times Bestseller A Vulture Book Club Pick
An Instant Classic and One of the Great Love Stories of Our Time
Andre Aciman's Call Me by Your Name is the story of a sudden and powerful romance that blossoms between an adolescent boy and a summer guest at his parents' cliffside mansion on the Italian Riviera. Each is unprepared…
Quinton Wyatt's summer break before high school should be nothing but wall-to-wall fun. Instead, his best friend has stopped talking to him; his fiendish older sister has filled his head with tales of a sadistic high school ritual called "The Freshman Stomp"; and his divorced father has started dating the…
I have known that I was gay since I was in second grade and kissed a boy on the playground. But that wasn’t the only way that I knew. Coaches, bullies, religion, and family warned me by namecalling, violence, and intimidation. It wasn’t until I was in college that I heard homosexuality portrayed in a positive light. Thank you, Walt Whitman. Then I saw The Adventures of Priscilla, Queen of the Dessert, and knew that I had to go on my own adventure in search of my gay tribe. Novels can be a tribe. I hope the books on my list give you a place to find acceptance and love.
Tin Man weaves the beauty and meaning of Van Gogh’s oeuvre into a background for a story that is written like poetry. Time is a main character who is sometimes kind, but mostly cruel. Separation, loss, and longing are themes that all people can relate to but when seen through the perspective of a character who identifies as LGBTQ+ it heightens and clarifies those human experiences in a way that draws a reader from any background deeper into an exploration of what the passing of time means and the consequences of ignoring the herald of each minute that ticks by.
The beautiful and heartbreaking new novel from Sarah Winman, author of the international bestseller WHEN GOD WAS A RABBIT.
'Her best novel to date' Observer 'An exquisitely crafted tale of love and loss' Guardian 'A marvel' Sunday Express 'Astoundingly beautiful' Matt Haig
It begins with a painting won in a raffle: fifteen sunflowers, hung on the wall by a woman who believes that men and boys are capable of beautiful things.
And then there are two boys, Ellis and Michael, who are inseparable. And the boys become men, and then Annie walks into…
I came of age in Oklahoma as a gay youth in the late 1970s and early 1980s, keeping myself hidden out of safety and shame. Once I was old enough to leave my small-minded town and be myself, I crashed headlong into the oncoming AIDS epidemic. It set me on a path to understanding the world and my place in it as a homosexual. I turned to reading about the lives and histories of those who came before me, to learn about their deaths and survivals in what could be an ugly, brutal world. These works continue to draw me, haunt me, and inspire me to share my story through my writing.
I’ve always thought of this book as a gay “bodice-ripper,” though a bit on the darker side. And it’s the darkness that haunts me still some two decades after first reading it.
The love story, if one can call it that, verges on and then outright plunges into brutal obsession between the two main male characters, and even though I knew I shouldn’t, I rooted for them.
Beyond the intensity of the relationship between the main characters, the writing, steeped in the history of the English Revolution, is wonderful–strong and brutal and raw and visceral. I’ve returned to this novel repeatedly over the years, and its impact never lessens. Truly a marvel of a novel.
Transplant Othello to the tumult of a country in social and political flux and en route to regicide -- England in the 1640s -- and render him uncertain about his sexuality, and you have the makings of Jacob Cullen, one of the most commanding characters in contemporary writing. As the book opens, Jacob is an educated, vigorous and dauntingly strong manservant in a Royalist household, who has begun to imbibe god-fearing revolutionary pamphlets. He is on the brink of marriage to his virginal sweetheart, but is unsure of his emotional needs, and in possession of a boiling point he reaches…
A professor of business at the University of Cambridge, I've spent over two decades studying innovation. I've been particularly interested in “frugal innovation”: how small teams now use ubiquitous tools and technologies to achieve what only large corporations or governments could a decade ago. I've written two books about this phenomenon: Jugaad Innovation and Frugal Innovation about the private sector. Whenever I gave talks about them, there was always the question: What does this mean for governments? I began to study how the state could use new technologies and ways of organizing to deliver services to its citizens better, faster and cheaper, and how governments should regulate and cultivate such tools used by the private sector.
The authors of this book were stalwarts of The Economist for many years. They bring to this book all their considerable powers as writers and analysts of contemporary politics and economics. Again, this book was a major source of inspiration for my own book. After discussing prior revolutions in the scale and scope of the state over the last two centuries, The Fourth Revolution argues that: 1) reform of the state is essential, and 2) this reform is possible because it is already happening all over the world thanks to new technology. This book, therefore, served for me as the launching point for my own book which looks at a great number of these actual changes in governments around the world that are taking place on the back of new technologies and forms of organization.
From the bestselling authors of The Right Nation, a visionary argument that our current crisis in government is nothing less than the fourth radical transition in the history of the nation-state
Dysfunctional government: It's become a cliche, and most of us are resigned to the fact that nothing is ever going to change. As John Micklethwait and Adrian Wooldridge show us, that is a seriously limited view of things. In fact, there have been three great revolutions in government in the history of the modern world. The West has led these revolutions, but now we are in the midst of…
Iʻve been travelling to islands before realizing I was seeking them. It was my political convictions that brought me to Haiti and Cuba, and later to Indonesia and Thai Islands due to my philosophical interests. When I headed to Greece for the first time it was to Corfu and the Peloponnese, my lineage, but also to Ithaca, Crete, the Cyclades, and eventually to Lesvos. Now I live in Hawaiʻi. I was attracted to the poetics of island landscapes, but as a scholar of space, society, and justice, I also understood that islands hold distinct sets of constraints and opportunities that require further study with intersectional and decolonial perspectives.
This is a spectacular and detailed book—think city as island—that can engross you over and over again. Simone, development activist and scholar, carries us into four African cities and shares the grassroots efforts of people coming together to create systems of trust for economic exchange and meeting social needs—without or outside the state and capital. It is the potential for alternatives that makes this book so attractive to me and inspired my own work on convivial economics. Simone helps us to see that new ways of being and acting collaboratively can spring up and offer a blueprint for how we can move forward in solidarity.
Among government officials, urban planners, and development workers, Africa's burgeoning metropolises are frequently understood as failed cities, unable to provide even basic services. Whatever resourcefulness does exist is regarded as only temporary compensation for fundamental failure. In For the City Yet to Come, AbdouMaliq Simone argues that by overlooking all that does work in Africa's cities, this perspective forecloses opportunities to capitalize on existing informal economies and structures in development efforts within Africa and to apply lessons drawn from them to rapidly growing urban areas around the world. Simone contends that Africa's cities do work on some level and to…
Driving cars through Europe and the Sahara Desert to sell them in Niger and exploring China and Russia on the Trans-Siberia Express (1992) as a student, I quickly realised that what we think we know about the world is very superficial, cliché, and stereotype. This made me embark on a PhD supervised by Erasmus University Rotterdam professor Frank M. Go (may he rest in peace), to whom I am forever grateful for suggesting the classic literature on this page. Now I advise governments, I am founding chairman of the International Place Branding Association, co-editor of the journal of Place Branding and Public Diplomacy, and a passionate visiting scholar in Beijing, London, Milan, Rotterdam, and Turin.
My dear colleague Simon Anholt is the founding father of the idea of the city, region or nation as brand.
He created the Anholt Ipsos Nation Brands Index and the Good Country Index; has written extensively on the subject; and has inspired me throughout my career. In his latest book The Good Country Equationhe clearly proves – through the data that he’s collected – that for places to be admired, they have to be admirable.
In other words, places are respected for what they contribute to humanity and the planet, not for their propaganda. This is obviously an important discovery that forces governments and their stakeholders to focus on meaningful strategy, policy and cooperation as opposed to image promotion.
I also enjoyed reading Simon’s book as he shares his personal experiences as a government advisor.
"Not only does Anholt explain the challenges facing the world with unique clarity, he also provides genuinely new, informative, practical, innovative solutions. . . . The book is a must-read for anyone who cares about humanity's shared future." --H. E. Mohamed Abdullahi Mohamed (Farmaajo), President of the Federal Republic of Somalia
Why doesn't the world work? Why, despite all the power, technology, money and knowledge that humanity has accumulated, are we are still unable to defeat global challenges like climate change, war, poverty, migration, extremism, and inequality?
Simon Anholt has spent decades helping countries from Austria to Zambia to improve…
The slander and abuse of current political discourse does not even rise to the level of disagreement. After all, disagreement is an opposition between opinions, not a fight between opinionators. I do not express my disagreement with your views by threatening to kill you. In my book, The Art of Disagreement, I offer a guide to a better political rhetoric by showing that storytelling can create the social trust necessary for political arguments to be productive. I am now Professor of Government at Dartmouth College, where I teach political philosophy.
Robert Putnam is a Harvard political scientist who studies social trust, which he calls “social capital,” because once we earn trust, we can spend it for a long time.
Putnam argues that Americans in the mid-twentieth century had much higher levels of social trust than we do today, and this made for a much more stable and decent politics. That greater social trust, he argues, was the product of people joining clubs, fraternities, and other associations in huge numbers. Whereas people used to bowl in bowling leagues, now they generally bowl alone.
In case you are wondering about what has happened to our politics, Putnam offers a compelling diagnosis and a prescription for a better way forward.
As someone who lived through the very interesting and tumultuous 1960s and 70s, I am fascinated by details of other’s experiences of the same time frame. I inhabited the early 70s fully, going to so many once-in-a-lifetime cultural events: poetry readings, music performances, avant-garde theater, and ‘be-ins’ or ‘happenings.’ With a Masters degree in Creative Writing, I have been an observer of culture and art for several decades. I am the author of three collections of poetry, a book of short fiction, a novel, and a book for writers.
A nonfiction book that reads like a novel; I loved this book because it gave context to one of San Francisco’s darkest days. On November 27, 1978, California suffered a terrible blow as its beloved mayor, George Moscone, and its first openly gay Supervisor, Harvey Milk, were assassinated.
With its infamous ‘Twinkie defense,” the assailant, Dan White, attempted to convince the city that he was temporarily insane. I loved learning about the behind-the-scenes politics.
The critically acclaimed, San Francisco Chronicle bestseller—a gripping story of the strife and tragedy that led to San Francisco’s ultimate rebirth and triumph.
Salon founder David Talbot chronicles the cultural history of San Francisco and from the late 1960s to the early 1980s when figures such as Harvey Milk, Janis Joplin, Jim Jones, and Bill Walsh helped usher from backwater city to thriving metropolis.