Here are 69 books that Twenty Grand fans have personally recommended if you like
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I’ve always been preoccupied with how personal tragedy, loss, and grief can ultimately teach us truths about existence and our own strength that we might never have learned otherwise. As a child, I was confounded by the fact of death and the transience of life, and as an adult, I’ve spent much time contemplating how literature is able to testify to the magnitude of these things in ways that ordinary language cannot. This interest led me to complete a PhD on the topic of elegiac literature and has also influenced the themes of my own fiction. I hope you find connection and inspiration in the books on this list!
The atmosphere and voice created by Robinson in this timeless and widely beloved novel, which is potent in a way that’s difficult to quantify, has endured in my memory since I first read it as a teenager. In prose rich with imagery and allusion, narrator Ruth tells the story of how she and her sister, Lucille—orphaned after their mother’s suicide—came to be cared for by their aunt, Sylvie, an eccentric drifter, who moves into their rural Idaho home and alters the tenor of their lives.
This is written with the precision of poetry, containing such sentences as, “When she had been married a little while, she concluded that love was half a longing of a kind that possession did nothing to mitigate.” A novel to re-read and savor.
A modern classic, Marilynne Robinson's Housekeeping is the story of Ruth and her younger sister, Lucille, who grow up haphazardly, first under the care of their competent grandmother, then of two comically bumbling great-aunts, and finally of Sylvie, the eccentric and remote sister of their dead mother.
The family house is in the small town of Fingerbone on a glacial lake in the Far West, the same lake where their grandfather died in a spectacular train wreck and their mother drove off a cliff to her death. It is a town "chastened by an outsized…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’m an Irish novelist and occasional screenwriter. My latest book, Duffy and Son, is my sixth. I can be drawn in by any well-told tale, of course, but I’ve always had the strongest reaction to stories with at least some element of comedy. I don’t know, I just find books in which no one says anything funny to be deeply unrealistic. It infuriates me when any piece of fiction is viewed as ‘lesser’ because there’s a chance it might make you smile. The books listed here will definitely make you smile. If you give them a chance, I hope you find them as worthy of your time as I did.
I could have picked anything by George Saunders, really. He’s the closest thing I have to a personal deity. Such is the level of awe and wonder that he invokes in me, I actually find him difficult to discuss. It’s like trying to look directly at the sun.
Suffice it to say that CivilWarLand in Bad Decline—the title refers to a failing theme park—is like all of his other short story collections. It’s beautiful and wise and heart-breaking and deeply intelligent and, yes, desperately funny. I would pay a lot of money to be able to read it again for the first time.
Since its publication in 1996, George Saunders’s debut collection has grown in esteem from a cherished cult classic to a masterpiece of the form, inspiring an entire generation of writers along the way. In six stories and a novella, Saunders hatches an unforgettable cast of characters, each struggling to survive in an increasingly haywire world. With a new introduction by Joshua Ferris and a new author’s note by Saunders himself, this edition is essential reading for those seeking to discover or revisit a virtuosic, disturbingly prescient voice.
Praise for George Saunders and CivilWarLand in Bad Decline
I worked for the last 25 years teaching literature classes and creative writing workshops—most of that time at the University of California at Davis. The students in my classes were mainly English majors and/or young writers. They tended to be serious about the potential of a text. To be serious, today, in America, about the potential of a text is to dwell in an inherently counter-cultural position. It is to conceive of the value of a text as something surpassing entertainment, i.e., use. Such a surpassing is a blasphemous notion… still tolerated in the context of the University. Its proliferation beyond those boundaries seems unworkable.
What one expects to happen, in the context of a story, is a wholly unacceptable outcome… save one does not feel the story is obligated to resound with consciousness of mortality. Consciousness of mortality is not cruel in and of itself; the one who causes it to resound in the form of a story, however, might be. Cruel, that is.
This, I think, is a very cruel book. But its cruelty is the cruelty of an honest physician met with a diseased patient. His unflinching diagnosis of the disease and the difficult (painful) operations it necessitates… are simply what remaining alive calls for. The alternative, that is, is always the same thing: brief (however apparently eternal) dementia.
From the Winner of the Nobel Prize in Literature. J.M. Coetzee's latest novel, The Schooldays of Jesus, is now available from Viking. Late Essays: 2006-2016 will be available January 2018.
"Compulsively readable... A novel that not only works its spell but makes it impossible for us to lay it aside once we've finished reading it." -The New Yorker
At fifty-two, Professor David Lurie is divorced, filled with desire, but lacking in passion. When an affair with a student leaves him jobless, shunned by friends, and ridiculed by his ex-wife, he retreats to his daughter Lucy's smallholding. David's visit becomes an…
Coyote weather is the feral, hungry season, drought-stricken, and ready to catch fire. It’s 1967, and the American culture is violently remaking itself while the country is forcibly sending its young men to fight in a deeply unpopular war.
Jerry has stubbornly made no plans for the future because he…
When writing about women's lives, it's important to me to get below the surface and question the things that really have an impact on how we live and breathe, how we relate to others as friends or lovers, how we feel guilt, pain, joy, and ecstasy, how we relish triumph and mitigate disaster, how we grow old and hope and think and make our way from start to finish in a turbulent world. I try to tell the truth as a writer and make new discoveries along the way. I’ve published two novels and two collections of short stories, and I’m a reviewer and writer on literature, a teacher too.
This book takes you on a rollercoaster through contemporary lives and dilemmas, moving and inspiring you on the way.
From a young woman teacher with a big alcohol problem and a mess of a relationship through a lonely middle-aged male whose use of sex workers damages his ability to relate to regular women, this is a no-holds-barred exploration of how we live now.
Moshfegh shows us the pain, the humour, the sorrow, and the potential joy, in beautifully written prose with a real edge to it.
An electrifying first collection from one of the most exciting short story writers of our time
"I can't recall the last time I laughed this hard at a book. Simultaneously, I'm shocked and scandalized. She's brilliant, this young woman."-David Sedaris
Ottessa Moshfegh's debut novel Eileen was one of the literary events of 2015. Garlanded with critical acclaim, it was named a book of the year by The Washington Post and the San Francisco Chronicle, nominated for a National Book Critics Circle Award, short-listed for the Man Booker Prize, and won…
I’ve been playing card games since childhood, and have had a parallel interest in the mathematics behind the games for nearly as long. While I didn’t visit Las Vegas in person until 2000, the stories of how that city was built around the gaming industry quickly came to fascinate me. Digging into the details of the people who have made that city what it is and have come to make their way in the desert has been a fascinating sidelight that has enhanced my recent work writing books on gambling mathematics.
Grandissimo is a biography of Jay Sarno, the entrepreneur who built Caesars Palace and Circus Circus on the Las Vegas Strip and then lost his empire.
It is fascinating to see read about how Caesars Palace started with humble beginnings before rising to its current prominent place of the Strip. The book’s title is taken from Sarno’s last great obsession: a new Las Vegas mega-resort that was never built, and the story of how that project never happened is just as interesting as the tales of how the other casino resorts succeeded.
Jay Sarno built two path-breaking Las Vegas casinos, Caesars Palace (1966) and Circus Circus (1968), and planned but did not build a third, the Grandissimo, which would have started the mega-resort era a decade before Steve Wynn built The Mirage. As mobsters and accountants battled for the soul of the last American frontier town, Las Vegas had endless possibilities—if you didn’t mind high stakes and stiff odds. Sarno invented the modern Las Vegas casino, but he was part of a dying breed—a back-pocket entrepreneur who’d parlayed a jones for action and a few Teamster loans into a life as a…
I love a romance where the hero has his viewpoint changed by the woman he falls in love with. He might become a better family man, or transform his politics, or change his priorities, but it all cases loving her alters him. Additionally, I love a heroine who is exceptional in a distinct way but overlooked or dismissed by others. They can be bluestockings or spinsters, reformers or quiet and shy, but they’re all steadfast and they all derive strength from the hero’s support. In short, the love they find together makes them better people.
I loved this book because Penelope is supposed to be a means to an end, but she ends up being Bourne's everything.
Bourne wants revenge. He believes that his happiness lies in recovering the land that he foolishly lost in a card game. Penelope proves to him that regaining his legacy is not enough. She helps him rediscover the man he would have become if he hadn’t lost everything that mattered to him.
When he lets himself love her, he chooses to abandon his quest for revenge so he can be worthy. Bourne is an absolute sweetheart by the end and is completely devoted to his wife.
A decade ago, the Marquess of Bourne was cast from society with nothing but his title. Now a partner in London's most exclusive gaming hell, the cold, ruthless Bourne will do whatever it takes to regain his inheritance—including marrying perfect, proper Lady Penelope Marbury.
A broken engagement and years of disappointing courtships have left Penelope with little interest in a quiet, comfortable marriage, and a longing for something more. How lucky that her new husband has access to an unexplored world of pleasures.
Homeless following the death of his adoptive parents in a car crash and the subsequent loss of their farm tenancy, Seb decides to enrol as a residential student at the Asklepios Foundation, a College of Natural Medicine, boasting a sanctuary modelled on an ancient Greek healing temple. Spending a night…
I grew up in a family of strong women, and have always been drawn to women with brains and a sense of humor. When I worked in theater as an actor, director, and designer, my favorite stage manager and designers were women because they looked at the production challenges from a different angle than mine, so we both learned something while coming up with the best possible ideas and solutions. I can’t stand fluffy “victim” females. The women in my stories are always looking for a better way and a better world. Both my detective series feature several strong, resourceful women that complement the male detective, adding humor and insight, and—I hope—more humanity.
American Indian Jane Whitefield rescues people the police can’t protect and helps them find new identities and new homes. But now her job is complicated because Pete Hatcher, a Vegas gambling executive, is the target of Earl and Linda, a lethal tag team who will become very rich if Hatcher dies. The job is even more complicated because Jane has recently married Corey, a successful local surgeon, so it’s harder to maintain a low profile in the town. When Earl and Linda hone in on Corey, Jane realizes she has to protect her own family as well as her client, and her foes know every trick that she knows, too.
In her latest adventure, Jane Whitefield, who helps people in trouble disappear from one life and establish a new identity, is hired by a Las Vegas gambling casino executive running from contract killers. But the killers are on the trail of the shadow woman and soon Jane becomes the principle target of their rage and revenge.
I am Susie Black. Before I became an award-winning, humorous, cozy mystery author, I had a successful career as a ladies’ swimwear sales exec. As you can imagine, I spent a lot of time in Florida. I interacted with progressive, traditional, and conservative buyers and sellers from large cities to small towns all over the Sunshine State. My experiences gave me a unique perspective on the social mores and hierarchy of Florida’s diverse, multi-layered, and complicated society.
I bet it’s because I lived on a houseboat for ten years that this hilarious book grabbed me by the sea legs and never let me go. Nothing tickles my funny bone more than a group of people who have nothing in common and are thrown together on a boat out to sea but going in circles.
The antics of this ship of fools on a gambling boat who are seemingly clueless as to the ship’s nefarious real business make for a madcap tale of side-splitting laughter.
The Extravaganza of the Seas is a 5,000-ton cash cow, a top-heavy tub whose sole function is to carry gamblers three miles from the Florida coast, take their money, then bring them back so they can find more money. Travelling this trip are Fay Benton, a single mom and cocktail waitress, desperate for something to go right for a change; Johnny and the Contusions, a ship's band with so little talent they are, well, the ship's band; Arnold and Phil, two refugees from the Beaux Arts Senior Centre; Lou Tarant, a wide, bald man who has killed nine people, though…
Early in my career, I attended a writer’s conference in southern Louisiana. During a discussion of the best-selling Louisiana-based novels of Vermont-born author Francis Parkinson Keyes, a local historian said with great ire, “That woman came down here and picked our brains for her books!” As a follower of my state’s incredible past, I immediately saw the attraction. Since then, I’ve written more than 65 historical and contemporary novels, most set in New Orleans and broader Louisiana. Hours have been spent at the famed Historic New Orleans Collection, talking to people and walking the streets of the French Quarter—and, of course, collecting a library of famous Louisiana histories.
It was in Asbury’s social history of the French Quarter that I first read about the deadly yet intriguing fencing masters of old New Orleans that swagger through my own series.
I was also fascinated by the richly painted French and Spanish culture from the colonial period, the daily life among the French Creole elite in the city, the unique courting and marriage customs, male and female amusements, education, religious observances, and much more.
In addition, the book is famous, or infamous, for its gritty details of the city's underworld at that time, from cutthroat barrel houses and gambling dens to the names of famous madams and the locations of their brothels in the red-light district known as Storyville.
Home to the notorious "Blue Book," which listed the names and addresses of every prostitute living in the city, New Orleans's infamous red-light district gained a reputation as one of the most raucous in the world. But the New Orleans underworld consisted of much more than the local bordellos. It was also well known as the early gambling capital of the United States, and sported one of the most violent records of street crime in the country. In The French Quarter, Herbert Asbury, author of The Gangs of New York, chronicles this rather immense underbelly of "The Big Easy." From…
Marriage and Fatherhood in the Nazi SS
by
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
Economics isn't really a good starting point for financial market analysis for the simple reason that its models are wildly inaccurate. As behaviorial economists like Daniel Kahneman have been showing, irrationality and the inability to measure risk properly are a very big component of the investment and trading decisions. But statistical risk management is also sloppy when applied to human behavior because people are not objects that reliably behave the same way under similar circumstances. So when you read an economist about markets or an engineer about risk management, you're missing a lot of the story. In the end, technical analysis is fascinating because how and why humans behave is an enduring mystery.
The subtitle is The Untold Story of the Scientific Betting System that Beat the Casinos and Wall Street. This book is an easy-to-read narrative of the intersection of the grimy underbelly of betting--with high-minded math. It reminds you that trading is not conducted in a clean little bubble. Technical analysis can give you an edge, but trading is still engaging in battle with opposing forces; strategy and tactics can count as much as building an elegant technical system.
Your opponent on the trading battlefield will try to trick you, like a general in real warfare. He may keep selling and selling after you have bought, triggering a sell signal in your trading system. He is hunting for your sell signal. The mechanical response is to sell—your system says sell, and you should follow your system. To exit a position when the market goes against you is named a stop,…
In 1956, two Bell Labs scientists discovered the scientific formula for getting rich. One was mathematician Claude Shannon, neurotic father of our digital age, whose genius is ranked with Einstein's. The other was John L. Kelly Jr., a Texas-born, gun-toting physicist. Together they applied the science of information theory—the basis of computers and the Internet—to the problem of making as much money as possible, as fast as possible.
Shannon and MIT mathematician Edward O. Thorp took the "Kelly formula" to Las Vegas. It worked. They realized that there was even more money to be made in the stock market. Thorp…