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Tulagi Hotel.
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My passion for mythic stories began as early as the age of five, when my father had me tested and found I was reading over two hundred words a minute. He quickly saw the need to feed my thirsty young mind and placed epic fantasy books (most beyond my comprehension) in my tiny hands. As for my absorption with stories that impact the soul, I'd have to say my strongest interest came from my need for it. That need has shaped me and shaped my writing, much more than any list of qualifications, which include being a licensed minister, a professional pianist and cinematic composer, and now a published author.
This book was like a fisherman with bait on the hook. I was the fish; the fantasy setting and the author’s magnificent ability with words were the bait.
Mary Stewart was, of course, the sportswoman out to snag something in my soul. I was prepared to be entertained, but the story carried a surprising amount of weight, asking questions like What do we live for? Can humanity ever be enough? Merlin came into an understanding of his place in the world — not through romance or fantasy adventures as we so typically read — but through internal revelation.
With his journey, I was invited into soulful reflection and some uncomfortable truths of my own. In the end, I decided Mary Stewart knew very well what she was doing. The stinker.
Vivid, enthralling, absolutely first-class - Daily Mail
So begins the story of Merlin, born the illegitimate son of a Welsh princess in fifth century Britain, a world ravaged by war. Small and neglected, with his mother unwilling to reveal his father's identity, Merlin must disguise his intelligence - and hide his occasional ability to know things before they happen - in order to keep himself safe.
While exploring the countryside near his home, Merlin stumbles across a cave filled with books and papers and hiding a room lined with crystals. It is…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I've always been interested in history, which is probably why I ended up with a BA(Hons) in history. One of the things that historical fiction can do better than a historical text is to take you there, let you live the events as they happened. It's important that the facts are correct, but so is the setting. The narrative has to be believable and convincing. I've done that with my own book,To Die a Dry Death, and I expect nothing less from the books I read.
It is a dark and raw story, written of a turbulent, violent time. What impressed me most was that the author chose the difficult path of writing her story from the different viewpoints of three people – all in first person. The narrative is wonderfully written and absolutely convincing. It's written with meticulous attention to detail, as if you're there, breathing in the scent of the heather, hearing the clink of harness, feeling the rain. I felt I was seeing a slice of history as it happened.
(THE BRUCE TRILOGY: BOOK I) Love and loyalty. Betrayal and murder. What is the cost of a crown? In 1290, Scotland is without a king. Two families - the Bruces and the Balliols - vie for the throne. Robert the Bruce is in love with Elizabeth de Burgh, the daughter of an adherent of the ruthless Longshanks, King of England. In order to marry her and not give up his chances of someday becoming King of Scots, Robert must abandon his rebel ways and bide his time as Longshanks' vassal. But Edward, Longshanks' heir, doesn't trust the opportunistic Scotsman and…
I've always been interested in history, which is probably why I ended up with a BA(Hons) in history. One of the things that historical fiction can do better than a historical text is to take you there, let you live the events as they happened. It's important that the facts are correct, but so is the setting. The narrative has to be believable and convincing. I've done that with my own book,To Die a Dry Death, and I expect nothing less from the books I read.
In 1812 Britain ruled the waves and Napoleon ruled everything else. We in the twenty-first century don’t realise how difficult and dangerous those times really were, how much of an analogy can be drawn with the dark days of World War II, when Britain stood alone against the forces in Europe. While the main plot line appears to be a simple romance, in fact Bennetts has gathered together strand after strand of conflict into a rich, absorbing tapestry. There's code-breaking, social mores, how to partake of snuff, politics, the assassination of the British PM. The story is utterly absorbing and very, very real.
1812. Europe has been at war for twenty years. Britain stands alone against the greatest threat to peace the world has ever known, at daily risk of a French invasion and revolution. In London, a handful of men struggle to protect their country and maintain the war effort. Among them, the Earl of Myddelton, code-breaker to the Foreign Office, strives to crack the most difficult French code yet-the Grand Chiffre-before still more men die on the battlefields of Europe. Then, on 11 May 1812, the unthinkable happens-the Prime Minister is assassinated. Amid widespread panic and fear of a French conspiracy,…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I've always been interested in history, which is probably why I ended up with a BA(Hons) in history. One of the things that historical fiction can do better than a historical text is to take you there, let you live the events as they happened. It's important that the facts are correct, but so is the setting. The narrative has to be believable and convincing. I've done that with my own book,To Die a Dry Death, and I expect nothing less from the books I read.
This book will transport you straight back to the Crete of the Bronze Age. I felt I was taking every step with the characters. Each setting, whether it be the marketplace in the village, the palace, and the underground prison cells, is meticulously described. The society, bound by ritual and ruled by a queen and her priestesses who are constantly searching for signs of approval from the goddess, is utterly believable. It's a fascinating mix of actual history and myth, where the Gods and Goddesses are as real as they were to the people living in those times.
"The Year-God’s Daughter succeeds in bringing to life a very distant world and capturing a heady blend of archaeology, legend, myth and fantasy." Judith Starkston, author of Hand of Fire.
Award Honoree of the BRAG Medallion for outstanding fiction.
Book One, The Child of the Erinyes series. A Saga of Ancient Greece. Epic historical fantasy inspired by Ariadne, Theseus, and the Minotaur.
Step into the Bronze Age. . . .
Crete: A place of magic, of mystery, where violence and sacrifice meet courage and hope.
Aridela: Wrapped in legend, beloved of the people. An extraordinary woman who dances with bulls.…
Kathryn J. Atwood’s young adult collective biographies on women and war have garnered multiple book awards. She has been seen on America: Facts vs. Fiction; heard on BBC America; published in The Historian and War, Literature & the Arts; and featured as a guest speaker at the Harold Washington Library in Chicago, the First Division Museum at Cantigny Park, and the Atlanta History Center.
A little-known aspect of the Pacific War was the imprisonment of Allied civilians. While these Japanese-run prison camps were not deliberate death machines, as were the Nazi-run concentration camps, large numbers of women and children died of starvation and disease there, or at least had their health permanently ruined. Many stories would come out of these camps, both horrific and inspiring. Perhaps the most brilliantly creative story of the latter category was the vocal orchestra, a group of imprisoned women who sought to recreate symphonic music with their voices. Colijn’s memoir was made into the film, Paradise Road.
Thrown into the whirlwind of dark forces unleashed with the onset of World War II, a young woman, Helen Colijn, her sisters, and father flee the oncoming Japanese army. Helen Colijn's account of her wartime experiences is a window into a largely overlooked dimension of World War II -- the imprisonment of women and children in Southeast Asia by the Japanese and how these prisoners of war responded to their dire circumstances. The conditions were terrible. Food was scarce; medicine unavailable. Held in captivity for three and a half years, more that a third of the women in Helen's camp…
Kathryn J. Atwood’s young adult collective biographies on women and war have garnered multiple book awards. She has been seen on America: Facts vs. Fiction; heard on BBC America; published in The Historian and War, Literature & the Arts; and featured as a guest speaker at the Harold Washington Library in Chicago, the First Division Museum at Cantigny Park, and the Atlanta History Center.
The Philippine resistance of WWII was, in my opinion, the most admirable resistance organization of the war, whether European or Pacific. In fact, resistance among the Philippine people was so widespread, that the Japanese occupiers were almost correct in assuming any civilian they encountered was a resister on some level. Carlos Romulo, a Philippine aide de camp to General MacArthur and a hero to his countrymen, gives his personal account of the war in this excellent memoir.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I am an author and investor living in windward Oahu who has had a lifelong interest in military history ever since I read a biography of Alexander the Great when I was 12 years old. I have written several books including Hitler’s Great Gamble and MacArthur Reconsidered. For my next project I have transcribed, compiled, and edited 1,100 of General Douglas MacArthur’s daily communiques issued by his Southwest Pacific Area (SWPA) headquarters from 1942-45. This collection will be published by McFarland in 2024.
Similar to Eichelberger, few today know the name of General George Kenney who commanded the Allied Air Forces in the Southwest Pacific Area (SWPA) from the 1942 defense of Papua New Guinea to the surrender of Japan.
Again, MacArthur’s need to dominate all headlines from his military theater explains the relative obscurity of his field generals. But Kenney’s story, related in his own words, should not be overlooked.
He was arguably the most innovative and successful air commander of the WWII. He demanded aggressiveness from his pilots, mounted .50-caliber machine guns onto pretty much anything that could fly and insisted on implementing the dangerous but deadly tactics of parachute fragmentation bombing on land and mast-height and skip-bombing against Japanese shipping at sea.
General Kenney Reports is a classic account of a combat commander in action. General George Churchill Kenney arrived in the Southwest Pacific theater in August 1942 to find that his command, if not in a shambles, was in dire straits. The theater commander, General Douglas MacArthur, had no confidence in his air element. Kenney quickly changed this situation. He organized and energized the Fifth Air Force, bringing in operational commanders like Whitehead and Wurtsmith who knew how to run combat air forces. He fixed the logistical swamp, making supply and maintenance supportive of air operations, and encouraging mavericks such as…
William L. McGee is an award-winning World War II Pacific war historian. His writing career has spanned six decades — three of them in marketing and sales in the broadcasting industry. He is a WWII veteran of the Pacific theater and an atomic veteran of Operation Crossroads, the postwar atomic bomb tests at the Bikini Atoll in 1946.
When I began researching and writing for my books this fifteen-volume set by distinguished historian Rear Admiral Samuel Eliot Morison, was one of my first purchases for my World War II library. I consider his series a must-have for any WWII researcher or history buff. I did much of my research and writing on freighters and always took selected volumes with me.
I was never a little boy who played soldier. But when I was 13, I read Barbara Tuchman’sThe Guns of August, and developed a lifelong fascination (unusual for an American) with the First World War. Decades later, having achieved a happy life as a gay man, I started to wonder during the debate over “Don’t Ask, Don’t Tell”: What would life have been like for two soldiers in the Great War who fell in love? So, I traveled to the battlefields and cemeteries of France, and to the Imperial War Museum in London, and read anything and everything I could about WW1. And then I wrote Flower of Iowa.
When Wingmenwas published in 1979, there had been nothing else quite like it: a war novel, very well researched, with plenty of action and adventure… plus a romance between two men at its center. Those feelings emerge, in a classic slow burn, between young Ensign Fred Trusteau and the more seasoned Lieutenant Commander Fred Hartigan against the backdrop of the Pacific Theatre of World War II. The often-harrowing life of naval aviators is vividly conveyed in action scenes set in places whose names will be familiar to students of WW2 – Wake Island, Tarawa, Kwajalein, Truk. Case has certainly done his homework on the hardware and the military lingo, but what lifts the narrative is the uncertain, unconventional romance between the main characters. What Top Gun could have been.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I lived and taught in Asia for over 30 years and love the place to bits. Leaving Oxford for Singapore may have seemed like a daring adventure in 1980, but it complemented my doctoral research and introduced me to a wonderful set of students who have enriched my life ever since. Asia has a fascination for me that I can’t resist. I have written and edited 15 books on naval and defence themes, much of which have been set in the Asian continent. An associate editor of the Oxford Dictionary of National Biography for the past 25 years, I am also the editor for the series Cold War in Asia.
This book doesn’t have a catchy title and sounds rather pedestrian, but we are told never to judge a book by its cover and in this case it’s true about the title as well! Mark Parillo’s magisterial thesis taught me a great deal about why the Japanese lost the Pacific War. He explains why they stubbornly refused to convoy their merchant fleet even when, by failing to do so, they were aiding the enemy’s cause. Japan needed to import most of its war material, but once the US submarine campaign began to decimate the ships that were bringing in those vital supplies in 1944-45 the game was essentially up. Therefore, a case can be made that the war was effectively lost before the atomic bombs were dropped on Hiroshima and Nagasaki.
Making extensive use of Japanese and U.S. sources, including wartime intelligence reports from the National Defense Archives in Tokyo and recently declassified U.S. documents, this book examines the reasons for Japan's failure to protect its merchant fleet.