Here are 67 books that Mindy's Mysterious Miniature fans have personally recommended if you like
Mindy's Mysterious Miniature.
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As a twelve-year-old, I read nothing but ghost books—not monsters, horror, or mystery, but ghosts. Though I debuted as an author in teen fantasy, a middle grade editor discovered my talent for spooky atmospheres, and I was once again drawn into the world of lost souls. In fact, when I was working on my first spooky novel, The Haunting, my editor requested the book to remind him of the works of Mary Downing Hahn—one of my favorite authors as a child. I’d found my calling. It just happened to be from beyond the grave…
Imagine finding a beautiful dollhouse where its occupants reenact the night of a murder from decades ago…creepy, right? Betty Ren Wright’s The Dollhouse Murders is a unique ghost story where the ghosts communicate their tragic tale through miniature doll versions of themselves.
Its mystery and old family secrets make this book one of my all-time favorites.
Dolls can't move by themselves. . . . Or can they?
This special anniversary edition of the hair-raising mystery that's kept readers up at night for thirty-five years features a foreword by Goosebumps creator R.L. Stine.
Amy is terrified. She hears scratching and scurrying noises coming from the dollhouse in the attic, and the dolls she was playing with are not where she left them. Dolls can't move by themselves, she tells herself. But every night when Amy goes up to check on the dollhouse, it's filled with an eerie light and the dolls have moved again! Are the dolls…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I’ve always loved dollhouses, from the one my mom built for me when I was ten, to the ones I refinished and decorated as an adult with my own kids. There’s something magical and mysterious about miniature rooms, tiny furnishings, and dolls who may have secret lives unknown to us. My first novel, Time Windows, features a dollhouse found in an attic that allows Miranda to see through its windows into different times in her real house’s past. In my second dollhouse novel, Sweet Miss Honeywell’s Revenge, Zibby’s antique dollhouse turns out to be teeming with ghosts. I am intrigued by other authors’ novels of dollhouses, and I hope you will enjoy those on this list as well as my own two creepy tales.
Alice and her mom move to a huge manor house where Alice's mom will take care of a rich old lady. Then Alice finds a dollhouse in the attic that's an exact replica of the house she's living in. (What is it about dollhouses hidden away in attics?) But the tale moves in a very different direction when Alice wakes up one morning to find a strange girl asleep next to her in her bed—a girl who looks just like a doll from the dollhouse. Where has she come from? What is her connection to the dollhouse, and to the unpleasant woman who owns it?
I love the way this novel merges mystery and ghost story. I was immediately hooked.
A creepy, mysterious dollhouse takes center stage in this atmospheric middle-grade mystery for fans of Doll Bones and Small Spaces.
Alice's world is falling apart. Her parents are getting a divorce, and they've cancelled their yearly cottage trip -- the one thing that gets Alice through the school year. Instead, Alice and her mom are heading to some small town where Alice's mom will be a live-in nurse to a rich elderly lady.
The house is huge, imposing and spooky, and everything inside is meticulously kept and perfect -- not a fun place to spend the summer. Things start to…
I’ve always loved dollhouses, from the one my mom built for me when I was ten, to the ones I refinished and decorated as an adult with my own kids. There’s something magical and mysterious about miniature rooms, tiny furnishings, and dolls who may have secret lives unknown to us. My first novel, Time Windows, features a dollhouse found in an attic that allows Miranda to see through its windows into different times in her real house’s past. In my second dollhouse novel, Sweet Miss Honeywell’s Revenge, Zibby’s antique dollhouse turns out to be teeming with ghosts. I am intrigued by other authors’ novels of dollhouses, and I hope you will enjoy those on this list as well as my own two creepy tales.
A little wooden doll named Tottie is excited when an antique dollhouse is given to the children in her human family. But while the dollhouse itself is lovely, a dreadful doll named Marchpane comes with it. She is a horror—and completely disrupts the harmonious life of the doll family. What to do? How can she be gotten rid of?
This is a tale with a race against time, and an effort to restore balance to a damaged world. I especially love that the story is told from the doll’s point of view. Tottie is a sweet little thing, always worrying about others, but very determined to set things to rights before Marchpane ruins everything forever.
From Rumer Godden, one of the foremost authors of the 20th century, and illustrated by two-time Caldecott Honor recipient Tasha Tudor, comes a heartwarming tale filled with imagination and creativity that is ideal for any girl who has ever loved a doll so much that it has become real to her.
For Tottie Plantaganet, a little wooden doll, belonging to Emily and Charlotte Dane is wonderful. The only thing missing is a dollhouse that Tottie and her family could call their very own. But when the dollhouse finally does arrive, Tottie's problems really begin. That dreadful doll Marchpane comes to…
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
I’ve always loved dollhouses, from the one my mom built for me when I was ten, to the ones I refinished and decorated as an adult with my own kids. There’s something magical and mysterious about miniature rooms, tiny furnishings, and dolls who may have secret lives unknown to us. My first novel, Time Windows, features a dollhouse found in an attic that allows Miranda to see through its windows into different times in her real house’s past. In my second dollhouse novel, Sweet Miss Honeywell’s Revenge, Zibby’s antique dollhouse turns out to be teeming with ghosts. I am intrigued by other authors’ novels of dollhouses, and I hope you will enjoy those on this list as well as my own two creepy tales.
The Dollhouse family in this novel comes to life every Christmas. This year feels different because the three boys in their human family are growing up and don’t seem interested in playing with them. Worse still, the Dollhouse family learns that burglars are planning to break into the house and steal the valuables—and possibly the dollhouse itself. How can they warn the human family when the humans don’t even believe they are real? They make plan after desperate plan, and as each plan fails, they must come up with a solution before it is too late.
This story made me chuckle even as the plot thickens and the danger intensifies. I love the blend of fantasy and invention, and the satisfying ending.
I’ve always been a daydreamer – I spent a lot of my childhood imagining the different places I could go if I just crawled through some magical crack in the universe or discovered a hidden tunnel under my bedroom floor. So fantasy has been at the top of my reading list forever. Fantasy does what all great books do, just more explicitly – they take you somewhere new, and by leaving this world behind, they give you a fresh perspective on everything that’s old and familiar. My favorite fantasies take big ideas and play them out in language rich enough to make me love that new and alien place with a passion.
“Slyvie had an amazing life, but she didn’t get to live it very often . . .” There are several fantasies about fictional characters breaking out of their books, but Roderick Townley’s is my favorite because it’s the most surprising. I loved this book because of the way it expresses the beauty and joy of reading and because of its exploration of what it means to break out of the outlines that other people draw for you and discover in yourself something completely new.
Open the book and let Princess Sylvie enter your world and dreams in this imaginative, intriguing and touching fantasy for children. Sylvie is eternally twelve years old and has been a princess for more than 80 years, ever since the novel she lives in was first published. But she longs to break free of the never-ending adventure. It's not that she doesn't like her story - she does - it's great - she's the heroine and it's full of excitement. But the trouble is that it's always exciting in the same way, and although Sylvie loves her storybook friends and…
I hoovered up fairytales when I was small, and when I learned to read on my own, I moved on to myths: British, Norse, Greek, Celtic... the Mabinogion, Edda, Ragnarok, Gilgamesh, Beowulf, you name it, I devoured it. From there it was a short hop for a voracious reader to fantasy fiction based on myths and when I began to write, that became a theme in my fiction. My first couple of books were influenced by Susan Cooper’s writing, andThe Keepers’ Daughterdraws on the Atlantis legend. Myths last for a reason: they may not be real, but at some level, they’re true....
Catherine Fisher uses myths brilliantly in all her books, but best of all in the trilogy of which The Oracle is the first volume. It’s a wonderful mash-up of Egyptian and Greek legends with characters you will grow to care about more and more with every page. Junior priestess Mirany begins to doubt the existence of the God she serves. The land where she lives is dying of drought, but the God doesn’t seem to listen to his people anymore, and a struggle for power that could destroy them all is about to take place.
In the distant land of deserts and islands, the servants of the god rule the land, his wishes conveyed through the Oracle and interpreted by the High Priestess. Mirany is the new Bearer, afraid of her perilous duties for the god in the rituals of the Oracle, and fearful of her secret questioning ... Does the god truly exist?
The priestess is corrupt and in secret partnership with the General, ruler, since the God-on-Earth, the Archon, has no real power - chosen as a child, his face always masked, never seen by outsiders. Should any national tragedy occur, he is…
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
I have been a reader of fantasy, folklore, and fairy tales through childhood into adolescence and even studying these genres as a college student and adult. To this background, I also bring a complicated family—adopted children, step-siblings, divorce, career—and lifestyle changes. As the youngest of a sprawling clan, I was often left to reconcile my vision of family members with the vision of others. Understanding our family of origin is central to who we are, as my main character in Watersmeet discovers as she goes on a quest to find her father, and then must dig deep to understand what he means to her.
I reread Fire regularly because I love the heroine, Fire, and her conundrum: how can she love herself when her beauty is so destructive, when it inspires such terrible behavior in the people around her? We think of beauty as an asset, sure that we would be happier, more confident, more liked if we were more beautiful, and Cashore explores the limits of beauty in this novel. She also digs deep into a very problematic father/daughter relationship as Fire deals with the lessons her father, Cansrel, taught her about how to use her beauty for power, and decides to forge her own path. Like so many of these hard family relationships, Fire must reconcile her love for her father and her hatred of what he’s become.
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A must-read title for all fans of Patrick Rothfuss and Trudi Canavan, Fire will have you hooked on its gripping action, political intrigue, and beautiful central relationship.
'The book is REALLY good. Reading it made me very, very happy!' Tamora Pierce
Set in a world of stunningly beautiful, exceptionally dangerous monsters, Fire is one of the most dangerous monsters of all - a human one. Marked out by her vivid red hair, she's more than attractive. Fire is mesmerising.
But with this extraordinary beauty comes influence and power. People who are susceptible to her appeal will do anything for her…
I have been a passionate devourer of fairytale retellings ever since I happened upon Robin McKinley’s Beauty at the library when I was eleven years old. Fairytales have such a timelessness to them that allow them to be retold over and over, reinterpreted, and reimagined in seemingly countless ways, and I’m honored to have now written a few of my own. Fairytales have shaped my own writing from the beginning.
This fascinating, gender-swapped Pinnochio retelling has a few hints of Frankenstein, and is gorgeously written. The main character, Pirouette, begins life as a tree and is carved into a puppet by her father, then brought to life by the magic of the blue moon. When the powerful Margrave of Tavia commissions Pirouette and her father to make one hundred wooden soldiers or risk imprisonment, they have no choice to comply. And then the Margrave makes an additional demand: he wants Pirouette to carve him a life-sized assassin—and then bring it to life. But is she making a monster or a masterpiece? And can she keep her own origins a secret?
Impressed by the work of the puppetmaster and his apprentice, Tavia's ruler, The Margrave, has ordered dozens of life-size marionette soldiers to be sent to Wolfspire Hall. When the orders for more soldiers come in with increasingly urgent deadlines, the puppetmaster's health suffers and Pirouette, his daughter and protege, is left to build in his stead. But there is something far more twisted brewing at Wolfspire - the Margrave's son wants Pirouette to create an assassin. And he wants her to give it life.
With Tavia teetering on the brink of war and her father dying in the dungeons, Pirouette…
I’ve always been drawn to badass female protagonists in fantasy, but the femme fatale has a special place in my heart, and none more so than spies and assassins. Their weapons are a mix of daggers and subterfuge, poison, and seduction. They often straddle the line between cold-hearted villainess and righteous freedom fighter, and that complex morality can make for intriguing internal struggles that coincide nicely with their goal of dismantling corruption, which is not always black and white. Additionally, the aforementioned seduction means that they get to be unapologetically sexual (but only on their terms!). All of this went into Lily’s character.
Technically two books (Trickster’s Choiceand Trickster’s Queen), this duet follows Alianne, daughter of the heroine Alanna and spymaster George, who is kidnapped by pirates and sold as a slave to an outcast royal family. The trickster god enlists/coerces her to aid the family’s plot to reseize their throne, which has Aly working as a spy against her homeland. All of Pierce’s books are fantastic, and the Tortall series shaped me as both a reader and writer of fantasy. It was interesting to move away from the heroism and adventure of the earlier books in this universe to a more morally gray protagonist with spy and assassin training who is secretly working for a god. Also, her love interest is a crow turned human, and it works surprisingly well.
When you gamble with kingdoms, all bets are off. Legends are born in this thrilling and New York Times bestselling spy saga from the fantasy author who is legend herself: Tamora Pierce.
Aly is from a family known for great deeds. She is the daughter of Alanna, the famed knight and King’s Champion of Tortall. But even though she is bold and brave, like her mother, her true talents lie on her father’s side, in the art of spying.
When Aly is captured by pirates and sold as a slave to an exiled royal family in the faraway Copper Isles,…
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
Novels are my medium and my first love, but I’m a huge fan of comic books too. Even though visual arts have never been my strength, I adore how many different things are possible in superhero stories. Sci-fi and epic fantasy and all different kinds of horror coexist in these enormous fictional universes. You’ve got comedic, child-friendly mysteries and pitch-black serial killer thrillers and deep meditations on love and family all going on at once. Comic book tropes and general disregard for genre boundaries definitely inform my writing style, and I love when I discover other novelists who incorporate comic book inspiration in various ways.
Superpowers are a classic allegory for coming of age, and Giftsuses them as such in an especially timeless and effective way. When the children of the Uplands reach adolescence, they develop powerful gifts that can be equal parts useful and dangerous. Most of them start off applying these gifts exactly according to their parents’ instructions. But ultimately, their gifts are their own, and part of accepting them is accepting the responsibility of choosing how to use them. It’s a wonderfully moody, atmospheric exploration of uses and abuses of power.
'She's showing no signs of losing her brilliance. She is unparalleled in creating fantasy peopled by finely drawn and complex characters... GIFTS has the simplicity of fairy tale and the power of myth' GUARDIAN
'Le Guin is a writer of phenomenal power' OBSERVER
Orrec, the son of the Brantor of Caspromant, and Gry, daughter of the Brantors of Barre and Rodd, have grown up together, running half-wild across the Uplands. The people there are like their land: harsh and fierce and prideful; ever at war with each other.
Only the gifts keep the fragile peace. The Barre gift is calling…
