73 Books Like Traitor's Blade

I love this book because it’s basically The Blues Brothers combined with Dungeons and Dragons. How did Nicholas Eames ever come up with that concept, and make it work so well?

In this breakneck madcap quest, retired hero Clay Cooper sets out to get his original adventuring ‘band’ back together one by one in order to go on one last mission to save his daughter. The jokes had me guffawing, the action had me riveted, and the structuring left me open-mouthed.

It reminds me of Final Fantasy because once again we have an eccentric ensemble cast going on an adventure quest with magic and monsters galore…but not only that: Eames is also on record as a Final Fantasy fan and names some of his characters after Final Fantasy characters, along with sticking in some other Easter eggs related to the franchise. 

So, first off, this is one of the best audiobooks of all time. While Scott did an amazing job spinning the tale, Michael Page elevated this work to a whole new level. There was a time around 2010 when fantasy became overly serious and dark. And I was rescued by the Gentlemen Bastards which was fast paced, fun, and fabulous. The absolute best part of this book is its humor, something that is sorely missing in fantasy these days.

Of course the stars of the show are Locke and Jean. Locke is a charismatic, cunning cutthroat and Jean is his loyal right-hand man. Together they make a great pair. Their deep, brotherly friendship and unwavering loyalty to each other is fantastic, and the reason they made my list.

I first discovered Rachel Aaron, when one of my fans recommended her. After reading her first book, I could see why. Eli is a charming roguish thief who can communicate with spirts, and Niko is a no-nonsense ghost. Their contrasting personalities makes for great reading.

Like all of my prior recommendations, humor plays an important part in this tale. But what I like the most is that the pair’s relationship isn’t just about camaraderie during adventures—it’s about mutual growth and understanding as they both learn from one another. This book isn’t as widely read as some of Rachel’s more recent stories, but it’s well worth checking out, and a great example of a bromance done well.

While Terry Pratchett is the king of satirical fantasy, for my money, J. Zachary Pike is doing a great job carrying that banner. Like Kings of the Wyld, this book’s strong suit is its humor and a darn fine cast of eclectic characters. But what shines brightly is its originality. Finding a truly unique fantasy isn’t easy, but Orconomics is. In this book, heroes are essentially corporate employees, and quests are commodified through an adventuring system that prioritizes lucrative returns over noble deeds.

When it comes to the bromance aspect, you can’t beat Gorm Ingerson (a disgraced dwarven hero whose glory days are past) and Brahm (the undocumented goblin who Gorm stands up for). The two make a great pair that easily places them on my favorites list.

I picked the third book in the Greatcoats series as it contains the fight sequence I remember the most, but every entry in this series has some incredible swordplay and memorable action. The Greatcoats take all the swashbuckling bravado of the Three Musketeers but thrown into a far more dangerous world with black magic and angry deities. There’s a cavalier joy to every sword fight, which often details the specific strategies to the point where you feel like you’re learning how to fight for yourself. There’s tons of honor and bravery in the face of a brutal, bleak world, and worth every page.

I’ve always enjoyed dark stories, and the first book of The Coldfire Trilogy did not disappoint. I also read this series in high school.

It was the first fantasy series I read that felt more rooted in the dark reality of life, which gave it a familiar grittiness that I hadn’t experienced in the books I’d read.

Royce Melborn is exactly the assassin I’d expect: scowling, suspicious, irritable, prone to violence, and scarred by hard life. So, of course, he ends up forming a team with Hadrian Blackwater, the most cheerful, upbeat swordsman in the world.

The “mismatched friends” and “grumpy/sunshine” flavor of the story was immensely fun—reminiscent of all my favorite buddy cop TV shows and movies—and did a wonderful job of anchoring me to these two characters as they fought their way through a world determined to harm them.

The dynamic between the characters is mirrored by a twisty-turny plot, a fascinatingly detailed world, and an epic storyline that kept me turning the pages to find out what came next. 

It was this book that disabused me of the notion that fantasy had to be written in a specific way, often in highfalutin or profound language. It encouraged me to put my own stories into writing.

Though very much a historical fantasy novel, this book was easy to understand despite the unfamiliar terms and background details of a fantastical universe. I think it’s due to Katheryn Kurtz’s initial use of simple, down-to-earth language and a fairly straightforward story, which, looking back now, was probably aimed at teenagers or young adults. I was sometimes reminded of the first volume of JRR Tolkien’s epic novel, especially because the succeeding books got progressively darker and more complex.

In this introductory book, the world of the Deryni, a race of mortals with magical powers, is fleshed out so well that the kingdom of Gwynedd, its people, and its neighboring realms feel so real that… show more.

This is a book series that poses mysteries that are short and fun to solve. The answers are not insultingly easy, nor are they so hard or obscure that kids can’t solve them. The main character is very likable and is described in a way that makes you feel like he is a kid you would want to be friends with.

My editor wrote to me a few years ago (mostly all-caps and !!!s) about a book called The Goblin Emperor, and had I read it, and didn’t she think I’d adore it? She was so convincing that I ordered a copy from my favorite indie bookstore right away and read it in a sitting. I almost cried when I realized Addison had written only one other book at that point—until a friend told me she was also the author Sarah Monette. I spent the next month reading everything in her oeuvre. But none I adored with my whole body being like I did The Goblin Emperor: its deep kindness, its gentleness, its world-building and warmth, its high stakes and heightened language, its arc of grace and growth.