100 Books Like Too Young to Die

I love that Jay’s book focused on the youngest to serve, not just in the Union Army but also in the Confederate service. He also delved into a group not mentioned by other researchers, the Home Guard–kids usually 6-12 years of age, most prevalent in the South.  I also had the honor of several years of friendship with Jay Hoar by way of correspondence and phone calls.

I treasure his work as it allowed me to journey with these kids in their life stories and, when possible, to see who they were through their images, though many were from later in life. We exchanged our work, his nonfiction research for my historical fiction.

I loved how this book blended the experience of Cadet William Hugh McDowell, a cadet from the Virginia Military Institute who fought in the Battle of New Market during the Civil War, with fictional modern-day Benjy, a 20th-century boy who is visiting his grandmother in New Market during his summer vacation. This book blends Benjy’s fictional story with Hugh’s historic and nonfiction life experience.

As a teaching tool, I was able to clarify the difference between fact and fiction for my students in our study of the Civil War. I was later amazed to learn that an element of the story that Elaine had created to tie the two boys together turned out to really exist–the boy’s watch.

One of the boys whose story I frequently share in my presentations is 12-year-old Gustave Shurmann. During the war, he had a fascinating experience, serving four different generals as a regimental bugler and spending time in the White House with Tad Lincoln. 

I thoroughly enjoyed how William Styple researched Gus’s life and then turned it into a novel through which young readers could live history with Gus through a great story. I appreciated sharing Gus’s life in both formats as I lived it with him while reading this book and researched it, including in Gus’s own words, through excerpts from his own writings.

I found this book a fascinating look into the life of a boy who survived years in the most notorious prison of the Civil War, Andersonville, through his own writings. Not only did he survive imprisonment, but he also survived the explosion of the Sultana, the riverboat that carried thousands of prisoners north after their release following the war.

I lived Michael’s experiences through his words, saw the half-naked men and boys, their hair matted by the pitch smoke from their fires as they tried to keep warm, their bodies reduced to skin and bones through starvation diet, their numbers reduced as mortal wounds and illness cut lives short. Once released, I felt the heat of the burning water when the Sultana exploded and heard the cries of the dying consumed by the flames.  

Catton was one of the Civil War’s great historians, best known for bringing the stories of individual soldiers into otherwise sweeping accounts of the American Iliad. Amid this work, he also wrote this little-known short novel, published in 1955, which today probably would be filed in the “young adult” section of your favorite bookstore. It tells the tale of Bob Hayden, a Michigan boy who lies about his age to join a volunteer company and rises to manhood while serving in Virginia with Gen. “Fighting Phil” Sheridan.

Named one of the “Top 100 Civil War Books” by the Centennial Commission, this records the history of the most famous Union unit of the war. Nolan uses many first-person accounts to ensure accuracy; Service with The Sixth Wisconsin Volunteers being predominant. This book first inspired my interest in studying the Civil War, and sparked my special admiration for Rufus Dawes, eventually leading to the creation of my own book, To My Best Girl – Courage, Honor and Love in the Civil War: The Inspiring Life Stories of Rufus Dawes and Mary Gates.

I picked this easy-to-read novel because I’m an Okie! And, while I know of the few battles fought in Kansas, Missouri, and Indian Territory (we weren’t called Oklahoma until 1907), they are not the usual Civil War locations written about.

I liked the major character, a young boy driven to sign with the Union Army after the family farm was attacked by Confederates. That happened in my family (as it did for many if you study family history), stirring sympathy and anger.

I loved that you not only got the Union but the Confederate, as well as Stand Watie’s Cherokee side of the fighting and I cared about characters on all sides. The writing is 1950’s style, but the story and well researched history overcomes that.

Unlike so many writers, Bierce had actual Civil War experience, as a Union soldier who saw action in a number of key battles. His stories are characterized by a rigorous attention to detail. But Bierce enjoyed serving up verisimilitude with a twist. A strong sense of the macabre, rivaling Poe, is present in some of Bierce’s finest stories such as “Chickamauga,” “One of the Missing,” and “Parker Adderson, Philosopher.” His timeless “An Occurrence at Owl Creek Bridge,” features one of the most mind-bending twists in all of fiction.

I picked this book because I was intrigued by how on earth a girl could pass for a boy in the close confines of a military unit while obviously sharing tents. It is told from the point of view of real-life Sara Edmonds, who donned boy’s clothing and enlisted in the Union Army.

I was surprised she managed the deception for two years, during which she served as a fighter, nurse, post rider, and spy. Occasionally, something stretched believability, but if I had a critique, it would be often there was too much internal thought over being discovered. However, in the end, I admired her tenacity and dedication to the cause. Since I like to stay moored in time, I appreciated the timeline of the war at the back of the book.  

Paul Fussell was a soldier in World War II, and he was also a professor of literature. His great book examines the way the experience of war changed a generation. It also changed literature (and art). After the experience of war, poets could no longer write about the world in idealized and romantic ways. They had to find forms to express the experience of being alive in ways that were new and shocking.

I love how Fussell uses his own experience of both war and scholarship to explain why Western art took such a turn in the 20th century. It helped me to understand modernist literature and myself.