Here are 100 books that Consuming Fashion fans have personally recommended if you like
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Since I retired from lecturing in Classical Studies I’ve been writing more pieces on women in the ancient world, and also some plays. One of them, 189 Pieces, is about the Portland Vase, a beautiful example of Roman glass whose label in the British Museum tells us that it was owned by the Duke of Portland. This is true—he’d inherited it—but it was bought at great expense by his grandmother, the wonderful Duchessof Portland. Giving women their place in history has been my aim in much of my work. Nowadays I’m obsessed with female footwear, and Cinderella, Goody Two-Shoes, and Carrie Bradshaw take up a lot of my time.
Vernant was an influential scholar when I began writing about women in ancient Greece in the 1990s. His discussions of the social, political and religious institutions of the time, and their relationship with popular mythology, were informed by French structuralist theory. For me his analysis of the role of marriage in a society devoted to virgin goddesses was particularly stimulating.
In this groundbreaking study, Jean-Pierre Vernant delineates a compelling new vision of ancient Greece. Myth and Society in Ancient Greece takes us far from the calm and familiar images of Polykleitos and the Parthenon to reveal a fundamentally other culture ― one of slavery, of masks and death, of scapegoats, of ritual hunting, and of ecstasies.
Vernant’s provocative discussions of various institutions and practices (including war, marriage, and sacrifice) detail the complex intersection of the religious, social, and political structures of ancient Greece. The book concludes with Vernant’s authoritative genealogy of the study of myth from Antiquity to structuralism and…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
Since I retired from lecturing in Classical Studies I’ve been writing more pieces on women in the ancient world, and also some plays. One of them, 189 Pieces, is about the Portland Vase, a beautiful example of Roman glass whose label in the British Museum tells us that it was owned by the Duke of Portland. This is true—he’d inherited it—but it was bought at great expense by his grandmother, the wonderful Duchessof Portland. Giving women their place in history has been my aim in much of my work. Nowadays I’m obsessed with female footwear, and Cinderella, Goody Two-Shoes, and Carrie Bradshaw take up a lot of my time.
Mulvey’s ground-breaking essay on women in film had a huge impact on the scholarship around the visual representation of women in a range of media. Her arguments about masculine voyeurism gave rise to countless discussions of ‘the male gaze,’ and influenced my own exploration of depictions of females in Greek sculpture. Here, the nude goddess Aphrodite was often presented as the object of a desiring gaze. But in ancient Greece the situation was complicated by the popularity of the male nude and the widespread acceptance of homoerotic relations. Mulvey herself went on to distinguish between the straight and the gay gaze.
Seminar paper from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 2,3, University of Constance, 3 entries in the bibliography, language: English, abstract: In a time of rapid technological progress and development, everything changes quite fast. These changes can be seen in every field of life. For instance, the way of supplying basic needs or the way how to make own life better, but also certain norms and values are quite different today. Instead of visiting a theatre in order to be entertained, people can watch TV or use the internet. If a man…
Since I retired from lecturing in Classical Studies I’ve been writing more pieces on women in the ancient world, and also some plays. One of them, 189 Pieces, is about the Portland Vase, a beautiful example of Roman glass whose label in the British Museum tells us that it was owned by the Duke of Portland. This is true—he’d inherited it—but it was bought at great expense by his grandmother, the wonderful Duchessof Portland. Giving women their place in history has been my aim in much of my work. Nowadays I’m obsessed with female footwear, and Cinderella, Goody Two-Shoes, and Carrie Bradshaw take up a lot of my time.
Thrilling portraits of violent women in Greek tragedy—for example, Clytemnestra, Electra, and Medea—seem like an anomaly in a society that expected women to get married, bear children, be quiet, and stay at home. In this accessible introduction to the subject Rabinowitz examines tragedy in its original theatrical and social contexts. Her analyses of selected plays are grounded in psychoanalytic and feminist theory, and include vivid accounts of some modern performances. Whatever is happening in the world, there is always a Greek tragedy that speaks to it.
Greek Tragedy sets ancient tragedy into its original theatrical, political and ritual context and applies modern critical approaches to understanding why tragedy continues to interest modern audiences. * An engaging introduction to Greek tragedy, its history, and its reception in the contemporary world with suggested readings for further study * Examines tragedy's relationship to democracy, religion, and myth * Explores contemporary approaches to scholarship, including structuralist, psychoanalytic, and feminist theory * Provides a thorough examination of contemporary performance practices * Includes detailed readings of selected plays
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
Since I retired from lecturing in Classical Studies I’ve been writing more pieces on women in the ancient world, and also some plays. One of them, 189 Pieces, is about the Portland Vase, a beautiful example of Roman glass whose label in the British Museum tells us that it was owned by the Duke of Portland. This is true—he’d inherited it—but it was bought at great expense by his grandmother, the wonderful Duchessof Portland. Giving women their place in history has been my aim in much of my work. Nowadays I’m obsessed with female footwear, and Cinderella, Goody Two-Shoes, and Carrie Bradshaw take up a lot of my time.
In this witty and intelligent book, broadcaster and novelist Natalie Haynes applies a woman’s mind to stories that in the past have been told to us mostly by men. She presents us with ten female characters who not only feature in ancient myths, but also have starring roles in later paintings, plays, novels, films, operas, and musicals. They include Pandora, Helen, Medusa, Eurydice, and Penelope: whether traditionally seen as victims or villains, all these women are explored in their ‘difficult, messy, murderous’ complexity.
'Funny, sharp explications of what these sometimes not-very-nice women were up to!' - Margaret Atwood, author of The Handmaid's Tale
The Greek myths are among the world's most important cultural building blocks and they have been retold many times, but rarely do they focus on the remarkable women at the heart of these ancient stories.
Stories of gods and monsters are the mainstay of epic poetry and Greek tragedy, from Homer to Aeschylus, Sophocles and Euripides, from the Trojan War to Jason and the Argonauts. And still, today, a wealth of novels, plays and films draw their inspiration from stories…
As a failed fashion designer, the history of twentieth-century fashion, represented both visually and in the form of narrative text, make up the bulk of my ever-increasing library of fashion books. In order to write about fashion, either as a biographer of one of the great designers or cutting-edge photographers, it is crucial to acknowledge what was deemed as desirable in a previous generation and a previous context. As Yves Saint Laurent famously said, "Fashion fades, Style is eternal." Fashion in its broader sense has never existed in a vacuum and an understanding of fashion history and fashion imagery, that so clearly evokes a specific era, is the very best way to appreciate the cyclical nature of this creative business.
Throughout the 1980’s new style magazines like The Face, ID and Arena regularly succeeded in presenting the holy grail of fashion photography, with one man responsible for more iconic imagery than anyone else. Ray Petri was a genius stylist who invented a ragga, post-punk identity that operated under the banner of Buffalo, a gang of like-minded creatives that included photographers, models, and fashion stylists who produced ground-breaking work together. The Buffalo collective exuded an attitude that exalted the street and rejected high-status fashion, taking inspiration from the Caribbean rude boys who looked effortlessly cool in teenage gangs.
His distinct vision that subverted fashion imagery (Nick Kamen in a skirt and Doc Martens) juxtaposed pretty boy masculinity with hard-edged utilitarian workwear. His legacy as a style innovator is immense, his imagery instantly recognisable, and his body of work, much of which is represented in this book, continues to inspire…
I grew up in Scotland, and from the moment I visited New York City as a tourist, I have been obsessed! I moved to NYC officially in 2000 and have been endlessly fascinated by its history. As a new immigrant who moved here knowing no one and having very little money, I struggled a lot in my initial years, and that left me wondering how people, particularly women, had survived being in the City in prior years, especially with less privileges than I had and so many more obstacles in their way to making a living. I hope these books give you the insight they gave me.
I loved that Julia Satow uncovers the history of lesser-known female department store professionals who hit the pinnacle of their careers in an era when few women were allowed to have executive careers following the Depression.
What delighted me the most were the details of tactics employed by the women to attract more consumers to the stores, such as selling bestselling novels that glamorized the career of an assistant buyer in the shop or the men’s club in which they could gawk at underwear models while shopping for lingerie for their wives. I was also surprised and amused by the stories of name artists such as Salvador Dali, who created window displays for the stores.
NEW YORK TIMES BESTSELLER • A glittering portrait of the golden age of American department stores and of three visionary women who led them, from the award-winning author of The Plaza. • "Ms. Satow’s carefully researched book is compulsively readable: I found myself dashing through it like a novel. She portrays the women with verve; we get a glimpse into their lives, as well as a sense of what it was like at each of these retail meccas." —The Wall Street Journal
The twentieth century American department store: a palace of consumption where every wish could be met under one…
On the morning of December 26, 2004, an undersea earthquake struck off the coast of Sumatra in the Indian Ocean. The resulting tsunami killed an estimated 230,000 people across fourteen countries, from Indonesia to Sri Lanka to Thailand to the Maldives to India and all the way to East Africa.…
For as long as I can remember I have been absolutely gripped by the stories that old clothes can tell. From visiting fashion museums as a child to collecting books on the subject, I was drawn to the shapes, the fabrics, and the tales. I can remember a curator once telling me that clothes are the closest we can get to people in the past. They are the ghostly outlines of our ancestors and that has stayed with me. We give so much away about ourselves through the clothes we choose to wear and so they really do matter.
Set in a mid-century department store, this wonderful short novel details life in a mid-20th-century frock department through the eyes of the women who worked there.
It is a book that highlights the importance of clothing in women’s lives at that time and the very specific kinds of garments. The tale follows Lisa as the news sales assistant in Cocktail Frocks and the friends she makes along the way. It is a sharply observed, funny, and tender story bringing the old department store alive.
Like the protagonist in my Holly Swimsuit Mystery Series, I am a ladies’ swimwear sales exec. I love solving puzzles, asking a lot of questions, and am naturally curious (some narrow-minded people say I am nosy…go figure…LOL). So, writing mysteries set in the fashion industry was the natural next step for me to take. From the beginning of my career, I have kept a daily journal chronicling the interesting, quirky, and sometimes quite challenging people I have encountered as well as the crazy situations I’ve gotten myself into and out of. My daily journal entries are the foundation of everything I write.
I love cozy mysteries with a witty protagonist who usually discovers the corpse. Clever dialogue in a fashion setting, with wacky supporting characters get me laughing, and a twisty plot I can’t figure out keeps me turning the pages. Designer Dirty Laundry is all of that rolled up into one laugh-out-loud story. I credit this book and series with giving me the impetus to write my debut cozy.
"Wonderful read regardless of your fashion sense. Samantha Kidd could not be more entertaining and, surprisingly, relatable." ~Shawna, Reviewer
National bestselling author Diane Vallere delivers your new favorite fashionable amateur sleuth! Join Samantha Kidd as she trades high fashion for dirty laundry and learns a great wardrobe isn't enough to turn her life around, let alone catch a killer.
She expected the fashion industry to be ruthless. She wasn't prepared for it to turn deadly.
Ready to redesign her life, style expert Samantha Kidd accepts a job in her Pennsylvania hometown as a trend specialist. But her first day goes…
As a failed fashion designer, the history of twentieth-century fashion, represented both visually and in the form of narrative text, make up the bulk of my ever-increasing library of fashion books. In order to write about fashion, either as a biographer of one of the great designers or cutting-edge photographers, it is crucial to acknowledge what was deemed as desirable in a previous generation and a previous context. As Yves Saint Laurent famously said, "Fashion fades, Style is eternal." Fashion in its broader sense has never existed in a vacuum and an understanding of fashion history and fashion imagery, that so clearly evokes a specific era, is the very best way to appreciate the cyclical nature of this creative business.
In his early career, Gaultier was a regular visitor to London and took inspiration from Soho’s indie art school clubs, Billy’s, The Blitz, The Wag. As a fashion student at St. Martins at the time, we were often on the same dance floor together and I identified with his rebellious attitude, which continued to challenge the fashion status quo and never waned. Glossy catwalk pictures of a distinct tribe of models, (not the usual crowd of supermodels) original design sketches, quotes from JPG the "enfant terrible" of Parisian fashion who famously broke all the rules on gender in the 1990s, and an intelligent text by Colin McDowell, a renowned fashion historian, all contribute to a wonderful book that brilliantly captures the truly unique talent of this designer.
Jean-Paul Gaultier is fashion's polymath. His name is a byword for outrageous, witty and even revolutionary fashion. As a designer, a TV star and gay icon he has used his subversive sense of humour to make us question our attitudes towards sex, social values and cultural morality. But it would be wrong to assume that he is merely the court jester of the international fashion world. He has never failed to produce collections of total originality that inspire as much as they shock. He has been designing for twenty years, and never once has he followed the fashion: he has…
Nelson West, a former Chicago homicide detective, is hired by wealthy heir Lionel Bing to discreetly help “fix” scandals and legal problems for his father’s wealthy friends.
Bing, a brilliant but troubled investigator, suffers from PTSD symptoms as a result of being kidnapped and witnessing the murder of his mother…
Fashion has been the love of my life since I was a little kid pouring over magazines and watching shows on fashion TV in the middle of the night. But I’ve always known fashion is not about clothing, its about feeling and it’s about people. That’s why I love to read the stories about people who work in fashion, who have been impacted by fashion and those who love it just as much as I do.
If you have any interest in the supermodel era of fashion, Champagne Supernovas is a great look into a piece of it.
The book gives you an inside look at the style scene in the 1990s highlighting moments with Kate Moss, Alexander McQueen, Marc Jacobs, and more. It details some of the most powerful people’s personal struggles, and how the culture they had been thrust into only made it worst. It’s glamorous, sure, but the exploration of the underbelly of popular culture makes it that much more exciting to read.
“Terrifically exciting and fun” (Publishers Weekly), Champagne Supernovas is “a lucid, smoothly executed look at a pivotal decade in the legacy of American fashion” (Kirkus Reviews) as told through the lives of Kate Moss, Marc Jacobs, and Alexander McQueen—the three iconic personalities who defined the time.
Veteran pop culture journalist Maureen Callahan takes us back to the pivotal style moment of the early 1990s—when supermodel glamazons gave way to heroin chic, when the alternative became the mainstream, and when fashion suddenly became the cradle for the most exciting artistic and cultural innovations of the age. Champagne Supernovas gives you the…
