Books like To Capture His Heart

After life as an unpaid servant to her clergyman cousin, Annabelle Archer’s ecstatic to win a scholarship to Oxford from the National Society for Women’s Suffrage—even if accepting means participating in the group’s political campaigning. A drive to sway influential gentleman to the cause lands Annabelle and her new suffragist friends at a house party given by the haughty Duke of Montgomery, a man far more interested in winning back the family properties his father lost gambling than in debating married women’s property rights. Until he starts debating with Annabelle…

A familiar story, plot-wise. The joy here comes from Dunmore's lovely writing, deft characterizations, and the palpable tension she creates between two people on opposite sides who fall into desperate, exhilarating, and completely unwanted love.

Laetitia Rodd is the kind of detective I wish we saw more often—an older woman whose intelligence and social skills make her a force to be reckoned with. I was completely charmed by her quiet determination and ability to navigate the constraints of 19th-century England while solving a deeply intriguing mystery.

This book made me feel like I was stepping into a world of candlelit corridors and whispered secrets, and I loved every moment of it.

I found this story enchanting. It utterly gripped me throughout with its compelling atmosphere of mystery, sheer horror and creepiness, and fascination with the idea of spirit photography. I felt captivated by the two main female characters and their developing intimate, emotional, and tense relationship.

My heart and soul were with these two women and the author’s beautiful craftsmanship weaving through the characters and story an intelligent and powerful debate about life after death. 

Barbara is a train wreck in motion. A dumpster fire of a woman.

But she is also a smart, hard-working, talented detective. Which is why in the midst of the Detective Lynley series, she emerged to become the main character of her own book. Here she takes over the spotlight with her usual stubborn refusal to play by the rules, her adherence to comfort over style, and her abrupt—some would say rude—demeanor.

Yet in this book, we see not only her professional acumen but also her tender heart, as she falls in love and races to protect those she cares about most. She is always a work in progress, but in this mystery, we get all the best parts of her.

One of my biggest influences, John le Carré, has supplied a whole generation of readers with (mostly) Cold War-era thrillers that proved sharp, incisive, minutely constructed, and often fun (in a quintessentially British manner). 

A legend of the craft, le Carré fathered a child, Nick Harkaway, who happens to share the same predisposition for precise and compelling espionage stories with memorable dialogue. For those of you familiar with le Carré’s work, you’ve heard of George Smiley, one of his most recognizable characters—an anti-James Bond with a self-effacing persona and an unassuming stature who is, in fact, lethal and highly effective.

Karla’s Choice is his last adventure, penned by the master’s son himself. It is a tour de force in characterization and the relentless dissection of human nature and its unpredictable wanderings. Some of the best dialogue and tradecraft you’ll ever read, set against the backdrop of a developing Cold War… show more.

This book is a glorious exhortation to live, even when—especially when!—death is lurking. It takes place in the plague of 1666. I used to have a bizarre fear of the bubonic plague (like I imagined it was in my closet and, if I opened the door, it would escape out into the world), so it’s strange how much I love this book.

I think it’s because Anna, the main character, is such a force. She repeatedly reminds me to connect with the natural world and myself and then to stretch and reach beyond what I thought I was and who I thought I could be. It's magic.

Alternate history has always fascinated me, and the speculation about what the world would’ve been like without the American Revolution is one of the most intriguing concepts out there. Two hundred years ago, the coming together of the two Georges—George III, King of England, and George Washington, Commander of the Continental Army—inspired the creation of a painting showing how the British Empire and the American Colonies worked out their differences.

Now, that painting has gone missing just before the visit of King Charles III, and the thief has plans of his own to reignite the fight. What was most intriguing to me was that the fight wasn’t for the liberty I imagined but rather looked to trade one master for another.

I’ve read it multiple times and also listened to an audiobook. Of course, there are movies, too. I read it on my own out of pure interest as a young woman and then again repeatedly as an adult.

I get wildly involved in Dickens’ plots. (Most of his novels would fulfill my category of children overcoming odds.) David is bereft, having lost his father. He has a loving but weak mother. He experiences beatings, hunger (Oh, I hate hunger), and loneliness as he is tossed about the world. And yet he never loses his humanity, that is, his native kindness.

Somehow, Dickens finds ways to leverage all the pain with comedy. Amazing. I love his strange characters (Peggoty, Mr. Dick) and thrill to his evil characters (Uriah Heep) because Dickens has the gift to often make them comic.  

Book two of the Game, Set, and Match trilogy is the spy splot that I wish I could write. While the plot is global in scale, with characters crisscrossing continents, what grabbed me was the blending of international espionage with the domestic life and troubles of lead character Bernard Samson. To me, it felt a lot closer to the truth than the plastic, all-action creations of other spy writers.

I love this book because it captures the essence of cold war espionage when the wall was still up in Berlin. It’s a tale of a time in recent history that no longer exists. It’s written with humour, the characters are well represented, and it’s believable in an English, often eccentric way.