Books like Time of the Magicians — picked by fans

Heidegger is one of those authors who are tremendously interesting but terribly difficult to understand without a good introduction to his general work and his life.

Safranski's intellectual biography is not necessarily the best introduction for a novice, but it is undoubtedly the reference work for the study of the life and work of a philosopher who is considered (along with Wittgenstein) to be the most influential of the 20th century.

Safranski skilfully navigates the complex landscape of Heidegger's life, from his formative years as a young scholar to his association with the Nazi regime during World War II. The book delves into the intellectual development of Heidegger's existential philosophy, providing an overview of his major works and ideas. 

This remarkable biography has been hugely important to me in the understanding of the great German writer and critic Walter Benjamin. His essays, particularly on the 19th century Arcades, were the basis of my study, "A Human Comedy, Physiognomy and Caricature in 19th century Paris". Eiland and Jennings biography, based on enormous research, introduce us to this complex and enigmatic character and his brilliant criticism.

They provide a revealing portrait of his brief life in the shadow of European catastrophe. Their consummate understanding of Benjamin’s complex layered work gives new insight into this highly influential thinker. A scholarly work of the first order, written with wisdom and compassion.

There are many books about the glitz and the cultural icons that we associate with Weimar Berlin. This one gives us a broader and deeper picture. Instead of concentrating on a few writers and artists, it anchors the city’s creative explosion in mass-market newspapers and their readers, turning our eyes to people in the streetcars and cafés and the stories they read about their own lives. We can read about sensational crimes just as Berliners did, and we find the prototypes of modern art in the layout and content of newspapers and in the chaos of the streets where they are hawked.

If you are Jewish and have ambivalent feelings about visiting Berlin, then this could be the book for you. Leonard Barkan is a professor at Princeton where he teaches in the Department of Comparative Literature. A Jewish American, growing up in a secular New York family, his book is a personal reflection on traveling in the city. 

Berlin for Jews is part history and part travel guide. Barkan shows how, in the early nineteenth century, Jews dominated the arts, sciences, and public life and the way in which, despite the horrors of the Nazi era, they left an indelible imprint on the Berlin of today. The book, described as a “love letter” to the city, takes the reader through some of the most iconic locations of Jewish life and describes the long-lost elegant Jewish suburbs, salons, writers, artists, politicians, philanthropists, art collectors, and intellectuals. And throughout, Barkan muses on what… show more.

This crucial book was originally published by Putnam’s, New York, in 1941. 

Riess admitted in his autobiography (which exists only in German) that the book was largely a compilation of material from various sources, much of it handed to him personally by Robert Vansittart, the head of British Intelligence at the time. Large portions of the book were in fact written by Heinrich Pfeifer, and supplied to British Intelligence, part of it on Pfeifer’s two trips to London, and part passed across via Vansittart’s agent Walker in Lucerne.

Riess was a Jewish refugee from Germany who was trusted by Vansittart to aid him in helping to persuade the American public to enter the War against Germany. The book is one of the most astonishing books of its kind ever written, full of breathtaking revelations. It deserves to be widely known and to be a classic text for historical studies.

Its… show more.

I don’t usually read graphic novels, but this book struck a chord with me. Because of its unique style, I expect it will help create an awareness of the impact WWII had on generations of Germans who were born too late to have had any part in it.

The author's graphic memoir describes her journey back to Germany in search of her family’s politics during the war. Even though she finds that her maternal grandfather, like my father, was exonerated of war crimes, she does not feel she can accept forgiveness for the unforgivable suffering of millions. 

A classic study that was in the vanguard of American investigations of European witch-hunting when it first appeared in 1972.

It was and is remarkable in the ways it takes seriously both religious and social history.

Highly readable, extremely learned, and based on years of archival investigation, Midelfort’s work is a must-read.

This is an extraordinary story of a brave German woman whose diplomat father and Italian aristocrat husband decide to resist the Nazis.

When German troops enter Italy, Fey von Hassell finds herself trapped with her young children in a 12th-century villa in northern Italy while her husband joins the anti-fascist underground in Rome and her father decides to join the group that plots to kill Adolf Hitler. Nazi stormtroopers take over the villa and later arrest Fey.

Using archival materials and family letters, Caroline Bailey reconstructs Fey’s harrowing journey—moved from prison to prison and concentration camp to concentration camp. Her two young boys are taken away from her, and sent to a Nazi orphanage. Fey’s single-minded mission to find her children reads like a good thriller.

I discovered this autobiography some years ago while researching another novel. As I read, I became fascinated by this account of a brave Jewish journalist who managed to escape from Germany in the mid-1930s, and move to London where she worked for the BBC’s German service. At war’s end, she returned to her homeland, where she was employed by the US Army to help with the “de-Nazification” of German women and children to try and restore a sense of decency and democratic ideals among her compatriots. It’s an extraordinary account of one woman’s bravery and served as inspiration for one of my central characters in “The German Mother”.

I loved this novel because the writer himself had fled Germany because of Hitler’s oppressive edicts.

There is a genuine authenticity I immediately sensed in each of the characters, and why not, since Feuchtwanger himself experienced first-hand the oppressive darkness spreading across Germany in 1933. Aren’t writers told to write about what they know? Feuchtwanger did just that, and it places a unique value on the novel, making it more a historical document than simply a fictional story.

My hope is many will read this novel and understand the dangers of fascism, so we don’t repeat what history has already taught us.