Here are 76 books that Tiger for Breakfast fans have personally recommended if you like
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Funny stuff happens all the time in my wafty, solo-travelling life. Sometimes that funny stuff will only become apparent after the proverbial dust has settled and I’m no longer in imminent danger or at my wit’s end: the hilarity of a situation reveals itself when I’m telling the story. Travelling alone puts you in a vulnerable position of being open to ‘the moment’ far more so than when you are travelling with someone else. I get a sense of place and people and write about what happens true to my voice which is intrinsically connected to my funny bone—an intention to capture culture through accurate observation and tragi-comic humour.
I readVideo Night in Kathmanduwhen I was travelling in India the first time around. It was an education in East-West relations and opened my eyes to travel being a huge privilege. I also learned to arrive in a new place with, as far as possible, no expectations. Pico Iyer is incredibly insightful and draws attention to the fluidity of culture. He acknowledges his Indian roots and how your own cultural heritage can’t help but colour your experience of a place: something to be mindful of. The video mentioned in the title is Rambo, rammed full of western hegemonic ideals, which, weirdly, was a smash hit everywhere in Asia. Iyer’s observations are absolutely on point, entertaining, highlighting the bizarre which, of course, is very funny, as well as thought-provoking.
When Pico Iyer began his travels, he wanted to know how Rambo conquered Asia. Why did Dire Straits blast out over Hiroshima, Bruce Springsteen over Bali and Madonna over all? If he was eager to learn where East meets West, how pop culture and imperialism penetrated through the world's most ancient civilisations, then the truths he began to uncover were more startling, more subtle, more complex than he ever anticipated. Who was hustling whom? When did this pursuit of illusions and vested interests, with it's curious mix of innocence and calculation, turn from confrontation into the mating dance? Iyer travelled…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
In my early 50s, I thru-hiked the Ice Age Trail, one of just 11 National Scenic Trails in the U.S. The experience was so rewarding—in many different ways—that I vowed to hike the other 10. To date, I’ve thru-hiked six of the 11 and am in the midst of section-hiking two more. My enthusiasm for long-distance hiking and its numerous benefits also inspired me to transform my freelance writing business to one centered around hiking, whether that’s penning fitness articles for CNN, giving talks on long-distance trails, or writing articles I hope will inspire others to lace up their hiking shoes.
This one scared me. Who wants to think about dying during a hiking trip?! Yet, while I’d never wanted to conquer Mount Everest, I did long to undertake other (less extreme) adventures.
Reading Jon Krakauer’s account of his Everest experience inspired me to continue to dream big about other outdoor excursions more suited to my personality. I credit this book as one reason I wasn’t afraid to start hiking and backpacking long-distance trails—mostly solo—when I was in my 50s.
#1 NATIONAL BESTSELLER • The epic account of the storm on the summit of Mt. Everest that claimed five lives and left countless more—including Krakauer's—in guilt-ridden disarray.
"A harrowing tale of the perils of high-altitude climbing, a story of bad luck and worse judgment and of heartbreaking heroism." —PEOPLE
A bank of clouds was assembling on the not-so-distant horizon, but journalist-mountaineer Jon Krakauer, standing on the summit of Mt. Everest, saw nothing that "suggested that a murderous storm was bearing down." He was wrong.
By writing Into Thin Air, Krakauer may have hoped to exorcise some of his own demons…
Born to a Tibetan mother and an American father, I was raised in the U.S. As a girl, I wondered why things were always changing: the seasons, people, and places I loved. Growing older, I became fascinated with how to find happiness in a world where nothing lasts forever. After college, I lived in India with my Tibetan grandmother, learning about Buddhist “bardo” perspectives on life’s ephemerality. I realized that though we resist change, accepting impermanence allows us to live happier lives. I publish widely on impermanence and host a Tricycle interview series about bardo, with guests including David Sedaris, Elizabeth Gilbert, Malcolm Gladwell, Ann Patchett, and Dani Shapiro.
This book reminds me that our outer journeys are also journeys through our inner landscape.
Matthiessen tells the moving story of a Himalayan pilgrimage in search of enlightenment after his wife’s death. The quest helps him make peace with his loss, as well as gives him a more profound understanding of the fleeting beauty of life.
The narrative especially resonates for me because it takes place in the Himalayas, a part of the world I’m closely connected to: I lived in Nepal when I was a small girl and have spent a lot of time with my Tibetan family in Darjeeling, India.
'A beautiful book, and worthy of the mountains he is among' Paul Theroux
'A delight' i Paper
This is the account of a journey to the dazzling Tibetan plateau of Dolpo in the high Himalayas. In 1973 Matthiessen made the 250-mile trek to Dolpo, as part of an expedition to study wild blue sheep. It was an arduous, sometimes dangerous, physical endeavour: exertion, blisters, blizzards, endless negotiations with sherpas, quaking cold. But it was also a 'journey of the heart' - amongst the beauty and indifference of the mountains Matthiessen was searching for solace. He was also searching for a…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
I'm a writer and journalist with an eye on South and Southeast Asia. I first visited Nepal in the mid-90s, traveled around extensively, and have returned regularly since. Climbing Gokyo Peak, then crossing the Ngozumpa glacier and the Cho La pass in a storm, was the kind of trip I’m glad to have survived unscathed. I covered the civil war, the plight of Tibetan refugees, and Chinese Belt and Road infrastructure projects. I sat down for an interview with serial killer Charles Sobhraj, subject of the BBC/Netflix series The Serpent and I survived and reported on the 2015 earthquake. I spoke to several travelers who followed the hippie trail from London to Kathmandu in the 60s and early 70s, whose accounts inform the basis of my novel.
Planning on a trip to Kathmandu? Curious about what makes one of the world’s most fascinating cities tick? Thomas Bell’s 2016 account is the perfect and most concise introduction to the history, culture, religiosity, and recent changes of the capital on the roof of the world. Bell confidently unravels the intricate interplay of caste, tradition, and rigid hierarchy on the one hand, and modernization, tearing into a city that was virtually isolated until 1950 like a bullet train, on the other. Perhaps it’s time for a Nepali writer to publish a panoramic nonfiction view of one of the world’s most fascinating cities, but in the meantime, Bells’ Kathmandu sets the bar high.
One of the greatest cities of the Himalaya, Kathmandu, Nepal, is a unique blend of thousand-year-old cultural practices and accelerated urban development. In this book, Thomas Bell recounts his experiences from his many years in the city--exploring in the process the rich history of Kathmandu and its many instances of self-reinvention. Closed to the outside world until 1951 and trapped in a medieval time warp, Kathmandu is, as Bell argues, a jewel of the art world, a carnival of sexual license, a hotbed of communist revolution, a paradigm of failed democracy, a case study in bungled western intervention, and an…
Having spent two years living in Kathmandu over a half-dozen visits, I have had the wonderful opportunity to encounter, learn about, and be baffled by the many local cultures that intersect in Nepal’s capital and largest city. With a PhD in Religious Studies and expertise in the Sanskrit language of classical India, I turned to Nepal to examine religious life on the ground. Living in Kathmandu during the second People’s Movement of 2006 – and like everybody else then, under a “shoot to kill” curfew for three weeks – left an indelible mark on me and my scholarship on this magnificent place.
Collected, translated, and introduced by the prolific author Manjushree Thapa, this volume contains poetry and short stories of various lengths and from a variety of Nepalese languages.
Categorized by perplexity, desire, liberation, and vision, these otherwise unrelated works use themes of food, death, work, migration, and marriage to convey the humanity at the core of a landlocked country’s transition to democracy and a new global economy after the first People’s Movement of 1990.
Having spent two years living in Kathmandu over a half-dozen visits, I have had the wonderful opportunity to encounter, learn about, and be baffled by the many local cultures that intersect in Nepal’s capital and largest city. With a PhD in Religious Studies and expertise in the Sanskrit language of classical India, I turned to Nepal to examine religious life on the ground. Living in Kathmandu during the second People’s Movement of 2006 – and like everybody else then, under a “shoot to kill” curfew for three weeks – left an indelible mark on me and my scholarship on this magnificent place.
Samrat Upadhyay’s English-language novels and short stories often read like anthropological work on Nepal’s middle class. The Royal Ghosts fictionalizes the sluggish economy in and urban migration to contemporary Kathmandu, the decade-long civil war that ended along with the collapse of the Hindu monarchy in 2006, and the political tensions that defined Nepal in the first decade of the current millennium. His attention to the previous king’s grasp at power using political propaganda in the form of monumental billboards in 1990 (in “Supreme Pronouncements”) reflects my own interest in similar rhetoric fifteen years later.
I also like the use of the popular religious imagery when in “Chintamani’s Women”, the main character pauses briefly at the picture of the elephant-headed Ganesh on his kitchen wall as he offers a quick prayer for his deceased mother and sick father (RG 130).
With emotional precision and narrative subtlety, The Royal Ghosts features characters trying to reconcile their true desires with the forces at work in Nepali society. Against the backdrop of the violent Maoist insurgencies that have claimed thousands of lives, these characters struggle with their duties to their aging parents, an oppressive caste system, and the complexities of arranged marriage. In the end, they manage to find peace and connection, often where they least expect it— with the people directly in front of them. These stories brilliantly examine not only Kathmandu during a time of political crisis and cultural transformation but…
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
Having spent two years living in Kathmandu over a half-dozen visits, I have had the wonderful opportunity to encounter, learn about, and be baffled by the many local cultures that intersect in Nepal’s capital and largest city. With a PhD in Religious Studies and expertise in the Sanskrit language of classical India, I turned to Nepal to examine religious life on the ground. Living in Kathmandu during the second People’s Movement of 2006 – and like everybody else then, under a “shoot to kill” curfew for three weeks – left an indelible mark on me and my scholarship on this magnificent place.
This award-winning study combines accessible translations with local and global studies of the goddess Svasthani and her domestic devotees. A goddess little known outside of Nepal, Svasthani is embodied in the text itself and celebrated by families in the cold month of January.
Her only recent depiction as an icon in her own temple is a testament to the ever-changing forms of religion and culture in a corner of the world where living goddesses have long held significant power.
Reciting the Goddess is the first book-length study of Nepal's goddess Svasthani and the popular Svasthanivratakatha textual tradition. In the centuries following its origin as a simple local legend in the sixteenth century, the Svasthanivratakatha developed into a comprehensive Purana text that is still widely celebrated today among Nepal's Hindus with an annual month-long recitation. Jessica Birkenholtz uses the Svasthanivratakatha as a medium through which to view the ways in which political and cultural shifts among Nepal's ruling elite were taken up by the general public.
Drawing on both archival and ethnographic research, the book examines Svasthani and the Svasthanivratakatha…
Having spent two years living in Kathmandu over a half-dozen visits, I have had the wonderful opportunity to encounter, learn about, and be baffled by the many local cultures that intersect in Nepal’s capital and largest city. With a PhD in Religious Studies and expertise in the Sanskrit language of classical India, I turned to Nepal to examine religious life on the ground. Living in Kathmandu during the second People’s Movement of 2006 – and like everybody else then, under a “shoot to kill” curfew for three weeks – left an indelible mark on me and my scholarship on this magnificent place.
This is a fantastic book about a specific moment in Nepal’s history: the collapse of the 250-year-old Shah monarchy in 2008.
Mocko focuses on the three major Hindu festivals that regularly reinforced the monarchy: showing the vest of the Red God in May; receiving the blessing offered by the living goddess, Kumari, in September; and visiting the royal goddess, Taleju, in October. The removal of the king from prominent positions in all of these rituals has in no way impinged upon the celebrations of these festivals that have become even more popular in the intervening years.
At the turn of the millennium, Nepal was the world's last remaining Hindu kingdom: even the most skeptical of observers could hardly imagine that the institution of the monarchy could ever be in jeopardy. In 2001, however, Nepal's popular King Birendra was killed in the royal palace. The crown passed to his brother Gyanendra, but the monarchy would never fully recover. Nepal witnessed an anti-king uprising in April 2006, and over the course of two years, an interim administration systematically took over all the king's duties and privileges. Most decisively, beginning in the summer of 2007, the government began blocking…
I left home in Melbourne to spend a year travelling in Asia when I was in my mid-twenties. I ended up living abroad for a decade in London, Bangladesh, and Myanmar before returning to Sydney in 2016. My first book is about the four years I lived in Myanmar and I’m currently writing my second, which is about the year I spent backpacking from Cambodia to Pakistan. My third book will be about the three years I worked as a journalist in Bangladesh. My plan is to write a ‘trilogy’ of memoirs. Living abroad has enriched my life and travel memoirs are one of my favourite genres, both as a reader and a writer.
I know that I have really loved a book when years later I can still remember not just its plot, but exactly where I was when I read it. I have fond memories of reading Zeppa’s book in my guesthouse in Kathmandu in Nepal after pouncing on a secondhand copy. It felt like meeting a new friend.
Zeppa swaps her dull existence for a two-year teaching post in a Himalayan village. She has fascinating experiences and falls in love with a Bhutanese man. Some of the detail about Bhutan is darker than I expected.
I’ve wanted to go to Bhutan ever since. I came close to getting there was when I lived in Bangladesh, but ultimately, I never did manage it. It’s one of those places that have gotten away from me, but I hope to get there one day.
Jamie Zeppa was 24 when she left a stagnant life at home and signed a contract to teach for two years in the Buddhist hermit kingdom of Bhutan. Much more than just a travel memoir, Beyond the Sky and the Earth is the story of her time in a Himalayan village, immersed in Bhutanese culture and the wonders of new and lasting love. Whether you're travelling to Bhutan, looking for the best travel writing around, or wishing to be transported to a culture, mindset, and spiritual ethos wonderfully different from your own, Beyond the Sky and the Earth is a…
Iwas an under-employed Scottish poet hillwalker when I met a Himalayan mountaineer in a pub. Due to alcohol and a misunderstanding about the metaphorical nature of Poetry, Mal Duff asked me to join an attempt to climb the legendary 24,000ft Mustagh Tower in the Karakoram. By the time I admitted I had no climbing experience whatsoever and was scared of heights, it was too late. Those Scottish winters’ apprenticeships and following Himalayan expeditions re-shaped my writing life, outlook, and friendships. My books have been shortlisted three times for the Boardman-Tasker Award for outstanding mountaineering literature, for Summit Fever; Kingdoms of Experience (Everest the Unclimbed Ridge); Electric Brae.
Betty Stark was the aunt of a friend of mine, and she was part of the first all women Himalayan expedition in 1955. It is an antidote to the very all-male outlook and structures of many climbs of that time. It had no leader, no ‘lead climbers’. Instead, they were a small team of friends, all experienced and capable, who wished only to explore, encounter, and climb as high and hard as they could. It is anti-heroic, recording the pains, sufferings, and losses and highs, quietly downplaying and yet the efforts and dangers come through. They were outliers and trailblazers. They made their point. They were the point.