Here are 100 books that Thus Spoke the Plant fans have personally recommended if you like
Thus Spoke the Plant.
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I am an early medieval European historian who, in the last decades, branched out into environmental history. Having grown up in semi-rustic conditions, I have always been curious about rural things and past agricultural practices. I watch carefully as plows slice through fields, mind how birds and bees weave together their ecosystems, and pay attention to the phases by which trees put on and take off their leaves. Now a professional historian, my job involves reading a lot of rural and environmental history, so I have developed a good sense of books that mix academic rigor and approachability.
“The face that launched a thousand ships,” as Homer would say. Pollan’s witty and well-written treatment of how plants think and act to modulate their environments inspired 21st-century “critical plant studies” in the Anglophone world, including mine.
The book starts you thinking about the thousands of ways plants elbow into your world and how much they matter to your existence on earth, in economic but also spiritual senses. You end up agape in wonder.
A farmer cultivates genetically modified potatoes so that a customer at McDonald's half a world away can enjoy a long, golden french fry. A gardener plants tulip bulbs in the autumn and in the spring has a riotous patch of colour to admire. Two simple examples of how humans act on nature to get what we want. Or are they? What if those potatoes and tulips have evolved to gratify certain human desires so that humans will help them multiply? What if, in other words, these plants are using us just as we use them? In blending history, memoir and…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
In my everyday world of responsibilities, I’m a writer, retired veterinarian, and freelance English editor for academic writing. But in my inner world of curiosity and obsessions, I’m forever a child with a profound longing to understand what the world is and how it works. Always searching on behalf of this forever child, I’ve read many a dull book about science, history, and writing. Despite having fascinating content, authors often flatten these subjects into featureless recitations. Happily, I’ve also found authors who express enthusiasm, expertise, or concern for their topic in prose that is as interesting in voice as it is in content.
I love swamps and streams and rivers (and I’m learning to love the ocean), and I especially love the miniature ecosystems that Kimmerer studies and describes with such gentle care in this book. Sure, everyone’s read Braiding Sweetgrass. (Wait, you haven’t? What are you doing here?! Go! Read!) But have you read the one about moss?
Both books reminded me of why I am drawn to science, of how structured observation and research can illuminate complex and dynamic processes. But I found the science in this one more compelling. It’s a collection of graceful retellings focused on the intricacies of the exact kinds of watery habitats I love best.
Living at the limits of our ordinary perception, mosses are a common but largely unnoticed element of the natural world. Gathering Moss is a beautifully written mix of science and personal reflection that invites readers to explore and learn from the elegantly simple lives of mosses.
In this series of linked personal essays, Robin Kimmerer leads general readers and scientists alike to an understanding of how mosses live and how their lives are intertwined with the lives of countless other beings. Kimmerer explains the biology of mosses clearly and artfully, while at the same time reflecting on what these fascinating…
For fifteen years now, I have been exploring the seemingly strange connection between plants and philosophy. The unexpected twists and turns of this theme have taken me to forests and gardens, to collaborations with plant artists and plant scientists, to ancient thought and twenty-first-century experimental design. Once you get over the initial surprise (What can philosophy tell us about plants?), you will be in for the exhilarating ride that is vegetal philosophy, finding plant heritage in human thought, politics, and society; witnessing traditional hierarchies and systems of classification crumble into dust; and discovering the amazing capacities of plants that testify to one important insight—plants are smarter than you think!
Matthew Hall’s book offers a good formulation of the problem—Western philosophy has treated plants as things, not as living beings—and a nice overview of alternative (non-Western and, above all, Indigenous) approaches to plants that do not fall into the same trap. I have on many occasions vehemently disagreed with Hall’s recommendations that we should treat plants as persons, not least because of the problematic (and, ironically, very Western) heritage of personhood. But it is a wonderful entry point into the topic of plants and philosophy.
Challenges readers to reconsider the moral standing of plants.
Plants are people too? No, but in this work of philosophical botany Matthew Hall challenges readers to reconsider the moral standing of plants, arguing that they are other-than-human persons. Plants constitute the bulk of our visible biomass, underpin all natural ecosystems, and make life on Earth possible. Yet plants are considered passive and insensitive beings rightly placed outside moral consideration. As the human assault on nature continues, more ethical behavior toward plants is needed. Hall surveys Western, Eastern, Pagan, and Indigenous thought as well as modern science for attitudes toward plants,…
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
For fifteen years now, I have been exploring the seemingly strange connection between plants and philosophy. The unexpected twists and turns of this theme have taken me to forests and gardens, to collaborations with plant artists and plant scientists, to ancient thought and twenty-first-century experimental design. Once you get over the initial surprise (What can philosophy tell us about plants?), you will be in for the exhilarating ride that is vegetal philosophy, finding plant heritage in human thought, politics, and society; witnessing traditional hierarchies and systems of classification crumble into dust; and discovering the amazing capacities of plants that testify to one important insight—plants are smarter than you think!
This book challenges us to leave behind the conventional distinctions and classifications that separate plants from animals and humans. Instead, Wood urges us to view different species and kingdoms from the standpoint of their collaborative being-with. Seemingly familiar realities, including human and vegetal realities, become strange, indeed, uncanny. Throughout, he focuses on plants—trees, above all—to illustrate the main point of his important study. Wood’s philosophical concern is similar to my own: he wishes to save plants from the unfair neglect, to which philosophers have historically submitted them, and to restore to them their rightful place in the history of life and of thought.
Collected essays by a leading philosopher situating the question of the animal in the broader context of a relational ontology
There is a revolution under way in our thinking about animals and, indeed, life in general, particularly in the West. The very words man, animal, and life have turned into flimsy conceptual husks-impediments to thinking about the issues in which they are embroiled. David Wood was a founding member of the early 1970s Oxford Group of philosophers promoting animal rights; he also directed Ecology Action (UK). Thinking Plant Animal Human is the first collection of this major philosopher's influential essays…
I’ve been fascinated by horror since childhood–when Scooby-Doo: Where Are You! and Doctor Who were my favorite TV shows. I specifically remember watching the Doctor Who serial, The Seeds of Doom, and the 1962 film Day of the Triffids–both about killer plants! As I finished graduate school and then took jobs in higher education, I gravitated back to horror and the gothic, which I am now fortunate enough to teach and research. I’ve written academically about all kinds of horror (most recently folk horror)–and in 2015, myself and two others founded a website, Horror Homeroom, where I write about horror for more popular audiences.
Marder’s book is a brilliant exploration of plants in a philosophical (not a botanical) sense. It’s one of the most eye-opening (and accessible) philosophy books I’ve ever read, illuminating a swathe of life on Earth I honestly had never thought much about before.
Marder writes clearly and cogently about how we’ve thought about plants and how we’ve been wrong: we’ve been blind to plants; we’ve shaped them as our absolute opposite; we’ve treated them only instrumentally, exploiting them for what they can do for us. And then he makes a real effort to think through what plants are–what vegetal being actually is. One of the most mind-blowing things, he argues, in my view, is that we are much closer to plants than we think–we have our own buried “vegetal being.”
Marder’s elaboration of plant life–and how we’ve misunderstood and abused it–is literally the theoretical scaffold of all fiction and film…
The margins of philosophy are populated by non-human, non-animal living beings, including plants. While contemporary philosophers tend to refrain from raising ontological and ethical concerns with vegetal life, Michael Marder puts this life at the forefront of the current deconstruction of metaphysics. He identifies the existential features of plant behavior and the vegetal heritage of human thought so as to affirm the potential of vegetation to resist the logic of totalization and to exceed the narrow confines of instrumentality. Reconstructing the life of plants "after metaphysics," Marder focuses on their unique temporality, freedom, and material knowledge or wisdom. In his…
By Cathy N. Davidson and Christina KatopodisAuthor
Why are we passionate about this?
We are two college-level educators, one has had a long career, one a recent PhD. We share a commitment to lifelong learning, not just in the classroom but beyond. And we love learning from one another. We wrote The New College Classroomtogether during the pandemic, meeting over Zoom twice a week, discussing books by other educators, writing and revising and rewriting every word together, finding ways to think about improving our students’ lives for a better future even as the world seemed grim. The books we cherish share those values: hope, belief in the next generation, and a deep commitment to learning even in—especiallyin—the grimmest of times.
This gorgeous book by microbiologist Dr. Beronda L. Montgomery is as beautiful to read as it is to hold—in your hands, in your heart. We can’t stop thinking about Montgomery’s key lesson: if you have a plant that is struggling, youfigure out what environmental changes it needs to thrive—more or less water or sunlight, better soil. When people fail to flourish, we’re quick to blame the individual. As an African American woman, Montgomery makes us think about society and how we approach problems (do we compete or do we build a collaborative effort for a holistic solution?). Humans have much to discover from our photosynthesizing world: how plants learn—from their own kin, their friends, and their foes—and Montgomery helps us to understand the nature (literally) of teaching and learning.
An exploration of how plant behavior and adaptation offer valuable insights for human thriving.
We know that plants are important. They maintain the atmosphere by absorbing carbon dioxide and producing oxygen. They nourish other living organisms and supply psychological benefits to humans as well, improving our moods and beautifying the landscape around us. But plants don't just passively provide. They also take action.
Beronda L. Montgomery explores the vigorous, creative lives of organisms often treated as static and predictable. In fact, plants are masters of adaptation. They "know" what and who they are, and they use this knowledge to make…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
Since 1979 the life of soil and plants, and how they link to our own lives and health, has fascinated me. In the 1980s I was a maverick because as an organic market gardener, my work was mostly seen as irrelevant to society, producing food that was expensive and for only a few people. That changed from 1988 when the BBC filmed my garden, and green consciousness developed. Since then I have gone from being zero to hero and especially with regard to soil because since 1982 I've been gardening with the no dig method. My experience allows me to direct you towards these gems, which I'm sure you will find useful and enjoyable.
Plants feel things. Cleve Backster, an American detective who used lie detectors when interviewing suspects, discovered that plants made his detector needle swing wildly in response to thoughts he was having. Especially bad ones like that he might put boiling water on their leaves. He ran many experiments and found that plants also have memory, and react if people are lying about something in their presence!
Plants grow better for us when we treat them with love and respect. In return, they grow a warm and healthy look to their leaves which looks pleasing. We then appreciate each other in a loop of positive feedback. This book opened my eyes to what is possible when working with clients, and the fun we can have in helping them to express themselves.
Explore the inner world of plants and its fascinating relation to mankind, as uncovered by the latest discoveries of science. A perennial bestseller.
In this truly revolutionary and beloved work, drawn from remarkable research, Peter Tompkins and Christopher Bird cast light on the rich psychic universe of plants. Now available in a new edition, The Secret Life of Plants explores plants' response to human care and nurturing, their ability to communicate with man, plants' surprising reaction to music, their lie-detection abilities, their creative powers, and much more. Tompkins and Bird's classic book affirms the depth of humanity's relationship with nature…
I've been fascinated by psychedelics since I was a teenager, and along with my book I’ve written a number of academic papers and book chapters on the subject. It intrigues me how subtle changes in the brain’s chemistry leads to such profound changes in perception, cognition, and feeling, including religious feeling. I want to know what those experiences mean, and what they can tell us about the world. For if all they are is some derangement of the senses, why is it that so many writers, thinkers, philosophers and artists return to the experience, again and again? There is a riddle here, a mystery, and I love that I’m able to devote my research time to trying to answer it.
I suspect that many of us now know someone who’s been to the Amazon to take the psychedelic beverage, ayahuasca, returning with wide eyes and tales of profound healing. Here, anthropologist Stephan Beyer cuts through the romanticisation to present an accurate and engaging picture of ayahuasca shamanism in the Upper Amazon. He asks difficult questions, such as how well shamans actually cure sickness and why so many shamans engage in sorcery, but his inquiry is never less than sympathetic. That he peppers the book with his own psychedelic, ayahuasca visions, makes this one of the most accessible and engaging books on the subject.
In the Upper Amazon, mestizos are the Spanish-speaking descendants of Hispanic colonizers and the indigenous peoples of the jungle. Some mestizos have migrated to Amazon towns and cities, such as Iquitos and Pucallpa; most remain in small villages. They have retained features of a folk Catholicism and traditional Hispanic medicine, and have incorporated much of the religious tradition of the Amazon, especially its healing, sorcery, shamanism, and the use of potent plant hallucinogens, including ayahuasca. The result is a uniquely eclectic shamanist culture that continues to fascinate outsiders with its brilliant visionary art. Ayahuasca shamanism is now part of global…
Ever since my childhood on a farm poetry has helped me pay attention to the world around me. Like a naturalist’s field guide, nature poems name, depict, and explore what might otherwise pass unnoticed. Now in the midst of environmental crisis I believe poets have a role alongside ecologists, farmers, and foresters to protect and restore our threatened habitats and species. Writing nature poetry helps me face and express loss while celebrating what still survives. I value poetry that connects us to what we love and gives us courage to imagine different ways of living.
What’s distinctive about this gorgeous poetry anthology is not only that each poem has a specific tree or flower as its subject but that they are grouped according to plant family.
The editor Sarah Maguire was a gardener as well as a poet and translator. In what was clearly a labour of love she brought together poems from all over the world, spanning eight centuries of writing. Her fascinating introduction considers many aspects of nature poetry, including gender and colonialism.
As a gardener and poet I have loved finding poems by Medbh McGuckian, Emily Dickinson and D.H. Lawrence grouped together in the Gentian family or poems by Louise Glück, Seamus Heaney, Lorna Goodison, Robert Herrick, Marianne Moore, and Richard Wilbur thriving next to each other in the Mint family.
This new anthology is as entrancing as the lost gardens of Heligan - I cannot imagine an anthology anyone would enjoy more.' Ruth Padel, The IndependentThis beautifully compiled and designed anthology brings together over 250 poems about flowers, plants and trees from eight centuries of writing in English. Fourteenth-century lyrics sit next to poems of the twenty-first century; celebrations of plants native to the English soil share the volume with more exotic plant poetry from further afield, creating a cornucopia of intriguing juxtapositions. There are thirty poems about roses, by poets as diverse as Shakespeare, Dorothy Parker and the South…
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
During two decades as a gardening columnist for the Toronto Star, I wrote about hundreds of different plants. I also penned, for various publishers, over half a dozen books with titles ranging from Incredible Edibles: 40 Fun Things to Grow in the City and The Untamed Garden: A Revealing Look at our Love Affair with Plants. And in doing so, I got hooked. Even if you aren’t interested in gardening, the botanical world is chock-a-block with terrific stories. My new novel, for instance, published in 2022, begins with an extraordinary tale about a plant called The Corpse Flower which bloomed for the first time in 70 years at Brooklyn Botanical Garden.
This book is fairly new, by an Aussie environmental historian. I got hooked from the first page because, once again, it’s well written and I learned stuff about plants that I didn’t know already. The Wardian Case was a kind of travelling greenhouse designed by an English amateur naturalist named Nathaniel Bagshaw Ward in Victorian times. His simple invention made it possible to send plants around the world on the decks of sailing ships -and resulted in the huge array of species for sale in garden centres today. Beautiful plants that we now take for granted -like roses, rhododendrons, magnolias, wisteria, countless ferns, and more—travelled thousands of miles from their countries of origin in these unpretentious but surprisingly efficient boxes. A great story, with good photos.
The story of a nineteenth-century invention (essentially a tiny greenhouse) that allowed for the first time the movement of plants around the world, feeding new agricultural industries, the commercial nursery trade, botanic and private gardens, invasive species, imperialism, and more.
Roses, jasmine, fuchsia, chrysanthemums, and rhododendrons bloom in gardens across the world, and yet many of the most common varieties have roots in Asia. How is this global flowering possible? In 1829, surgeon and amateur naturalist Nathaniel Bagshaw Ward placed soil, dried leaves, and the pupa of a sphinx moth into a sealed glass bottle, intending to observe the moth…
