Here are 88 books that Three Times Lucky fans have personally recommended if you like
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As a former middle school teacher and librarian, I know first-hand the power of story to motivate and teach. Over the years, I have also been lucky enough to facilitate several mother-daughter book groups and have found that books that show characters wrestling with decisions about doing the right thing, and recovering from bad choices, help to show children that there is always hope. Middle school is a time of such challenge and change, and stories that show authentically drawn characters navigating this tough terrain can act as guideposts. Becoming independent, finding your voice, growing empathy, and cherishing family and friends are necessary steps to becoming confident and healthy humans.
I read this book with my mother-daughter book group and we all loved it!
The story focuses on the quest for twelve-year-old Crow to discover where she came from and who she truly is. It’s a story filled with suspense and intrigue fueled by Crow’s insatiable curiosity. There are powerful lessons here for Crow and for the lucky readers who follow her journey. The writing is hauntingly beautiful!
'Harper Lee has a worthy successor. Wolk is a big new talent' - The Times
Crow has lived her whole life on a tiny, starkly beautiful island. Her only companions are Osh, the man who rescued her from a washed-up skiff as a baby and raised her, and Miss Maggie, their neighbour across the sandbar. But it is only when a mysterious fire appears across the water that an unspoken question of her own history forms in Crow's heart, and an unstoppable chain of events is triggered. Crow sets out to find her lost identity - and, ultimately, to learn…
Mal's older brother has disappeared into thin air. Laura's parents went away for the weekend and when she gives them a call, they have no idea who she is. In pursuit of answers, the teens become entangled with two others similarly targeted by a force they don't understand and now,…
As a writer my storylines almost always develop out of the characters and settings I first create. As a reader, I enjoy a book as much (sometimes more!) for the characters and setting in it as I do for the plot itself. My favorite reads have always featured a quirky or bigger-than-life character and a setting that in some instances may seem ordinary but the circumstances of how the character ended up there are far from that. I love the middle-grade novels on my list because the main characters are brave and resourceful and each has an unusual and intriguing path that has led them to where their story takes place.
Two words. Grandma Dowdel. She is one of the many reasons I love this book. Fifteen-year-old Mary Alice is forced to leave her parents and her home during a difficult time in 1937. A city girl, it’s no easy feat moving from the big city of Chicago to a small town and in with her larger-than-life grandmother who will have you laughing out loud at her very un-granny-like antics. Peck’s punchy, smart, and often hilarious prose, parallels nicely with undertones of a more serious and difficult period of time for many families. Mary Alice is easy to root for as she finds her footing in a year filled with many new adjustments in a place very different from home.
Richard Peck's Newbery Medal-winning sequel to A Long Way from Chicago
Mary Alice's childhood summers in Grandma Dowdel's sleepy Illinois town were packed with enough drama to fill the double bill of any picture show. But now she is fifteen, and faces a whole long year with Grandma, a woman well known for shaking up her neighbors-and everyone else! All Mary Alice can know for certain is this: when trying to predict how life with Grandma might turn out . . . better not. This wry, delightful sequel to the Newbery Honor Book A Long Way…
As a writer my storylines almost always develop out of the characters and settings I first create. As a reader, I enjoy a book as much (sometimes more!) for the characters and setting in it as I do for the plot itself. My favorite reads have always featured a quirky or bigger-than-life character and a setting that in some instances may seem ordinary but the circumstances of how the character ended up there are far from that. I love the middle-grade novels on my list because the main characters are brave and resourceful and each has an unusual and intriguing path that has led them to where their story takes place.
I love characters that make me feel like I’m in the room with them and both Louisiana and her Granny check that box. Quirky personalities abound in this sweet but often sad story about a girl who hits the road with her eccentric caretaker grandmother in the middle of a starry night. Granny insists that the time has come to leave Florida and confront the curse that hangs over their heads. That means leaving everything familiar and dear to Louisiana far behind: Her friends, her cat, her home. The two end up in a small town in Georgia and as Louisiana’s grandmother’s world gets smaller, Louisiana is left to her own devices in a world that seems too big to handle.
Follow-up to the New York Times Bestselling Raymie Nightingale, from an internationally revered author, twice winner of the Newbery Medal.
When Louisiana Elefante's granny wakes her up in the middle of the night to tell her that the day of reckoning has arrived and they have to leave home immediately, Louisiana isn't overly worried. After all, Granny has many middle-of-the-night ideas. But this time, things are different. This time, Granny intends for them never to return. Separated from best friends Raymie and Beverly, Louisiana struggles to oppose the winds of fate (and Granny) and find a way home. But as…
The summer holidays have finally arrived and Scout can’t wait for her adventure in the big rig with Dad. They’re on a mission to deliver donations of dog food to animal rescue shelters right across the state. There’ll be dad-jokes, rock-collecting, and a brilliant plan that will make sure everyone’s…
When I was small, a goblin lived in my closet. I was sure of it. At night, I huddled under my blanket, listening to the unexplainable noises coming from my closet. And yet, I also have felt like that monster hiding in the closet—afraid to enter the wide world, afraid of who I might meet and what they might think of me. I have felt different. Misunderstood. This list of monstrous middle-grade books shows how our story monsters are more than metaphors. They are a way to understand ourselves, our big emotions, our daydreams, and our nightmares. I guarantee these books will delight and empower younger and older readers.
Set in 1875 London, this children’s novel tells the story of a hungry, overworked girl who labors as a chimney sweep and the golem made of soot who cares for her.
I adore the idea of a soot golem as a caregiver and someone to care for. And don’t we all need to love and be loved, even though it can feel scary and risky at times? This story made me want my own soot monster.
3
authors picked
Sweep
as one of their favorite books, and they share
why you should read it.
This book is for kids age
8,
9,
10, and
11.
What is this book about?
From the New York Times bestselling author Jonathan
Auxier comes an enchanting standalone novel about the power of
friendship and the beauty of finding home
Nan Sparrow is one of London's countless "climbers"-children who spend
their days cleaning chimneys. The work is brutal and dangerous. Thanks
to her wits and will, Nan has managed to beat the deadly odds time and
time again. But when she gets stuck in a chimney fire, it seems the end
has come. Instead, she awakens to find herself unharmed in an abandoned
attic. And she is not alone. Huddled in the corner is a…
Being a creative person, I studied design to make the world better… only to realise that great ideas and designs often falter because we hold ourselves back by the way we think. I had to study philosophy to understand what is limiting us. And then I left my own design work behind to study the practices expert creatives (like top design professionals) have developed to get past these roadblocks. Having discovered how they can create new frames, time and time again, it has become my mission to empower other people to do this – not only on a project level, but taking these practices to the organizational sector and societal transformation.
We are not just caught in our own frames; the very language we use to deal with the world can hold us back.
Words and the hidden metaphors behind them really shape our thinking, for better or for worse. Understanding this gives you a "sixth sense," a sensitivity to HOW people talk about issues that reveals where they are coming from.
People use metaphors every time they speak. Some of those metaphors are literary - devices for making thoughts more vivid or entertaining. But most are much more basic than that - they're "metaphors we live by", metaphors we use without even realizing we're using them. In this book, George Lakoff and Mark Johnson suggest that these basic metaphors not only affect the way we communicate ideas, but actually structure our perceptions and understandings from the beginning. Bringing together the perspectives of linguistics and philosophy, Lakoff and Johnson offer an intriguing and surprising guide to some of the most common metaphors…
I became interested in metaphor and analogy as a graduate student in philosophy of science in the 1970s. Important scientific ideas such as natural selection and the wave theories of sound and light were built from metaphors and made to work by analogical thinking. In the 1980s, I started building computational models of analogy. So when I got interested in balance because of a case of vertigo in 2016, I naturally noticed the abundance of balance metaphors operating in science and everyday life. Once the pandemic hit, I was struck by the prevalence of the powerful metaphor of making public health decisions while balancing lives and livelihoods.
In the 1980s and 1990s, Keith Holyoak and I collaborated on a series of articles and books about analogy, which is the underpinning of complex metaphors. His new book is a delightfully insightful discussion of metaphors in poetry, drawing not only on his deep knowledge of cognitive psychology but also on his experience as a highly published poet. Through analysis of great poems by Walt Whitman, Emily Dickinson, and many others, he illuminates how metaphors contribute to beautiful poems and to creativity in general.
An examination of metaphor in poetry as a microcosm of the human imagination—a way to understand the mechanisms of creativity.
In The Spider's Thread, Keith Holyoak looks at metaphor as a microcosm of the creative imagination. Holyoak, a psychologist and poet, draws on the perspectives of thinkers from the humanities—poets, philosophers, and critics—and from the sciences—psychologists, neuroscientists, linguists, and computer scientists. He begins each chapter with a poem—by poets including Samuel Taylor Coleridge, Sylvia Plath, Walt Whitman, Emily Dickinson, Robert Frost, Theodore Roethke, Du Fu, William Butler Yeats, and Pablo Neruda—and then widens the discussion to broader notions of metaphor…
Eleven-year-old Sierra just wants a normal life. After her military mother returns from the war overseas, the two hop from home to homelessness while Sierra tries to help her mom through the throes of PTSD.
I’ve been fascinated by (and in love with) language for as long as I can remember; how and why it works, and how slight alterations in phrasing and framing can produce vastly different results in practice. I love looking out for metaphors and phrases that function as tools, directing how we understand and engage with the world. While my research applies these insights to both law and economics, the key takeaways are widely applicable and relevant to all areas of life. I hope you enjoy these books as much as I have.
This is a recommendation for those who want to go into a bit more depth with metaphor. The book is an edited collection of chapters written by experts who explore how metaphor constructs our reality, looking at metaphor as forms of language, and metaphor as forms of mental representation. Admittedly, there’s a little more jargon in this one, but the chapters are an excellent starting point for reflecting on the applications and implications of the way we talk and why it matters.
Metaphor and Thought, first published in 1979, reflects the surge of interest in and research into the nature and function of metaphor in language and thought. In this revised and expanded second edition, the editor has invited the contributors to update their original essays to reflect any changes in their thinking. Reorganised to accommodate the shifts in central theoretical issues, the volume also includes six new chapters that present important and influential fresh ideas about metaphor that have appeared in such fields as the philosophy of language and the philosophy of science, linguistics, cognitive and clinical psychology, education and artificial…
My sister once remarked that listening to our mother’s stories about living during World War II made it sound like we missed something really exciting. That is what history has always been for me–something I missed out on, for better or worse. What would it really have been like? Could I have survived? Family genealogies bring history to me on a personal level; archaeology and paleontology extend that wonder much deeper into the past. During the time I taught anatomy and human evolution at the University of Indianapolis, I tried to be as interdisciplinary as possible, both in study and teaching. I continue this in my retirement.
I have tried to appreciate linguistics before but never really succeeded until I stumbled across this book. For one thing, it is a difficult field if you haven’t learned a second language. (I tried but not successfully.) For another, when I have delved into language theory, it has been much easier to think about, oh, what I am going to have for dinner tonight, or the fact that my library book is due tomorrow, or almost anything else. Guy Deutscher’s narrative is refreshingly different.
Of the traits that make humans different from all animals on this planet, language is certainly near the top of the list. As an evolutionist, language is important to me for two reasons. The first is that its origin is both important and mysterious. The French Academy of Sciences famously banned discussion of the first question because it was useless speculation and wasted time. That problem…
Blending the spirit of Eats, Shoots & Leaves with the science of The Language Instinct, an original inquiry into the development of that most essential-and mysterious-of human creations: Language
Language is mankind's greatest invention-except, of course, that it was never invented." So begins linguist Guy Deutscher's enthralling investigation into the genesis and evolution of language. If we started off with rudimentary utterances on the level of "man throw spear," how did we end up with sophisticated grammars, enormous vocabularies, and intricately nuanced degrees of meaning?
Drawing on recent groundbreaking discoveries in modern linguistics, Deutscher exposes the elusive forces of creation…
My very intelligent, very (self-described) un-literary father taught me all about the complexities and beauty of God. My librarian mother gave me the literature that would introduce me to the most profound descriptions of those complex beauties. As the author of Marvelous Light, numerous metaphor-dependent blog posts, and future allegorical novels, I hope to introduce each of my readers to the divine realities on which I depend daily.
Lakoff famously contends that metaphor is the crux of all human understanding. This classic academic, literary, philosophical, and sociological text suggests that at the root of what it means to be human is an absolute need to describe all experience and knowledge through comparison. Read More Than Cool Reason to begin gaining an appreciation for the theory of how metaphor makes us who we are and establishes our place in the universe.
"The authors restore metaphor to our lives by showing us that it's never gone away. We've merely been taught to talk as if it had: as though weather maps were more 'real' than the breath of autumn; as though, for that matter, Reason was really 'cool.' What we're saying whenever we say is a theme this book illumines for anyone attentive." - Hugh Kenner, Johns Hopkins University
"In this bold and powerful book, Lakoff and Turner continue their use of metaphor to show how our minds get hold of the world. They have achieved nothing less than a postmodern Understanding…
Zeni lives in the Flint Hills of Southeast Kansas. This tale begins with her dream of befriending a miniature zebu calf coming true and follows Zeni as she works to befriend Zara. Enjoy full-color illustrations and a story filled with whimsy and plenty of opportunity for discussions around the perspectives…
My very intelligent, very (self-described) un-literary father taught me all about the complexities and beauty of God. My librarian mother gave me the literature that would introduce me to the most profound descriptions of those complex beauties. As the author of Marvelous Light, numerous metaphor-dependent blog posts, and future allegorical novels, I hope to introduce each of my readers to the divine realities on which I depend daily.
Lewis considered George MacDonald his spiritual father, having never met the man. He said that MacDonald introduced him to the gospel through his stories before he even knew that that’s what was happening. How? Metaphor. George MacDonald knew of God’s love more than most and did his best to share it with the world, deeply hidden in fairy tales, the kind of folklore that Lewis, Tolkien, and the rest of the Inklings loved so dearly.
George MacDonald occupied a major position in the intellectual life of his Victorian contemporaries. This volume brings together all eleven of his shorter fairy stories as well as his essay "The Fantastic Imagination". The subjects are those of traditional fantasy: good and wicked fairies, children embarking on elaborate quests, and journeys into unsettling dreamworlds. Within this familiar imaginative landscape, his children's stories were profoundly experimental, questioning the association of childhood with purity and innocence, and the need to separate fairy tale wonder from adult scepticism and disbelief.
