100 Books Like This Rough Magic

This book has haunted me for decades. 

So much so that I’ve read it several times since I first encountered it as a teenager. (Plus watched both movie versions, twice each.)

The first line, "Last night I dreamt I went to Manderley again," drew me in and refused to let go. I wanted to return to Manderley. I wanted to find out what dark secrets would be revealed there. The unnamed, naive young heroine is haunted by the all-pervading presence of her husband’s first wife, Rebecca… and so was I.

And although some of the social attitudes are jarring to a 21st-century reader, and although I know the plot by heart now… I will still return to it.

I began reading Grimes in the 80s, but her books still hold up today, and this one establishes all of the cozy/Gothic things I love. Grimes has a gift for ironic humor, so even though she sets her books in a very cozy English village called Long Piddleton, she tends to satirize the residents and the narrow-mindedness of the provincial town.

In this way, she is similar to Agatha Christie, except that Grimes is much funnier. In this small town, Melrose Plant, a Lord by inheritance who has thrown off his title and tries to live a quiet life in the family manse, is a long-suffering, sane person in an often chaotic existence. He is continually terrorized by his “Aunt Agatha,” an American who married his uncle and refers to herself as “Lady Ardry,” although her late husband had no title. Their relationship is a source of great humor, but… show more.

So, I might be favorably inclined towards archaeologists (I married one, just like Elly Griffith did). When I read the first of the Ruth Galloway series (local archaeologist in Britain), what I liked most was the authenticity of the archaeological sequences.

I’ve also worked with police as a consultant, and the police procedural parts of this series are solid. A great combination! I’m about to start the Ali Dawson series of Griffiths, and I have high hopes for that too—but read these first. 

No one writes suspense like Ruth Ware! Her books are all compelling page-turners, and yes, she follows my magic formula. All of her heroines are young women who go from a stable existence to some sort of fish-out-of-water situation that creates suspense. In this book, the young narrator, down on her luck, decides to respond to a letter claiming she is an heiress. While she knows that the letter has been sent to her because she bears the same name as the real heiress, she decides to claim the family fortune, or whatever she can get, and then run away.

But when she is introduced to the mysterious family members and finds that there are skeletons in the ancestral closet, she starts to feel trapped. At this point, I am nestling in with the popcorn and Diet Coke because this is the evening’s entertainment. I love the way Ware pushes… show more.

The mere thought of this book makes me smile – I enjoyed its style, which was charming and nicely wacky. 

Environmental expert and nature writer Gerald Durrell details his extremely unusual upbringing, when his mother transported her four (untamed, wilful, contrasting, more than lively) children from England to Corfu – and this was decades ago, when few people did daring things like that. They plunged into a culture clash adventure – filled with much alarming wildlife in the house!

I loved how it was continually surprising. I don’t see how his mother put up with all of them. It’s all valiantly shambolic and funny. 

When life gets a little too much I’d recommend a visit to Corfu in the 1930s with Lawrence Durrell. It’s a diary, semi-fictionalised, of a year living on the island, both a history and a personal evocation of one corner of the Mediterranean world – Corfu’s people, landscape, and history, woven through Durrell’s island idyll beside the most enchanting sea. Durrell hunts fish at night by lamplight, discusses philosophy in taverns, records the timeless cycles of island life – olive harvesting, grape gathering, village festivals, puppet shows, folklore, and superstitions –and sits by candlelight watching the moon rise over the sea, the night air ‘cool as a breath from the heart of a melon’. It’s bitter sweet.

A childhood dream.

As an animal lover, I was instantly drawn to this three‑part tale of Gerald Durrell’s blossoming passion for the creatures he collected on sun‑drenched Corfu.

Told with the humour and affection of his adult hindsight, Durrell’s adventures among toads, tortoises, bats, and every other creature he could coax home—all under the gaze of his wonderfully tolerant family—are funny, vivid, and utterly heartwarming.

It’s a book I return to with joy every time.

Not crime although there are crimes in it. The narrative structure of the quartet was a major influence on structuring my trilogy. The first three present different versions of the same events and characters in Alexandria, Egypt before and during the Second World War. In Book 1, a self-absorbed, pretentious narrator, Darley, presents an account of an intense love affair. In book 2, Balthazar shows how ignorant he was about what was really going on about him. Mountolive widens the political context and shows both earlier narrators were looking through the wrong end of a telescope. Book 4 manages to tease out yet more solutions to mysteries thought resolved.

Provence has inspired hundreds of books, but Lawrence Durrell captures better than most what he calls its 'real nature'. His book is both personal response (he lived for many years at Sommières, north of Nimes) and historical reflection, particularly on the Roman legacy – a legacy that includes wine and olive oil, perennial staples of the Provençal table. Although Caesar occupied the whole of France, nowhere is the Roman imprint more omnipresent than in Provence; living near Carpentras, we daily dreamed of finding our fortune in an ancient Roman coin, shining through the dust of a lonely track. Durrell's language is poetic, his imagery evocative: the 'Socratic austerity' of a game of boules, the 'felicity and eloquence' of Provençal skies. As a companion to Provence, Durrell is my pick.

Tracy Chevalier writes the novels I want to write! I’ve read just about all of them and was particularly excited to discover Burning Bright. Chevalier’s depiction of London in the early 19th century is masterful, and hugely inspiring for me. Burning Bright is a coming-of-age story that centers around two children’s interactions with the great poet William Blake. I met Tracy Chevalier at the Historical Novel Society Conference in Oxford where she made my day by graciously agreeing to accept a copy of my first novel The Towers of Tuscany which was heavily inspired by her novels and even insisting that I sign it!