Here are 100 books that This Mortal Coil fans have personally recommended if you like
This Mortal Coil.
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I’m an award-winning playwright and screenwriter. My work has been widely staged in London, across the UK, and internationally. I’ve had the honor of receiving the Royal Society of Literature Award and the Michael Grandage Futures Bursary Award, and I was also nominated for Political Play of the Year. Before I began writing, I worked as an anthropologist. Happy Death Club is my first nonfiction book.
I've been a huge fan of mortician Caitlin Doughty for years, and this nonfiction book (which sees Doughty traveling from Japan to Colorado to Indonesia, looking at different things people do with the bodies of their deceased loved ones and how it helps them cope with loss) made me laugh like no other death book, and it taught me a lot, too.
I was especially intrigued by the chapter on human composting: the idea that it's possible to let a body decompose naturally in the earth, so it turns to compost. When my father died I had him buried in a compostable coffin made of banana tree, without any preservatives, and I like the idea of his body feeding flowers and bugs and becoming part of the harmonious web of life.
Fascinated by our pervasive fear of dead bodies, mortician Caitlin Doughty embarks on a global expedition to discover how other cultures care for the dead. From Zoroastrian sky burials to wish-granting Bolivian skulls, she investigates the world's funerary customs and expands our sense of what it means to treat the dead with dignity. Her account questions the rituals of the American funeral industry-especially chemical embalming-and suggests that the most effective traditions are those that allow mourners to personally attend to the body of the deceased. Exquisitely illustrated by artist Landis Blair, From Here to Eternity is an adventure into the…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
In December 2000, my much-loved Grandma died. Her funeral was a standard 20-minute slot at the local crematorium, led by someone who didn’t know her. How I didn’t walk out, I’ll never know–but the experience certainly lit a fire under my work as an academic historian, which has burned ever since. As a historian, I’m passionate about what the past can teach us about how to die well: what makes for a good funeral, and for whom? How have our answers to these questions changed–or maybe not–over the decades and centuries?
Such an elegantly written exploration of landscapes of the afterlife, where people in the past believed that souls went to after death, and how those beliefs then shaped funeral customs.
The author evinces an excellent grasp of human nature, especially when discussing the Reformation and how people often clung tenaciously to old beliefs and customs, which helped them make sense of human mortality and loss.
Roaming across the country and over several centuries, this book is packed with quirky, charming examples of how people maintain relationships with their dead.
'This is a wonderful book: curious and insightful' Ian Mortimer, author of The Time Traveller's Guide to Medieval England
We know what happens to the body when we die, but what happens to the soul? The answer may remain a great unknown, but the question has shaped centuries of tradition, folklore and religious belief.
In this vivid history of the macabre, Carl Watkins goes in search of the ancient customs, local characters and compelling tales that illuminate how people over the years have come to terms with our ultimate fate. The result is an enthralling journey into Britain's past, from…
In December 2000, my much-loved Grandma died. Her funeral was a standard 20-minute slot at the local crematorium, led by someone who didn’t know her. How I didn’t walk out, I’ll never know–but the experience certainly lit a fire under my work as an academic historian, which has burned ever since. As a historian, I’m passionate about what the past can teach us about how to die well: what makes for a good funeral, and for whom? How have our answers to these questions changed–or maybe not–over the decades and centuries?
This classic study of the 1832 Anatomy Act is a great combination of scholarly history writing and a call for social justice.
It recounts how the Act solved the problem of corpses being stolen for medical research–by instead appropriating the bodies of poor people who had died in the workhouses. Abuses are still happening: Richardson links the Anatomy Act to the 1990s Alder Hey scandal.
This book reminds me how important it is to keep institutions that deal with the dead accountable–and to know our rights when the time comes.
In the early nineteenth century, body snatching was rife because the only corpses available for medical study were those of hanged murderers. With the Anatomy Act of 1832, however, the bodies of those who died destitute in workhouses were appropriated for dissection. At a time when such a procedure was regarded with fear and revulsion, the Anatomy Act effectively rendered dissection a punishment for poverty. Providing both historical and contemporary insights, Death, Dissection, and the Destitute opens rich new prospects in history and history of science. The new afterword draws important parallels between social and medical history and contemporary concerns…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
In December 2000, my much-loved Grandma died. Her funeral was a standard 20-minute slot at the local crematorium, led by someone who didn’t know her. How I didn’t walk out, I’ll never know–but the experience certainly lit a fire under my work as an academic historian, which has burned ever since. As a historian, I’m passionate about what the past can teach us about how to die well: what makes for a good funeral, and for whom? How have our answers to these questions changed–or maybe not–over the decades and centuries?
If our traditions of death and burial are products of the past, then what might the future of funerals look like?
I keep going back to this book because it’s such a sympathetic, insightful exploration of how social media and AI are already radically transforming our relationships with our dead. Not only that, but the very nature of memory itself is also changing in interesting ways.
The book deftly articulates both the positives and the shadow sides of grieving in an increasingly digital world, all expressed with warmth, wit, and a great understanding of the complexities of human nature.
'As charming and touching as it is astute and insightful' Adam Alter, New York Times bestselling author of Irresistible and Drunk Tank Pink
'This a very useful book, even perhaps for people who have never been near a computer in their lives' Jake Kerridge, Sunday Telegraph
Seen any ghosts on your smartphone lately?
As we're compelled to capture, store and share more and more of our personal information, there's something we often forget. All that data doesn't just disappear when our physical bodies shuffle off this mortal coil. If the concept of remaining socially active after you're no longer breathing…
I am a Canadian author/editor who both fears and loves being a stranger in a strange land. I fear the challenges, the feelings of dislocation and vulnerability. But I love the connections, the overcoming of the strangeness and the ultimate feeling of kinship. As a mom, I travelled with my kids to far away places, favouring adventure tours and staying well away from high priced hotels that separate tourists from locals. My novel, The World on Either Side, was inspired by a trek I took with my then fourteen-year-old daughter in Chiang Mai, Thailand.
I bought this book for the title, and happily there are Madonnas galore in this story, including in the apartment of “two motherless dudes,” dying teen Jessie T. Serrano and his dad. This quest novel—before he dies, Jessie sets up a mysterious trip to Europe for his three cousins, best friend and girlfriend—follows five grieving young adults on a doomed pilgrimage in a strange continent. If you have ever been a teen (as I assume you have) you will connect with the six (!!) point of view characters, each flawed but achingly human. "Not all stories are about love," says one of them, but this story most definitely is.
Five teens backpack through Europe to fulfill the mysterious dying wish of their friend in this heartwarming novel from the author of The Vigilante Poets of Selwyn Academy.
Jesse lives with his history professor dad in a house covered with postcards of images of the Madonna from all over the world. They’re gotten used to this life: two motherless dudes living among thousands of Madonnas. But Jesse has a heart condition that will ultimately cut his life tragically short. Before he dies, he arranges a mysterious trip to Europe for his three cousins, his best friend, and his girlfriend to…
I’ve been a free spirit since I was born, but as an adolescent I got trapped by diet culture and believed I needed to change my body. I struggled for six years with an eating disorder and my sister Stephanie died at age 36 from faulty breast implants and malnutrition. Because of these experiences, and wanting my baby daughter to grow up staying lovingly connected to her body (she has!), I created The Body Positive, a nonprofit that has freed millions of people to love and respect their precious bodies. I’m now a full-fledged Wild Woman teaching and freeing other aging women to connect to their soul’s innate wisdom.
I recommend this book to everyone I know, because it really is as the subtitle suggests—a way to be more fully alive by remembering that we are all going to die! Something that really helped me was the chapter on how to “find rest in the middle of things.” I don’t know about you, but my life is filled with a lot of responsibility, including being a caregiver for my 94-year-old mom. Then there’s everything happening in the world that adds to increased stress levels. Since reading this book, I’ve had more rest, from getaways to 10-minute walks to one simple but conscious breath. The stories shared are profound, and Frank’s gentle manner and wise teachings have been a true inspiration to me.
The cofounder of the Zen Hospice Project and pioneer behind the compassionate care movement shares an inspiring exploration of the lessons dying has to offer about living a fulfilling life.
Death is not waiting for us at the end of a long road. Death is always with us, in the marrow of every passing moment. She is the secret teacher hiding in plain sight, helping us to discover what matters most.
Life and death are a package deal. They cannot be pulled apart and we cannot truly live unless we are aware of death. The Five Invitations is an exhilarating…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’m a queer, nonbinary, Muslim, immigrant writer who has been reading their whole life and writing for part of it. I learned to write by reading–by devouring all kinds of books across different genres and paying attention to how words create feelings, worlds, and chronologies. I also learned to live by reading–I didn’t grow up with models of how to live a life that was true to my identities and so I read everything I could find about experiences that were adjacent to my own. The emergence of queer Muslim literature has been exciting to follow, and I try to read everything in the field.
For me, this book of short stories is all about unforgettable characters: queer, Muslim on a spectrum between practicing and not, of various ethnic backgrounds. I love that the characters have complicated lives and make not easily understood decisions.
I love that the characters struggle against, with, and towards their identities. And: it’s really funny!
Award-winning novelist Randa Jarrar's new story collection moves seamlessly between realism and fable, history and the present, capturing the lives of Muslim women and men across myriad geographies and circumstances. With acerbic wit, deep tenderness, and boundless imagination, Jarrar brings to life a memorable cast of characters, many of them "accidental transients"a term for migratory birds who have gone astrayseeking their circuitous routes back home. Fierce and feeling, Him, Me, Muhammad Ali is a testament to survival in the face of love, loss, and displacement.
Randa Jarrar is the author of a highly successful novel, A Map of Home, which…
I’ve always been drawn to stories about outsiders and misfits. Who hasn’t, at some point, wondered if they fit in with their family, friends, or school? I love the moments in stories when characters find their voice and recognize that being different can be empowering. As an elementary teacher, it’s my hope that each student in my classroom can share their uniqueness and let their voice shine. I want them to know that it’s okay to feel different or to be weird. The lead characters in the middle grade books I’m recommending all have that sense of being an outsider in some way. I hope you enjoy them.
"Everybody’s family is a little nutso. But there’s nuts…and then there’s the Kwirks." A scavenger hunt to find the ashes of their late grandfather! That premise may seem macabre, but John David Anderson has a gift for plotting the oddball, yet heartfelt, storyline with memorable main characters. With Rion Kwirk and his nutty family, he has done it again. From the opening chapter when a clown appears at the Kwirk’s door, singing a message about the death of their grandfather, I knew I was in for a hilarious, fun-filled journey—one that reminded me that being out of the ordinary only makes you extraordinary.
The acclaimed author of Ms. Bixby’s Last Day and Posted returns with an unforgettable tale of love and laughter, of fathers and sons, of what family truly means, and of the ways in which we sometimes need to lose something in order to find ourselves. Celebrate dads and Father's Day year-round with this warm and witty novel for tweens.
Rion Kwirk comes from a rather odd family. His mother named him and his sisters after her favorite constellations, and his father makes funky-flavored jellybeans for a living. One sister acts as if she’s always on stage, and the other is…
As an early childhood educator, I have firsthand experience with the effectiveness of picture books to stimulate the mind, open conversation, offer emotional support, and provide us all with the fundamentals of understanding ourselves and others. I have supported children and families suffering a loved one’s death by sharing picture books with them. My book, The Rag Doll Gift is based on the true story of my mother who died before giving my youngest her doll. This story was born when my daughter received her doll and said, in all her six-year-old wisdom, “Grammie is still saying” I love you” even when we can’t hear her anymore”
When I read this book with children, we are all drawn into the secure loving relationship between the granddaughter and her grandfather. Because the text is action-based, we feel like we are on each of their adventures with them.
Through the beautifully illustrated pages we walk alongside them discovering life as we witness each of them changing and growing older – until the day the granddaughter walks alone. She is sad, but Grandpa has walked with her in life. He has taught her in a very naturally occurring, organic way so that now she knows what to do. This book evokes a wide range of feelings – including empowerment from within.
This glowing picture book, by turns playful and poignant, portrays the tender relationship between a grandfather and granddaughter as they appreciate nature together over the years. They take their first walk in the woods when the little girl is barely old enough to toddle; their last when Grandfather can only shuffle along. Each walk brings a new discovery-a sneaky snake, flashing fireflies, teardrops on a spiderweb-and sometimes a lesson about saying good-bye. One day the girl walks alone, stronger because she learned from her grandfather how to be grateful for life's fleeting gifts.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
In my non-fiction books, my travel writing, and as a Financial Times contributor, I’ve always been drawn to two questions: How does the world work? And what makes us human? Seeking answers to these questions has taken me on extraordinary journeys and given me the excuse to meet some fascinating people. In this, I consider myself extremely lucky.
When I began looking into how we humans send off our dead, this was the first book I read. Both moving and funny, it remains one of my favorites. Lynch, a poet, author, and professional undertaker, writes unsentimentally but with great compassion about the business of burying the dead.
While Lynch is critical of modern approaches to death—which he compares to the flush toilet, allowing us to quickly remove unpleasant reminders of our failing bodies—his book left me with a new understanding of the importance of the services provided by those who work in “the dismal trade.”
"Every year I bury a couple hundred of my townspeople." So opens this singular and wise testimony. Like all poets, inspired by death, Thomas Lynch is, unlike others, also hired to bury the dead or to cremate them and to tend to their families in a small Michigan town where he serves as the funeral director.
In the conduct of these duties he has kept his eyes open, his ear tuned to the indispensable vernaculars of love and grief. In these twelve pieces his is the voice of both witness and functionary. Here, Lynch, poet to the dying, names the…
