Here are 100 books that Him, Me, Muhammad Ali fans have personally recommended if you like
Him, Me, Muhammad Ali.
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I’m a queer, nonbinary, Muslim, immigrant writer who has been reading their whole life and writing for part of it. I learned to write by reading–by devouring all kinds of books across different genres and paying attention to how words create feelings, worlds, and chronologies. I also learned to live by reading–I didn’t grow up with models of how to live a life that was true to my identities and so I read everything I could find about experiences that were adjacent to my own. The emergence of queer Muslim literature has been exciting to follow, and I try to read everything in the field.
This was the first novel I read about immigration, queerness, and Muslimness, the complex reasons why people choose to live in the Global South, and the complex reasons why people choose to leave.
I love the writing: it is lyrical and intimate, and the characters have stayed with me long since.
"Freewheeling and incendiary." - London Review of Books
"...vibrant, wrenching debut novel...sensuous and caustic, full of smoke and blood." - The New Yorker
A Middle-Eastern capital caught in the revolutionary wave of the Arab Spring. A day in the life of a young man disillusioned with both East and West and struggling to find a place for himself in a society ruled by hypocrisy and contradictions. Rasa works as an interpreter for Western journalists by day and divides his nights between the Guapa, an underground…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I’m a queer, nonbinary, Muslim, immigrant writer who has been reading their whole life and writing for part of it. I learned to write by reading–by devouring all kinds of books across different genres and paying attention to how words create feelings, worlds, and chronologies. I also learned to live by reading–I didn’t grow up with models of how to live a life that was true to my identities and so I read everything I could find about experiences that were adjacent to my own. The emergence of queer Muslim literature has been exciting to follow, and I try to read everything in the field.
At its core, this book is a mystery: a trans Syrian-American’s journey to find out what happened to his mother and how she was connected to an artist whose journal he finds.
But what I loved most about this book is the meditations on gender, on spirituality, and on birds. This book is an ornithologist’s dream.
Winner of the Lambda Literary Award for Transgender Fiction Winner of the ALA Stonewall Book Award—Barbara Gittings Literature Award Named Best Book of the Year by Bustle Named Most Anticipated Book of the Year by The Millions, Electric Literature, and HuffPost
From the award-winning author of The Map of Salt and Stars, a new novel about three generations of Syrian Americans haunted by a mysterious species of bird and the truths they carry close to their hearts—a “vivid exploration of loss, art, queer and trans communities, and the persistence of history. Often tender, always engrossing, The Thirty Names of Night…
I’m a queer, nonbinary, Muslim, immigrant writer who has been reading their whole life and writing for part of it. I learned to write by reading–by devouring all kinds of books across different genres and paying attention to how words create feelings, worlds, and chronologies. I also learned to live by reading–I didn’t grow up with models of how to live a life that was true to my identities and so I read everything I could find about experiences that were adjacent to my own. The emergence of queer Muslim literature has been exciting to follow, and I try to read everything in the field.
I love the way Bushra Rehman writes about immigrant New York in the 80s – in vignettes that thread together to convey a sense of time, place, and geography.
All her characters are portrayed sensitively and complexly: from the main protagonist Razia coming into her queerness, to Pakistani aunties with their own histories and trauma, to friends who grow further apart.
I love how much this story is about women as the cornerstones of community.
Razia Mirza grows up amid the wild grape vines and backyard sunflowers of Corona, Queens, with her best friend, Saima, by her side. When a family rift drives the girls apart, Razia's heart is broken. She finds solace in Taslima, a new girl in her close knit Pakistani-American community. They embark on a series of small rebellions: listening to scandalous music, wearing mini skirts, and cutting school to explore the city.
When Razia is accepted to Stuyvesant, a prestigious high school in Manhattan, the gulf between the person she is and the daughter her parents want her to be, widens.…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’m a queer, nonbinary, Muslim, immigrant writer who has been reading their whole life and writing for part of it. I learned to write by reading–by devouring all kinds of books across different genres and paying attention to how words create feelings, worlds, and chronologies. I also learned to live by reading–I didn’t grow up with models of how to live a life that was true to my identities and so I read everything I could find about experiences that were adjacent to my own. The emergence of queer Muslim literature has been exciting to follow, and I try to read everything in the field.
From the first page, Fatimah Asghar’s writing pulled me in. It is poetic, playful, and vulnerable.
The story is about three orphaned sisters living under the care of their uncle and figuring out how to relate to each other and the world. I loved the candid explorations of childhood, gender, and, most of all, sisterhood.
LONGLISTED FOR THE NATIONAL BOOK AWARD FOR FICTION 2022 WINNER OF THE CAROL SHIELDS PRIZE FOR FICTION 2023
'A grief-soaked and gorgeous debut novel . . . A poet first, Asghar picks up on the themes of her debut collection If They Come for Us - partition and fragmentation, borders and bodies - and plays with space and silence on the page . . . this fragmentary form has the effect of ephemerality - much like life' Sana Goyal, Guardian
In this heartrending, lyrical debut work of fiction, Fatimah Asghar traces the intense bond of three orphaned siblings who, after…
I’ve been reading YA since I was a young adult myself, and I’ve always favored stories with a strong romantic angle. As a kid, I loved The Baby-Sitters Club’s starry-eyed Stacey and Sweet Valley High’s boy-crazy Jessica; as an adult, I flock to the romance section of bookstores and libraries. When the urge to try my hand at writing struck, I drafted young adult romances without even considering other categories or genres. I will always choose a meet-cute, witty banter, and sizzling chemistry over fast-paced action, clever twists, and high-concepts plots. When it comes to reading and writing, I love love!
I read The Sky is Everywhere shortly after it was published in 2010, very early in my own pursuit to become a published author. So clearly, I remember absorbing the novel’s final words, closing its cover, and thinking I want people to feel like this after reading the stories I write. In other words: enchanted, affected, and wonderfully content. Lennie’s story of loss and recovery, punctuated by rash decisions, dreamy poetry, and swoony first love, is one that’s stayed with me for more than a decade.
For fans of Jojo Moyes, David Levithan and Rainbow Rowell. Seventeen-year-old Lennie Walker spends her time tucked safely and happily in the shadow of her fiery older sister, Bailey. But when Bailey dies abruptly, Lennie is catapulted to centre stage of her own life - and suddenly finds herself struggling to balance two boys. One boy takes Lennie out of her sorrow; the other comforts her in it. But the two can't collide without Lennie's world exploding...
I am excited by books that broaden my perspective on existence, dissolve mental barriers, broaden our visions, and offer powerful new ways to see the world; life-affirming books that help us to understand life, ourselves, become more conscious of existence, create our own realities and show us how to become masters of our lives instead of victims; books that blend science, spirituality, art, philosophy, life. The types of books I read and the types of books I write have plots that continuously span the terror of the human condition and transformation.
I’ve read this book three times, drawn by my fascination with death and how people die. The book is well-researched, detailing the final days of great minds—writers like Susan Sontag, Sigmund Freud, John Updike, Dylan Thomas, Maurice Sendak, and James Salter.
Like a skilled biographer, Roiphe doesn’t judge her subjects but presents their endings as they were. Yet, a discerning reader can’t help but draw conclusions. Susan Sontag, the towering intellect, fought death until the end. Dylan Thomas, the great poet, was self-destructive and pathetic at the close of his life. Sigmund Freud chose to end his life with the help of a physician.
Roiphe mentions in her preface that she would have liked to write about other famous deaths—William Blake’s peaceful passing, Honoré de Balzac’s death by overwork, Primo Levi’s fall, and more. I wish she had explored these as well. If she did, I’d devour that book too.
The last days of five great thinkers, writers and artists - as they come to terms with the reality of approaching death
Katie Roiphe's extraordinary book is filled with intimate and surprising revelations. Susan Sontag, consummate public intellectual, finds her rational thinking tested during her third bout with cancer. Seventy-six year old John Updike's response to a fatal diagnosis is to begin a poem. Dylan Thomas's fatal collapse on the floor of a Greenwich Village tavern is preceded by a fortnight of almost suicidal excess. Sigmund Freud understands his hastening decline. Maurice Sendak shows his lifelong obsession with death in…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I have been working with grieving individuals for over 30 years. Early in my career, I realized that my purpose in life was to help people who were grieving the loss of a loved one. I wrote my first book about grief over 25 years ago. It has been my mission to help people find light in the darkness. One way to do this is to have a broader perspective, to realize that there is more going on than we can see or understand. When you have a higher, broader perspective on your grief, you’re able to make meaning out of loss and find beauty in the brokenness.
I read this book again and again when I want to remember that death is not something to be terrified of. In fact, when I read this book, death feels more like a natural process that can be welcomed. I feel a kind of calmness towards the whole human race as we all seek to live, knowing that we will eventually die. To truly understand death, you also have to understand life.
The first book that explains how to open to the immensity of living with death—and how participating fully in life is the perfect preparation for whatever may come next.
In Who Dies?, the Levines provide calm compassion rather than the frightening melodrama of death.
I’ve been a dog owner my entire life, from my childhood mutt, Paddy, to our current nine-year-old cockapoo, Daffodil. To me, a home isn’t a home without a dog thumping its tail somewhere inside. When I started writing mysteries, I realized that some of my favorites featured dogs. The animal’s loyalty, joy, and unwavering love were a necessary counter to the darker themes mysteries often explore.
Tallo’s protagonist is a hot mess who you can’t help but root for. The young Augusta (Gus) navigates growing up, grief, and a dangerous murder investigation with a tough facade and a sensitive interior. Tallo’s evocation of a sweltering summer mystery is a great read. The dog in this book is old, farty, and wonderful.
“Dark August is a tightly-paced cauldron of a thriller about small town corruption, murder and mayhem, in the vein of Sharp Objects and All The Missing Girls. A macabre and confidently twisty debut.” — Lisa Gabriele, internationally bestselling author of The Winters
An electrifying, page-turning debut about a young woman haunted by her tragic past, who returns to her hometown and discovers that there might be more to her police detective mother’s death—and last case—than she ever could have imagined.
Augusta (Gus) Monet is living an aimless existence with her grifter boyfriend when she learns that her great…
In my non-fiction books, my travel writing, and as a Financial Times contributor, I’ve always been drawn to two questions: How does the world work? And what makes us human? Seeking answers to these questions has taken me on extraordinary journeys and given me the excuse to meet some fascinating people. In this, I consider myself extremely lucky.
For me, the fact that this intriguing book is part of a series called The Art of Living says it all. Philosopher Todd May argues that while death is “tragic, arbitrary and meaningless,” it’s also the most important fact about us as humans.
What stayed with me long after I’d finished reading was the idea that immortality would be far worse than death. With no end in sight, May argues, life would become meaningless. Why, in fact, would we bother doing anything at all since we could endlessly put it off till later? As a writer who needs a deadline to get anything done, I couldn’t agree more. Endlessly thought-provoking, this little book punches far above its weight.
The fact that we will die, and that our death can come at any time, pervades the entirety of our living. There are many ways to think about and deal with death. Among those ways, however, a good number of them are attempts to escape its grip.
In this book, Todd May seeks to confront death in its power. He considers the possibility that our mortal deaths are the end of us, and asks what this might mean for our living. What lessons can we draw from our mortality? And how might we live as creatures who die, and who…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’ve been a free spirit since I was born, but as an adolescent I got trapped by diet culture and believed I needed to change my body. I struggled for six years with an eating disorder and my sister Stephanie died at age 36 from faulty breast implants and malnutrition. Because of these experiences, and wanting my baby daughter to grow up staying lovingly connected to her body (she has!), I created The Body Positive, a nonprofit that has freed millions of people to love and respect their precious bodies. I’m now a full-fledged Wild Woman teaching and freeing other aging women to connect to their soul’s innate wisdom.
I recommend this book to everyone I know, because it really is as the subtitle suggests—a way to be more fully alive by remembering that we are all going to die! Something that really helped me was the chapter on how to “find rest in the middle of things.” I don’t know about you, but my life is filled with a lot of responsibility, including being a caregiver for my 94-year-old mom. Then there’s everything happening in the world that adds to increased stress levels. Since reading this book, I’ve had more rest, from getaways to 10-minute walks to one simple but conscious breath. The stories shared are profound, and Frank’s gentle manner and wise teachings have been a true inspiration to me.
The cofounder of the Zen Hospice Project and pioneer behind the compassionate care movement shares an inspiring exploration of the lessons dying has to offer about living a fulfilling life.
Death is not waiting for us at the end of a long road. Death is always with us, in the marrow of every passing moment. She is the secret teacher hiding in plain sight, helping us to discover what matters most.
Life and death are a package deal. They cannot be pulled apart and we cannot truly live unless we are aware of death. The Five Invitations is an exhilarating…
