Here are 100 books that Him, Me, Muhammad Ali fans have personally recommended if you like
Him, Me, Muhammad Ali.
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I’m a queer, nonbinary, Muslim, immigrant writer who has been reading their whole life and writing for part of it. I learned to write by reading–by devouring all kinds of books across different genres and paying attention to how words create feelings, worlds, and chronologies. I also learned to live by reading–I didn’t grow up with models of how to live a life that was true to my identities and so I read everything I could find about experiences that were adjacent to my own. The emergence of queer Muslim literature has been exciting to follow, and I try to read everything in the field.
This was the first novel I read about immigration, queerness, and Muslimness, the complex reasons why people choose to live in the Global South, and the complex reasons why people choose to leave.
I love the writing: it is lyrical and intimate, and the characters have stayed with me long since.
"Freewheeling and incendiary." - London Review of Books
"...vibrant, wrenching debut novel...sensuous and caustic, full of smoke and blood." - The New Yorker
A Middle-Eastern capital caught in the revolutionary wave of the Arab Spring. A day in the life of a young man disillusioned with both East and West and struggling to find a place for himself in a society ruled by hypocrisy and contradictions. Rasa works as an interpreter for Western journalists by day and divides his nights between the Guapa, an underground…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’m a queer, nonbinary, Muslim, immigrant writer who has been reading their whole life and writing for part of it. I learned to write by reading–by devouring all kinds of books across different genres and paying attention to how words create feelings, worlds, and chronologies. I also learned to live by reading–I didn’t grow up with models of how to live a life that was true to my identities and so I read everything I could find about experiences that were adjacent to my own. The emergence of queer Muslim literature has been exciting to follow, and I try to read everything in the field.
At its core, this book is a mystery: a trans Syrian-American’s journey to find out what happened to his mother and how she was connected to an artist whose journal he finds.
But what I loved most about this book is the meditations on gender, on spirituality, and on birds. This book is an ornithologist’s dream.
Winner of the Lambda Literary Award for Transgender Fiction Winner of the ALA Stonewall Book Award—Barbara Gittings Literature Award Named Best Book of the Year by Bustle Named Most Anticipated Book of the Year by The Millions, Electric Literature, and HuffPost
From the award-winning author of The Map of Salt and Stars, a new novel about three generations of Syrian Americans haunted by a mysterious species of bird and the truths they carry close to their hearts—a “vivid exploration of loss, art, queer and trans communities, and the persistence of history. Often tender, always engrossing, The Thirty Names of Night…
I’m a queer, nonbinary, Muslim, immigrant writer who has been reading their whole life and writing for part of it. I learned to write by reading–by devouring all kinds of books across different genres and paying attention to how words create feelings, worlds, and chronologies. I also learned to live by reading–I didn’t grow up with models of how to live a life that was true to my identities and so I read everything I could find about experiences that were adjacent to my own. The emergence of queer Muslim literature has been exciting to follow, and I try to read everything in the field.
I love the way Bushra Rehman writes about immigrant New York in the 80s – in vignettes that thread together to convey a sense of time, place, and geography.
All her characters are portrayed sensitively and complexly: from the main protagonist Razia coming into her queerness, to Pakistani aunties with their own histories and trauma, to friends who grow further apart.
I love how much this story is about women as the cornerstones of community.
Razia Mirza grows up amid the wild grape vines and backyard sunflowers of Corona, Queens, with her best friend, Saima, by her side. When a family rift drives the girls apart, Razia's heart is broken. She finds solace in Taslima, a new girl in her close knit Pakistani-American community. They embark on a series of small rebellions: listening to scandalous music, wearing mini skirts, and cutting school to explore the city.
When Razia is accepted to Stuyvesant, a prestigious high school in Manhattan, the gulf between the person she is and the daughter her parents want her to be, widens.…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
I’m a queer, nonbinary, Muslim, immigrant writer who has been reading their whole life and writing for part of it. I learned to write by reading–by devouring all kinds of books across different genres and paying attention to how words create feelings, worlds, and chronologies. I also learned to live by reading–I didn’t grow up with models of how to live a life that was true to my identities and so I read everything I could find about experiences that were adjacent to my own. The emergence of queer Muslim literature has been exciting to follow, and I try to read everything in the field.
From the first page, Fatimah Asghar’s writing pulled me in. It is poetic, playful, and vulnerable.
The story is about three orphaned sisters living under the care of their uncle and figuring out how to relate to each other and the world. I loved the candid explorations of childhood, gender, and, most of all, sisterhood.
LONGLISTED FOR THE NATIONAL BOOK AWARD FOR FICTION 2022 WINNER OF THE CAROL SHIELDS PRIZE FOR FICTION 2023
'A grief-soaked and gorgeous debut novel . . . A poet first, Asghar picks up on the themes of her debut collection If They Come for Us - partition and fragmentation, borders and bodies - and plays with space and silence on the page . . . this fragmentary form has the effect of ephemerality - much like life' Sana Goyal, Guardian
In this heartrending, lyrical debut work of fiction, Fatimah Asghar traces the intense bond of three orphaned siblings who, after…
In my non-fiction books, my travel writing, and as a Financial Times contributor, I’ve always been drawn to two questions: How does the world work? And what makes us human? Seeking answers to these questions has taken me on extraordinary journeys and given me the excuse to meet some fascinating people. In this, I consider myself extremely lucky.
For me, the fact that this intriguing book is part of a series called The Art of Living says it all. Philosopher Todd May argues that while death is “tragic, arbitrary and meaningless,” it’s also the most important fact about us as humans.
What stayed with me long after I’d finished reading was the idea that immortality would be far worse than death. With no end in sight, May argues, life would become meaningless. Why, in fact, would we bother doing anything at all since we could endlessly put it off till later? As a writer who needs a deadline to get anything done, I couldn’t agree more. Endlessly thought-provoking, this little book punches far above its weight.
The fact that we will die, and that our death can come at any time, pervades the entirety of our living. There are many ways to think about and deal with death. Among those ways, however, a good number of them are attempts to escape its grip.
In this book, Todd May seeks to confront death in its power. He considers the possibility that our mortal deaths are the end of us, and asks what this might mean for our living. What lessons can we draw from our mortality? And how might we live as creatures who die, and who…
I am an Australian author and an avid reader. Although I love reading books set in other countries, I particularly enjoy stories that take place in Australia, as I can really identify with them. I especially relate to those set in the Australian outback or small rural towns, as for several years I lived in remote indigenous communities in the Northern Territory. I understand how in small towns it is very difficult to keep secrets, as everybody knows everyone else’s business, and I now realise this is becoming an underlying theme in my writing. I have a Master of Arts in Creative Writing from the University of Tasmania.
Metal Fish, Falling Snow is a terrific Australian road trip story, with a gorgeous cover. After Dylan’s mother suddenly dies, her mother’s boyfriend Pat drives her across the country to join her absent father’s family. During the trip, while experiencing the wilds of outback Australia first hand, Dylan gets to know Pat better. The novel deals with grief and evolving relationships, and is a very satisfying read.
When her mother dies, Dylan struggles to find her identity. An outback road-trip with her mum’s grieving boyfriend sees an unlikely bond develop. But it won’t last…
Dylan dreams of sailing across the ocean to France with her mother. Paris, Dylan imagines, is a place where her black skin won’t make her stand out, a place where she might feel she belongs.
When she loses her mother in a freak accident, Dylan finds herself on a very different journey: a road trip across the Australian outback in the care of her mother’s grieving boyfriend, Pat. As they pass through remote…
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
I love weird situations. I have been writing since I was four years old, and have been patiently waiting for the man who appreciates my wide range of vocal inflections. Books have always been companions for me. It helped me develop empathy for others at a young age. Reading about situations that involve people who are nothing like you helps you think beyond yourself. I think that is partly why I’ve always gravitated towards books with unique plots and characters. There’s something invigorating about a story that breaks the mold and offers something new, even if it’s a little strange. The books I’ve recommended all have heavily influenced me and my writing throughout the years.
I’m amazed that more people aren’t talking about this book. It falls in line with the vampire romance genre so effortlessly, and yet it is egregiously overlooked. I remember reading it years ago when I was a teenager and being totally entranced. There’s this beautiful lilt to the writing, and the plot is so richly complex. It deals with the subject of immortality in such an interesting way, comparing the endless life of this vampire to the swiftly expiring life of this girl’s mother. The romance itself is actually refreshing as well. There’s this soft, sweet gallantry that you don’t see a lot in modern work, in my opinion.
Zoe is wary when, in the dead of night, the beautiful yet frightening Simon comes to her house. Simon seems to understand the pain of loneliness and death and Zoe's brooding thoughts of her dying mother.
Simon is one of the undead, a vampire, seeking revenge for the gruesome death of his mother three hundred years before. Does Simon dare ask Zoe to help free him from this lifeless chase and its insufferable loneliness?
I was not intentionally set out to write books for children, but I was inspired to do so after struggling to face the challenges brought on by my illness—multiple brain tumors and surgeries. Creating messages through stories for children facing such hardship as a life-threatening illness, at times even brought me the reason I needed to keep fighting for my health and for my life.
The book entails a powerful message by describing all the stages of grief that we go through after losing someone. A book reminds us that love does not end after death, but it lives in us as we carry on despite our sadness and loss. The story will allow the reader to experience sets of emotions as an integral part of healing.
Everett Anderson's Goodbye is a touching portrait of a little boy who is trying to come to grips with his father's death. Lucille Clifton captures Everett's conflicting emotions as he confronts this painful reality. We see him struggle through many stages, from denial and anger to depression and, finally, acceptance. In this spare and moving poem, the last in this acclaimed series, Lucille Clifton brings Everett Anderson's life full circle.
I love zombie movies. I am also an Egyptologist. The dead affect us in profound ways every day, even without being semi-animated corpses searching for brains. I have always been keenly interested in the relationships we have with our dead, be it Halloween, Día de los Muertos, or an urn on a mantle. The dead are with us and inform our lives. The same was true in ancient Egypt. And to me, this made the ancient Egyptians feel very familiar and accessible. They, too, were anxious about death. They, too, grieved when loved ones were gone and developed practices and beliefs that kept the dead ‘alive’.
Few books have been as influential on my understanding of ancient Egyptian mortuary culture as Jan Assmann’sTod und Jenseits im alten Ägypten, known in English as Death and Salvation in Ancient Egypt. Assmann brings religious theory and ancient history together to argue that “death is the origin and center of culture.”
"Human beings," the acclaimed Egyptologist Jan Assmann writes, "are the animals that have to live with the knowledge of their death, and culture is the world they create so they can live with that knowledge." In his new book, Assmann explores images of death and of death rites in ancient Egypt to provide startling new insights into the particular character of the civilization as a whole.Drawing on the unfamiliar genre of the death liturgy, he arrives at a remarkably comprehensive view of the religion of death in ancient Egypt. Assmann describes in detail nine different images of death: death as…
When my mother enrolled in hospice after years of living with cancer, the nurse asked her: Do you want to know what will happen to your body as it starts shutting down? That was the first time anyone talked with us about the dying process. The question came as an immense relief, eventually inspiring this book. After witnessing the difficulties and surprising joys of my mother’s dying experience, I began hospice volunteering. Later, I spent three intensive stints volunteering at San Francisco’s Zen Hospice Project. And as a former journalist and associate professor of English, I began researching and interviewing experts. Their deep caring and knowledge inform this book.
There are many books about what dying has to teach the living. This is the one I keep on my bedside shelf. When I talk to people about my own experiences with hospice and dying, they sometimes wax ecstatic about the subject. I believe they’re right to see the possibilities for joy and spiritual growth, but I also think it’s crucial to look at death with clear eyes. As a former Buddhist monk and hospice director who has worked with dying people, Smith does just that. Again, and again, he emphasizes that death does involve suffering. But he also writes movingly—and honestly—about the experiences he’s witnessed, helping readers to face our own mortality and learn how to live better and more joyfully.
Rediscover the mystery and wonder of life through gentle reflections on death and dying.
What can death teach the living? Former monk and hospice worker Rodney Smith teaches us that through intimately considering our own inevitable end we can reawaken to the sublime miracle of life we so often take for granted. A well of stories, personal anecdotes, and direct advice gleaned from years of working with the dying in their final moments, Lessons from the Dying helps us redefine our conception of what it means to truly live. Each chapter contains guided reflections and exercises that allow the reader…
