Books like This Is Not a Novel — picked by fans

My father never talked about his experiences during the war. After he died at 67, we found his handwritten itinerary of three years and ten days in the Army Signal Corps. Plotting it on a map sparked a passion that continued for years, taking me twice to sites in Europe and through hundreds of records and books. I am amazed at all he never told us—the Queen Mary troopship, his radar unit’s landing on Omaha Beach (D+26), the Normandy Breakout, Paris after liberation, fleeing Bastogne, and so on. I grew up on WWII films but never grasped till now what my dad may have seen. 

After publishing five books of poems, I found myself writing a long work I had no way of classifying. It involved the extensive use of facts but was also fiction. It read in part like a novel but was also lyrical. I decided to just write it and not worry about what genre it belonged to. It became A Monster’s Notes. I suspect in our internet age, the emergence of unclassifiable work is going to become more and more common. You can already see it happening. The web isn’t divided into sections the way a bookstore is; instead, it’s more like a spider’s web—you can follow this thread or that, but somehow they’re all connected. 

My favorite books are funny/sad. In my own writing, I aspire for balance between satire and sympathy, going to dark places and shining a light of hilarity on them. I’m compelled by the psychological complexities of desire, particularly in female characters—flawed, average women, struggling for empowerment. For me, desire is inextricably bound with loss. I’m inspired by loss both superficial and profound, from misplaced keys to dying fathers. Many voices clamor in my head, vying for my attention. I’m interested in ambitious misfits, enraged neurotics, pagans, shamans, healers, dealers, grifters, and spiritual seekers who are forced to adapt, construct, reinvent and contort themselves as reality shifts around them.

I fell in love with reading and writing as a child, but it wasn’t until college that I discovered the magic of poetry and began writing it myself. I began to immerse myself in poetry and, in particular, the poetry of Pablo Neruda through a course on The Poet’s Voice in which we explored how the poet’s voice changes over a lifetime of writing. For many years, I thought of myself as a fiction writer, but gradually I turned to poetry, and poetry saved my life. I start each day with a poem or two, and much of my work is inspired by the poets and poems that I read.

My journey into art began as a serendipitous discovery that unfolded through curiosity. As a “can’t-be-tamed” creative, I understand the tug-of-war artists feel – craving to learn skills and create “quality” pieces, while also thumbing the snooze-fest of sticking to one thing. Been there, done that, got the paint-splattered t-shirt. This has ignited a passion for encouraging others to find their own creative voice, as I've navigated the same path while building a multifaceted career in watercolor, gouache, line drawing, urban sketching, brush lettering, and calligraphy…need I go on? The thing is, I will because there is still so much to be explored.

I blame my mother. She took us to the public library every week and let us check out as many books as we could carry. Consequently, reading was a joy rather than a burden. The writing came after I got over my false assumptions about English Lit and Modern Poetry. As a screenwriter, I craft silly stories to make audiences laugh. That’s why I watch movies after an exhausting week. As an author, I gravitate towards non-fiction–trying to reconcile my artistry with my faith. I’ve written about movies, music, video games, technology, and art–with an eye toward lifting our spirits and comforting our aching souls.

I've always been fascinated with the idea that humans have so many layers of consciousness, and reality is multi-faceted. I've studied Zen Buddhism, yoga, and for the past 43 years, Sufism. My experience of life has developed into a journey of changing difficult situations into exhilarating discoveries, finding hidden patterns in nature that delight me and tell me I’m not alone in the universe, and helping many people transform into beings of joy and gratitude. I’m beginning to see that our transformation delights and changes the Divine; we are not a passing phenomenon but contributors to new creation on a major scale.

I am the former Principal bassist with the Cincinnati Symphony and am currently active as a soloist, educator, and author of three books on the mind, body, and spirit of music. My first book is about the mind, The Inner Game of Music, followed by The Mastery of Music on the human spirit of over 120 great musicians and Bringing Music to Life exploring physical skills of communication of all artists, actors, and dancers. I hope to inspire artists of all disciplines, that our performances come from our hearts and souls and not the technical form of dance, music, or words. Performers express feelings and use this gift to spread inspiration and joy to the world.

Inspired by the brilliant Silicon Valley technologists that I worked with in the early 90s and the pioneering design work of my husband’s grandfather, Leroy Grumman, I believe that design thinking is one of the most important reasons to believe that teams can achieve extraordinary results. It increases the likelihood of implementation of ideas by enhancing any companies’ abilities to align, learn, and change together. I have made it my mission to build creative capacity in individuals, organizations, and cities using the language of design thinking so that everyone can make positive change within their sphere of influence.

I came to writing after twenty years of working with dreams, so I already had lots of techniques for coming and going easily between the everyday world and the inner worlds of imagination, and I’m sure that’s why I’ve never suffered from any creative blocks or anxieties. In a career spanning 30 years, I have written about 150 books, both fiction and non-fiction, for children and adults, and scores of articles including a monthly column in Writing Magazine. I have taught creative workshops for major writing organisations such as The Society of Authors, The Arvon Foundation, and The Scattered Authors’ Society, and I offer a varied programme of courses independently throughout the year.