Here are 100 books that This Is Not a Novel fans have personally recommended if you like
This Is Not a Novel.
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My father never talked about his experiences during the war. After he died at 67, we found his handwritten itinerary of three years and ten days in the Army Signal Corps. Plotting it on a map sparked a passion that continued for years, taking me twice to sites in Europe and through hundreds of records and books. I am amazed at all he never told us—the Queen Mary troopship, his radar unit’s landing on Omaha Beach (D+26), the Normandy Breakout, Paris after liberation, fleeing Bastogne, and so on. I grew up on WWII films but never grasped till now what my dad may have seen.
To learn about the Holocaust, I read personal remembrances, eyewitness accounts, and detailed descriptions of ghettos, camps, and transports, but this graphic novel based on Spiegelman’s father captured me like none of the others. Its words tell its terrible story masterfully and its drawings fill in what words can’t say, both as his father lived it and as his son learns about it. Banning it from U.S. schools would be completely wrongheaded. It should be required reading.
The first and only graphic novel to win the Pulitzer Prize, MAUS is a brutally moving work of art about a Holocaust survivor -- and the son who survives him
'The first masterpiece in comic book history' The New Yorker
Maus tells the story of Vladek Spiegelman, a Jewish survivor of Hitler's Europe, and his son, a cartoonist coming to terms with his father's story. Approaching the unspeakable through the diminutive (the Nazis are cats, the Jews mice), Vladek's harrowing story of survival is woven into the author's account of his tortured relationship with his aging father.
From Pulitzer Finalist Laurie Sheck (A Monster's Notes), a new speculative literary fiction in the spirit of Italo Calvino, Umberto Ecco and Donna Haraway's Cyborg Manifesto that enacts an incisive and moving exploration into what it means to be human in the age of AI and increasing inhumanism.…
After publishing five books of poems, I found myself writing a long work I had no way of classifying. It involved the extensive use of facts but was also fiction. It read in part like a novel but was also lyrical. I decided to just write it and not worry about what genre it belonged to. It became A Monster’s Notes. I suspect in our internet age, the emergence of unclassifiable work is going to become more and more common. You can already see it happening. The web isn’t divided into sections the way a bookstore is; instead, it’s more like a spider’s web—you can follow this thread or that, but somehow they’re all connected.
This short, engaging book mixes fact and fiction, prose and poetry, documents and photographs, to tell the story of Billy the Kid, from the time Pat Garrett sets out to hunt him down to his killing. At times it is beautifully hallucinatory as it gets inside Billy’s mind, showing his dreams and visions. But it is also very lucid and attentive to detail, vividly depicting how Billy is always protecting and exercising his left hand—the hand he shoots with—as well as showing Billy’s interactions with his fellow outlaws. This is Ondaatje’s earliest and most experimental novel.
Drawing on contemporary accounts, period photographs, dime novels, and his own prodigious fund of empathy and imagination, Michael Ondaatje's visionary novel traces the legendary outlaw's passage across the blasted landscape of 1880 New Mexico and the collective unconscious of his country. The Collected Works of Billy the Kid is a virtuoso synthesis of storytelling, history, and myth by a writer who brings us back to our familiar legends with a renewed sense of wonder.
My favorite books are funny/sad. In my own writing, I aspire for balance between satire and sympathy, going to dark places and shining a light of hilarity on them. I’m compelled by the psychological complexities of desire, particularly in female characters—flawed, average women, struggling for empowerment. For me, desire is inextricably bound with loss. I’m inspired by loss both superficial and profound, from misplaced keys to dying fathers. Many voices clamor in my head, vying for my attention. I’m interested in ambitious misfits, enraged neurotics, pagans, shamans, healers, dealers, grifters, and spiritual seekers who are forced to adapt, construct, reinvent and contort themselves as reality shifts around them.
I love I Love Dick! This is a hilarious, shocking, keenly intelligent interrogative adventure into the art world and ideas about stalking a muse and being female. The book was published in 1997 but I didn’t discover it until a decade later, so I was late to the game. In her forward, Eileen Myles describes Chris Kraus as “marching boldly into self-abasement and self-advertisement,” which is a perfect way of putting it. Shredding the veil between reality and fiction, in her relentless pursuit of Dick (a real person), Chris Kraus embraces the world, no holds barred. If you’re curious about being female, being an artist, being a failure (whatever that means), chasing your desires, and fighting your way out of limitations both within and without, this riveting, lacerating, revealing, surprising book is for you.
When Chris Kraus, an unsuccessful artist pushing 40, spends an evening with a rogue academic named Dick, she falls madly and inexplicably in love, enlisting her husband in her haunted pursuit. Dick proposes a kind of game between them, but when he fails to answer their letters Chris continues alone, transforming an adolescent infatuation into a new form of philosophy.
Blurring the lines of fiction, essay and memoir, Chris Kraus's novel was a literary sensation when it was first published in 1997. Widely considered to be the most important feminist novel of the past two decades, I Love Dick is…
From Pulitzer Finalist Laurie Sheck (A Monster's Notes), a new speculative literary fiction in the spirit of Italo Calvino, Umberto Ecco and Donna Haraway's Cyborg Manifesto that enacts an incisive and moving exploration into what it means to be human in the age of AI and increasing inhumanism.…
I fell in love with reading and writing as a child, but it wasn’t until college that I discovered the magic of poetry and began writing it myself. I began to immerse myself in poetry and, in particular, the poetry of Pablo Neruda through a course on The Poet’s Voice in which we explored how the poet’s voice changes over a lifetime of writing. For many years, I thought of myself as a fiction writer, but gradually I turned to poetry, and poetry saved my life. I start each day with a poem or two, and much of my work is inspired by the poets and poems that I read.
I heard about this delightful book from a friend and knew I had to read it. It is a meditation on the color blue. Each of Nelson’s “propositions” explores blue metaphorically, literally, historically, emotionally.
Reading this book I immersed myself in blue and all its facets, and through doing so I discovered the worlds of other colors, so that when I step outside, I see not only green but all greens, not only brown but all browns, and blue, of course, everywhere.
Suppose I were to begin by saying that I had fallen in love with a color ...A lyrical, philosophical, and often explicit exploration of personal suffering and the limitations of vision and love, as refracted through the color blue. With Bluets, Maggie Nelson has entered the pantheon of brilliant lyric essayists. Maggie Nelson is the author of numerous books of poetry and nonfiction, including Something Bright, Then Holes (Soft Skull Press, 2007) and Women, the New York School, and Other True Abstractions (University of Iowa Press, 2007). She lives in Los Angeles and teaches at the California Institute of the…
I’ve worked in the wonderful world of storytelling for the last thirty years. I’m an award-winning writer, Telly Award-winning screenwriter, acclaimed short filmmaker, educator, and creator suffering from occasional self-doubt. One of the greatest honors of my life is that I’ve been invited to judge the work of other writers in major competitions around the world. As a result, I’ve come into direct contact with thousands of writers. Many of them have stories trapped inside their minds that they think would make an excellent movie or television series. But screenwriting is incredibly structured, and the expectations of what a script should be can catch many newcomers off guard.
I can’t recommend books about storytelling without including this masterwork. Anyone who works in storytelling will face times when their creative well is dry, and this book is the solution. I’ve run into quite a few moments in my life when tragedy and trauma prevented me from being my most creative self.
Whether I was dealing with personal or professional struggles, this book has always been able to bring me back to my authentic, creative self. I’ve done this “program of artist recovery” both alone and with a group (which Cameron calls a “creative cluster”), and it’s been just as successful each time. I even force my MFA writing students to do the “Artist Dates” explained in this book, and they always thank me later.
The Artist's Way provides a twelve-week course that guides you through the process of recovering your creative self. It aims to dispel the 'I'm not talented enough' conditioning that holds many people back and helps you to unleash your own inner artist. Its step-by-step approach enables you to transform your life, overcome any artistic blocks you may suffer from, including limiting beliefs, fear, sabotage, jealousy and guilt, and replace them with self confidence and productivity. It helps demystify the creative process by making it a part of your daily life. Whatever your artistic leanings, this book will give you the…
I began exploring the topic of creativity after my mother’s death in 2010. Mom was an extremely creative woman. The mother of ten children, living in poverty, she was a self-taught artist who managed to beautify her simple home with her art, building a home business selling paintings, woodcarvings, wall hangings, and quilts she created. When I began speaking to groups of women about creativity, I was shocked to discover just how few of them saw themselves as creative. Thus began my odyssey into creativity research and therapeutic art, and the resulting book and workshops that inspire and encourage others to discover their creative self.
This book is perfect for anyone who likes to see research that supports what they believe. There’s science behind the study of creativity and Wired to Create does an excellent job explaining it. Based on psychologist Scott Barry Kaufman’s groundbreaking research, this book offers a glimpse inside the “messy minds” of highly creative people. Kaufman and Carolyn Gregoire study the latest findings of neuroscience and psychology, and the practices of well-known “creatives,” concluding that we are all, in some way, wired for creating, and everyday life presents endless opportunities to express that.
Is it possible to make sense of something as elusive as creativity?
Based on psychologist Scott Barry Kaufman’s groundbreaking research and Carolyn Gregoire’s popular article in the Huffington Post, Wired to Create offers a glimpse inside the “messy minds” of highly creative people. Revealing the latest findings in neuroscience and psychology, along with engaging examples of artists and innovators throughout history, the book shines a light on the practices and habits of mind that promote creative thinking. Kaufman and Gregoire untangle a series of paradoxes— like mindfulness and daydreaming, seriousness and play, openness and sensitivity, and solitude and collaboration –…
I began exploring the topic of creativity after my mother’s death in 2010. Mom was an extremely creative woman. The mother of ten children, living in poverty, she was a self-taught artist who managed to beautify her simple home with her art, building a home business selling paintings, woodcarvings, wall hangings, and quilts she created. When I began speaking to groups of women about creativity, I was shocked to discover just how few of them saw themselves as creative. Thus began my odyssey into creativity research and therapeutic art, and the resulting book and workshops that inspire and encourage others to discover their creative self.
I only got a few pages into this book before I had to grab a pen to take notes. A mindful attitude is crucial to increasing your creativity, and Rob Walker’s exercises not only jumpstarted my creativity, but increased my mindfulness. I’ve always said I would make a terrible eyewitness because I’m living inside my head most of the time. The Art of Noticing made a difference in that after I read it, I began noticing little things around me that I wouldn’t have paid attention to before. Not only did I try some of the mindfulness exercises, I incorporated at least one into a creativity workshop I do. I also find Rob’s weekly e-mail newsletter inspirational.
A thought-provoking, gorgeously illustrated gift book that will spark your creativity and help you rediscover your passion with “simple, low-stakes activities [that] can open up the world.”—The New York Times
Welcome to the era of white noise. Our lives are in constant tether to phones, to email, and to social media. In this age of distraction, the ability to experience and be present is often lost: to think and to see and to listen.
Enter Rob Walker's The Art of Noticing—an inspiring volume that will help you see the world anew. Through a series of simple and playful exercises—131 of…
I am a sociologist with a longstanding interest in the social aspects of medicine and public health. I started with research on HIV/AIDS. Since then, I have written many books and conducted a multitude of studies on how people understand and experience health and illness and how they seek help when they are sick or feel at risk from disease. When COVID-19 hit the world in early 2020, it was not long before I started to think about what my research training and expertise could offer to understanding the social impacts of this new pandemic. I started to write about COVID and research on people’s everyday experiences.
This edited volume, by academics Irene Gammel and Jason Wang from Ryerson University, Canada, includes contributions from authors living across the world. The chapters focus on how the arts and culture can both express and document people’s thoughts, practices, and feelings about living through the COVID pandemic. There are discussions on the role of drawing, graphic fiction, cinema, diary writing, urban space, music, streaming services, film, and video conferencing platforms in helping people cope with COVID life. Reading the book provides insights into the different social, cultural, and geographical contexts in which the pandemic has been experienced and how people adjusted to the often very stressful conditions of lockdown, restrictions on movements, fear about their health and grief.
Creative Resilience and COVID-19 examines arts, culture, and everyday life as a way of navigating through and past COVID-19. Drawing together the voices of international experts and emerging scholars, this volume explores themes of creativity and resilience in relation to the crisis, trauma, cultural alterity, and social change wrought by the pandemic.
The cultural, social, and political concerns that have arisen due to COVID-19 are inextricably intertwined with the ways the pandemic has been discussed, represented, and visualized in global media. The essays included in this volume are concerned with how artists, writers, and advocates uncover the hope, plasticity, and…
I am an award-winning art director, creative mentor, and print and pattern designer with nearly two decades of experience working successfully in the creative industries. As a young person, I loved drama, dance, and art, and was constantly bursting with creative passion. As I grew older, I faced doubt from the people around me about pursuing a creative career. I stubbornly pursued it anyway and ignored the naysayers who told me to “stop dreaming” or to “get a real job.” I am now described as a “powerhouse” in the design world and someone who fearlessly strives forward in her creative career and helps thousands around the world to believe in their own creative power.
What I loved most about Conscious Creativity is just how much it really opened up my creative curiosity to the world around me. Seeking inspiration from my surroundings has always been something I do for my creative practice, but after reading this I feel like my ability to do that is on another level.
I’m noticing the creative beauty and potential in so many more things, from the spill of my tea to a leaf I’ve found on a trail. I feel like I can see, hear, and touch so much more to inspire my daily practice, so I couldn’t be more grateful for this book.
"Full of tips and tricks on how to look at the world with a curious eye, it's a brilliant way to breathe creativity (back) into our lives." - Flow magazine
"Crammed with practical ideas, inspirational images & creative exercises, Conscious Creativity leads the reader through the process of establishing what kind of creative you are..."-Mslexia
"The purpose of this book is to enable you to look at things in an alternative and more substantial way, so that you arrive at composition through genuine interest."-Juno magazine
"Philippa Stanton is passionate about people connecting to their innate creativity and has distilled these…
My journey into art began as a serendipitous discovery that unfolded through curiosity. As a “can’t-be-tamed” creative, I understand the tug-of-war artists feel – craving to learn skills and create “quality” pieces, while also thumbing the snooze-fest of sticking to one thing. Been there, done that, got the paint-splattered t-shirt. This has ignited a passion for encouraging others to find their own creative voice, as I've navigated the same path while building a multifaceted career in watercolor, gouache, line drawing, urban sketching, brush lettering, and calligraphy…need I go on? The thing is, I will because there is still so much to be explored.
I can't recommend this book highly enough, and here's why: it completely shattered my misconceptions about originality in the creative process. Kleon's candid and approachable narrative made me realize that all art is, in some form, a reinterpretation or recombination of what already exists.
This book came into my life at a pivotal moment, just when I was grappling with the dreaded "impostor syndrome" and the paralyzing belief that everything I created needed to be unprecedented. Kleon's perspective is liberating. He argues that embracing influences and integrating them into your work is not only acceptable but essential for creativity.
When asked to talk to students at Broome Community College in upstate New York in the spring of 2011, Austin Kleon wrote a simple list often things he wished he'd heard when he was their age: 'Steal like an artist; Don't wait until you know who you are to start making things; Write the book you want to read; Use your hands; Side projects are important; Do good work and put it where people can see it; Geography is no longer our master; Be nice (the world is a small town.); Be boring (it's the only way to get work…
