100 Books Like This Is Not a Novel

To learn about the Holocaust, I read personal remembrances, eyewitness accounts, and detailed descriptions of ghettos, camps, and transports, but this graphic novel based on Spiegelman’s father captured me like none of the others. Its words tell its terrible story masterfully and its drawings fill in what words can’t say, both as his father lived it and as his son learns about it. Banning it from U.S. schools would be completely wrongheaded. It should be required reading.

This short, engaging book mixes fact and fiction, prose and poetry, documents and photographs, to tell the story of Billy the Kid, from the time Pat Garrett sets out to hunt him down to his killing. At times it is beautifully hallucinatory as it gets inside Billy’s mind, showing his dreams and visions. But it is also very lucid and attentive to detail, vividly depicting how Billy is always protecting and exercising his left hand—the hand he shoots with—as well as showing Billy’s interactions with his fellow outlaws. This is Ondaatje’s earliest and most experimental novel.

I love I Love Dick! This is a hilarious, shocking, keenly intelligent interrogative adventure into the art world and ideas about stalking a muse and being female. The book was published in 1997 but I didn’t discover it until a decade later, so I was late to the game. In her forward, Eileen Myles describes Chris Kraus as “marching boldly into self-abasement and self-advertisement,” which is a perfect way of putting it. Shredding the veil between reality and fiction, in her relentless pursuit of Dick (a real person), Chris Kraus embraces the world, no holds barred. If you’re curious about being female, being an artist, being a failure (whatever that means), chasing your desires, and fighting your way out of limitations both within and without, this riveting, lacerating, revealing, surprising book is for you.

I heard about this delightful book from a friend and knew I had to read it. It is a meditation on the color blue. Each of Nelson’s “propositions” explores blue metaphorically, literally, historically, emotionally.

Reading this book I immersed myself in blue and all its facets, and through doing so I discovered the worlds of other colors, so that when I step outside, I see not only green but all greens, not only brown but all browns, and blue, of course, everywhere.

I can’t recommend books about storytelling without including this masterwork. Anyone who works in storytelling will face times when their creative well is dry, and this book is the solution. I’ve run into quite a few moments in my life when tragedy and trauma prevented me from being my most creative self.

Whether I was dealing with personal or professional struggles, this book has always been able to bring me back to my authentic, creative self. I’ve done this “program of artist recovery” both alone and with a group (which Cameron calls a “creative cluster”), and it’s been just as successful each time. I even force my MFA writing students to do the “Artist Dates” explained in this book, and they always thank me later. 

I can't recommend this book highly enough, and here's why: it completely shattered my misconceptions about originality in the creative process. Kleon's candid and approachable narrative made me realize that all art is, in some form, a reinterpretation or recombination of what already exists.

This book came into my life at a pivotal moment, just when I was grappling with the dreaded "impostor syndrome" and the paralyzing belief that everything I created needed to be unprecedented. Kleon's perspective is liberating. He argues that embracing influences and integrating them into your work is not only acceptable but essential for creativity. 

I only got a few pages into this book before I had to grab a pen to take notes. A mindful attitude is crucial to increasing your creativity, and Rob Walker’s exercises not only jumpstarted my creativity, but increased my mindfulness. I’ve always said I would make a terrible eyewitness because I’m living inside my head most of the time. The Art of Noticing made a difference in that after I read it, I began noticing little things around me that I wouldn’t have paid attention to before. Not only did I try some of the mindfulness exercises, I incorporated at least one into a creativity workshop I do. I also find Rob’s weekly e-mail newsletter inspirational.

I wish I could add the trilogy of Austin Kleon books; with Steal Like an Artist and Keep Going completing the trilogy. Show Your Work was the first book that I read that spoke to me about letting your supporters in on the creating. The sharing of exclusive content has become a staple for independent and major-label artists, Instagram, Tik Tok, and social platforms all rely on the need to share. For me this book was the progenitor of this line of thinking, encouraging the creative to share and disperse with the secrecy of process and move toward converting investors in one's product to investing in the person. 

A perfectly formed, intimate epiphany of a book about birdwatching, by a non-birdwatcher. Unmoored by her father’s illness, Maclear tries to find a way of making life make sense. She experiments with calligraphy; she wrestles with writer’s block. One day she meets a birdwatching musician, who explains how the activity helps dissipate his worries and daily pressures. Intrigued, she asks if she can tag along. Reluctant at first, and almost despite herself, the author begins to find peace and unexpected beauty in the urban landscape. She discovers that simply being still triggers introspection. This is also a book about the tension between freedom and confinement – something that resonates particularly for me, as a writer with children.

Early in my varied career I had musical training in piano and sang in choirs, including with orchestras.

The notion of a leader as an orchestra conductor, never appealed, as orchestras usually play set music. Leadership is usually not like that: situations are unpredictable, crises occur, and we take people in new directions.

Having observed one of my jazz-playing sons, I started using jazz groups and improvisation as a better analogy: a group of people who have a common goal, each have their own talents and want to explore musical journeys differently. They allow each other to ‘shine’ in a supportive and trusted environment.

The journey is greater than the individual parts. Barrett’s book then validated my messy thinking, and articulated these leadership lessons very well.