64 Books Like Think of a Number

In my opinion, Robin Cook is the father of the medical thriller, and this is his best.

It’s an old but classic medical thriller, one that I’ve reread numerous times. It’s one that I hold up against all medical thrillers as the gold standard. Good character development, solid plot, and a great twisty ending. It’s dated, but still a solid medical thriller.

This is my favorite novel by The Queen of Mystery. What I like the most is the originality of the plot, which is the story that leads to time 0, the time of the murder. In her own words: “A murder is the culmination of a lot of different circumstances, all converging at a given point.” That was when apparently unrelated events consolidated into a twist I didn’t see coming. 

From this highly suspenseful novel, I learned that the best way to intensify the mystery is to think outside the box and inject the unexpected and the unusual into the story. I also learned how to create vivid characters by revealing their essence in action. In only 124 pages, she brings to life her characters with 3-dimensional precision. 

I love this author, and this is one of my favorite books. I was delighted by the complex characters and the ingenious and breathtaking twists. At the same time, the incongruence of the situation fascinated me and made me smile.

At first, I thought, “Why would I want to read a story about a bunch of Martini-drinking, chicken-raising old fogies living in the middle of nowhere?  I’m glad I did. It turned out like nothing I expected. As the book cover advertises: “Once a spy, always a spy.”

This was my first Freida McFadden book, and I was drawn in from the start and though I wasn’t sure how I felt about the narrator (the maid) or the husband and wife who hired her; I love a main character who makes me cringe and that she was the housekeeper privy to the owners’ secrets kept me guessing.

The prologue set me up for an ending that I never saw coming. Is she a housemaid or something else? I read this in one sitting!

Disfigured and jobless after a fire, Timothy Wilde takes a job with the newly formed NYPD. He is assigned to the Sixth Ward, right on the border of the Five Points, a ward notorious for the desperately poor who live there and the rampant crime. One night he finds a young girl running through the street in a nightgown soaked with blood. She tells an unbelievable story of bodies buried in a nearby woods. Wilde investigates and soon finds himself a target of the city’s wealthy, several of whom are guilty of the most heinous of crimes but feel entitled to escape any accountability. Written in the slang of the times, it reads with the immediacy and plausibility of a memoir. I loved this book because it treats such serious issues: income inequality and the lack of accountability for the rich and powerful—even when engaged in child prostitution and murder.

Michael Daly provides a very human take on the rigors and realities members of enforcement face in America’s largest city.

Daly, an award-winning journalist, masterfully knits together such riveting accounts of officers who served during New York’s most turbulent eras, much as I do in my book, pulling together a well-rounded effort from these dramatic settings to the human accounts of those who served. 

Daly’s characters are not one-dimensional, but real people navigating really impossible situations, facing physical and emotional risk. These narratives are rife with moral complexities, personal sacrifices, and harrowing twists and turns.

Daly is at his best presenting these stories with very real, empathetic prose. We feel for these characters and lament the missed family milestones, the physical pain, the emotional strife that is just so relentless. 

Yet Daly’s work is as engrossing as it is entertaining, providing poignant moments of humor, compassion, and bravery that smack… show more.

Maple was the architect of the tactics that allowed the NYPD to lower homicides by 60% in two miraculous years from 1990–1992. This book is easy to read and often funny, which doesn’t obscure Maple’s tactical genius. The story of how a lowly transit cop who fancied suits, vests, bow ties, and homburgs became Assistant Commissioner of Police in New York is astonishing. You can only regret that Maple was never able to use his fake “Gun-Sniffing Dog” ploy to flush suspects with concealed firearms. It was sheer genius.

Kathy Mallory is a character unlike any other. Kathy was a child of the streets who had the good fortune of being adopted into the loving home of a police officer who saw her brilliance and resourcefulness even at a young age. Years later, Kathy has become an NYPD officer who brings justice to victims through her own sense of right and wrong. She is a street-hardened, lone wolf who doesn’t stop until she gets what she wants. I love the complexity of this tough-as-nails female officer who bends all the rules in her pursuit of justice. This book is so well written I immediately read every book I could find by this author.

Only when I arrived in Paris did I discover the works of this major African American writer.

Back then, Himes—still under-recognized in the USA—was a long-time household name in France. Himes not only brought the American crime novel to the Black part of town, he did it with a satiric bite that is his distinguishing feature.

The Black police detectives Grave Digger Jones and Coffin Ed Johnson are at the center of the nine novels in Himes's Harlem Cycle, an epic achievement in crime fiction.

Himes's Harlem is a violent phantasmagoria where Digger and Ed—in order to protect the poor, ordinary working folk of the community—are forced to be the baddest of the bad.

Cotton Comes to Harlem is my favorite work in the collection. Published in 1965, it skewers both Black militants and white racists with wicked glee.

Richard Price’s propulsive plots revolve around crime, but the novels are always about something much bigger, and Lush Life merges many of his favorite themes into one masterpiece: ambition and compromise, race and class, gentrification and crime, the push-and-pull of a city’s progressive leanings against reactionary forces for law and order and property values. Price’s city is constructed on a bedrock of conflict between those who’ve come to New York struggling to create art, those who were born here struggling to get by, and the cops struggling to hold the middle, in a spectacular kaleidoscope of a downtown scene at the turn of the millennium, of hipsters and gangsters, housing projects and trendy restaurants, all these subcultures clashing in one microcosm of urban life.