Here are 100 books that The World We Make fans have personally recommended if you like
The World We Make.
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I vividly remember the first time a book transported me—it was in Mrs. Paul’s second-grade math class, and I was reading The Voyage of the Dawn Treader under the desk. It carried me away to a different world. I’ve been looking for that same magic in every book since, hoping to fall into a picture or open a wardrobe door to another place and time. This list contains a few of my favorites, the stories that have earned permanent spots on my shelves, the ones that get pulled down when I need some enchantment in my life. (And don’t we all need a little magic these days?)
Its allegiance shifts and changes over time. To hold it, Houses of Magic put on an epic tournament at every Turning, where their best and brightest act as champions in battle. But what the champions don’t know, because their elders have never taught them, is that the magic itself draws from a dark source, and that source is crumbling.
Powerful magician Sydney has emerged from The House of Shadows to fight for a sponsor who wishes to establish his own house. But Sydney has first-hand experience with the darkness.
And she doesn’t want to help restore the establishment. She wants to burn it to the ground.
"A remarkable writer." -Neil Gaiman, bestselling author of American Gods
An Alex Award Winner
There is a dark secret that is hiding at the heart of New York City and diminishing the city's magicians' power in this fantasy thriller by acclaimed author Kat Howard.
In New York City, magic controls everything. But the power of magic is fading. No one knows what is happening, except for Sydney-a new, rare magician with incredible power that has been unmatched in decades, and she may be the only person who is able to stop the darkness that is weakening the magic.…
I write fantasy novels, specifically ones in the sub-genre of magical realism. It’s been a passion since my early days. When I was a professional playwright, before I turned to novel writing, I had the extraordinary opportunity to work with Ray Bradbury in adapting one of his novels for the stage. It was an immersion in that delicious blend of the uncanny and the tender. After experiencing a number of losses, I found that this genre—along with the marriage of magic, the supernatural, and hope—best expressed my discoveries and beliefs about life. The novels I write are ones that I would want to read. The novels I recommend are ones I wish I’d written!
This is a great adventure with high stakes, both for the world and for the main character.
She is an ordinary person who rises to the moment again and again when she must. She’s scared, but she’s brave. She’s resilient and clever. She’s really lovable.
In this novel, magic suffuses the world through a secret society. And the power is in books. I mean, we all know the power of books, right? And here, as in Addie LaRue, magic has consequences. It can be beautiful and create lovely connections between and among people. And it can also wreak untold destruction.
Bottom line, I loved the concept and the characters equally.
When I was starting out as an illustrator, I stumbled into two art director jobs, first at the innovative New York Herald Tribuneand then at The New York Times. Working with great journalists gave me the startling idea that a comic strip could have no better subject matter than real life. This led me to create my popular comic strip “Stan Mack’s Real Life Funnies,” which ran in The Village Voice and reported on the rowdy New York city of the '70s and ‘80s. Back then, I was alone in combining real-life stories with comics; today many artist-writers use the comic strip format to tell complex and multilayered true stories of the human experience.
In my comic strips, all my people, streets, and buildings look real because I walked those New York streets and sketched from life. Eisner’s fictional stories are also jam-packed with reality. But his people, Bronx streets, and buildings were already stored in his memory banks, ready to be released onto the page through his bold and expressive ink lines. Hang on, because Eisner will take you by the sleeve—or, more often, the throat—saying, “Look at this world, at these people, listen to them, this is life!” and you sense that it’s also his life he’s talking, and drawing, about.
Will Eisner (1917-2005) saw himself as "a graphic witness reporting on life, death, heartbreak, and the never-ending struggle to prevail." The publication of A Contract With God when Eisner was sixty-one proved to be a watershed moment both for him and for comic literature. It marked the birth of the modern graphic novel and the beginning of an era when serious cartoonists could be liberated from their stultifying comic-book format.
More than a quarter-century after the initial publication of A Contract With God, and in the last few months of his life, Eisner chose to combine the three fictional works…
An adventure of both science fiction and fantasy—one of the great love stories—this is William Hope Hodgson's masterpiece, rewritten for the modern reader.
The story opens in the 19th century, but quickly moves to the far future, where the sun has gone out, casting the world into a darkness broken…
My novel choices were part of the Afterschool Literacy & Building Modules for an organization called LitShop. It encourages growth in literacy, making, building, and leadership in girls ages 10-15 in St. Louis, Missouri. I’m honored to lead the writing classes. All of the LitShop books feature strong girls who believe they can make and build their way to a better world, and I aim to include similar characters in my stories. Stories can provide us with motivation, inspiration, and companionship, and all of these books have done just that… for the girls of LitShop as well as myself.
Before reading this book, I had no idea city-based fantasy novels could draw me in as powerfully as stories with more “traditional” fantasy settings. But Mr. Older’s depiction of Brooklyn as a living, breathing landscape made me a new believer in urban magic. And the main character Sierra’s shadowshaping feels like its own form of beautiful, youthful rebellion. Art can save us, if only we breathe our power into it. I stop and stare at most graffiti murals now, waiting for them to move a little.
Sierra Santiago planned an easy summer of making art and hanging with her friends. But then a corpse crashes the first party of the season. Her stroke-ridden grandfather starts apologizing over and over. And when the murals in her neighborhood begin to weep real tears . . . Well, something more sinister than the usual Brooklyn ruckus is going on.
Where the powers converge and become one
With the help of a fellow artist named Robbie, Sierra discovers shadowshaping, a thrilling magic that infuses ancestral spirits into paintings, music, and stories. But…
I’ve become a bit of a Hamlet geek in my adult years, including having a framed poster in my house that features the entire text. The passion, for me, comes from the depth and complexity of the story. It sounds like hyperbole, but there really is always something new to discover. Some years ago, I taught Hamlet in a college writing class. That experience really allowed me to dive into the text and much of the attendant criticism. The academic approach opened up whole new worlds of opinions and perspectives for which I’m very grateful.
What I like most about this book is its richly painted characters. The Hamlet parallel serves only as a well-crafted backdrop, and there are virtually zero instances of “clever, matchy-matchy” with Shakespeare’s text. (I hate that. Can you tell?) This book actually is clever (no quotes) in addressing themes of life, mortality, and love.
This story goes beyond Hamlet to enlist the services of other recognizable characters like Macbeth’s three witches. All of this is done with impressive craft and style. I didn’t even mind that it is, at its core, a love story, mainly because love is portrayed as a cog in a wheel that features other themes and how they are all interconnected.
In this lush, magical, queer, and feminist take on Hamlet in modern-day New York City, a neuro-atypical physicist, along with his best friend Horatio and artist ex-fiancé, Lia, are caught up in the otherworldly events surrounding the death of his father.
Meet Ben Dane: brilliant, devastating, devoted, honest to a fault (truly, a fault). His Broadway theater baron father is dead—but on purpose or by accident? The question rips him apart.
Unable to face alone his mother's ghastly remarriage to his uncle, Ben turns to his dearest friend, Horatio Patel, whom he hasn't seen since their relationship changed forever from…
I am an aficionado of the fresh start. I make it a point to celebrate all the New Years—that way, I can re-up my resolutions every few weeks! Paradoxically, I’m not great at sudden change. I like stability and working systematically. I reconcile these two sides of myself by observing other people’s transformations and caterpillar-to-butterfly stories on a regular basis. Whether it’s Beyonce going country or a Nigerian god turning to crime, I’m on the ride, picking up pointers. If you are looking to make a change, I hope this list is a fun place to start gathering ideas!
Imagine waking up to discover you’ve become the City of New York. And meeting the avatar of São Paulo walking around trying to be a mentor. As a New Yorker, I’m all for it, and I was hooked right from the start of this urban fantasy. Aliens are trying to eat the cities of Earth, but the cities fight back by choosing champions from among their populations.
New York, being New York, has six—one for the City as a whole and one for each borough because we do things right here. I got such a kick out of every borough’s particular personality and approach to being part of the whole, when just the other day, these were all ordinary people pursuing their own aims. Sudden, magical, consequential reinvention. Love it.
'A glorious fantasy, set in that most imaginary of cities, New York' Neil Gaiman on THE CITY WE BECAME
'The most celebrated science fiction and fantasy writer of her generation. . .Jemisin seems able to do just about everything' NEW YORK TIMES
'Jemisin is now a pillar of speculative fiction, breathtakingly imaginative and narratively bold' ENTERTAINMENT WEEKLY
Five New Yorkers must band together to defend their city in the first book of a stunning new series by Hugo award-winning and New York Times bestselling author N. K. Jemisin.
Every city has a soul. Some are as ancient as myths, and…
Mother of Trees is the first book in an epic fantasy series about a dying goddess, a broken world, and a young elf born without magic in a society ruled by it.
When the ancient being that anchors the world’s power begins to fail, the consequences ripple outward—through prophecy, politics,…
My debut novel is a Beauty and the Beast retelling because I’ve been obsessed with fairy tales all my life, and I’m thrilled to share some of my favorite retellings with you! When I was a child, my grandma gave me an illustrated collection of fairy tales. She had grown up reading stories from Hans Christian Andersen and the Grimm brothers, and she wanted to share that with me. It was an interest I gladly adopted. I love seeing my favorite fairy tales told with new twists and elements that bring the stories to life all over again and let me fall in love with them one more time.
This is a modern retelling of Beauty and the Beast.
I loved that the book was from the beast’s point of view, and I loved seeing this arrogant New York high schooler undergo a transformation of both appearance and soul. The modern setting is so fun. The POV is so fun.
This is a quick, delightful read, and one I’m proud to have on my shelf. (There’s also a movie adaptation, if you’re interested.)
With a new Beauty and the Beast movie hitting theaters in Spring 2017, it's time to catch up on all things Beastly. Find out what it was like for the beast in Alex Flinn's contemporary retelling of the classic tale. This edition features cover art from the 2011 movie starring Vanessa Hudgens and Alex Pettyfer. I am a beast. A beast. Not quite wolf or bear, gorilla or dog but a horrible new creature who walks upright-a creature with fangs and claws and hair springing from every pore. I am a monster. You think I'm talking fairy tales? No way.…
Fantasy has always been a passion and an escape for me. It started with copious amounts of reading, then I found anime when I was only a child as Cardcaptors began to air on TV. I’ve watched hundreds of anime shows since then and continued my penchant for reading and writing almost exclusively in the fantasy genre. In college, I obtained a BA in English with an emphasis on Creative Writing, so I have a good grasp on literature analysis and many works. In addition, I studied Japanese for two years, lived in Japan for six months, and held a position at the anime club while I was in college.
Valiant is a great example of why I love the morally gray so much. Like in many anime, the characters are all shown to be dysfunctional to some degree and really stand by their choices with a good amount of agency that I adore. The MC’s loss and addiction make her a relatable lead as she struggles to navigate this dark, mysterious underworld she has ended up in. As with the anime Kakegurui, her and her friends’ addictions skew their judgment and make everyone susceptible to influence if they can get what they desire. The love interest was my favorite part of this book. He is rough, but he knows what he’s talking about and helps guide the MC to a better path.
A companion novel to Tithe, from bestselling author Holly Black!
When seventeen-year-old Valerie runs away to New York City, she's trying to escape a life that has utterly betrayed her. Sporting a new identity, she takes up with a gang of squatters who live in the city's labyrinthine subway system.
But there's something eerily beguiling about Val's new friends. And when one talks Val into tracking down the lair of a mysterious creature with whom they are all involved, Val finds herself torn between her newfound affection for an honorable monster and her fear of what her new friends…
I am a professor of history and Jewish studies at American University and author of America’s Jewish Women: A History from Colonial Times to Today, winner of the National Jewish Book Award – 2019 Jewish Book of the Year. Since childhood I have been reading stories of women’s lives and tales set in Jewish communities across time and space. Yet, the voices that so often best evoke the past are those captured on the pages of great memoirs.
In 1951, Sydney Taylor invented the memorable Brenners—papa, mama, five sisters, and baby brother—a Jewish family on the Lower East Side in turn-of-the-century New York. Taylor’s words and Helen John’s illustrations in this book, the first in a series, set the scene. A calendar in the parlor announced that it was 1912. Tenements lined city streets. When I read these novels as a child, I did not yet know that they were closely based on Taylor’s own life. When the entire series was republished in 2014, I quipped: I became a Jewish historian because of these books.
Meet the All-of-a-Kind Family -- Ella, Henny, Sarah, Charlotte, and Gertie -- who live with their parents in New York City at the turn of the century.
Together they share adventures that find them searching for hidden buttons while dusting Mama's front parlor and visiting with the peddlers in Papa's shop on rainy days. The girls enjoy doing everything together, especially when it involves holidays and surprises.
But no one could have prepared them for the biggest surprise of all!
Everything you know about Santa Claus is a lie. And that’s just the way she likes it.
She remembers nothing of her real parents. She was abducted by fairies who taught her all she knows. Everyone calls her Key, but no one can tell her why.
I’m Professor of History at Colorado State University Pueblo and have published eight books, mostly about the history of food. After encountering Up in the Old Hotel for the first time during the early 1990s, I started reading New York City history in my spare time.The Fulton Fish Market: A History is my way to blend my expertise with my hobby. Each of these books are beautifully written, informative, and fun. If you’re interested in the history of New York City and you’re looking for something else to read, I hope you’ll find my book to be the same.
Joseph Mitchell was the city reporter for the New Yorker for about half a century. This is a collection of his magazine stories. Many of them involve the old Fulton Fish Market, but he also wrote about weird things like dime museums, gypsies, and stag banquets.
To me, every story in this collection is like a time capsule. This is the book that made me want to write about New York City because it suggests there is a history on every block there worth recording. If you don’t like a chapter or two, then skip to the next one, but I’ll vouch for 80% of this book being the best non-fiction writing that I have ever read (and I practically read for a living).
Saloon-keepers and street preachers, gypsies and steel-walking Mohawks, a bearded lady and a 93-year-old “seafoodetarian” who believes his specialized diet will keep him alive for another two decades. These are among the people that Joseph Mitchell immortalized in his reportage for The New Yorker and in four books—McSorley's Wonderful Saloon, Old Mr. Flood, The Bottom of the Harbor, and Joe Gould's Secret—that are still renowned for their precise, respectful observation, their graveyard humor, and their offhand perfection of style.
These masterpieces (along with several previously uncollected stories) are available in one volume, which presents an indelible collective portrait of…
