Here are 100 books that The Women's House of Detention fans have personally recommended if you like
The Women's House of Detention.
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Growing up as a bi-racial Malay Filipina in a country that only recognizes my Malay-Muslim heritage, I have always inadvertently never quite met the standards of what constitutes a “good Malay Muslim woman.” My circumstances have meant I am always drawn to stories of women who strain against the confines of their societies and desire more for themselves than what is considered acceptable by polite society. Whether they achieve their goals by coloring within the lines or straying outside them, their journeys are what continue to inspire me to live my own life as authentically as possible.
This is hands-down a standout for me in its unique portrayal of the Asian-American immigrant story. Set during the California Gold Rush, the novel tells the tale of Lucy, a young, orphaned Chinese-American woman, and the adventure she and her sister embark on to carve a new, secure future for themselves.
It is at once an unforgettable adventure and an unflinching exploration of sisterhood that made me consider how the female bildungsroman is often not so much about a woman growing up but rather growing into the self she wants to be, despite the confines of the society in which she lives. Plus, Zhang’s original, gleaming prose is just a delight to read.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I came to genderqueer histories searching for a reflection of myself that I couldn’t find in my immediate environment (the rural American South). Early on, I thought I’d found it—historical figures, both real and fictional, who shared my gender identity. But as I’ve continued to research, I’ve realized that the reflections of history are less a mirror image, more a reflection in water—fluid and distorting. Genderqueer people throughout history use different language for their identities, navigate different social and family systems, and express their gender in different ways. In the space created by this difference, I’ve begun to understand my gender as a thing that changes, too, across space and time.
An Unkindness of Ghosts opens with the dedication, “To my mother and her mother all the way back to Eve.” While the other four books on this list emphasize the queer and genderqueer people we might choose to recognize as ancestors, this book focuses on Aster’s relationship with her mother, revealing the way that biological family can, in certain instances, support and affirm genderqueer identity.
"Harrowing and beautiful, this is SF at its best: showing the possible future but warning of the danger of bringing old prejudices and cruelties to that new world. While a story about enslaved people in space could be a one-note polemic, the fully rounded characters bring nuance and genuine pathos to this amazing debut." --Library Journal, Starred Review
"Solomon debuts with a raw distillation of slavery, feudalism, prison, and religion that kicks like rotgut moonshine...Stunning." --Publishers Weekly, Starred Review
"Infused with the spirit of Octavia Butler and loaded with meaning for the present day, An Unkindness of Ghosts will appeal…
I have always loved history, ever since my childhood obsessions with Boudica, Anne Boleyn, and the witch trials. I love exploring different historical periods through literature, as books can help us develop real feelings of connection and empathy with people who lived in times and places very different from our own. I like to think that, in turn, this encourages us to be more empathetic with others in our own time. Since coming out as lesbian when I was 14, I have read a great deal of queer fiction, seeking to immerse myself in my own queer heritage and culture.
Jordy Rosenberg does something clever and innovative with the historical fiction genre and reimagines the historical figure of Jack Sheppard as a transgender man. This is a bit of a two-for-one as there’s also the metatextual story, told through footnotes, of a contemporary trans academic who comes across the ‘confessions’ of Jack. It’s playful, knowing, and slippery. It made me think a lot about the nature of history and what we project onto the people of the past. It pairs beautifully with the Bad Gays podcast.
I’ve never been to the marsh and fenlands of East England, but the descriptions of them in this book have made me really want to visit them!
Finalist for the Lambda Literary Award, 2019 Finalist for the Publishing Triangle Award, 2019
A New Yorker Book of the Year, 2018 A Huffington Post Book of the Year, 2018 A Buzzfeed Book of the Year, 2018
'Quite simply extraordinary... Imagine if Maggie Nelson, Daphne du Maurier and Daniel Defoe collaborated.' Sarah Perry, author of The Essex Serpent
Jack Sheppard - a transgender carpenter's apprentice - has fled his master's house to become a notorious prison break artist, and Bess Khan has escaped the draining of the fenlands to become a revolutionary mastermind. Together, they find themselves at the center…
In grade school, I was taught that my ancestors in Borikén (Puerto Rico) were eradicated by the Spanish, just a few decades after Christopher Columbus “discovered” the Americas. I have since become an Anthropologist of technology, where I study how the infrastructure failures and disasters like hurricanes are reactivating a dormant Taíno identity on my ancestral archipelago. My speculative fiction is inspired by this research and my fractured family history as a descendant of the Taíno, enslaved Africans, and their colonizers from Spain. In my stories, I challenge the narrative of my own extinction, imagining alternative pasts and futures where the Taíno are flourishing and Boricuas are free from American colonial rule (Taínofuturism).
Among the more insidious and tragic consequences of colonialism and its assimilationist policies is the eradication of indigenous conventions around gender and sexuality. In many indigenous communities, gender and sexuality do not operate in as binary as a fashion as they do in European societies.
Highlighting these historical and contemporary possibilities for what we might call queer identities (or “two-spirit” in some communities), is Joshua Whithead’s breathtaking “Indigiqueer” anthology, Love After the End. Contributors amend the provocation, the future is indigenous, to consider how the future is also queer or indigiqueer.
Weaving between the traditional and the contemporary, the past and the future, the ancestral and the posthuman, these tales of queer joy, love, and thriving remind us of what was lost and what is still possible as we strive toward mass decolonization.
This exciting and groundbreaking fiction anthology showcases a number of new and emerging 2SQ (Two-Spirit and queer Indigenous) writers from across Turtle Island. These visionary authors show how queer Indigenous communities can bloom and thrive through utopian narratives that detail the vivacity and strength of 2SQness throughout its plight in the maw of settler colonialism’s histories.
Here, readers will discover bio-engineered AI rats, transplanted trees in space, the rise of a 2SQ resistance camp, a primer on how to survive Indigiqueerly, virtual reality applications, motherships at sea, and the very bending of space-time continuums queered through…
I am a queer woman, a queer mother, and a litigator who represents women and queer people who have been wrongly convicted. I’ve seen how women are convicted where no crime occurred: an electrical fire becomes an arson allegation, a child’s seizure becomes child abuse, and drugs administered at the hospital to a woman in labor become fetal harm charges. These are not aberrations, and the more we know about how women and queer people are targeted and misunderstood in the criminal legal system, the more we can stop it. Despite how common these convictions are, there's remarkably little written that puts gender and queerness at the center of the wrongful conviction story.
Audrey Edmunds, a Wisconsin mother providing home daycare, was convicted of killing an infant in her care after the child died and doctors said the child had been shaken to death—Shaken Baby Syndrome.
Edmunds spent over a decade in prison before being exonerated and proving that the evidence used to convict her was flawed and faulty. Some of my own clients, including Tasha Shelby in Mississippi, were wrongly convicted based on Shaken Baby Syndrome when their child tragically died.
If losing your child isn’t tragedy enough, imagine being blamed and punished for it. Audrey’s memoir traces her wrongful conviction, imprisonment, and her reunion with her children, and is a clear example of an accidental tragedy recast as a homicide through faulty forensic science.
Audrey Edmunds was a happily married young mother of two with a baby on the way; the neighborhood soccer mom in a small Wisconsin town providing casual childcare when the unthinkable happened. An infant died in her care at the same time the unknown science of Shaken Baby Syndrome hit the media. Swept up in a media frenzy, Edmunds was accused of killing the child through SBS. She was stripped from her children and husband and sent to prison where she would fight for freedom 13 years before she was finally exonerated after updated science showed her innocence. Audrey was…
I am a queer woman, a queer mother, and a litigator who represents women and queer people who have been wrongly convicted. I’ve seen how women are convicted where no crime occurred: an electrical fire becomes an arson allegation, a child’s seizure becomes child abuse, and drugs administered at the hospital to a woman in labor become fetal harm charges. These are not aberrations, and the more we know about how women and queer people are targeted and misunderstood in the criminal legal system, the more we can stop it. Despite how common these convictions are, there's remarkably little written that puts gender and queerness at the center of the wrongful conviction story.
I read Queer (In)justice when it first came out in 2012, and it’s still one of the best, and only, books on how the criminal legal system has historically targeted queer people.
I was a staff attorney at the Mississippi Innocence Project at the time, and I was so taken with the book that I immediately reached out to the lead author about our case with Leigh Stubbs and Tami Vance, two women who were wrongly convicted based on their sexual orientation. On June 27, 2012, Leigh and Tami were exonerated after ten years wrongfully in prison.
Queer (In)Justice will, for me, always be connected with their exonerations. The book provided a framework for understanding how queer people have been falsely labeled as dangerous, deviant, and deceptive, and how the criminal legal system has punished us for our identities.
The first comprehensive work to turn a “queer eye” on the criminal justice system, providing an eye-opening study of LGBTQ+ rights and equality.
Drawing on years of research, activism, and legal advocacy, Queer (In)Justice is a searing examination of queer experiences as “suspects,” defendants, prisoners, and survivors of crime. The authors unpack queer criminal archetypes—from “gleeful gay killers” and “lethal lesbians” to “disease spreaders” and “deceptive gender benders”—to illustrate the punishment of queer expression, regardless of whether a crime was ever committed. Tracing stories from the streets to the bench to behind prison bars, the authors prove that the…
An Heir of Realms tells the tale of two young heroines—a dragon rider and a portal jumper—who fight dragon-like parasites to save their realms from extinction.
Rhoswen is training as a Realm Rider to work with dragons and burn away the Narxon swarming into her realm. Rhoswen’s dream is to…
I am a queer woman, a queer mother, and a litigator who represents women and queer people who have been wrongly convicted. I’ve seen how women are convicted where no crime occurred: an electrical fire becomes an arson allegation, a child’s seizure becomes child abuse, and drugs administered at the hospital to a woman in labor become fetal harm charges. These are not aberrations, and the more we know about how women and queer people are targeted and misunderstood in the criminal legal system, the more we can stop it. Despite how common these convictions are, there's remarkably little written that puts gender and queerness at the center of the wrongful conviction story.
Every year, the Innocence Network hosts a national conference, gathering nearly 1000 people to learn about and fight against wrongful convictions.
I met Jessica Henry at the conference when she was writing Smoke But No Fire, and it is the first book to give a name to no-crime wrongful convictions. While women are only a part of the book, Jessica informs readers of the phenomenon where people are arrested, convicted, and punished, even though literally no crime occurred. Jessica shares how suicides are mislabeled and punished as homicides, and corrupt police plant drugs on innocent suspects.
The book lays the groundwork to understand that people are punished in our criminal legal system who have not committed any criminal acts. As we’ve learned in the time since her book, 75% of exonerated women were wrongly convicted when no crime occurred, which makes her book crucial reading for understanding the wrongful…
2020 Foreword INDIES Book of the Year Awards Winner, Silver (Political and Social Sciences) Winner of the Montaigne Medal, awarded to "the most thought-provoking books"
The first book to explore a shocking yet all-too-common type of wrongful conviction-one that locks away innocent people for crimes that never actually happened.
Rodricus Crawford was convicted and sentenced to die for the murder by suffocation of his beautiful baby boy. After years on death row, evidence confirmed what Crawford had claimed all along: he was innocent, and his son had died from an undiagnosed illness. Crawford is not alone. A full one-third of…
I am a queer woman, a queer mother, and a litigator who represents women and queer people who have been wrongly convicted. I’ve seen how women are convicted where no crime occurred: an electrical fire becomes an arson allegation, a child’s seizure becomes child abuse, and drugs administered at the hospital to a woman in labor become fetal harm charges. These are not aberrations, and the more we know about how women and queer people are targeted and misunderstood in the criminal legal system, the more we can stop it. Despite how common these convictions are, there's remarkably little written that puts gender and queerness at the center of the wrongful conviction story.
Kent Roach, co-founder of the Canadian Registry of Wrongful Convictions, has spent his career as a lawyer and law professor fighting against wrongful convictions in Canada.
Most known for his best-seller Wrongfully Convicted, Kent recently published Justice for Some, an open-access book comparing wrongful convictions and miscarriages of justice internationally, from the U.S. and Canada to China and India. This robust guide (over 650 pages) is one of the first books to explicitly examine the role of gender and stereotypes in wrongful convictions internationally, and to bring attention to the wrongful convictions of Indigenous women.
Kent and I met and bonded over how a legal remedy called “miscarriage of justice” can free innocent women in no-crime cases by asking whether the state can uphold the integrity of the conviction. A miscarriage of justice standard can bring relief where there is false testimony by police, hidden exculpatory evidence by…
This book defines the differing concepts of miscarriages of justice, wrongful convictions and innocence in relation to the presumption of innocence and the rationing of justice. It compares inquisitorial systems, with examples from Europe, South America and Asia to adversarial systems. It contrasts England's focus on the miscarriage of justice and the remedial institutions of the Court of Appeal and the Criminal Cases Review Commission, with the United States and China's narrower focus on proven factual innocence It highlights new laws enacted in India in 2023 that increase the risk of wrongful convictions, and details how the International Criminal Court…
I have always liked antiheroes and characters that are in some way doomed. To me, there’s something romantic about them. And over time I have come to replace the fictional protagonists of noir and horror with antiheroes from real life. With miserable authors who wrote about their own lives, where instead of gangsters or monsters, they waged battle against themselves, against their own demons and despair. Books like these have kept me company during some of the darkest periods of my life, and their unflinching honesty has inspired me to become a writer. Perhaps they can do the same for you.
It takes courage to name your book that. Especially in the 90s before self-publishing became a thing. Which did not stop its renegade author from selling xeroxed copies of it in the streets.
Its titular protagonist, who is jobless and homeless after his girlfriend kicks him out, is based on the author himself. He struggles with feelings of inadequacy and a sense of purposelessness. He works odd jobs, writes an occasional poem, meets eccentric strangers, engages in substance abuse, and gets into sticky situations on account of his bad decisions.
While I don’t know about you, I can strongly relate to the character. The book's dark humor is also enough to make it one of my favorites.
Arthur Nersesian's underground literary treasure is an unforgettable slice of gritty New York City life...and the darkly hilarious odyssey of an anonymous slacker. He's a perennial couch-surfer, an aspiring writer searching for himself, and he's just trying to survive. But life has other things in store for the fuck-up. From being dumped by his girlfriend to getting fired for asking for a raise, from falling into a robbery to posing as a gay man to keep his job at a porn theatre, the fuck-up's tragi-comedy is perfectly realised by Arthur Nersesian, who manages to create humour and suspense out of…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
I’m Professor of History at Colorado State University Pueblo and have published eight books, mostly about the history of food. After encountering Up in the Old Hotel for the first time during the early 1990s, I started reading New York City history in my spare time.The Fulton Fish Market: A History is my way to blend my expertise with my hobby. Each of these books are beautifully written, informative, and fun. If you’re interested in the history of New York City and you’re looking for something else to read, I hope you’ll find my book to be the same.
Joseph Mitchell was the city reporter for the New Yorker for about half a century. This is a collection of his magazine stories. Many of them involve the old Fulton Fish Market, but he also wrote about weird things like dime museums, gypsies, and stag banquets.
To me, every story in this collection is like a time capsule. This is the book that made me want to write about New York City because it suggests there is a history on every block there worth recording. If you don’t like a chapter or two, then skip to the next one, but I’ll vouch for 80% of this book being the best non-fiction writing that I have ever read (and I practically read for a living).
Saloon-keepers and street preachers, gypsies and steel-walking Mohawks, a bearded lady and a 93-year-old “seafoodetarian” who believes his specialized diet will keep him alive for another two decades. These are among the people that Joseph Mitchell immortalized in his reportage for The New Yorker and in four books—McSorley's Wonderful Saloon, Old Mr. Flood, The Bottom of the Harbor, and Joe Gould's Secret—that are still renowned for their precise, respectful observation, their graveyard humor, and their offhand perfection of style.
These masterpieces (along with several previously uncollected stories) are available in one volume, which presents an indelible collective portrait of…