Here are 100 books that An Unkindness of Ghosts fans have personally recommended if you like
An Unkindness of Ghosts.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
Growing up as a bi-racial Malay Filipina in a country that only recognizes my Malay-Muslim heritage, I have always inadvertently never quite met the standards of what constitutes a “good Malay Muslim woman.” My circumstances have meant I am always drawn to stories of women who strain against the confines of their societies and desire more for themselves than what is considered acceptable by polite society. Whether they achieve their goals by coloring within the lines or straying outside them, their journeys are what continue to inspire me to live my own life as authentically as possible.
This is hands-down a standout for me in its unique portrayal of the Asian-American immigrant story. Set during the California Gold Rush, the novel tells the tale of Lucy, a young, orphaned Chinese-American woman, and the adventure she and her sister embark on to carve a new, secure future for themselves.
It is at once an unforgettable adventure and an unflinching exploration of sisterhood that made me consider how the female bildungsroman is often not so much about a woman growing up but rather growing into the self she wants to be, despite the confines of the society in which she lives. Plus, Zhang’s original, gleaming prose is just a delight to read.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I have loved reading since I was very young, and would bring home an armful of books from the library. I first discovered the dystopian genre while in junior high, and it quickly became my favorite genre. My favorite aspect of dystopias is the new world created within each book. When I began writing my own stories, I spent several hours building the world within my book. Even today, nearly 20 years after I first began writing, I spend hours drawing and designing everything within each book, whether or not it’s dystopian. My hope is that my readers find my worlds as fascinating as I found the worlds of the stories on my list!
Who Fears Death was a book assigned to me in a college course, and it was the most enjoyable piece of course work I ever had to read. Centered in post-apocalyptic Africa, Who Fears Death follows a biracial girl living in a segregated society that rejects “mixed blood.” I was endlessly cheering for the main character—Onyesonwu—and her stubborn pursuit of her own magical path. I pushed off reading most of my other coursework in order to finish this story and discover where Onye’s path would take her. Okorafor’s society-building was not only convincing, but also heartbreaking, and contained mirrors to present-day society. This book had me excited to do my homework, and is one I would recommend to anyone—in school or not.
An award-winning literary author enters the world of magical realism with her World Fantasy Award-winning novel of a remarkable woman in post-apocalyptic Africa.
Now optioned as a TV series for HBO, with executive producer George R.R. Martin!
In a post-apocalyptic Africa, the world has changed in many ways; yet in one region genocide between tribes still bloodies the land. A woman who has survived the annihilation of her village and a terrible rape by an enemy general wanders into the desert, hoping to die. Instead, she gives birth to an angry baby girl with hair and skin the colour of…
When I was six, my father, a tall, bearded naval officer, read me Coleridge’s “Rime of the Ancient Mariner.” I thought it might be autobiography. Ever since, I've been fascinated by stories where fantasy and reality meet and blend. I studied English literature, taught Dead English Poets to undergraduates, became an editor/writer for hire. Along the way, I canoed, hiked the Rockies, and learned to sail a traditional Nova Scotian schooner. I have two sons, to whom I read stories night after night when they were much younger than they are now. Since retiring, I write fantasy adventure novels set aboard real sailing ships and stories about dragons who talk to exceptional people.
The second of LeGuin’s Earthsea books is a story made of fantasy, adventure, horror, mystery, and myth.
Tenar, the high priestess must choose between her lifelong training and her unexpected compassion for a thief named Ged, who she must execute in the Tombs of Atuan. Tenar leads Ged through darkness and terror to a place where she decides who she will become.
LeGuin’s prose is direct, evocative, and compelling. Read out loud, the story is spellbinding. It stays with me even though it’s years since my first reading. Each time I return to the fantastic yet entirely believable world she created, the characters I meet reveal some fresh insight into what it is to be human.
The second book of Earthsea in a beautiful hardback edition. Complete the collection with A Wizard of Earthsea, The Furthest Shore and Tehanu
With illustrations from Charles Vess
'[This] trilogy made me look at the world in a new way, imbued everything with a magic that was so much deeper than the magic I'd encountered before then. This was a magic of words, a magic of true speaking' Neil Gaiman
'Drink this magic up. Drown in it. Dream it' David Mitchell
In this second novel in the Earthsea series, Tenar is chosen as high priestess to the ancient and nameless…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
The books I recommend here have inspired me and shaped my work. You see, I have always been a writer, but for a long time I viewed it as just a hobby. I did a lot of fan writing (Pern, especially) that allowed me to follow my heart and just have fun writing. My current work questions some of the underlying assumptions in fantasy. Must every problem be solved at the point of a sword? Does magical power always corrupt? And is it truly possible for evildoers to be redeemed? I hope you'll visit my land of Skaythe and find it as magical as Estcarp, Earthsea, and Eld Mountain!
How should I describe the voice of Patricia McKillip? Her words are meticulously chosen to show an opulent and fantastical world. I have sometimes tried to imitate her, but I just can't keep it up for long.
In this stand-alone novel, the witch Sybel lives alone on Eld Mountain. She has inherited or captured and tamed a handful of incredible, magical beasts. These are all the company she needs, until she is asked to care for a king's lost heir. Soon she is no longer able to remain aloof from the world.
In subsequent readings, I've been struck by Sybel's frustration that people won't leave her out of their drama. They think she owes them her time and attention. Can't we all relate to that?
World Fantasy Award-Winner Newly available in print and e-book editions
"Rich and regal." ―The New York Times
Young Sybel, the heiress of powerful wizards, needs the company of no-one outside her gates. In her exquisite stone mansion, she is attended by exotic, magical beasts: Riddle-master Cyrin the boar; the treasure-starved dragon Gyld; Gules the Lyon, tawny master of the Southern Deserts; Ter, the fiercely vengeful falcon; Moriah, feline Lady of the Night. Sybel only lacks the exquisite and mysterious Liralen, which continues to elude her most powerful enchantments.
But when a soldier bearing an infant arrives, Sybel discovers that the…
I adore the SFF genre for its scope of limitless creativity. In particular, I look to both read and write books that incorporate contemporary issues, represent marginalised sections of society, challenge stereotypes, and generally make you think – themes that don’t shy away from tough topics, while interspersed in plenty of colour. In my own epic fantasy series, Blood Gift Chronicles, themes include wildlife and the environment, social justice and marginalisation, magic, animism, and dragons. I have a definite soft spot for complex women and girl protagonists and am excited by the range of voices coming through in the genre. I hope you enjoy my recommendations as much as I have.
Ivory Tembo is a wonderfully dynamic character, brought to life with sensitivity and fascinating insight. The story is set in modern-day Sydney where a killer stalks the night, with Ivory Tembo the officer investigating the brutal murders. Extraordinary character development unfolds in just a few pages, from Ivory’s fractured youth growing up in foster care, to an emotionally vulnerable young woman, to her present-day tough, determined persona that serves her well as a detective. Forced to delve into her heritage, she is supported by a vibrant cast who bring folktale to life. With the help of a medicine woman, the mystery ventures into the supernatural, taking Ivory on an instinctive journey to unify two worlds.
Long ago, a good man transgressed and was brutally punished, his physical form killed and his soul split asunder. Now, one half of his ancient soul seeks to reunite with its lost twin, a search that leaves murder in its wake...
In the streets of modern day Sydney a killer stalks the night, slaughtering innocents, leaving bodies mutilated. The victims seem unconnected, yet Investigating Officer Ivory Tembo is convinced the killings are anything but random. The case soon leads Ivory into places she never imagined. In order to stop the killings and save the life of the man she loves,…
I have always loved history, ever since my childhood obsessions with Boudica, Anne Boleyn, and the witch trials. I love exploring different historical periods through literature, as books can help us develop real feelings of connection and empathy with people who lived in times and places very different from our own. I like to think that, in turn, this encourages us to be more empathetic with others in our own time. Since coming out as lesbian when I was 14, I have read a great deal of queer fiction, seeking to immerse myself in my own queer heritage and culture.
Jordy Rosenberg does something clever and innovative with the historical fiction genre and reimagines the historical figure of Jack Sheppard as a transgender man. This is a bit of a two-for-one as there’s also the metatextual story, told through footnotes, of a contemporary trans academic who comes across the ‘confessions’ of Jack. It’s playful, knowing, and slippery. It made me think a lot about the nature of history and what we project onto the people of the past. It pairs beautifully with the Bad Gays podcast.
I’ve never been to the marsh and fenlands of East England, but the descriptions of them in this book have made me really want to visit them!
Finalist for the Lambda Literary Award, 2019 Finalist for the Publishing Triangle Award, 2019
A New Yorker Book of the Year, 2018 A Huffington Post Book of the Year, 2018 A Buzzfeed Book of the Year, 2018
'Quite simply extraordinary... Imagine if Maggie Nelson, Daphne du Maurier and Daniel Defoe collaborated.' Sarah Perry, author of The Essex Serpent
Jack Sheppard - a transgender carpenter's apprentice - has fled his master's house to become a notorious prison break artist, and Bess Khan has escaped the draining of the fenlands to become a revolutionary mastermind. Together, they find themselves at the center…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
In grade school, I was taught that my ancestors in Borikén (Puerto Rico) were eradicated by the Spanish, just a few decades after Christopher Columbus “discovered” the Americas. I have since become an Anthropologist of technology, where I study how the infrastructure failures and disasters like hurricanes are reactivating a dormant Taíno identity on my ancestral archipelago. My speculative fiction is inspired by this research and my fractured family history as a descendant of the Taíno, enslaved Africans, and their colonizers from Spain. In my stories, I challenge the narrative of my own extinction, imagining alternative pasts and futures where the Taíno are flourishing and Boricuas are free from American colonial rule (Taínofuturism).
Among the more insidious and tragic consequences of colonialism and its assimilationist policies is the eradication of indigenous conventions around gender and sexuality. In many indigenous communities, gender and sexuality do not operate in as binary as a fashion as they do in European societies.
Highlighting these historical and contemporary possibilities for what we might call queer identities (or “two-spirit” in some communities), is Joshua Whithead’s breathtaking “Indigiqueer” anthology, Love After the End. Contributors amend the provocation, the future is indigenous, to consider how the future is also queer or indigiqueer.
Weaving between the traditional and the contemporary, the past and the future, the ancestral and the posthuman, these tales of queer joy, love, and thriving remind us of what was lost and what is still possible as we strive toward mass decolonization.
This exciting and groundbreaking fiction anthology showcases a number of new and emerging 2SQ (Two-Spirit and queer Indigenous) writers from across Turtle Island. These visionary authors show how queer Indigenous communities can bloom and thrive through utopian narratives that detail the vivacity and strength of 2SQness throughout its plight in the maw of settler colonialism’s histories.
Here, readers will discover bio-engineered AI rats, transplanted trees in space, the rise of a 2SQ resistance camp, a primer on how to survive Indigiqueerly, virtual reality applications, motherships at sea, and the very bending of space-time continuums queered through…
I came to genderqueer histories searching for a reflection of myself that I couldn’t find in my immediate environment (the rural American South). Early on, I thought I’d found it—historical figures, both real and fictional, who shared my gender identity. But as I’ve continued to research, I’ve realized that the reflections of history are less a mirror image, more a reflection in water—fluid and distorting. Genderqueer people throughout history use different language for their identities, navigate different social and family systems, and express their gender in different ways. In the space created by this difference, I’ve begun to understand my gender as a thing that changes, too, across space and time.
I readThe Women’s House of Detention earlier this year and was introduced in its pages to a world of pre-Stonewall policing of queerness and transness. In our current moment, when state laws increasingly seek to restrict the lives of gender-expansive people, this book offers a window into both the origin of these laws and also, importantly, into the lives of queer and trans people who, in their resistance, created space for me to exist, and to name my own existence, today.
This singular history of a prison, and the queer women and trans people held there, is a window into the policing of queerness and radical politics in the twentieth century.
The Women’s House of Detention, a landmark that ushered in the modern era of women’s imprisonment, is now largely forgotten. But when it stood in New York City’s Greenwich Village, from 1929 to 1974, it was a nexus for the tens of thousands of women, transgender men, and gender-nonconforming people who inhabited its crowded cells. Some of these inmates—Angela Davis, Andrea Dworkin,…
I’ve been a science fiction fan for as long as I can remember. As someone who never quite felt like I fit in, these stories became a kind of refuge and revelation for me. They taught me that being on the outside looking in can be its own kind of superpower—the ability to see the world differently, to question it, and to imagine something better. I’m drawn to characters who are flawed, searching, and human, because they remind me that courage and belonging are choices we make, not gifts we’re given. That’s the heart of every story I love and the kind I try to write.
When I strapped in to read Red Rising, I was mentally prepared for a modern Dune-style space opera, complete with a chosen-one arc. But what kept me turning pages was Darrow’s humanity.
I was thrilled to discover how he breaks, rebuilds, and keeps fighting to become more than the system that made him. I loved that it refused to give me a perfect hero. Every victory costs something, and every choice leaves a scar.
It reminded me that courage doesn’t always look noble—sometimes it’s messy, angry, and uncertain. But that’s what makes it real.
This book made me feel the weight of change and how hard it is to stay kind while tearing down what’s broken.
NEW YORK TIMES BESTSELLER NAMED ONE OF THE BEST BOOKS OF THE YEAR BY ENTERTAINMENT WEEKLY, BUZZFEED, GOODREADS AND SHELF AWARENESS
Pierce Brown's heart-pounding debut is the first book in a spectacular series that combines the drama of Game of Thrones with the epic scope of Star Wars.
**********
'Pierce Brown's empire-crushing debut is a sprawling vision . . . Ender, Katniss, and now Darrow' - Scott Sigler, New York Times bestselling author of Pandemic
'[A] top-notch debut novel . . . Red Rising ascends above a crowded dystopian field' - USA Today
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I am a French scientist fascinated by the beauty and complexity of nature. I study bees since about twenty years now and I am still regularly astonished by the level of sophistication of this alien miniature world. We are much more insects than we think. And I am not saying this just because I am fan of science fiction or poetry!
A wonderful short fantasy novel written from the point of view of a bee. In the beginning, I didn’t know what to expect from this, but when I started, I couldn’t stop.
It reads like dystopic science fiction, but in fact, it is just a book about … insects. It is another way to discover the world of bees and consider our relationship with nature. Very refreshing!
Shortlisted for the Baileys Women's Prize for Fiction 2015
Longlisted for the Desmond Elliott Prize for New Fiction 2015
Enter a whole new world, in this thrilling debut novel set entirely within a beehive.
Born into the lowest class of her society, Flora 717 is a sanitation bee, only fit to clean her orchard hive. Living to accept, obey and serve, she is prepared to sacrifice everything for her beloved holy mother, the Queen.
But Flora is not like other bees. Despite her ugliness she has talents that are not typical of her kin. While mutant bees are usually instantly…
