Here are 100 books that The Wolf, the Duck, and the Mouse fans have personally recommended if you like
The Wolf, the Duck, and the Mouse.
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I never actually stopped reading children’s literature. Even as a grown-up, I figured out a way to read picture books every day. After earning a master’s degree in education, I found myself back in the library reading to students. I love reading funny books; they are more engaging and more likely to get kids reading and keep them reading. I love humor and think it is perfect in the shorter format of picture books.
I love the subtle humor in this book. I also love the pattern and rhythm of the dialogue.
When the story circles back to the natural conclusion, I use the characters’ reactions and expressions to have children infer what really happened, who stole the hat, and how the problem was solved.
A bear searches for his missing hat in the bestselling, multiple award-winning picture book debut of Jon Klassen.
In his bestselling debut picture book, the multiple award-winning Jon Klassen, illustrator of This Is Not My Hat and Sam and Dave Dig a Hole, tells the story of a bear who's hat has gone. And he wants it back. Patiently and politely, he asks the animals he comes across, one by one, whether they have seen it. Each animal says no (some more elaborately than others). But just as it he begins to lose hope, lying flat on his back in…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
Keiko Kasza is an award-winning author/illustrator of picture books. Though she uses animals as her book characters, the subjects are always related to issues that young children face. Humor and a surprise ending are the signatures of her work.
A monster goes to Pete’s house with the intention to eat him. Pete asks the monster to play with various games and toys. The monster reluctantly does so, but each time the text goes, “He didn’t want to play...because he wanted to...EAT PETE!” Then something shocking happens – he eats Pete! Let me assure you, though, the ending is very sweet.
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From the creator of Goodnight Goon, a laugh-out-loud friendship story that perfectly captures the high and low moments of a typical playdate!
Pete couldn't be more thrilled when a monster shows up in his bedroom. Now Pete has someone to play with! And the hungry monster couldn't be more thrilled to be there, either. Now he can . . . EAT PETE!
But Pete has other ideas. And they are all good fun and quite distracting--things like playing cars and pirates. Well, we all know the course of playing together nicely never did run smoothly. So how much longer will…
Keiko Kasza is an award-winning author/illustrator of picture books. Though she uses animals as her book characters, the subjects are always related to issues that young children face. Humor and a surprise ending are the signatures of her work.
I always admire Jeffers’s work – it is ever creative and original. The Hueys are arguing when Gillespie comes by. He asks them, “What are you fighting about?” This stumps them. They don’t remember. Then comes Gillespie’s last line, which blows your mind. The ending couldn't be more perfect.
What's all the arguing about? There are plenty of Hueys to go around in this hilarious story from the #1 bestselling illustrator of The Day the Crayons Quit!
The Hueys are back! Oliver Jeffers' jelly bean-shaped creatures may look the same, think the same, and even do the same things, but that doesn’t mean they always agree. The only problem is, they can’t seem to agree on what they disagreed on in the first place! Which ultimately leads to an even bigger disagreement! Confused? Well, so are the Hueys. Which only adds to the fun and hilarity.
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
Keiko Kasza is an award-winning author/illustrator of picture books. Though she uses animals as her book characters, the subjects are always related to issues that young children face. Humor and a surprise ending are the signatures of her work.
A wolf spots a chicken and asks her to go for a stroll with him. She accepts. Then they proceed to the woods, to his house, to his kitchen... he intends to make chicken soup. Each time she accepts his offer, her chicks show up and yell, “that’s not a good idea!” I guarantee you that you won’t see this coming. The chicks’ warning isn’t meant for their mother. What a twist!
A crafty fox, a butter-wouldn't-melt-in-her-mouth goose and a band of prophesying little chicks ... sounds like all the right ingredients for another hilarious Mo Willems picture book!
This is the story of a hungry fox who meets a plump goose and, ooh!, what an innocent looking goose she is. Just look at those big, doey eyes - so trusting! The fox can't believe his luck so he asks the goose to go for a stroll. The goose, with her angelic face, cannot refuse. Suddenly, a little chick pops up warning the protagonist: "That is NOT a good idea!" All too…
I’ve loved words ever since I discovered at age five that the word “pup” was a palindrome. My first published poem, “Kitten,” was written in third grade and was included in Valley View Elementary School’s annual creative writing booklet.
Since then, I’ve written loads of limericks, a heap of haiku, quarts of quatrains, two octos, and enough rhyming couplets to make Shakespeare plead “forsooth, enough already”. To the relief of the general public, I’ve only published one book of poetry. For now.
I’m a completionist. I take pleasure in completing a game or task involving many steps that I can tick off as I go.
A to Z lists thrill me like nothing else can! Seeing different minds tackle the same 26 letters each in their own way, never gets old. I was a grown-up when I first discovered Edward Gorey and found him amusing.
But when I discovered this book, the hairs on the back of my neck tingled. He was taking on the A to Z challenge! And he nailed it. Each line is concise and yet tells me everything I need to know.
It’s a short book, but since each line comes with an illustration showing that letter’s victim’s last moments, it’s worth pausing to savor each page.
A new, small-format edition of one of Edward Gorey’s “dark masterpieces of surreal morality” (Vanity Fair): a witty, disquieting journey through the alphabet.
I am a lover of champagne and popular culture and am fascinated with how humor can be used to confront taboo topics and subvert familiar orthodoxies. As a cultural critic, I study how visual artists challenge notions of childhood innocence by adding images of drinking and drunkenness to their adaptations of children’s texts and childish objects. Through these re-imaginings, we see how children’s culture is drinking culture. The most important lessons about alcohol and childhood in the drinking curriculum walk a fine line between humor and dread. My other books include Graphic Girlhoods: Visualizing Education and Violence and Witnessing Girlhood: Toward an Intersectional Tradition of Life Writing (with Leigh Gilmore).
The appalling schoolgirls that attend Ronald Searle’s fictional girls’ boarding school drink copious amounts of alcohol, smoke, and regularly set the school on fire. In Searle’s cartoons horror and humor are tightly wound. But don’t let the girls’ boarding school gym slips, high black socks, boater hats, and hair bows fool you. These young ladies grin at violence and delight in rule breaking.
Searle drew the second and third St. Trinian’s cartoon while he was a Japanese prisoner of war during World War II. Remarkably, Searle kept a visual record of his time in captivity, including self-portraits, four hundred secret sketches of prisoners and the brutalities of the guards as well as seventy-two cartoons, including the second and third St. Trinian’s drawings which were published in 1945 after his return from the war.
Ronald Searle takes us back to the world of the Gothic Public School in The Terror of St Trinian's . In this gloriously anarchic academy for young ladies we witness shootings, knifings, torture and witchcraft, as well as many maidenly arts. The subject of many evergreen films, St Trinian's is synonymous with the sort of outrageous behaviour that would make a convict blench. This book also contains a selection of Ronald Searle's work from the non-school books, including The Rake's Progress , Souls in Torment and Merry England, etc. and their publication in one volumes stakes Searle's claim to be…
I am a lover of champagne and popular culture and am fascinated with how humor can be used to confront taboo topics and subvert familiar orthodoxies. As a cultural critic, I study how visual artists challenge notions of childhood innocence by adding images of drinking and drunkenness to their adaptations of children’s texts and childish objects. Through these re-imaginings, we see how children’s culture is drinking culture. The most important lessons about alcohol and childhood in the drinking curriculum walk a fine line between humor and dread. My other books include Graphic Girlhoods: Visualizing Education and Violence and Witnessing Girlhood: Toward an Intersectional Tradition of Life Writing (with Leigh Gilmore).
I love all of Lynda Barry’s comics, but It’s So Magic! is my favorite collection.
Barry’s adolescent heroines steal wine from parents and from synagogues; they drink the cheap stuff like Boones Farm Apple Wine, and concoctions of mixed hard liquor made from whatever they can find in their houses that give the reader a hangover just thinking about it.
Barry’s graphic narratives also include stories of sexual abuse that are visually overlaid with gross-out drinking humor that will make some laugh and others turn away. Through visual humor, she brings into view both drinking girls and knowledge about sexual assault often hidden from view.
Barry’s alternative lessons remain radical in this politically fraught time when neo-temperance advocates attempt to tie #MeToo to abstinence, once again trying to enforce the idea that girls and women are to blame if they drink too much alcohol.
Lynda Barry s Ernie Pook s Comeek... made the world look wild, ugly, joyful, and mysterious.' The New Yorker. Maybonne Mullen is 'riding on a bummer' according to her little sister, Marlys. As much as teenage Maybonne prays and tries she just can t connect to the magic of living. How can she when there s so much upheaval at home and school, not to mention the world at large? And yet Marlys always seems able to tap into it. In It s So Magic, the Mullen family dynamics are in flux. Uncle John makes a brief return to town…
I am a lover of champagne and popular culture and am fascinated with how humor can be used to confront taboo topics and subvert familiar orthodoxies. As a cultural critic, I study how visual artists challenge notions of childhood innocence by adding images of drinking and drunkenness to their adaptations of children’s texts and childish objects. Through these re-imaginings, we see how children’s culture is drinking culture. The most important lessons about alcohol and childhood in the drinking curriculum walk a fine line between humor and dread. My other books include Graphic Girlhoods: Visualizing Education and Violence and Witnessing Girlhood: Toward an Intersectional Tradition of Life Writing (with Leigh Gilmore).
This bookcomes in the form of a small baby board book. On the back of this parody of a board book, the author asks “Are you a parent? Are you thirsty? Too many of us allow our infant sons and daughters to lay about idly napping, drinking milk, and sometimes ‘turning over.’ Why not have them mix you a cocktail? Thanks, Baby!”
Each page includes a mixology template for different members of the family. I particularly like the first recipe- a martini for mama. Additionally, like educational shape recognition texts that purportedly teach babies to organize visual information, Brown inserts easily recognizable liquor brands, Bombay Sapphire distilled London dry gin and Martini dry vermouth.
That the martini is the mother’s drink tickles the viewer to question whether gin is mother’s helper or mother’s ruin. Brown’s tongue-in-cheek board book foregrounds alcohol as pleasure and a baby that brings ease rather…
Many people are parents, and many parents are thirsty. Yet too many parents allow their infant sons and daughters to lie about idly: napping, drinking milk, and whatnot. Why not put them to work? Observe how tots enjoy the shapes and colors, all the while learning how to mix a variety of basic cocktails. Thanks, Baby!
As a kindergarten teacher and mom, I have dealt with messy kids. It’s part of who they are! These books are a funny, enjoyable way to try to get kids to enjoy clean up time, and understand that messes are normal!
I love the rhyming, the guessing game, and the unexpected twist. It’s perfect for sparking conversations about taking responsibility—without ever sounding preachy. Plus, it’s set on a farm, so animal lovers are in for a treat!
There are messes all over the farm. This cute rhyming book visits different areas of the farm where there are messes galore! Readers can guess what animal made the mess! But be careful! It’s not what you think!
Mud splattered everywhere, tangled-up wool in huge piles, and carrot tops strewn about--what in the world is happening in this animal village? It's quite a mystery! But thanks to rhyming clues, everyone will be able to easily guess the animal culprits--or will they? In this laugh-out-loud, expectation-defying picture book, Laura Gehl (May Saves the Day and The Hiking Viking) uses a rhyming mystery to help readers adjust their outlook, keep an open mind, and learn not to make assumptions.
As a Latina living in the US, I encounter stereotypes about me and my culture. I am sure I have my own blind spots around other cultures and people. So, I like stories that break traditional tropes. Initially, fairytales were dark and used as moral teaching tools full of warnings and fear. I prefer retellings that spread joy and challenge assumptions. Lastly, I love to discover new—real or imaginary—places through the illustrations and the artist’s point of view, especially if it influences the twist.
This book shares my Andean setting and love of dance, so I am already rooting for it. I am immediately connected with the main character as she twirls down the path. I can relate to the wolf as well; I know how language barriers can cause misunderstandings. A clever twist to a beloved classic. The art is full of energy and captures the joy in the dance moves.
A 2024 Anna Dewdney Read-Together Award Honor Book
An irresistible rhythm tugs at Moni's heart as she dances down the path to la casa de Abuela. But Moni's corazón skips a beat when she spies a strange set of ears - setting her own orejas on alert. Lobo must be near!
In this modern interpretation of a classic fairytale, readers tango along with Moni as she sways to the music that follows her through the woods. In a clearing, Moni stumbles upon Lobo . . . playing a bandoneón? Moni can't help from tap-tap-tapping to the tune, but when the…