Here are 100 books that The Wisdom of the Myths fans have personally recommended if you like
The Wisdom of the Myths.
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I have always been fascinated with various myths and legends, as I think they are all based on actual events and personalities. I see mythology and folklore as a connection between that distant past, which otherwise would have been lost to us. I started reading Greek and Norse mythology at an early age, and my interest only grew stronger. At the same time, I had an issue with the dry and gloomy stories and always wanted to insert humor and entertainment into the old myths to make them more acceptable to the general public. I always longed for a blend of mythology and humor.
I read it late at night, I read it on the metro going to work, I read it on my lunch break, I even took it to a birthday party and read it there between the toasts and the jokes.
I’ve always liked mythology, but at times it was too dry and gloomy. So I always looked for a different story about the ancient myths, and this book delivered it. I especially loved the notes at the bottom of the page, which were even funnier than the text.
STEP INTO ANOTHER WORLD - OF MAGIC, MAYHEM, MONSTERS AND MANIACAL GODS - IN STEPHEN FRY'S MOMENTOUS SUNDAY TIMES BESTSELLER, MYTHOS
'A romp through the lives of ancient Greek gods. Fry is at his story-telling best . . . the gods will be pleased' Times ___________
No one loves and quarrels, desires and deceives as boldly or brilliantly as Greek gods and goddesses.
In Stephen Fry's vivid retelling, we gaze in wonder as wise Athena is born from the cracking open of the great head of Zeus and follow doomed Persephone into the dark and lonely realm of the Underworld.…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I have been writing poetry for 60 years, often basing my poems on Greek myths and Hebrew stories. I have won various prizes for my work and now sit on the Advisory Board of The Society of Classical Poets in New York. In addition, I am a regular feature writer on culture, classics, and poetry for The Epoch Times. Thus, I live and breathe myth, epic, and poetry! Also, I have a First Class honors degree (aka: Summa Cum Laude) in English Literature alongside two post-graduate degrees, one with Distinction.
This is a short, easy-to-digest book, but what a genius book it is! While the other books are specifically about Greek myths, Armstrong deals with the question of myth across all cultures.
Her definition of a myth is one of the profoundest I have come across, and I regularly quote it: “A myth, it will be recalled, is an event that–in some sense–happened once, but which also happens all the time.” Hence why we can talk about the Oedipus complex and such-like: for they happen all the time.
As long as we have been human, we have been mythmakers. In A Short History of Myth, Karen Armstrong holds up the mirror of mythology to show us the history of ourselves, and embarks on a journey that begins at a Neanderthal graveside and ends buried in the heart of the modern novel.
Surprising, powerful and profound, A Short History of Myth examines the world's most ancient art form - the making and telling of stories - and why we still need it.
The Myths series brings together some of the world's finest writers, each of whom has retold a…
I have been writing poetry for 60 years, often basing my poems on Greek myths and Hebrew stories. I have won various prizes for my work and now sit on the Advisory Board of The Society of Classical Poets in New York. In addition, I am a regular feature writer on culture, classics, and poetry for The Epoch Times. Thus, I live and breathe myth, epic, and poetry! Also, I have a First Class honors degree (aka: Summa Cum Laude) in English Literature alongside two post-graduate degrees, one with Distinction.
This book not only tells the tales but also points out their significance for us today. The author is a psychiatrist and so there is a profound psychological approach to un-packing what is going on.
The book covers not the entire sweep of Greek myths, but instead focuses on just 12, and what a brilliant selection it is: ranging from the well-known myth of Narcissus to the less well-known Plato’s myth of Er. Fascinating stuff.
Not just the stories, but what they mean. Are myths really the repositories of deep wisdom and mystical secrets?
Readers' Favorite Book Award Winner
What is myth, and why does it have such a hold on the human mind? How does myth relate to near forms such as legend and fairy tale, and to other modes of understanding such as religion and science? What is a hero, what is a monster, and what function does magic serve? How has our relationship with myth and mythology changed over the centuries? And are there any modern myths?
I have been writing poetry for 60 years, often basing my poems on Greek myths and Hebrew stories. I have won various prizes for my work and now sit on the Advisory Board of The Society of Classical Poets in New York. In addition, I am a regular feature writer on culture, classics, and poetry for The Epoch Times. Thus, I live and breathe myth, epic, and poetry! Also, I have a First Class honors degree (aka: Summa Cum Laude) in English Literature alongside two post-graduate degrees, one with Distinction.
This book is really the definitive replacement to Robert Graves’ awesome The Greek Myths, which held sway for 50 years or so as the go-to book for detailed explanation alongside obscure erudition.
The good thing is, March’s book, whilst amazingly erudite and ‘complete’ (if one can ever be), is also highly readable and organized in a much superior and reader-friendly way than the Graves’ volumes. I like reference books, and this is my default classical reference book now.
What were the twelve labours of Herakles? Why did Zeus turn himself into a shower of gold? What was the name of the guard-dog of the Underworld? Which two-faced Roman god gave his name to the month January? What is the answer to the riddle of the Sphinx?
The myths of ancient Greece and Rome are the most dramatic and unforgettable tales of love, war, heroism and betrayal ever told. Whether it's Ikaros flying too close to the sun, Prometheus stealing fire from the gods or the tragedy of Oedipus, their characters have inspired art, literature, plays and films, and…
The best fiction explores complex relationships between friends and lovers. I’ve been fascinated by this for as long as I can remember because love and friendship are the cornerstones of human existence. As concepts, they give life meaning yet can also take it away. They bring us together but can also leave us estranged. The sun-soaked cities of Europe have for so long been playgrounds for young lovers and friends, enjoying both the best of life and the most melancholy. I love traveling Europe–the grandeur, the romance, the happy-sad sentiment of it all. It embodies the topic and makes for the most beautiful setting.
Fitzgerald’s mastery of the English language is beautiful to behold. This book is one of the most eloquent expositions of the control of his prose while at the same time confronting his greatest weakness in life: an inability to find happiness and true love that loves him back. Set on the French Riviera, Tender is the Night is honest and painful. It’s an insight into Fitzgerald’s melancholy world of excess.
This is both fantastic to be a part of and tragic. The tragedy and the beauty are juxtaposed in the most fantastic way–this makes this book one of my favorite romances. I read this book for pure enjoyment. Each sentence makes me smile with its beauty and its profundity.
F. Scott Fitzgerald wrote in a friend's copy of Tender Is the Night, "If you liked The Great Gatsby, for God's sake read this. Gatsby was a tour de force but this is a confession of faith." Set in the South of France in the decade after World War I, Tender Is the Night is the story of a brilliant and magnetic psychiatrist named Dick Diver; the bewitching, wealthy, and dangerously unstable mental patient, Nicole, who becomes his wife; and the beautiful, harrowing ten-year pas de deux they act out along the border between sanity and madness. In Tender Is…
My research and writing in the field of emergency or disaster management has been focused on the concept of hazard mitigation. This means reducing the impact of disasters, the creation of hazard resilient and sustainable communities, and the application of scientific and technical expertise to the task. We all live in a world where it has become more important than ever to make intelligent decisions driven by a comprehension of the properties of the physical universe. It is also a world in which economic self-interest and political interests may impede that idealistic goal. I have a sense of urgency about reducing the efficacy of such impediments.
When I began to focus on and assess climate change as an emergency or disaster management issue, especially in the context of recurring natural disasters, this book by Andrew Guzman struck a nerve that helped me focus on what mattered most.
The human costs associated with what would be the catastrophic consequences of our failure to address what the author suggests is the greatest threat to human civilization are mind-blowing, to say the least. This is an excellent, if somewhat scary, overview.
Deniers of climate change sometimes quip that claims about global warming are more about political science than climate science. They are wrong on the science, but may be right with respect to its political implications. A hotter world, writes Andrew Guzman, will bring unprecedented migrations, famine, war, and disease. It will be a social and political disaster of the first order.
In Overheated, Guzman takes climate change out of the realm of scientific abstraction to explore its real-world consequences. He writes not as a scientist, but as an authority on international law and economics. He takes as his starting point…
An Heir of Realms tells the tale of two young heroines—a dragon rider and a portal jumper—who fight dragon-like parasites to save their realms from extinction.
Rhoswen is training as a Realm Rider to work with dragons and burn away the Narxon swarming into her realm. Rhoswen’s dream is to…
I have studied nineteenth-century American literature and culture for more than thirty years. My friends roll their eyes when I excitedly share a passage from Charles Chesnutt, Henry James, Herman Melville, or Kate Chopin. I wrote this book because I realized that nineteenth-century thinkers and writers have a lot to teach us about tyranny, particularly the dangers it presents to our nation. I hope you’ll find the challenge of these books as important as I do!
Neal Wood was a respected scholar of political thought and he wrote this book to be accessible to many readers, motivated by his conviction that the thorough embrace of capitalist competition was degrading the character and culture of the United States.
When reading this, I could not help but think about the writings of Black Americans in the nineteenth century, who argued that greed was one of the main reasons for slavery. Wood offers a sober reminder that it is useful to think about the consequences, intended and not, of our nation’s choices and priorities.
The US has been subjected to the ruthless and unrelenting tyranny of the world's most advanced capitalism, permeating every aspect of American life. The chief difference from other tyrannies is its facelessness, its dependence on impersonal coercive power more than on direct violence and terror against its subjects. A frightening irony of this new tyranny, dissected by the distinguished historian of political thought Neal Wood, is that it is producing a degenerating society and a politics headed toward collapse. All world empires have decayed from within and eventually fallen. The new tyranny's demise may long be hidden by a sophisticated…
I am a Partner at Dalberg Global Development Advisors, where I lead a lot of our finance and investment advisory work with development finance institutions, family offices, and impact investors. I also serve on several impact investment and field-building organization advisory boards and regularly contribute to the ecosystem through thought leadership and speaking engagements at leading conferences. Over the course of my 20+ year career, I have played the role of advisor, investor, and technical assistance provider on more than 200 individual projects across the globe.
This is an inspiring read from a real changemaker.
Morgan is also someone I have had the pleasure of getting to know through the impact investing conference circuit, and I enjoyed reading her firsthand account of how she combined her social activist desires with the practical tools of finance and investment to create ‘real impact.’
One of my favorite sections of the book was on her early days and successes with shareholder activism. This book and her story are ones that many impact-minded leaders can learn from.
Impact investment, the support of social and environmental projects with a financial return, has become a hot topic in the world's philanthropy and development circles, and is growing exponentially: in the next decade, it is poised to eclipse traditional aid by ten times. Yet for all the excitement, there is work to do to ensure it actually realizes its potential. Will impact investment empower millions of people worldwide, or will it just replicate the same failures that have plagued the aid and antipoverty industry?
Enter Morgan Simon. When she was a twenty-year-old college student at Swarthmore, Simon compelled Lockheed Martin…
My love for ideas and their history was born when I was still in high school. It was my old English teacher who first opened up the power of ideas in literature to change the world. I’m pretty sure he loved Eleanor Roosevelt’s comment: “Great minds discuss ideas; average minds discuss events; small minds discuss people.” Whether or not that’s true, my taste was further sharpened when I took a two-year course on the history of thought about nature and culture as an undergraduate student. I was captivated.
What I love about this book is the way it challenges the taken-for-granted thought that ‘truth’ is easily discovered. With compelling examples from the past, Shapin works through the ways in which scientific knowledge is made–the struggles that its practitioners have to engage in to construct and consolidate credibility.
What the author reveals is that trust is as fundamental in science as it is in everyday life. A revolutionary thought: who do we trust, and why?
How do we come to trust our knowledge of the world? What are the means by which we distinguish true from false accounts? Why do we credit one observational statement over another? This study engages these universal questions through a recreation of a crucial period in the history of early modern science: the social world of gentlemen-philosophers in 17th-century England. The author paints a picture of the relations between gentlemanly culture and scientific practice. He argues that problems of credibility in science were practically solved through the codes and conventions of genteel conduct: trust, civility, honour, and integrity. These codes…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
Like everyone else, I have life-long experience of caring and not caring for things; being sometimes careful and other times careless. Communication has been my central interest as a historical sociologist, and I’ve been considering its relationship to care (attachment, affection, worry, and burden) and security. I have always liked the word care, employing it often in the sense of warm attachment, but I have been looking at how care can at times enact control, violence, or abandonment.
This book challenged my thinking about the implications of compassion taking a decisive role in policy.
Not undermining the import of compassion or empathy, it reveals how these moral sentiments are taking precedence over formal rights in decisions about asylum for refugees, aid, access to health or mental health care, and even justifying a military action.
Under the emergent logic of humanitarian reason, structural inequities and violence are easily rendered invisible as the most poignantly shaped public narratives of suffering gain sway over historical conditions of structural injustice and dominance. Fassin draws upon fieldwork in South Africa, Venezuela, Palestine, and Iraq, as well as policy in France, showing how the logic of humanitarian reason can abandon those who are positioned in the most precarious conditions.
In the face of the world's disorders, moral concerns have provided a powerful ground for developing international as well as local policies. Didier Fassin draws on case materials from France, South Africa, Venezuela, and Palestine to explore the meaning of humanitarianism in the contexts of immigration and asylum, disease and poverty, disaster and war. He traces and analyzes recent shifts in moral and political discourse and practices - what he terms "humanitarian reason" - and shows in vivid examples how humanitarianism is confronted by inequality and violence. Deftly illuminating the tensions and contradictions in humanitarian government, he reveals the ambiguities…
