Here are 100 books that The Penguin Book of Classical Myths fans have personally recommended if you like
The Penguin Book of Classical Myths.
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I have been writing poetry for 60 years, often basing my poems on Greek myths and Hebrew stories. I have won various prizes for my work and now sit on the Advisory Board of The Society of Classical Poets in New York. In addition, I am a regular feature writer on culture, classics, and poetry for The Epoch Times. Thus, I live and breathe myth, epic, and poetry! Also, I have a First Class honors degree (aka: Summa Cum Laude) in English Literature alongside two post-graduate degrees, one with Distinction.
I love this book because it tells the well-known stories of the early Greek gods and investigates many of their mythology's lesser-known aspects.
Furthermore, the book is written in a witty and entertaining style whilst simultaneously remaining erudite and deep–a difficult balance to achieve. This is a perfect complement to Fry’s equally brilliant The Ode Less Travelled, and it left me wanting to know more.
STEP INTO ANOTHER WORLD - OF MAGIC, MAYHEM, MONSTERS AND MANIACAL GODS - IN STEPHEN FRY'S MOMENTOUS SUNDAY TIMES BESTSELLER, MYTHOS
'A romp through the lives of ancient Greek gods. Fry is at his story-telling best . . . the gods will be pleased' Times ___________
No one loves and quarrels, desires and deceives as boldly or brilliantly as Greek gods and goddesses.
In Stephen Fry's vivid retelling, we gaze in wonder as wise Athena is born from the cracking open of the great head of Zeus and follow doomed Persephone into the dark and lonely realm of the Underworld.…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I have been writing poetry for 60 years, often basing my poems on Greek myths and Hebrew stories. I have won various prizes for my work and now sit on the Advisory Board of The Society of Classical Poets in New York. In addition, I am a regular feature writer on culture, classics, and poetry for The Epoch Times. Thus, I live and breathe myth, epic, and poetry! Also, I have a First Class honors degree (aka: Summa Cum Laude) in English Literature alongside two post-graduate degrees, one with Distinction.
This is a short, easy-to-digest book, but what a genius book it is! While the other books are specifically about Greek myths, Armstrong deals with the question of myth across all cultures.
Her definition of a myth is one of the profoundest I have come across, and I regularly quote it: “A myth, it will be recalled, is an event that–in some sense–happened once, but which also happens all the time.” Hence why we can talk about the Oedipus complex and such-like: for they happen all the time.
As long as we have been human, we have been mythmakers. In A Short History of Myth, Karen Armstrong holds up the mirror of mythology to show us the history of ourselves, and embarks on a journey that begins at a Neanderthal graveside and ends buried in the heart of the modern novel.
Surprising, powerful and profound, A Short History of Myth examines the world's most ancient art form - the making and telling of stories - and why we still need it.
The Myths series brings together some of the world's finest writers, each of whom has retold a…
I have been writing poetry for 60 years, often basing my poems on Greek myths and Hebrew stories. I have won various prizes for my work and now sit on the Advisory Board of The Society of Classical Poets in New York. In addition, I am a regular feature writer on culture, classics, and poetry for The Epoch Times. Thus, I live and breathe myth, epic, and poetry! Also, I have a First Class honors degree (aka: Summa Cum Laude) in English Literature alongside two post-graduate degrees, one with Distinction.
This book not only tells the tales but also points out their significance for us today. The author is a psychiatrist and so there is a profound psychological approach to un-packing what is going on.
The book covers not the entire sweep of Greek myths, but instead focuses on just 12, and what a brilliant selection it is: ranging from the well-known myth of Narcissus to the less well-known Plato’s myth of Er. Fascinating stuff.
Not just the stories, but what they mean. Are myths really the repositories of deep wisdom and mystical secrets?
Readers' Favorite Book Award Winner
What is myth, and why does it have such a hold on the human mind? How does myth relate to near forms such as legend and fairy tale, and to other modes of understanding such as religion and science? What is a hero, what is a monster, and what function does magic serve? How has our relationship with myth and mythology changed over the centuries? And are there any modern myths?
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
I have been writing poetry for 60 years, often basing my poems on Greek myths and Hebrew stories. I have won various prizes for my work and now sit on the Advisory Board of The Society of Classical Poets in New York. In addition, I am a regular feature writer on culture, classics, and poetry for The Epoch Times. Thus, I live and breathe myth, epic, and poetry! Also, I have a First Class honors degree (aka: Summa Cum Laude) in English Literature alongside two post-graduate degrees, one with Distinction.
Just as my second recommendation by Neel Burton was written by a psychiatrist, so here we have a retelling by a French philosopher. And–typically–for a real philosopher, the question becomes a ‘meaning of life’ sort of question, and how do we live the good life?
Greek myths have much excellent advice to offer, and Ferry draws this out brilliantly. Thus, I love this particularly because whilst the myths remain the same in all the books I like, the telling of them, and drawing out their significance seems inexhaustible and varied.
More than 100,000 copies sold in France A fascinating new journey through Greek mythology that explains the myths' timeless lessons and meaning Heroes, gods, and mortals. The Greek myths are the founding narratives of Western civilization: to understand them is to know the origins of philosophy, literature, art, science, law, and more. Indeed, as Luc Ferry shows in this masterful book, they remain a great store of wisdom, as relevant to our lives today as ever before. No mere legends or cliches ("Herculean task," "Pandora's box," "Achilles heel," etc.), these classic stories offer profound and manifold lessons, providing the first…
I was born in the UK, in Lichfield, but moved to Italy in 1976 and to Rome in 1982. Over the
past forty years, Rome has become my city, my home, and my inspiration, as it has for
hundreds of thousands of other people during its millennia as caput mundi. It isn’t always the
easiest place to live, but it’s varied and colourful and endlessly stimulating. It’s provided a
backdrop to several of my novels and not only that. Rome is a character in its own right,
boisterous, elegant, breathtakingly beautiful, unutterably sordid. Roma è casa mia!
Pasolini’s films, Mamma Roma and Accattone, were among the reasons I decided to move to Rome in the first place.
Their blend of poetry and wretchedness chimed with my own vision of life at that time and I seized the chance to improve my knowledge of the city, of Italian and of Roman dialect, by reading his first novel Ragazzi di Vita, as soon as I arrived in the city.
Ragazzi di vita are hustlers, doomed from birth by circumstances outside their control, and I was drawn to the novel’s dark non-conformist romanticism, its refusal to compromise and the sheer texture of the language, which I only partly understood. It’s like Kerouac, but for real.
The “provocative” novel about hard-living teenagers in poverty-stricken postwar Rome, by the renowned Italian filmmaker (The New York Times).
Set during the post–World War II years in the Rome of the borgate―outlying neighborhoods beset by poverty and deprivation―The Street Kids tells the story of a group of adolescents belonging to the urban underclass. Living hand-to-mouth, Riccetto and his friends eke out an existence doing odd jobs, committing petty crimes, and prostituting themselves. Rooted in the neorealist movement of the 1950s, The Street Kids is a tender, heart-rending tribute to an entire social class in danger of being forgotten. Heavily censored…
Having been an actor and a dancer, in college I became interested in the origins of those arts. Curiosity led me to study Greek theater and ancient religions. In the early 2000s, I traveled to Rome with a group of writers, including Terry Brooks, Dorothy Allison, Elizabeth Engstrom, and John Saul. As soon as I set foot in Rome, I fell in love with that magnificent city’s history—in particular Vestal Virgins, the most powerful women in the ancient world. That trip inspired me to write Vestal Virgin—suspense in ancient Rome, a bestseller in many categories on Amazon.
Found in the children’s section, I depend Eyewitness Books. I’ve collected a number of them and find them extremely useful for quick reference. Loaded with photographs and snippets of well researched information, they are enjoyable for readers of all ages. Topics in this book include: Family life, the bloody arena, a trip to the baths, worship and sacrifice, a dinner party, and much more. Ancient Rome is brought to life.
From Roman emperors and gods and goddesses to soldiers and gladiators, step into the exciting world of ancient Rome.
Who were Rome's most famous emperors? What was everyday life like for a soldier in the Roman army? How did the citizens of ancient Rome live? Did gladiators really fight to the death in the mighty Colosseum? Find out the answers to all these questions, and many more, in Eyewitness: Ancient Rome.
Photographs of real artifacts and detailed illustrations will help you to learn all about the time of ancient Rome, from a small city-state ruled by kings to one of…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
In my college days, I majored in dance and political science. It was the 1960s, so marrying art with politics made countercultural sense. After realizing I wouldn’t become the next Martha Graham, I chose to pursue a doctoral degree in political science. But I never abandoned my first love, the arts. Following a more than twenty-year career teaching about women and politics at several universities, I returned to school myself, completed an M.F.A. in creative writing, and published my debut novel, Cities of Women.
In seventeenth-century Rome, a talented young woman artist, Artemesia Gentileschi, is put on trial for accusing her painting instructor of rape. Unwilling to bow to convention, Artemesia pours her rage into her art, inventing an aesthetic against the voyeurism and female submissiveness found in traditional artistic representations of women.
Fremantle heightens the drama and contemporary relevance of Artemisia’s life and art by telling her story in the present tense. Drawing subtle connections between women’s struggles for autonomy and dignity in the past and those in the present, this page-turner of a novel is a searing, nuanced portrait of a woman’s passion for art, determination to right being wronged, and steadfast resolve to be recognized as a great artist.
'This is the ring that you gave me, and these are your promises.'
Rome 1611. A jewel-bright place of change, with sumptuous new palaces and lavish wealth on constant display. A city where women are seen but not heard.
Artemisia Gentileschi dreams of becoming a great artist. Motherless, she grows up among a family of painters - men and boys. She knows she is more talented than her brothers, but she cannot choose her own future. She belongs to her father and will belong to a husband.
As Artemisia patiently goes from lesson to lesson, perfecting her craft, a mysterious…
I spent my career teaching Classics, mostly at Oxford University, where I was a fellow of Lady Margaret Hall and Professor of the Classical Tradition. I have worked on the influence of the ancient world on British literature and culture, especially in the Victorian age, and when being a conventional classicist have written mostly about Latin literature and Roman culture. I have also written short books on Jane Austen and Westminster Abbey.
The supreme classic of western literature and all that, but what fascinates me is the paradoxes. Here is a poem about success, victory, and empire, yet it is suffused with grief and melancholy. It is an imperfect poem written by a perfectionist; it wears a sovereign authority, but no epic poem seems more personal. None ends so abruptly, yet the ending seems entirely complete. Virgil is a ‘civilised’ poet, literary, self-conscious, and controlled, but he is also intuitive and instinctive: he finds dark and wonderful places, and who can match his sense of mystery, his power to evoke the indescribable? Dryden’s translation is an English classic, or if you prefer a modern version, I recommend Sarah Ruden.
"The translation is alive in every part. . . . This is the first translation since Dryden's that can be read as a great English poem in itself."-Garry Wills, New York Review of Books
This extraordinary new translation of Vergil's Aeneid stands alone among modern translations for its accuracy and poetic appeal. Sarah Ruden, a lyric poet in her own right, renders the classic poem in the same number of lines as the original work-a very rare feat that maintains technical fidelity to the original without diminishing its emotional power.
Ruden's translation follows Vergil's content faithfully, and the economy and…
I have a passion for the topic because it’s so unlimited. We’re all called to destiny inner/outer in so many ways. We see a lot of stories about those calls being massive adventures with global impact—but sometimes the small stories, those inner calls with inner love answers are just as epic, just as magnificent. Love of family, community, country, lovers, nature… truly, it can be anything. These are just a few books off the older shelves to illustrate the many ways love answers the call. My challenge is to go back and re-read them with this list in mind. Re-visit books from a decade ago, reframe the story with love.
I never miss an opportunity to recommend this book for its broad scope and human courage.
It’s such an immersive and very human story full of adventure, challenge, will, and passion. Auriane is brought to such exquisite life as a woman born to a destiny meant to free the people she loves.
This book lands on my list for a call to destiny answered by love because Auriane’s life is an example of how we can’t see ourselves, or how we often don’t know where to fit, whom to challenge, and where to connect—but we find our way by being relentlessly devoted to doing what feels right to us, guided by that internal flame until we unite with the force that gives us a purpose, place, meaning.
Often, if not always, that destiny is deeply anchored in love.
For Auriane, that love is her tribe, and her community, family, friends,…
Auriane, daughter of a Rhine River area chieftain in 50 A.D., must face her difficult destiny and lead her people against the invading legions of the Roman Empire
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
My interest in money (understanding it, not so much making it!) dates from undergraduate days at Harvard, 1977-1981, exactly the time when the dollar system was being put back together under Volcker after the international monetary disorder and domestic stagflation of the 1970s. The previous decade had very much disrupted the personal economics of my family, perhaps in much the same way that the Depression had disrupted Kindleberger’s, and set me off on a lifelong quest to understand why. Forty years and four books later, I feel like I have made some progress, and hope that my book can save readers forty years in their own question to understand money!
Browsing my shelves in preparation for this book list, this one in particular jogged my memory as an important influence on my own book, an influence so internalized that I completely forgot about and never cited it! I remedy that lapse here.
My copy of the book is heavily underlined with lots of stars in the margin, so I know it was important. You can see from the title that the author is concerned with the same tension between money and empire, he as a historian and me as an economist.
Now that I have finished my own book, I’ll be rereading this early influence to engage with its argument more deeply and directly.
Modern America owes the Roman Empire for more than gladiator movies and the architecture of the nation's Capitol. It can also thank the ancient republic for some helpful lessons in globalization. So argues economic historian Harold James in this masterful work of intellectual history. The book addresses what James terms "the Roman dilemma" - the paradoxical notion that while global society depends on a system of rules for building peace and prosperity, this system inevitably leads to domestic clashes, international rivalry, and even wars. As it did in ancient Rome, James argues, a rule-based world order eventually subverts and destroys…
