Here are 100 books that The Winter List fans have personally recommended if you like
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Mysteries are fun to write, but it’s never just the central mystery that interests me. I want the relationships, the people, sometimes even the place to fill my books with their own smaller puzzles and hidden truths. I have long believed that all novels are, in fact, mysteries: if you’re not wondering what will happen next, or where the truth lies, why bother? The suspense of wondering what a character will do next, or what past experience has led to an aspect of their personality, is at least as important as who committed the murder. I hope that my readers will feel the same.
Barbara is a train wreck in motion. A dumpster fire of a woman.
But she is also a smart, hard-working, talented detective. Which is why in the midst of the Detective Lynley series, she emerged to become the main character of her own book. Here she takes over the spotlight with her usual stubborn refusal to play by the rules, her adherence to comfort over style, and her abrupt—some would say rude—demeanor.
Yet in this book, we see not only her professional acumen but also her tender heart, as she falls in love and races to protect those she cares about most. She is always a work in progress, but in this mystery, we get all the best parts of her.
Balford-le-Nez is a dying seaside town on the coast of Essex. But when a member of the town's small but growing Asian community is found dead near its beach, the sleepy town ignites. Working without her long-time partner, Detective Inspector Lynley, Sergeant Barbara Havers must probe not only the mind of a murderer and a case very close to her own heart, but also the terrible price people pay for deceiving others . . . and themselves.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
When I talk with many non-romance readers, they’re often surprised to hear that a feminist reads and writes romance. It’s frustrating that so many people still buy into the conventional wisdom that all romance books are inherently anti-feminist, filled with alpha-hole heroes and wilting flower heroines. I challenged that conventional wisdom on my Romance Novels for Feminists review blog and continue to do so now that I’ve turned to writing romance. I’m so passionate about telling everyone I know about romances that feature clear feminist themes. If you share the conventional wisdom about romance, I hope you’ll give one of the books below a try. They’re not your grandmother’s bodice rippers anymore…
After life as an unpaid servant to her clergyman cousin, Annabelle Archer’s ecstatic to win a scholarship to Oxford from the National Society for Women’s Suffrage—even if accepting means participating in the group’s political campaigning. A drive to sway influential gentleman to the cause lands Annabelle and her new suffragist friends at a house party given by the haughty Duke of Montgomery, a man far more interested in winning back the family properties his father lost gambling than in debating married women’s property rights. Until he starts debating with Annabelle…
A familiar story, plot-wise. The joy here comes from Dunmore's lovely writing, deft characterizations, and the palpable tension she creates between two people on opposite sides who fall into desperate, exhilarating, and completely unwanted love.
“Dunmore is my new find in historical romance. Her A League of Extraordinary Women series is, well, extraordinary.”—Julia Quinn, #1 New York Times bestselling author
“With her sterling debut, Evie Dunmore dives into a fresh new space in historical romance that hits all the right notes.”—Entertainment Weekly
A stunning debut for author Evie Dunmore and her Oxford suffragists in which a fiercely independent vicar's daughter takes on a powerful duke in a fiery love story that threatens to upend the British social order.
England, 1879. Annabelle Archer, the brilliant but destitute daughter of a country vicar, has earned herself a…
I love stories that exist within stories. I like to delve into what we think our world is about and discover the layering underneath that reveals complex relationships and real motives behind what characters do and why. One of the most fun things about a book involving conspiracies, like any good mystery, is going back through and reading a second time to see what clues I missed. Did I see this coming in advance? Did my initial perceptions of the characters hold up, or did the twist upend them completely? Should it have been obvious to me, or was it so subtle that only a master detective could’ve picked up on it?
Alternate history has always fascinated me, and the speculation about what the world would’ve been like without the American Revolution is one of the most intriguing concepts out there. Two hundred years ago, the coming together of the two Georges—George III, King of England, and George Washington, Commander of the Continental Army—inspired the creation of a painting showing how the British Empire and the American Colonies worked out their differences.
Now, that painting has gone missing just before the visit of King Charles III, and the thief has plans of his own to reignite the fight. What was most intriguing to me was that the fight wasn’t for the liberty I imagined but rather looked to trade one master for another.
Coyote weather is the feral, hungry season, drought-stricken, and ready to catch fire. It’s 1967, and the American culture is violently remaking itself while the country is forcibly sending its young men to fight in a deeply unpopular war.
Jerry has stubbornly made no plans for the future because he…
I was the kid who always had a fantasy novel in her backpack. Fantasy required I stretch my imagination, be open to possibilities, and understand different concepts of reality. This curiosity fueled my academic career, steering me from philosophy to Jungian psychology and, eventually, many years later, to an apprenticeship with a traditional healer in Ireland where I put my hands in the dirt and learned things that touched my soul, like how the growth of plants relates to the moon, ways to alchemize medicine making, and the psycho-spiritual aspects of healing…. You know, magic. I hope reading through this list brings you as much joy as putting it together did for me.
This book is a glorious exhortation to live, even when—especially when!—death is lurking. It takes place in the plague of 1666. I used to have a bizarre fear of the bubonic plague (like I imagined it was in my closet and, if I opened the door, it would escape out into the world), so it’s strange how much I love this book.
I think it’s because Anna, the main character, is such a force. She repeatedly reminds me to connect with the natural world and myself and then to stretch and reach beyond what I thought I was and who I thought I could be. It's magic.
From the Pulitzer Prize-winning author of 'March' and 'People of the Book'.
A young woman's struggle to save her family and her soul during the extraordinary year of 1666, when plague suddenly struck a small Derbyshire village.
In 1666, plague swept through London, driving the King and his court to Oxford, and Samuel Pepys to Greenwich, in an attempt to escape contagion. The north of England remained untouched until, in a small community of leadminers and hill farmers, a bolt of cloth arrived from the capital. The tailor who cut the cloth had no way of knowing that…
As a former U.S. Army service member and a student of life, espionage and intelligence have often been staples in my research (as a creative writer), the cornerstones of my professional experience (as a combat veteran and slum baby), and a central theme in most of my novels. I’ve always enjoyed dissecting the inherent struggles of mankind and their inevitable fallouts—the pain, the joy, the misguided hopes and leaps of faith. Espionage and intelligence weaponize these sentiments. They transform them into actionable information and, sometimes, life-altering schemes.
That is what drives my work and sparks my interest in this subject matter: the psychological warfare we subject ourselves—and others—to.
One of my biggest influences, John le Carré, has supplied a whole generation of readers with (mostly) Cold War-era thrillers that proved sharp, incisive, minutely constructed, and often fun (in a quintessentially British manner).
A legend of the craft, le Carré fathered a child, Nick Harkaway, who happens to share the same predisposition for precise and compelling espionage stories with memorable dialogue. For those of you familiar with le Carré’s work, you’ve heard of George Smiley, one of his most recognizable characters—an anti-James Bond with a self-effacing persona and an unassuming stature who is, in fact, lethal and highly effective.
Karla’s Choice is his last adventure, penned by the master’s son himself. It is a tour de force in characterization and the relentless dissection of human nature and its unpredictable wanderings. Some of the best dialogue and tradecraft you’ll ever read, set against the backdrop of a developing Cold War…
A gripping new novel set in the universe of John le Carre's most iconic spy, George Smiley, written by acclaimed novelist Nick Harkaway
Set in the missing decade between two iconic instalments in the George Smiley saga, The Spy Who Came in from the Cold and Tinker Tailor Soldier Spy, Nick Harkaway's Karla's Choice is an extraordinary, thrilling return to the world of spy fiction's greatest writer, John le Carre.
It is spring in 1963 and George Smiley has left the Circus. With the wreckage of the West's spy war with the Soviets strewn across Europe, he has eyes only…
I’ve always been drawn to stories where women defy expectations and carve out power in a world that seeks to silence them. As a writer of historical mysteries, I love exploring unconventional heroines—women who take risks, uncover secrets, and refuse to conform. The best mysteries blend atmosphere, intelligence, and a touch of rebellion, and I seek out books that do just that. Whether it’s a detective disguising her true identity or a woman outwitting society’s constraints, these stories inspire me. My book was born from this passion, and I hope readers who love fiercely independent heroines and richly layered mysteries will enjoy this list as much as I do.
Laetitia Rodd is the kind of detective I wish we saw more often—an older woman whose intelligence and social skills make her a force to be reckoned with. I was completely charmed by her quiet determination and ability to navigate the constraints of 19th-century England while solving a deeply intriguing mystery.
This book made me feel like I was stepping into a world of candlelit corridors and whispered secrets, and I loved every moment of it.
Homeless following the death of his adoptive parents in a car crash and the subsequent loss of their farm tenancy, Seb decides to enrol as a residential student at the Asklepios Foundation, a College of Natural Medicine, boasting a sanctuary modelled on an ancient Greek healing temple. Spending a night…
I studied music as an undergraduate and play the cello or the drums most days. Yet when I set out to write Concert Black, I found that there are surprisingly few novels set in the world of the conservatory and the concert hall. To me, these are ideal settings for drama because they are filled with competition, ego, and high art. Novels that pivot on classical music combine two of my great passions and are among my favorite type of book.
Patrick O’Brian’s beloved Aubrey-Maturin novels are as much about music as they are about the navy.
Captain Jack Aubrey and surgeon Stephen Maturin meet at a chamber music concert in the opening pages of this first novel in the series. The scene prefigures the way they will one day play duets at sea on their cello and violin.
I love how the opening scene uses music to establish their contrasting personalities. Jack, who is all enthusiasm, can’t help himself but beat time to Locatelli’s String Quartet in C Major. Stephen insults Jack by telling him he is ruining the concert; if he’s going to beat the measure, he should at least not rush. What could have led to a duel ends in a lifetime of friendship.
This, the first in the splendid series of Jack Aubrey novels, establishes the friendship between Captain Aubrey, R.N., and Stephen Maturin, ship's surgeon and intelligence agent, against a thrilling backdrop of the Napoleonic wars. Details of a life aboard a man-of-war in Nelson's navy are faultlessly rendered: the conversational idiom of the officers in the ward room and the men on the lower deck, the food, the floggings, the mysteries of the wind and the rigging, and the roar of broadsides as the great ships close in battle.
I have been passionate about the world of espionage for as long as I can remember. I am drawn to the blend of international intrigue, the shaping of relationships between nation-states, and the moral dilemmas of the characters involved. Espionage literature is the best vehicle, I believe, for placing characters in situations where they must constantly choose between self and country. The answers that are revealed are always applicable to how we live our lives as people, communities, and nations.
Book two of the Game, Set, and Match trilogy is the spy splot that I wish I could write. While the plot is global in scale, with characters crisscrossing continents, what grabbed me was the blending of international espionage with the domestic life and troubles of lead character Bernard Samson. To me, it felt a lot closer to the truth than the plastic, all-action creations of other spy writers.
'Deighton is a marvel ... a tale told by an author at the height of his power' Chicago Tribune
World-weary agent Bernard Samson is losing control of his personal and professional life. Sent to Mexico to aid the defection of a KGB agent to the West, he has a chance to prove his worth. Instead he is torn between conflicting loyalties, and lost in a maze of double-dealing and duplicity. The second novel in the Game, Set and Match trilogy is a gripping portrayal of a man who can trust no one, not even those closest to him.
It’s not my fault! My foremothers were strong, capable, compassionate women. Angry with the silence around women in history, I have been passionate about restoring the voices and contributions of women to history and culture. I have written several books on neglected aspects of women's history that have been translated into 12 languages. While a voracious reader of history, I enjoy historical fiction (when it’s done well). I will never recommend a novel that does not respect this. And I love author’s notes and/or historical notes where the author explains what is real and what is imagined; and resources to learn more about the subject of the novel.
Menewood, the name of the valley where she builds her personal stronghold, picks up where Hild ended. I simply had to find out what happened next! It was a riotous journey of violence, hunger, and work, yet also the raw beauty of her world: trees, birds, valleys, and hills. Her language continues to be rich and abundant with details, good and painful.
The political complexity and even savagery of her time echo our own. Yet Hild remains a unique and complicated woman who is heroic in every sense of the word. Again, the actress who read the book does a stunning job, especially pronouncing some very foreign Saxon names. I look forward to the next book, which I insist must be a series. After all, Hild will become a powerful abbess at Whitby.
In the much anticipated sequel to Hild, Nicola Griffith’s Menewood transports readers back to seventh-century Britain, a land of rival kings and religions poised for epochal change.
Making a much-anticipated return to the world of Hild, Nicola Griffith’s Menewood transports readers back to seventh-century Britain, a land of rival kings and religions poised for epochal change. Hild is no longer the bright child who made a place in Edwin Overking’s court with her seemingly supernatural insight. She is eighteen, honed and tested, the formidable lady of Elmet, now building her personal stronghold in the valley of Menewood.
Marriage and Fatherhood in the Nazi SS
by
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
I write historical fiction about real people, and I found the subject of a medium who faced off against Harry Houdini altogether irresistible. Still, writing about a medium presented unique challenges. I had to ask myself: Did I believe it was possible to summon the dead? Would readers be skeptical if I pushed this belief on them? Or would readers who didn’t believe in spiritualism think I’d gone too far in representing otherworldly events? So I read many books and studied how other authors handled these questions. I hope this list of stories about mediums, seances, and ghosts will chill and thrill you.
All right, I have to confess: I love Gothic novels set in England—they can be so atmospheric.
This one takes place in the 1920s. Maddy Clare is a ghost, a very angry ghost, and Sarah Piper has been hired to look into the spirit of Maddy, who died at the all-too-young age of nineteen.
The story chilled me and kept me guessing. Why is Maddy full of vengeance, and how far will she go to exact revenge? It’s dark and haunting. Read at night if you dare.
A woman of limited means and even less experience must confront a vengeful spirit in this haunting novel from the New York Times bestselling author of The Broken Girls and The Sun Down Motel.
1920s England. Sarah Piper’s lonely, threadbare existence changes when her temporary agency sends her to assist an obsessed ghost hunter. Alistair Gellis—rich, handsome, and scarred by World War I—has been summoned to investigate the spirit of the nineteen-year-old maid Maddy Clare, who is said to haunt the barn where she committed suicide.
Maddy hated men in life, and she will not speak to them in death.…