Here are 100 books that The Wind Knows My Name fans have personally recommended if you like
The Wind Knows My Name.
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A decade ago, we could not have imagined a world where democracy would be in existential crisis. Perhaps it’s overly dramatic to think that way – I hope so – but it does seem realistic at this moment. That is why I am so passionate about wanting to defend democracy and the kind of society it makes possible and why I am so drawn to works that express that passion through artful writing and story-telling. With authoritarian and totalitarian regimes dangerously on the rise, books that demonstrate the profound inhumanity and injustice of such regimes and how they extinguish democracy and human rights are needed now more than ever.
It is no surprise this book won a Pulitzer Prize. Particularly compelling is how, through a deeply personal and beautifully crafted story of a complex life and mind, it offers profound insight into the uneasy relationship among politics, science, war, and morality.
Oppenheimer, one of the greatest and most influential physicists of the 20th century, spearheaded not only the invention of the atomic bomb but also the quantum theory that made it possible and the policies governing its use and development. A left-wing thinker and sometimes communist sympathizer in his youth, and driven throughout his life by strong humanistic impulses, his work on the atomic bomb was motivated by a desire to defeat fascism in Europe.
Yet, in his work thereafter – which included opposing the development of the much more powerful hydrogen bomb – he was tragically undone by another authoritarian force: McCarthyism. The multiple Oscar-award winning film based…
Physicist and polymath, 'father of the atom bomb' J. Robert Oppenheimer was the most famous scientist of his generation. Already a notable young physicist before WWII, during the race to split the atom, 'Oppie' galvanized an extraordinary team of international scientists while keeping the FBI at bay. As the man who more than any other inaugurated the atomic age, he became one of the iconic figures of the last century, the embodiment of his own observation that 'physicists have known sin'.
Years later, haunted by Hiroshima and Nagasaki, Oppenheimer became a staunch opponent of plans to develop the hydrogen bomb.…
Truth told, folks still ask if Saul Crabtree sold his soul for the perfect voice. If he sold it to angels or devils. A Bristol newspaper once asked: “Are his love songs closer to heaven than dying?” Others wonder how he wrote a song so sad, everyone who heard it…
I knew I wanted to be a writer of fiction when I was 10 years old, being raised by my father. He thoughtfully gave me a typewriter, and plenty of other encouragement too. As a youngster, I couldn’t read enough about what youngsters read about: animals, sports, cowboys, child detectives. Soon, I came to love books that probed human conflict through characters who reached deeply into my soul. Not simplistic “good versus evil” driven principally by plot, but gut-pulling interpersonal struggle coming to life (and sometimes death) in characters facing moral and legal dilemma, and facing it with wit, humor, and human frailty.
The novel’s evocative intensity hit me like a brick in the head. From page one, it never let up. I urge readers to set aside if they can, the literary/political ethnicity storm that the book engendered and simply accept and enjoy the quality of the storytelling by Ms. Cummins.
I initially listened to it as an audiobook. I wondered if my favorable view might be attributable to some degree to the extremely effective first-person female narration. When I then read the book in print, I was disabused of any such impression. The writing is terrific.
*NOW A BBC RADIO 4 BOOK AT BEDTIME* 'Breathtaking... I haven't been so entirely consumed by a book for years' Telegraph 'I'll never stop thinking about it' Ann Patchett
FEAR KEEPS THEM RUNNING. HOPE KEEPS THEM ALIVE.
Vivid, visceral, utterly compelling, AMERICAN DIRT is an unforgettable story of a mother and son's attempt to cross the US-Mexico border. Described as 'impossible to put down' (Saturday Review) and 'essential reading' (Tracy Chevalier), it is a story that will leave you utterly changed.
Yesterday, Lydia had a bookshop. Yesterday, Lydia was married to a journalist. Yesterday, she was with everyone she loved…
A decade ago, we could not have imagined a world where democracy would be in existential crisis. Perhaps it’s overly dramatic to think that way – I hope so – but it does seem realistic at this moment. That is why I am so passionate about wanting to defend democracy and the kind of society it makes possible and why I am so drawn to works that express that passion through artful writing and story-telling. With authoritarian and totalitarian regimes dangerously on the rise, books that demonstrate the profound inhumanity and injustice of such regimes and how they extinguish democracy and human rights are needed now more than ever.
I love every book Barbara Kingsover writes, but this one is special for me because of its deeply personal account of key 20th-century political events.
Leon Trotsky and Frida Kahlo are at the centre of a story that juxtaposes Trotsky’s humanistic vision against the inhumanism of Stalin’s Soviet Union and McCarthyism in the United States. All of this is built around the character-driven narrative of a protagonist unwittingly caught up in the political churn of the times.
**DEMON COPPERHEAD: THE NEW BARBARA KINGSOLVER NOVEL IS AVAILABLE FOR PRE-ORDER NOW**
WINNER OF THE WOMEN'S PRIZE FOR FICTION 2010
THE MULTI-MILLION COPY BESTSELLER
'Lush.' Sunday Times 'Superb.' Daily Mail 'Elegantly written.' Sunday Telegraph
From Pulitzer Prize nominee and award winning author of Homeland, The Poisonwood Bible and Flight Behaviour, The Lacuna is the heartbreaking story of a man torn between the warm heart of Mexico and the cold embrace of 1950s America in the shadow of Senator McCarthy.
Born in America and raised in Mexico, Harrison Shepherd is a liability to his social-climbing flapper mother, Salome. When he starts…
Historical fiction inspired by the story of groundbreaking paleoanthropologist Mary Leakey, Follow Me to Africa is a sweeping, dual-timeline story of intergenerational friendship, a meditation on the beauty of the natural world, and a celebration of the women who pave the way for those to come.
I love learning about history, and the more I learn, the more I appreciate my place in this world. While military history, particularly from pre-WW1 to the end of WW2, was what made me first plant my nose in a book, I can geek out on pretty much any historical period: the rise of human civilization, Rome, the conquest of the New World, the development of airplanes. But it’s the personal element that most draws me in, and the fact that we humans remain fundamentally the same in how we cope with another through the ages. It’s through fiction that we see the past in a way that makes sense.
The murder of Leon Trotsky remains one of those historical events that didn’t change much yet reveals a lot about its time and the people. Since Trotsky was by then marginalized as a has-been in international communism, his death was simply an act of Joseph Stalin tying up loose ends. If you already know something about this period, what with Frida Kahlo, Diego Rivera, the assassin Ramón Mercader, the Spanish Civil War, and the brewing of the Second World War, the author, Cuban writer Leonardo Padura, will still deliver an eye-opening and disturbing read.
The top of my reading pile always has a book in Spanish, and it was this way that I became familiar with Padura, famous for his crime noir novels set in Habana. I admire his scholarship in digging through what had to be vast mines of documents, but also his huevos for shaping a well-documented narrative…
A gripping novel about the assassination of Leon Trotsky in Mexico City in 1940
In The Man Who Loved Dogs, Leonardo Padura brings a noir sensibility to one of the most fascinating and complex political narratives of the past hundred years: the assassination of Leon Trotsky by Ramón Mercader.
The story revolves around Iván Cárdenas Maturell, who in his youth was the great hope of modern Cuban literature—until he dared to write a story that was deemed counterrevolutionary. When we meet him years later in Havana, Iván is a loser: a humbled and defeated man with a quiet, unremarkable life…
In 2019 I spent several days on a ladder witnessing children who were locked in a detention center in Homestead, and in early 2020, I traveled to the Brownsville/Matamoros border, where the stories people told me broke my heart. Often, it was not threats to their own lives but to their children’s lives that triggered their decision to flee. I wrote Immigrants and an accompanying book of poetry (Here in Sanctuary–Whirling) not to make political points, but to tell some of these stories and highlight the gaps between our human propensity toward kindness and the way we fall into the trap of “othering” those who are not exactly like us.
This was one of the most sensitive portrayals of the effects of deportation on families that I’ve ever read.
I resonated even more strongly because it was set in New York City (my hometown), and the descriptions of different neighborhoods really came to life. I also appreciated the dual point of view narration (the story is told from both the mother and son’s perspective), and I could relate to both characters, even when they made difficult choices that ended up being hurtful.
One morning, Deming Guo's mother, an undocumented Chinese immigrant named Polly, goes to her job at the nail salon and never comes home. No one can find any trace of her. With his mother gone, eleven-year-old Deming is left with no one to care for him. He is eventually adopted by two white college professors who move him from the Bronx to a small town upstate. They rename him Daniel Wilkinson in their efforts to make him over into their version of an "all-American boy." But far away from all he's ever known, Daniel struggles to reconcile his new life…
In 2019 I spent several days on a ladder witnessing children who were locked in a detention center in Homestead, and in early 2020, I traveled to the Brownsville/Matamoros border, where the stories people told me broke my heart. Often, it was not threats to their own lives but to their children’s lives that triggered their decision to flee. I wrote Immigrants and an accompanying book of poetry (Here in Sanctuary–Whirling) not to make political points, but to tell some of these stories and highlight the gaps between our human propensity toward kindness and the way we fall into the trap of “othering” those who are not exactly like us.
Martin Espada’s poems continually wow me, both with the way he uses language and with his choice of material.
This collection includes the poem “Floaters,” the word used by Border Patrol to describe those who die crossing the river, and specifically the incident where a father and daughter died attempting to swim across the Rio Grande, and Border Patrol insisted the photo was fake.
Having witnessed at the child detention center in Homestead, Florida, Espada’s poem "Ode to the Soccer Ball Sailing Across the Barbed Wire Fence" also rang with compassion for the children separated from their parents and locked up.
Hope, Laughter, Survival on the Refugee Trail
by
Eileen Kay,
Dramatic true story with a wacky sense of humor.
Retired English teacher in Budapest meets foreign medical students fleeing the war in Ukraine, producing a sweet and unlikely friendship, spicy soup, and wicked joking. A sense of humor, however dark, can keep us from despair.
In 2019 I spent several days on a ladder witnessing children who were locked in a detention center in Homestead, and in early 2020, I traveled to the Brownsville/Matamoros border, where the stories people told me broke my heart. Often, it was not threats to their own lives but to their children’s lives that triggered their decision to flee. I wrote Immigrants and an accompanying book of poetry (Here in Sanctuary–Whirling) not to make political points, but to tell some of these stories and highlight the gaps between our human propensity toward kindness and the way we fall into the trap of “othering” those who are not exactly like us.
I love the simplicity of this book and the direct way in which the poet conveys his experience as a volunteer for a group that provides medical care and support for migrants crossing the Sonora Dessert.
Gamble’s close-up view of objects like an abandoned Hello Kitty backpack and a can of pinto beans with ants crawling into the slit allows him to shed light on much deeper stories of human suffering, evoking the reader’s sympathy without proselytizing.
"A Can of Pinto Beans" by Robbie Gamble is a startling poetry collection recounting the author's work with No More Deaths, a humanitarian organization in Arizona working to serve migrants.
I've been aware since childhood how people are battered by political and social forces. My family lived in Taiwan in the 1950s, when it was an impoverished, insecure place. Later, back in D.C., the Civil Rights movement and nascent counterculture and my mother's death deepened my conviction that conflict and fragility are facts of life. Novels like these five, whose characters face overwhelming situations, nurture our reserves of empathy. In my memoir of adolescence, I reexamined how, at 16, I tried to handle the jigsaw pieces of looming adulthood, gay panic, family tragedy, and social upheaval. That needed all the empathy—for myself—that I could muster.
Set in Dublin in what could be the present—though it could be any city in a liberal democracy and any time in the coming years—this is a frighteningly believable story of the arrival and imposition of fascism. The focus is on one normal suburban family whose first response is to shrug. They think, "It doesn't concern us," but slowly, and then sometimes in quick shocks, it does.
The writing is understated. But the description of an incremental, daily drip-drip of tightening repression almost made me feel short of breath. There is no happy ending. It's not escape reading—more a cautionary tale.
WINNER OF THE BOOKER PRIZE 2023 • NATIONAL BESTSELLER
"A prophetic masterpiece." — Ron Charles, Washington Post
On a dark, wet evening in Dublin, scientist and mother-of-four Eilish Stack answers her front door to find two officers from Ireland’s newly formed secret police on her step. They have arrived to interrogate her husband, a trade unionist.
Ireland is falling apart, caught in the grip of a government turning towards tyranny. As the life she knows and the ones she loves disappear before her eyes, Eilish must contend with the dystopian logic of her new, unraveling country. How far will she…
I started keeping a daily journal when I received one for my ninth birthday, and, as they say, the rest is history. Into my twenties, there was nothing I loved more than sitting down to write and write`. It was a way to understand my feelings, and it was also a way to make sense of the world in all its beauty and bewilderment. There seemed to be magic and attempted connection everywhere! And so I became a lover of writing that focused on humans playing out their lives in a world at once surreal and real in an attempt to make sense of the extraordinary.
This short, dark novel hooked me from the beginning. Its beginning is, in fact, its ending when it is revealed that the protagonist, a young woman named Janet, has just been murdered. The story then jumps back in time to when Janet is born. I was drawn to the sharp, wry narrative voice and the gothic, stormy setting of northern mid-20th century Scottland.
The rest of the novel is an account of Janet’s coming-of-age instead of a typical and dull whodunit, which I loved because it felt fresh, true, and real to me—a revelation, in fact. I was so happy to encounter a young female protagonist who was odd, bookish, intelligent, grumpy, lonely, and highly unpopular.
In the tradition of Shirley Jackson’s We Have Always Lived in the Castle, a darkly humorous modern classic of Scottish literature about a doomed adolescent growing up in the mid-19th century—featuring a new introduction by Maggie O’Farrell, award-winning author of Hamnet.
Janet lies murdered beneath the castle stairs, attired in her mother’s black lace wedding dress, lamented only by her pet jackdaw…
Author Elspeth Barker masterfully evokes the harsh climate of Scotland in this atmospheric gothic tale that has been compared to the works of the Brontës, Edgar Allan Poe, and Edward Gorey. Immersed in a world of isolation and…
The Great West Wood is a magic realist thriller set in Westwood - a vibrant urban village set upon a hilltop, looking out across London, in an area once covered by an ancient forest.
This is a place where magic is taken for granted; where trees can talk; and children…
I’m a bit fairy tale obsessed. I love how the characters go into the woods and face wolves, witches, stepmothers, and ogres. But despite the abuse and neglect and trauma, they somehow emerge whole. These five books each have a unique heroine, not with a sword, but with her own quiet strength. Each one is a cathartic but reassuring guide into the woods and out again, acknowledging that though there will be hurt and heartbreak, transformation and healing will follow. If you love fairy tales for the same reasons I do, come, step onto the path. The magic of hope and healing awaits.
This book has everything I want in a fairy tale novel: an immersive setting, green magic, romance, shape-shifting creatures, and of course, resilience and healing.
Before I read Kell Wood’s debut novel, I had never thought about the long-term consequences Hansel and Gretel surely experienced at the hands of the witch in the gingerbread house, but now I can’t un-see it. Of course, these two people, now young adults, would have some serious (but unique) struggles.
Also, I love it when an author weaves multiple fairy tales and/or folkloric elements into a story, and Woods is fantastic at this!
After the Forest is a dark and enchanting fantasy debut from Kell Woods that explores the repercussions of a childhood filled with magic and a young woman contending with the truth of “happily ever after.”
Ginger. Honey. Cinnamon. Flour.
Twenty years after the witch in the gingerbread house, Greta and Hans are struggling to get by. Their mother and stepmother are long dead, Hans is deeply in debt from gambling, and the countryside lies in ruin, its people starving in the aftermath of a brutal war.
Greta has a secret, though: the witch's grimoire, hidden away and whispering in Greta's…