Here are 100 books that Floaters fans have personally recommended if you like
Floaters.
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I knew I wanted to be a writer of fiction when I was 10 years old, being raised by my father. He thoughtfully gave me a typewriter, and plenty of other encouragement too. As a youngster, I couldn’t read enough about what youngsters read about: animals, sports, cowboys, child detectives. Soon, I came to love books that probed human conflict through characters who reached deeply into my soul. Not simplistic “good versus evil” driven principally by plot, but gut-pulling interpersonal struggle coming to life (and sometimes death) in characters facing moral and legal dilemma, and facing it with wit, humor, and human frailty.
The novel’s evocative intensity hit me like a brick in the head. From page one, it never let up. I urge readers to set aside if they can, the literary/political ethnicity storm that the book engendered and simply accept and enjoy the quality of the storytelling by Ms. Cummins.
I initially listened to it as an audiobook. I wondered if my favorable view might be attributable to some degree to the extremely effective first-person female narration. When I then read the book in print, I was disabused of any such impression. The writing is terrific.
*NOW A BBC RADIO 4 BOOK AT BEDTIME* 'Breathtaking... I haven't been so entirely consumed by a book for years' Telegraph 'I'll never stop thinking about it' Ann Patchett
FEAR KEEPS THEM RUNNING. HOPE KEEPS THEM ALIVE.
Vivid, visceral, utterly compelling, AMERICAN DIRT is an unforgettable story of a mother and son's attempt to cross the US-Mexico border. Described as 'impossible to put down' (Saturday Review) and 'essential reading' (Tracy Chevalier), it is a story that will leave you utterly changed.
Yesterday, Lydia had a bookshop. Yesterday, Lydia was married to a journalist. Yesterday, she was with everyone she loved…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
In 2019 I spent several days on a ladder witnessing children who were locked in a detention center in Homestead, and in early 2020, I traveled to the Brownsville/Matamoros border, where the stories people told me broke my heart. Often, it was not threats to their own lives but to their children’s lives that triggered their decision to flee. I wrote Immigrants and an accompanying book of poetry (Here in Sanctuary–Whirling) not to make political points, but to tell some of these stories and highlight the gaps between our human propensity toward kindness and the way we fall into the trap of “othering” those who are not exactly like us.
This was one of the most sensitive portrayals of the effects of deportation on families that I’ve ever read.
I resonated even more strongly because it was set in New York City (my hometown), and the descriptions of different neighborhoods really came to life. I also appreciated the dual point of view narration (the story is told from both the mother and son’s perspective), and I could relate to both characters, even when they made difficult choices that ended up being hurtful.
One morning, Deming Guo's mother, an undocumented Chinese immigrant named Polly, goes to her job at the nail salon and never comes home. No one can find any trace of her. With his mother gone, eleven-year-old Deming is left with no one to care for him. He is eventually adopted by two white college professors who move him from the Bronx to a small town upstate. They rename him Daniel Wilkinson in their efforts to make him over into their version of an "all-American boy." But far away from all he's ever known, Daniel struggles to reconcile his new life…
A decade ago, we could not have imagined a world where democracy would be in existential crisis. Perhaps it’s overly dramatic to think that way – I hope so – but it does seem realistic at this moment. That is why I am so passionate about wanting to defend democracy and the kind of society it makes possible and why I am so drawn to works that express that passion through artful writing and story-telling. With authoritarian and totalitarian regimes dangerously on the rise, books that demonstrate the profound inhumanity and injustice of such regimes and how they extinguish democracy and human rights are needed now more than ever.
Isabelle Allende is truly one of the great writers of our time, a strong recommendation in itself. What I found particularly thrilling about this book, however, was the way she shed light on how authoritarianism and fascism are disproportionately devasting for the most vulnerable among us – children.
By weaving together narratives about the displacement of and harm to children during the Nazi holocaust and under the brutal immigration policies of President Trump, Allende provokes outrage and inspires compassion.
THE POWERFUL AND MOVING NEW NOVEL FROM LITERARY LEGEND ISABEL ALLENDE
PRAISE FOR THE AUTHOR
'A grand storyteller' - KHALED HOSSEINI
'A new novel by Isabel Allende is always a treat' - DAILY MAIL
'What a joy it must be to come upon Allende for the first time' - COLUM MCCANN
No, we're not lost.
The wind knows my name.
And yours too.
Vienna, 1938. Samuel Adler is five years old when his father disappears during Kristallnacht - the night their family loses everything. As her child's safety seems ever harder to guarantee, Samuel's mother secures a spot for him…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
In 2019 I spent several days on a ladder witnessing children who were locked in a detention center in Homestead, and in early 2020, I traveled to the Brownsville/Matamoros border, where the stories people told me broke my heart. Often, it was not threats to their own lives but to their children’s lives that triggered their decision to flee. I wrote Immigrants and an accompanying book of poetry (Here in Sanctuary–Whirling) not to make political points, but to tell some of these stories and highlight the gaps between our human propensity toward kindness and the way we fall into the trap of “othering” those who are not exactly like us.
I love the simplicity of this book and the direct way in which the poet conveys his experience as a volunteer for a group that provides medical care and support for migrants crossing the Sonora Dessert.
Gamble’s close-up view of objects like an abandoned Hello Kitty backpack and a can of pinto beans with ants crawling into the slit allows him to shed light on much deeper stories of human suffering, evoking the reader’s sympathy without proselytizing.
"A Can of Pinto Beans" by Robbie Gamble is a startling poetry collection recounting the author's work with No More Deaths, a humanitarian organization in Arizona working to serve migrants.
I embarked on my very first healing journey at the age of 4, after I lost my mother. Through the years, I wanted nothing more than to live a happy life. It wasn’t until the age of 21 that I understood the reason for my pain and discomfort –the lack of love that I had for myself. I started writing about my emotions and sharing these pieces on an online blog. Within a few months, my page grew tremendously. I realised then that we’re all on various healing journeys, and most of us struggle with self-love, even if we look like we’ve got it ‘figured out’ – we still struggle.
The key to loving yourself is knowing yourself and accepting that person entirely. That is, not just the polished, perfect parts of you but the inner layers. The insecurities. The vulnerabilities. The pain. The mistakes. Written as a bite-sized self-help book of prose that can be easily digested in one or two sittings, Mind Platter is brimming with pieces that changed my perspective of my healing journey for the better.
If you’re learning to love yourself better, Mind Platter is a great book to dive into for many reasons. It’s a book that unveiled many truths for me, such as the cause of my discomfort and pain (often hidden in my unrealistic expectations of myself and me ‘making a home’ in other people), how to be more forgiving, and the importance of growth and moving on. This book taught me how to be kinder to myself through its discussion of…
Mind Platter is a compilation of reflections on life through the eyes of an educator, student and human who experienced most of life in silence. It is written in the words of a person who came from Lebanon to Canada at the age of sixteen and experienced what it was like to have fate push you to a place where you don't belong. It is written in the voice of every person who ever felt unheard, mistreated, misjudged or unseen. Mind Platter contains around 200 one-page entries as reflections on different topics that we encounter in our everyday lives; love,…
I spent long days at the beach as a kid, and sharp bits of horseshoe crab shells in my sandcastles were a frequent annoyance. As an adult, I discovered a horseshoe crab lurching its way back to the water and wondered: What's the deal with this weird animal? To find out, I read books, talked with scientists, and assisted with horseshoe crab and shorebird research. What I discovered—about horseshoe crabs, other animals, and the water they live in—was too amazing to keep to myself. I hope my book encourages kids to go out and explore wild places, too!
To me, this book feels like a walk along the beach. I pick up each poem, sink into the swirls and splashes of color, and let my mind wander. Books that encourage such meandering strolls near the ocean have a special place in my heart: the idea for my horseshoe crab book started on just such a walk. Water Sings Blue is a great reminder that you never know what wonders you will discover when you go outside and let your curiosity guide you.
Come down to the shore with this rich and vivid celebration of the ocean! With gorgeous watercolors by award-winning artist Meilo So and lyrical, playful poems by Kate Coombs, The Water Sings Blue evokes the beauty and power, the depth and mystery, and the endless resonance of the sea.
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
I’ve never felt that fiction was quite enough. Like a dream that someone tells you, it’s arbitrary and slightly meaningless to anyone but the dreamer. Nonfiction is nice, but because what is described did, in fact, actually happen, it can’t happen any other way. And where’s the fun (or art) in that? Autofiction, which tries to blur the line between the two, seems to draw attention to itself, making the author of the story more important than the actual story. So what’s the answer? There is no answer. But every now and then, a book seems not to care about the difference and, therefore, transcends it.
A girl gets a job at the Metropolitan Museum of Art at the Information Desk. The current show is an installation called Rembrandt/Not Rembrandt, and so begins the book that is housed inside a poem but is really the story of how the author negotiates her way around loss, love, lust, and memory.
Along the way, she dissects the paintings in the Met. Also, insects, and creepy co-workers, and she finds something in them that resonates with her. And the President’s son, John-John is also part of the life living in the ideas the author makes so visceral and tangible and felt.
Named a 2024 Pulitzer Prize Finalist and a New York Times Book Review Editors' Choice Pick
“Among the year's highlights . . . groundbreaking, epic . . . Like visitors exiting the Met’s galleries, readers will emerge from Information Desk bedazzled by the transformative horizons of art.” —Washington Post
“An effluvial rush of memory, desire, data, and metaphor . . . It’s bracing to encounter a mind so voracious, so unapologetic in its intelligence.” —New York Review of Books
A book-length poem set in the Metropolitan Museum of Art, from a writer whose work offers “something few poets ever discover:…
I'm an Emmy Award-winning writer, wife, and adoptive mother with an unapologetic passion for Black queer stories. I'm also an artist-activist who takes great pride in producing content that sparks honest dialogue and positive change. Life's complexities energize me, and, as a queer artist of color, I'm committed to reflecting these intricacies in my work. I write, produce video, and host allyship seminars as well as art as activism workshops for LGBTQ+ youth. If you're both inspired and entertained by layered depictions of BIPOC queer culture then please check out the recs in my Queer-tastic reading list. Enjoy!
I love pretty packaging, so it's no surprise that Mans' Black Girl, Call Home stopped me in my tracks. The cover art, an over-the-shoulder shot of a young Black girl, her head bedazzled in a rainbow assortment of brightly colored barrettes. For me and Black women across the globe, the image evokes instant nostalgia. Luther on the radio. Me between my mama's legs. And the smell of Blue Magic hair grease slathered on the back of her hand.
Both painful and empowering, Mans' candid approach to feminism, race, and LGBTQ+ identity is wrapped in undeniable realness. Whether readers identify as Black and queer or simply as women on the path to healing, Mans' rhythmic collection of truths inspires self-acceptance and sisterhood. Do yourself a favor — order the audiobook and be blown away by Mans' heartfelt spoken word!
A Most Anticipated Book of 2021 by Oprah Magazine • Time • Vogue • Vulture • Essence • Elle • Cosmopolitan • Real Simple • Marie Claire • Refinery 29 • Shondaland • Pop Sugar • Bustle • Reader's Digest
“Nothing short of sublime, and the territory [Mans'] explores...couldn’t be more necessary.”—Vogue
From spoken word poet Jasmine Mans comes an unforgettable poetry collection about race, feminism, and queer identity.
With echoes of Gwendolyn Brooks and Sonia Sanchez, Mans writes to call herself—and us—home. Each poem explores what it means to be a daughter of Newark, and America—and the painful, joyous…
Years ago, I returned to school at Mount Holyoke College to complete my bachelor’s degree in American Studies. I took a course on Emily Dickinson at the poet’s home in Amherst, Massachusetts—what a thrill! On the first day of class I learned that for sixteen years Emily’s constant companion was Carlo, a Newfoundland dog. Having experienced a hairy, slobbery encounter with a Newf when I was twenty while wearing a white dress, I knew the myth of Emily, pristinely dressed, untouched by the more earthy emotions was wrong. A new story needed to be told. That was the beginning of Emily and Carlo.
Want a book that tells a poignant story and will inspire you to write poetry? Well, have your tissues ready for this one. Jack, an elementary school student, balks at writing poetry. When Miss Stretchberry’s class examines various famous poets’ work he is critical. For example, he thinks “Mr. Robert Frost has a little too much time on his hands.” This short funny and moving novel in free verse follows Jack’s journey as he learns to use poetry to express his feelings and to eulogize his beloved yellow dog, Sky. The poems mentioned in the book are included at the end. Just like poetry at its best,Love That Dogwill enchant readers while using only a few special words.
The Newbery Medal-winning author of Walk Two Moons, Sharon Creech, brings readers a story with enormous heart.
Love That Dog shows how one boy named Jack finds his voice with the help of a teacher, a pencil, some yellow paper, and of course, a dog. Written as a series of free-verse poems from Jack's point of view, and with classic poetry included in the back matter, this novel is perfect for kids and teachers, too.
Jack hates poetry. Only girls write it and every time he tries to, his brain feels empty. But his teacher, Miss Stretchberry, won't stop giving…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
As a teacher, I often talk with my students about current events and highlight how disasters can spiral. Wildfire seasons are worsening, storms are getting stronger, wars are starting and never-ending, and sometimes, my students express some despair in the face of such cycles. Though it’s not a cure-all for this anxiety, I encourage my students to try and create something from this existential worry. Rather than scrolling through all the bad things that cross our screens, creativity can help us imagine a better world to work towards. Poetry about disasters can help us see them through.
What I love most about this book is the strident, confident way the poems tackle our expectations about prose and poetic genres. Right from the collection's first poem, the book says that language is only the beginning; it still has its limits, though it can achieve longevity in the right conditions.
However, my favorite poem of the collection is 'Shakespeare Doesn't Care,' a poem where Dove imagines Shakespeare’s confident, coy response to comments on his prolific, inimitable career. In doing so, she highlights how his work points the finger of judgment through time. Dove does this, too.
This is not a book of portents, nor is it strictly a celebration or mourning of an apocalyptic world; instead, it highlights the strange echoes of history.
In her first volume of new poems in twelve years, Rita Dove investigates the vacillating moral compass guiding the world's experiments in democracy.
Whether depicting the first Jewish ghetto in sixteenth-century Venice or Black Lives Matter, this extraordinary poet never fails to connect history's grand exploits to the triumphs and tragedies of individual lives-the simmering resentment of a lift operator, an octogenarian's exuberant mambo, the mordant humour of a philosophising cricket.
Audaciously playful yet grave, alternating poignant meditations on mortality and acerbic observations of injustice, Playlist for the Apocalypse takes us from the smallest moments of redemption to apocalyptic failures…