Books like The Wild Shore

Racing away from Ground Zero, 16-year-old Kyle encounters a bizarre sight: an angel, clinging to the Brooklyn Bridge. Kyle stops to help and discovers the “angel” is a teenage girl, her wings a costume from a school play. But the girl doesn’t remember anything about who she is. Thus begins a quest that pulls Kyle in conflicting directions: to find his dad (a first responder), to care for his uncle (a disabled cop), and to help this girl find her way home.

I love that the book begins with an act of kindness to a stranger, something we saw often after 9/11. And while we sometimes say we’d love to forget an event like 9/11, Gae’s book bears witness to the need to remember.

Sometimes Fantasy can be dark or even cross into the realm of Horror. The concept of this book certainly would appeal to most Fantasy readers. An old, out-of-use post box in a small English village is reputed to be a conduit for local residents to ask for favours from dead relatives. Cris Lopez from California, mourning the loss of his estranged wife whom he still loves, sees a tabloid story about the box and decides a change of scene would do him good. His desire to have some hope of contact with his deceased wife is something he's not ready to admit to himself.

Rather than terrifying, this one moves into the weird, or I should say wyrd. It has all the earmarks of magical English villages and folklore brought to life.

Between 1954 and 1981, when this book was written, the number of cities in L.A. County nearly doubled from 45 to 81. Many of these new cities contracted with the county for their basic public services, and were consequently able to maintain low property tax rates. Homeowners "voted with their feet" by moving to these new cities, and previously middle-class places like Compton saw their tax bases plummet while their need for public services skyrocketed. As a native Angeleno, I found Miller's account of the fragmentation of Los Angeles fascinating and devastating. A gem of a chapter entitled "Is the Invisible Hand Biased?" presents a withering critique of the argument—standard in economic theory—that more choices make people better off.

John Steinbeck wrote the Working Days... journals while writing The Grapes of Wrath.

The intent of the journal was to establish a schedule, including a completion date for the novel. What he reveals about his self-doubt is tonic for any writer who is haunted by the same malaise.

Here is the entry for June 18, "…I am assailed with my own ignorance and inability. Honesty. If I can keep an honesty to it… If I can do that it will be all my lack of genius can produce. For no one else knows my lack of ability the way I do. I am pushing against it all the time."

Sometimes, I seem to do a good little piece of work, but when it is done it slides into mediocrity…John Steinbeck’s honesty and humility remind me that self-doubt is a part of the creative process.

I sometimes read entries from … show more.

This is an incredibly intricate book, braiding many strands together to tell the story of people who “might be going to have lived a long, long time from now in Northern California.” One thread tying it all together is Stone Telling, a young girl caught between her mother’s rich tribal life and the militaristic city life of the man who is her father. She tells him, “I am a woman, and make my own choices,” but learns that is not the case in the land of the Condors. Her story illuminates two of the many ways to be human. (I’m re-reading this now.)

My copies of this series are so worn by reading and re-reading that they are falling apart. There’s no higher praise from me as a reader. 

This is my comfort read, which is odd because it’s about the fall of a civilization—and The Dark, in particular, is terrifying. We never really see them. That’s partly because they aren’t entirely corporeal and can change size and shape at will. It’s also because anyone we know in the story who encounters them is almost certainly fighting for their life.

Are The Dark one character or many? Certainly, what one of them knows, they all know. The key to this conundrum is what motivates them to do as they do, and alien as they are; their motivations are as unexpected as they are profound. 

This is beautifully written classic fantasy in all its glory. If you only read one book of these five,… show more.

Because of obvious limitations—space in the garden, sun, availability, and one’s responsibility to be a conscientious steward during a probably unending California drought—it’s impossible to grow as many roses as one would like. It’s not impossible, however, to content oneself with two or three plants for cutting flowers, and, instead, moon over this comprehensive collection of gorgeous photographs, descriptions of form, petal counts, habits, parentage, and scents. Keep 2,000 roses on the bookshelf. This book is a treasure.

Over Easy is the first part of Madge’s story, followed by The Customer is Always Wrong. They can be read separately as each stands on its own, but are best absorbed one after the other. These books are visually inventive and full of unforgettable characters who leap off the page and lodge in your imagination. The story follows Madge, an open-hearted artist who finds refuge and adventure in the wise-cracking, fast-talking, drug-taking world of the Imperial Café where she gets a job as a waitress after being denied financial aid to cover her last year in art school. Full of wit and pathos, Mimi Pond captures the perfect balance of hilarious and heartbreaking, all with fantastic drawings. She makes it look easy!

In this exhaustive, deeply researched study, Benjamin Madley examines in grim detail the relentless series of massacres and exterminations of peaceful Native American Indians in California that occurred from 1846 to 1873. During this era, writes Madley, “perhaps 80 percent of all California Indians died.” Survivors, especially children, were often enslaved. 

The brutality is systematic, if not endemic, to the construction of the American empire. Nearly half of the book is comprised of appendices that quantify most known Indian massacres in California during the mid-nineteenth century. (“~April 5, 1846. Number killed: 120-1,000. Location: Close to Reading’s Ranch.”) What emerges is a disturbing portrait of ceaseless violence inflicted by pioneers and settlers, by business owners and hired thugs, and by the state and federal governments against large, sophisticated human populations that had lived in place for thousands of years.

The nearly comprehensive genocide remains rarely invoked in modern times, no matter… show more.

Possibly the best and rarest of all publications about the start of the women’s music movement, this volume was prepared by the students at the University of California at Santa Cruz to serve as a textbook (and record of their experiences) for the first-ever course on feminism and music. Still available to good sleuths who find used copies floating around, the title page is Women in American Music. Women’s Studies, Kresge College, University of California, Santa Cruz, Spring 1975.

The idea for the class was initiated by Karlene Faith, who went on to be an influential producer and distributor; the book she helped edit includes interviews with early Olivia artists who were guest speakers and performers in the class. Before her untimely death, she too was working on a history of Olivia Records.