68 Books Like The Wild Shore

Racing away from Ground Zero, 16-year-old Kyle encounters a bizarre sight: an angel, clinging to the Brooklyn Bridge. Kyle stops to help and discovers the “angel” is a teenage girl, her wings a costume from a school play. But the girl doesn’t remember anything about who she is. Thus begins a quest that pulls Kyle in conflicting directions: to find his dad (a first responder), to care for his uncle (a disabled cop), and to help this girl find her way home.

I love that the book begins with an act of kindness to a stranger, something we saw often after 9/11. And while we sometimes say we’d love to forget an event like 9/11, Gae’s book bears witness to the need to remember.

Sometimes Fantasy can be dark or even cross into the realm of Horror. The concept of this book certainly would appeal to most Fantasy readers. An old, out-of-use post box in a small English village is reputed to be a conduit for local residents to ask for favours from dead relatives. Cris Lopez from California, mourning the loss of his estranged wife whom he still loves, sees a tabloid story about the box and decides a change of scene would do him good. His desire to have some hope of contact with his deceased wife is something he's not ready to admit to himself.

Rather than terrifying, this one moves into the weird, or I should say wyrd. It has all the earmarks of magical English villages and folklore brought to life.

Between 1954 and 1981, when this book was written, the number of cities in L.A. County nearly doubled from 45 to 81. Many of these new cities contracted with the county for their basic public services, and were consequently able to maintain low property tax rates. Homeowners "voted with their feet" by moving to these new cities, and previously middle-class places like Compton saw their tax bases plummet while their need for public services skyrocketed. As a native Angeleno, I found Miller's account of the fragmentation of Los Angeles fascinating and devastating.  A gem of a chapter entitled "Is the Invisible Hand Biased?" presents a withering critique of the argument—standard in economic theory—that more choices make people better off.

This was a hard pick because I could easily have chosen any of Joanne Bischof’s other books.

She writes with such excellence and depth of feeling that you bond with the characters and go through their trials alongside them. I chose The Gold in These Hills over her other equally loved books because I read it with tears streaming down my face. The theme of restoration after loss and betrayal resonated with me. Deep despair gives way to soul-stretching hope.

Beautiful, quotable prose stuck with me long after I finished. If you want a novel about second chances that speaks deeply to the heart, give this one a try.  

Historically, California native plants were often grown in European gardens before they were accepted into California gardens. Now they are being grown in California for their beauty and frequent drought tolerance. Here you will see photos of plants in garden landscapes with information about the regions in which they will grow, their needs, and their care. 

I’ll end with a book that started it all for me!

I still remember, in the year 2010, reaching the end of the essay "Goodbye to All That" where the date of publication is noted—1967—and how startled I was to realize something that feels so contemporary and alive had been written decades earlier. As in so much of her work, in this collection Didion offers vivid details from her life and brings her extraordinary powers of analysis to understanding their meaning.

As she once put it herself—in another essay, "Why I Write"—"Had I been blessed with even limited access to my own mind there would have been no reason to write. I write entirely to find out what I'm thinking, what I'm looking at, what I see and what it means.”

My copies of this series are so worn by reading and re-reading that they are falling apart. There’s no higher praise from me as a reader. 

This is my comfort read, which is odd because it’s about the fall of a civilization—and The Dark, in particular, is terrifying. We never really see them. That’s partly because they aren’t entirely corporeal and can change size and shape at will. It’s also because anyone we know in the story who encounters them is almost certainly fighting for their life.

Are The Dark one character or many? Certainly, what one of them knows, they all know. The key to this conundrum is what motivates them to do as they do, and alien as they are; their motivations are as unexpected as they are profound. 

This is beautifully written classic fantasy in all its glory. If you only read one book of these five,… show more.

White Crow is a story that takes place in the early 1800s in California when it was still a territory, a part of Mexico, and before it became a state. The book details the story of a white boy, raised by Indians because his parents were killed. He becomes an Indian warrior whom they call White Crow and accept into their tribe. The book is like a western story, but much more complex. It shares the struggles of the lead character, Isaiah Crow, and how he becomes a part of the tribe. He marries an Indian woman and they have a child. Their son, Jedadiah grows up and carries on many of the traditions and customs he learns from the tribe but in a more modern California. I enjoyed this story because it's such a gripping story and Wood does an outstanding job of character development in this book.… show more.

Because of obvious limitations—space in the garden, sun, availability, and one’s responsibility to be a conscientious steward during a probably unending California drought—it’s impossible to grow as many roses as one would like. It’s not impossible, however, to content oneself with two or three plants for cutting flowers, and, instead, moon over this comprehensive collection of gorgeous photographs, descriptions of form, petal counts, habits, parentage, and scents. Keep 2,000 roses on the bookshelf. This book is a treasure.

Possibly the best and rarest of all publications about the start of the women’s music movement, this volume was prepared by the students at the University of California at Santa Cruz to serve as a textbook (and record of their experiences) for the first-ever course on feminism and music. Still available to good sleuths who find used copies floating around, the title page is Women in American Music. Women’s Studies, Kresge College, University of California, Santa Cruz, Spring 1975.

The idea for the class was initiated by Karlene Faith, who went on to be an influential producer and distributor; the book she helped edit includes interviews with early Olivia artists who were guest speakers and performers in the class. Before her untimely death, she too was working on a history of Olivia Records.