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I’m a screenwriter and novelist who loves writing stories for kids! (And long-suffering parents.) I mostly write and produce animated movies and TV shows, am currently executive producer of The Chicken Squad for Disney, and won an Emmy® Award for children’s TV writing in 2020. A few years ago, my nephew stopped me in my tracks with a question: “Uncle T, what’s the big deal about 9/11?” His confusion opened my eyes to the fact that many schools don’t teach about this momentous event. “Never forget” has been our national refrain, but how will future generations remember if we don’t tell them the story?
Racing away from Ground Zero, 16-year-old Kyle encounters a bizarre sight: an angel, clinging to the Brooklyn Bridge. Kyle stops to help and discovers the “angel” is a teenage girl, her wings a costume from a school play. But the girl doesn’t remember anything about who she is. Thus begins a quest that pulls Kyle in conflicting directions: to find his dad (a first responder), to care for his uncle (a disabled cop), and to help this girl find her way home.
I love that the book begins with an act of kindness to a stranger, something we saw often after 9/11. And while we sometimes say we’d love to forget an event like 9/11, Gae’s book bears witness to the need to remember.
On the morning of September 11, 2001, sixteen year old Kyle Donohue watches the first twin tower come down from the window of Stuyvesant High School. Moments later, terrified and fleeing home to safety across the Brooklyn Bridge, he stumbles across a girl perched in the shadows. She is covered in ash and wearing a pair of costume wings. With his mother and sister in California and unable to reach his father, a New York City detective likely on his way to the disaster, Kyle makes the split second decision to bring the girl home. What follows is their story,…
I've been an avid reader across many genres since I learned to read as a child and have wandered into all sorts of categories to find literature I love. Fantasy became my first love, but that didn't mean I had to abandon everything else. I like finding great books that don't make the big publisher lists with their generic output. Since the rise of indie publishing, I've developed a habit of sampling anything that sounds like it might be interesting and have found some amazing and very original stories!
Sometimes Fantasy can be dark or even cross into the realm of Horror. The concept of this book certainly would appeal to most Fantasy readers. An old, out-of-use post box in a small English village is reputed to be a conduit for local residents to ask for favours from dead relatives. Cris Lopez from California, mourning the loss of his estranged wife whom he still loves, sees a tabloid story about the box and decides a change of scene would do him good. His desire to have some hope of contact with his deceased wife is something he's not ready to admit to himself.
Rather than terrifying, this one moves into the weird, or I should say wyrd. It has all the earmarks of magical English villages and folklore brought to life.
Cris Lopez has just lost his wife. His hopes of ending their separation ended with a freak accident that robbed him of even the chance to say goodbye. When a tabloid newspaper prints an article about an uncanny post box in a small English village that supposedly transports letters to dead relatives, Cris' natural scepticism is overshadowed by the thought that a change of scene might help him come to terms with his loss.However, the residents of the village refuse to discuss supernatural intervention and having long since abandoned his childhood faith, Cris' logical mind won't accept the outlandish tale.Eerie…
At some point I decided that if I was going to teach US history, I better have a good sense of what the place looked like. So I drove across the country—and then back again—and then again, and then once more, each time at a different latitude. I drove through North Dakota and South Dakota, Montana and Idaho, Nebraska and Kansas, Arkansas and Oklahoma, Louisiana and Texas, up and down California, Oregon and Washington, and on and on. I got addicted to seeing the landscape in all its amazing variety and vastness, and seeing the landscape made the histories come alive.
Surely the Gold Rush is one of the first things we learn about the West, but who were these people? Where did they come from? Susan Johnson is a great storyteller, and this story is peopled with men and women from across the globe, radicals and racists, Chinese, Mexicans, Germans, Irish, and everyone else, how they worked, loved, and made a life.
The world of the California Gold Rush that comes down to us through fiction and film is one of half-truths. In this brilliant work of social history, Susan Lee Johnson enters the well-worked diggings of Gold Rush history and strikes a rich lode.
Johnson explores the dynamic social world created by the Gold Rush in the Sierra Nevada foothills east of Stockton, charting the surprising ways in which the conventions of identity-ethnic, national, and sexual-were reshaped. With a keen eye for character and story, she shows us how this peculiar world evolved over time, and how our cultural memory…
Misanthropic psychologist Dr. Grace Park is placed on the Deucalion, a survey ship headed to an icy planet in an unexplored galaxy. Her purpose is to observe the thirteen human crew members aboard the ship—all specialists in their own fields—as they assess the colonization potential of the planet, Eos. But…
Carrie Gibson is a London-based writer who grew up in the US and spends as much time as she can in Latin America and the Caribbean. She started out as a journalist, working at UK newspapers, including the Guardian and the Observer, before diving into a PhD and historical research on European colonialism and its legacy in the Americas. She is the author of two books and continues to contribute to media outlets in the UK and US.
María Amparo Ruiz de Burton lived through one of the most tumultuous periods of history in California. She was born in Baja California to an elite family but moved to Mexican Alta California, as it was then known, during the Mexican-American War, marrying US army captain Henry Burton and becoming a US citizen. Ruiz de Burton watched California’s transformation under US rule, and this 1885 novel uses fiction to lay bare the very real problem of land dispossession of the Mexican Californians (known as Californios) and the arrival of ‘squatters’ from the eastern US who were claiming contested property. Ruiz de Burton is considered to be one of the earliest Mexican-American female authors to write in English, and this work illustrates how Alta California’s transition to statehood upended the lives of many people who had lived there under Spanish and Mexican rule.
The Squatter and the Don, originally published in San Francisco in 1885, is the first fictional narrative written and published in English from the perspective of the conquered Mexican population that, despite being granted the full rights of citizenship under the Treaty of Guadalupe-Hidalgo in 1848, was, by 1860, a subordinated and marginalized national minority.
All my writing starts with the question, How did we get here? As the granddaughter of a grocer and the daughter of a food editor, I grew up wondering about the quest for new and better foods—especially when other people began saying “new” and “better” were contradictions. Which is better, native or imported? Heirloom or hybrid? Our roses today are patented, and our food supplies are dominated by multi-national seed companies, but not very long ago, the new sciences of evolution and genetics promised an end to scarcity and monotony. If we explore the sources of our gardens, we can understand our world. That‘s what I tried to do in The Garden of Invention, and that’s why I recommend these books.
This fascinating book answers questions you never thought to ask. What would Southern California be without citrus groves or palm trees? Why does the Australian eucalyptus cover so much of this western state, and who were the elite conservatives who saw their own survival in the battle to save the redwoods? Find out here!
At the intersection of plants and politics, Trees in Paradise is an examination of ecological mythmaking and conquest. The first Americans who looked out over California saw arid grasslands and chaparral, and over the course of generations, they remade those landscapes according to the aesthetic values and economic interests of settlers, urban planners, and boosters. In the San Fernando Valley, entrepreneurs amassed fortunes from vast citrus groves; in the Bay Area, gum trees planted to beautify neighborhoods fed wildfires; and across the state, the palm came to stand for the ease and luxury of the rapidly expanding suburbs. Meanwhile, thousands…
I enjoyed writing The Karma Kaper. Just as there's tragedy and comedy in every aspect of our lives there's humor in crime. It's fun bringing that humor to my audience. I also believe in justice for all. Sadly, as American courts are currently more concerned with criminals' rights than victims' rights there are no guarantees victims will receive the justice they deserve. No one can predict if a jury of 12 will find a defendant who has committed a crime guilty. Then, there's the highest court of appeal - fiction! Between the covers of a novel, a crafty writer can ensure just verdicts and devise macabre punishments for the bad guys! It doesn't get any better!
John Steinbeck wrote the Working Days... journals while writing The Grapes of Wrath.
The intent of the journal was to establish a schedule, including a completion date for the novel. What he reveals about his self-doubt is tonic for any writer who is haunted by the same malaise.
Here is the entry for June 18, "…I am assailed with my own ignorance and inability. Honesty. If I can keep an honesty to it… If I can do that it will be all my lack of genius can produce. For no one else knows my lack of ability the way I do. I am pushing against it all the time."
Sometimes, I seem to do a good little piece of work, but when it is done it slides into mediocrity…John Steinbeck’s honesty and humility remind me that self-doubt is a part of the creative process.
John Steinbeck wrote The Grapes of Wrath during an astonishing burst of activity between June and October of 1938. Throughout the time he was creating his greatest work, Steinbeck faithfully kept a journal revealing his arduous journey toward its completion.
The journal, like the novel it chronicles, tells a tale of dramatic proportions—of dogged determination and inspiration, yet also of paranoia, self-doubt, and obstacles. It records in intimate detail the conception and genesis of The Grapes of Wrath and its huge though controversial success. It is a unique and penetrating portrait of an emblematic American writer creating an essential American…
The Rocket Scientist is a science-driven thriller about what might happen if microbes from Mars reached Earth.
When her Mars rover detects living microbes capable of absorbing carbon dioxide, Dr. Julie McCray believes she’s found the key to reversing Earth’s climate crisis.
But within hours, the mission is mysteriously shut…
California’s San Joaquin Valley is so congenial to plants I thought it made me a gardener. When I got my first job in a retail nursery I quickly realized how little I knew. Twenty years in the nursery trade expanded the depth and breadth of my garden skills. I owe my horticultural education to knowledgeable colleagues, an unending stream of interesting questions from nursery customers, and especially to Ed Laivo who introduced me to an ArcticGlo nectarine that commanded my attention.
Because of obvious limitations—space in the garden, sun, availability, and one’s responsibility to be a conscientious steward during a probably unending California drought—it’s impossible to grow as many roses as one would like. It’s not impossible, however, to content oneself with two or three plants for cutting flowers, and, instead, moon over this comprehensive collection of gorgeous photographs, descriptions of form, petal counts, habits, parentage, and scents. Keep 2,000 roses on the bookshelf. This book is a treasure.
I grew up in the 1960s and 1970s in western Sonoma County, California, surrounded by forests, rivers, and the Pacific Ocean. Yet this idyllic setting was shaken by the assassinations of the Kennedy brothers and Dr. Martin Luther King, Jr.; the Vietnam War; civil rights riots; Nixon and Watergate; the Pentagon Papers; Weather Underground bombings; Patti Hearst with a machine gun; and four students killed at Kent State. These events led me to major in Politics at UC Santa Cruz and become an investigative journalist. I soon realized the U.S. is built not only on equal rights and freedom but also on systemic disparity, injustice, and violence.
In this exhaustive, deeply researched study, Benjamin Madley examines in grim detail the relentless series of massacres and exterminations of peaceful Native American Indians in California that occurred from 1846 to 1873. During this era, writes Madley, “perhaps 80 percent of all California Indians died.” Survivors, especially children, were often enslaved.
The brutality is systematic, if not endemic, to the construction of the American empire. Nearly half of the book is comprised of appendices that quantify most known Indian massacres in California during the mid-nineteenth century. (“~April 5, 1846. Number killed: 120-1,000. Location: Close to Reading’s Ranch.”) What emerges is a disturbing portrait of ceaseless violence inflicted by pioneers and settlers, by business owners and hired thugs, and by the state and federal governments against large, sophisticated human populations that had lived in place for thousands of years.
The nearly comprehensive genocide remains rarely invoked in modern times, no matter…
The first full account of the government-sanctioned genocide of California Indians under United States rule
Winner of the 2016 Los Angeles Times Book Award for History and a New York Times Book Review Editors' Choice
"Gruesomely thorough. . . . Others have described some of these campaigns, but never in such strong terms and with so much blame placed directly on the United States government."-Alexander Nazaryan, Newsweek
Between 1846 and 1873, California's Indian population plunged from perhaps 150,000 to 30,000. Benjamin Madley is the first historian to uncover the full extent of the slaughter, the involvement of…
My expertise as a scholar of the women’s music movement spans 40 years--ever since I attended my first concert and music festival in 1981. A lecturer at UC-Berkeley, I’m the author of 19 books on women’s history, and published the first book on women’s music festivals, Eden Built By Eves, in 1999 (now out of print.) More recently I’ve organized exhibits on the women’s music movement for the Library of Congress, co-authored The Feminist Revolution(which made Oprah’s list), and I’m now the archivist and historian for Olivia Records.
Possibly the best and rarest of all publications about the start of the women’s music movement, this volume was prepared by the students at the University of California at Santa Cruz to serve as a textbook (and record of their experiences) for the first-ever course on feminism and music. Still available to good sleuths who find used copies floating around, the title page is Women in American Music. Women’s Studies, Kresge College, University of California, Santa Cruz, Spring 1975.
The idea for the class was initiated by Karlene Faith, who went on to be an influential producer and distributor; the book she helped edit includes interviews with early Olivia artists who were guest speakers and performers in the class. Before her untimely death, she too was working on a history of Olivia Records.
To hide a corporation’s failure to properly service a space ship, Captain Jonas Stryker is prosecuted but saved from imprisonment by a dying man, who hires Stryker to collect asteroids for their mineral content. Stryker soon finds he must stop a shadowy corporate group called The Board, who employ space…
If you live in the San Francisco Bay Area, you know that its climate is unique in the U.S. and that there are many microclimates within the region. It’s all mediterranean, as you can tell by its dry summers and mild, wet winters. But near the coast, summer fog carpets the land for weeks and winter is rarely frosty, while inland summers are hot, winter frosts are frequent. I live here and use my academic and first-hand experience with plants to help regional gardeners create year-round beauty and harvests in all of our wonderful, often perplexing microclimates.
An introductory chapter describes our greater Bay Area climate and its microclimates. The plants listed are ones that will thrive in the region with a minimum of summer water. The glory of the book is in the photographs by Saxon Holt, which include close shots for identification and wider shots that will inspire you to combine plants handsomely in your garden.