Books like The Wild Places — picked by fans

Alexander von Humboldt’s name is synonymous with scientific discovery today–the Humboldt Current, the Humboldt Redwoods State Park, and countless species named for him. Humboldt revolutionized our modern understanding of the natural sciences–geology, biology, meteorology, and much else–with his epic five-year voyage that set off in 1799 and brought him through the Amazon, the Caribbean, and North and South America. 

Like Malaspina before him, Humboldt studied not only the flora and fauna of these regions but also their peoples and the political turmoil that was building towards revolution. He met with the leaders of the time–Thomas Jefferson and Simón Bolívar among them–and opened their eyes to the richness of their lands. Unlike Malaspina, Humboldt’s works were published to wide acclaim and established the idea that all nature, including human nature, is interconnected. 

I love this book because it changes the way I see the world every single time.

Powers writes with a patience that feels almost radical. I found myself slowing my breathing as I read, realizing how little I notice in the rush of daily life. I love how he blurs the line between human and nature, reminding me that we’re never outside the system—we are the system.

The Overstory humbles me, and because humility, to me, is where clarity begins.

I feel the same about this book as Barry Lopez—who wrote a most wonderful introduction—when he notes that throughout his reading of the text, he often had to take a break to walk outside; the writing was just so stimulating.

Appealing to me as a poet, this is a slim book—about 90 pages—really a meditative essay that I return to again and again. I am fascinated by the originality of the author’s thought process, his supple prose, and his discussion of the polarities that exist between cultivated nature and wildness.

One singular sentence in this book (“The wood waits…”) has such resonance for me that I chose it as an epigraph for a book of my own.

As I was working on my last book, this book had a permanent place beside my desk. Each day I would read a chapter—each chapter beginning with a poem detailed on the page with Chinese characters, followed with a translation by Hinton. “Poetry is the Cosmos awakened to itself .” Sweet words to a poet, and so begins this book.

I have always admired the rivers-and-mountains tradition of ancient Chinese poetry, but I lacked a full enough understanding of the concepts—embedded in language—underlying the tradition. Hinton supplies this and more.

The poetry of Tu Fu is enlightening, as is Hinton’s commentary, and I found this book to be perhaps the most creative “biography” I have read. I now look with a closer eye at our own Western view of our place on this planet, this living, breathing earth, part of the unimaginable beauty of the Cosmos.

This is the third and final part of the author's trilogy on the East Anglian coastline, covering Essex, the previous two featuring Norfolk and Suffolk.

With her background in sailing, it is not so much a gazetteer as a wonderful medley of all things nautical as she goes off at a tangent time after time to fill in colour on the Essex coast, accompanied by her sketches and sketch maps.

Here are geology with the inundation of what has become the North Sea, human evolution, the Cinque Ports, the Hudson Bay Company, pocket submarines, sailing boat types, salt production, smuggling, Samuel Pepys, the Battle of Maldon, Anglo Saxons, oysters and other seafood, classic yacht racing, the Beagle, monsters, mermaids, the Great Lakes and much more.

A small lifeboat is spotted off the coast of Chile in 1821, below the gunnels skeletal men cling to a pile of human bones. Nathaniel Philbrick opens his National Book Award-winning story with an almost incomprehensibly brutal scene and rarely takes a breath for the remaining 300-odd pages. Considered to be the inspiration for Herman Melville's Moby Dick, In the Heart of the Sea: The Tragedy of the Whaleship Essex is the true story of a ship stove in by a whale in the middle of the Pacific Ocean, and the harrowing survival of some of its crew. 

Originally published in 1970, this was another foundational text for me and other witchcraft scholars of my generation.

It grew out of Macfarlane’s doctoral thesis focusing on Essex, which had been supervised by Keith Thomas, whose own great book, Religion and the Decline of Magic (much of which dealt with witches), came out the following year. Even then, the historian Macfarlane was on his way to becoming an anthropologist – a transition visible on every page of this fascinating book.

But its overriding character is that of a work of sociology. Social science models helped to impose interpretative order on the kind of archival information dug up by C. L’Estange Ewen, and connected a rise in witchcraft accusations to a number of strains in late-sixteenth- and early seventeenth-century English life, especially economic strains.

Although their interpretations differ in substance and emphasis, Macfarlane and Thomas are still associated with a paradigm… show more.

I will read absolutely anything that Richard Estep writes. He has written books about the Villisca Ax Murders, Malvern Manor, and other crazy-haunted places. This one, about a site in his native England, is utterly terrifying. Estep writes with a very straightforward, matter-of-fact style (his writing reminds me much of my own style), and the evidence he presents for this haunted site is deeply chilling -- especially since his team is one of the groups that has investigated the Cage. 

Of all the books written about the massacre of the Bamber/Caffell family in August 1985, none captures the sadness and tragedy of the family dynamic as Lee has here. She delves deep into the troubled lives of June and Neville Bamber and their adopted children Jeremy and Sheila. It’s an extraordinary case – a real puzzle. I don’t actually agree with Lee’s (apparent) assumption of Jeremy Bamber’s guilt – the seven pages of police surmise at the end of her book have a number of holes that undermine the plausibility of their case. In my view, a retrial should have taken place. Nevertheless, Lee has created a truly poignant portrait of a time and a place – rural Essex in the brash 1980s – in which horror does battle with pity.

The undisputed master of the Occult thriller, Wheatley sold over 50 million books, regularly topping best seller lists in the mid-20th Century. In To The Devil a Daughter, Wheatley contrasts the colour of the post-war French Riviera with the greyness of ration-book 1940’s Britain with a rare vividness, and atypically for the time, creates a ‘kick-ass’ middle-aged female protagonist. His descriptions of the Essex marshes, and the sinister Canon Copely-Syle who lives there, are superb. In another book, The Haunting of Toby Jugg, Wheatley describes a school (loosely based on the infamous Dartington Hall school), that partly inspired ‘The Academy’ in my own book. When reading Wheatley’s books, bear in mind he was a man of his time, as many of his views do not date well. I was massively flattered recently when a reader of my book said my style (not my views!) reminded him… show more.