100 Books Like The Wide, Carnivorous Sky and Other Monstrous Geographies

Since I was young, I’ve suffered from Major Depressive Disorder, coupled with chronic pain that surfaced when I was in middle school. Being in constant pain—mental and physical—obviously drains the spirit. I found no hope whatsoever in phrases such as, “It gets better.” When you have chronic pain, that statement means nothing, because you know it won’t. These books, however, offered me something that I hadn’t encountered before: someone acknowledging that, although it may never get better, there is still something for me here, whatever form it takes. These books do not shame depressives, they console (and even commiserate) with them, and I hope you find them as fulfilling as I have.

Tamel Wino is a Canadian fiction writer from resplendent British Columbia whose works focus largely on the degeneration of sanity and morality. He studied Health Sciences and Psychology, which only furthered his interest in human nature. With inspirations including Shirley Jackson, Cormac McCarthy, Clive Barker, Margaret Atwood, and Edgar Allan Poe; Tamel’s expositions are strongly grounded in traditions of dark fiction. Yet, with his bold narrative voice and incisive plot construction, Wino is paving a new movement within the space.

If you regard science fiction, fantasy, and horror as throwaway literature, think again. It is within such tales that the contest between good and evil is given center stage, wherein heroic acts are celebrated, and virtue discussed in all its many permutations. I would call speculative fiction a worthy successor to the medieval morality play, a dramatic form that used allegorical characters to teach moral lessons. To wit—stories are an instrument of culture, a way to promote common values and an important activity for any civilization that intends to stick around. You won’t find an abundance of this vibe in ‘serious’ fiction—and when you do, it’s not as much fun.

Tamel Wino is a Canadian fiction writer from resplendent British Columbia whose works focus largely on the degeneration of sanity and morality. He studied Health Sciences and Psychology, which only furthered his interest in human nature. With inspirations including Shirley Jackson, Cormac McCarthy, Clive Barker, Margaret Atwood, and Edgar Allan Poe; Tamel’s expositions are strongly grounded in traditions of dark fiction. Yet, with his bold narrative voice and incisive plot construction, Wino is paving a new movement within the space.

My Swedish grandmother first introduced me to the horror genre when I was a small boy. Her folktales of trolls and witches really fueled my imagination! Then, when I was in junior high, my father encouraged me to read Edgar Allan Poe and H.P. Lovecraft. I didn’t get hooked on things Gothic, however, until I heard the lyrics of Jim Morrison and the Doors in high school. After college, I became a freelance writer. I quickly learned that 80% of my spooky stuff got accepted by magazines while only 10% of my general interest work was published. That said, it’s no wonder I became a horror writer! 

I’ve been a fan of the Cthulhu Mythos and detective fiction since childhood, cutting my teeth on Sir Arthur Conan Doyle, Raymond Chandler, and Dashiell Hammett at an early age. A voracious reader of both horror and mystery, I read and reread these tales and began crafting my own to the point where many years later, as an award-winning writer with over 200 fiction publications under my belt, I feel these genres go together like they were always destined to cross. I write daily, and have a Bachelor’s Degree in Crime Scene Science. You could say crime and horror are always on my mind!

I’ve been reading Lovecraft, and those inspired by him, since I was in high school. I’ve always been fascinated by the idea that there could be a whole world just outside of sight that we never see, and once we do see we can never un-see. After I’d been writing for a few years a friend of mine suggested/demanded I write a story for him inspired by Lovecraft’s world. Mostly I started it to satisfy him but once the jar was open it all spilled out. I wove in real elements from history, including historical figures. This story ended up winning a major award, but there was still so much more to tell.

I’ve been a fan of the Cthulhu Mythos and detective fiction since childhood, cutting my teeth on Sir Arthur Conan Doyle, Raymond Chandler, and Dashiell Hammett at an early age. A voracious reader of both horror and mystery, I read and reread these tales and began crafting my own to the point where many years later, as an award-winning writer with over 200 fiction publications under my belt, I feel these genres go together like they were always destined to cross. I write daily, and have a Bachelor’s Degree in Crime Scene Science. You could say crime and horror are always on my mind!

I'm perhaps the inevitable result of a lifetime spent on a steady diet of magical realism, literary fiction, science-fiction, and Spider-Man comics. Fortunately I’ve been able to channel my simultaneous loves of storytelling and structure into a life as a developmental editor. And where my own work is concerned, I’ve been able to do a lot of those things my childhood self might have hoped for: a novel in The Listeners, a feature film in Ape Canyon, and a litany of strange and usually distressing short stories. These days I do those things from my Washington, D.C. apartment with my wife and our two cats with a combined seven legs.

I’m an Anglo-Irish writer of stories that have a fantastical or paranormal worldview—often containing darkness, but also touched with satirical humour. I’ve always liked stories that seem rooted in everyday reality but then introduce inexplicable elements which unhinge the recognisable world in a surprising or unsettling fashion. For me, that description fits a range of books, including Fantastic Mr. Fox (which I remember being the first book I read through obsessively), Dracula, or Gormenghast; and writers such as Shirley Jackson, Philip K. Dick, J. G. Ballard, H.P. Lovecraft, Neil Gaiman, Caitlin R. Kiernan, and Thomas Ligotti.