Here are 100 books that The Whitsun Weddings fans have personally recommended if you like
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I didn’t grow up fearless; I grew up quiet. I learned early how schools and communities can press a girl into something smaller than herself until she feels like a shadow. Horror was the first place I saw that pressure explode into power. When I read Carrie, I felt seen in a way I couldn’t explain. I am drawn to stories where shame turns feral, and silence becomes dangerous. These books speak to that breaking point where a voice is stolen and then reclaimed, proving the most terrifying "monster" is simply a girl who refuses to disappear.
This was the book that made me realize horror could terrify in a way that felt entirely familiar.
I read it when the cruelty of school was still a raw wound because I understood exactly how laughter is used to flatten a person until they start to disappear. It wasn’t the supernatural elements that stayed with me, but the profound loneliness of a girl shamed into a silence that eventually caught fire.
I finished it with the understanding that a "final snap" is never an accident, but the inevitable result of humiliation accumulating like a slow-burning medicine. King showed me that even the most quiet, discarded person carries a power that the world should be afraid of.
Stephen King's legendary debut, about a teenage outcast and the revenge she enacts on her classmates, is a Classic. CARRIE is the novel which set him on the road to the Number One bestselling author King is today.
Carrie White is no ordinary girl.
Carrie White has the gift of telekinesis.
To be invited to Prom Night by Tommy Ross is a dream come true for Carrie - the first step towards social acceptance by her high school colleagues.
But events will take a decidedly macabre turn on that horrifying and endless night as she is forced to exercise her…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Hello, I write poems, lots of them, and also lots of books about Christianity. I grew up in London and lived for my first thirteen years deep within myself, in a kind of fog that prevented anyone from knowing me, including myself. Then, one day, when I was thirteen, in the middle of a math class, everything changed for me. I entered a wholly new world. I went from being at the bottom of the class to the top of the class; I started publishing poems. I started a quest to find myself anew, cutting through the fog, and that quest ended with me teaching Divinity at Duke University.
When I was ten years old, I listened to a shortened version of this astonishing narrative while at school. I would wish the whole week away to hear the next installment! It’s the allegory of the main character, Christian, who leaves the City of Destruction for the Celestial City. His parents remain in Dark-Land.
When I wrote my memoir, I called it Dark-Land in homage to Bunyan, as a way of thinking about London in the years of post-war austerity when I was growing up, and as a way of making sense of how my parents kept me in the dark about all sorts of things in the family. Only when I started to write my memoir did I finally find out the family secrets.
John Bunyan was variously a tinker, soldier, Baptist minister, prisoner and writer of outstanding narrative genius which reached its apotheosis in this, his greatest work. It is an allegory of the Christian life of true brilliance and is presented as a dream which describes the pilgrimage of the hero - Christian - from the City of Destruction via the Slough of Despond, the Hill of Difficulty, the Valley of the Shadow of Death and Vanity Fair over the River of the Water of Life and into the Celestial City.
Hello, I write poems, lots of them, and also lots of books about Christianity. I grew up in London and lived for my first thirteen years deep within myself, in a kind of fog that prevented anyone from knowing me, including myself. Then, one day, when I was thirteen, in the middle of a math class, everything changed for me. I entered a wholly new world. I went from being at the bottom of the class to the top of the class; I started publishing poems. I started a quest to find myself anew, cutting through the fog, and that quest ended with me teaching Divinity at Duke University.
I can’t possibly remember how many times I have read this wonderful journal and all the ones that follow it. No one captures conversation better than Boswell, and hardly anyone preserves the sense of a place or a character better than he does.
Boswell is searingly honest about himself, including his many shortcomings. Although he may not intend to be hilarious, he surely is. I sometimes feel I know Boswell better than I know anyone living.
Edinburgh-born James Boswell, at twenty-two, kept a daily diary of his eventful second stay in London from 1762 to 1763. This journal, not discovered for more than 150 years, is a deft, frank and artful record of adventures ranging from his vividly recounted love affair with a Covent Garden actress to his first amusingly bruising meeting with Samuel Johnson, to whom Boswell would later become both friend and biographer. The London Journal 1762-63 is a witty, incisive and compellingly candid testament to Boswell's prolific talents.
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
Hello, I write poems, lots of them, and also lots of books about Christianity. I grew up in London and lived for my first thirteen years deep within myself, in a kind of fog that prevented anyone from knowing me, including myself. Then, one day, when I was thirteen, in the middle of a math class, everything changed for me. I entered a wholly new world. I went from being at the bottom of the class to the top of the class; I started publishing poems. I started a quest to find myself anew, cutting through the fog, and that quest ended with me teaching Divinity at Duke University.
The “I” is elusive: no one knows this better than Basho. He shows us that if we are finely attentive to anything at all, we can learn an enormous amount about ourselves. Basho thought he was dying when he started his great haiku narrative, but he also sought to find the road that leads deeply into himself.
His lyrical journey was his true way home. When we think about interiority, we must always think of Augustine’s Confessions (for the West) and Basho’s book, listed here (for the East). We learn most about ourselves by reading them.
A masterful translation of one of the most-loved classics of Japanese literature—part travelogue, part haiku collection, part account of spiritual awakening
Bashō (1644–1694)—a great luminary of Asian literature who elevated the haiku to an art form of utter simplicity and intense spiritual beauty—is renowned in the West as the author of Narrow Road to the Interior,a travel diary of linked prose and haiku recounting his journey through the far northern provinces of Japan.
This edition, part of the Shambhala Pocket Library series, features a masterful translation of this celebrated work. It also includes an insightful introduction by translator Sam Hamill…
Hello, I write poems, lots of them, and also lots of books about Christianity. I grew up in London and lived for my first thirteen years deep within myself, in a kind of fog that prevented anyone from knowing me, including myself. Then, one day, when I was thirteen, in the middle of a math class, everything changed for me. I entered a wholly new world. I went from being at the bottom of the class to the top of the class; I started publishing poems. I started a quest to find myself anew, cutting through the fog, and that quest ended with me teaching Divinity at Duke University.
When I first visited Paris in 1977, I found a second-hand copy of Yves Bonnefoy’s dreamlike meditation on his life, his passion for the visual arts, his lyrical evocations of landscape, and his temptations to eschew the sensual world.
I was transported when I read it in French and thrilled to see it appear in English. Years after I read it, I received a warm letter from Bonnefoy, who had been reading my poems.
We met; we became friends, and I am thankful to this book for introducing him to me, and for the many happy hours we spent talking together about poetry.
Since the publication of his first book in 1953, Yves Bonnefoy has become one of the most important French poets of the postwar years. At last, we have the long-awaited English translation of his celebrated work "L'Arriere-Pays", which takes us to the heart of his creative process and to the very core of his poetic spirit. In his poem "The Convex Mirror," Bonnefoy writes: "Look at them down there, at that crossroads, / They seem to hesitate, then go on." The idea of the crossroads haunts Bonnefoy's work, as he is troubled by the idea that the path not taken…
When I was eighteen, I had an experience I call religious: I was sitting outside of an ivy-covered building at my undergraduate school and reading the opening words of Vergil’s Roman epic, The Aeneid (in Latin, but I didn’t know Latin yet). The sky became clearer; it shone with different light. It became clear to me at that moment that I was supposed to be a poet. So, yeah, I went on to learn lots of stuff, including languages, so that I could read poetry in them. I did all that to serve the greater goal of being a poet.
This book taught me that you can surf the line between realism and the incredible (even the ridiculous). The main character, Oedipa Maas, is my favorite heroine because of her openness to every tantalizing possibility (and the possibilities keep ramifying infinitely).
Everything in this book is both fully a symbol and fully itself.
By far the shortest of Pynchon's great, dazzling novels - and one of the best.
Suffused with rich satire, chaotic brilliance, verbal turbulence and wild humour, The Crying of Lot 49 opens as Oedipa Maas discovers that she has been made executrix of a former lover's estate. The performance of her duties sets her on a strange trail of detection, in which bizarre characters crowd in to help or confuse her. But gradually, death, drugs, madness and marriage combine to leave Oepida in isolation on the threshold of revelation, awaiting The Crying of Lot 49.
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
When I was eighteen, I had an experience I call religious: I was sitting outside of an ivy-covered building at my undergraduate school and reading the opening words of Vergil’s Roman epic, The Aeneid (in Latin, but I didn’t know Latin yet). The sky became clearer; it shone with different light. It became clear to me at that moment that I was supposed to be a poet. So, yeah, I went on to learn lots of stuff, including languages, so that I could read poetry in them. I did all that to serve the greater goal of being a poet.
At an early age, I had a very intense relationship with this now 50-year-old book about the most famous Tang poets, Li Bai and Tu Fu. Arthur Cooper (1916-1988), a British WWII codebreaker and almost mad aficionado of Chinese Lit, was the translator and introducer.
One’s experience of the book is progressively mind-expanding. Cooper knew not only Chinese literature and culture inside and out but also how to convey his knowledge to Westerners in exciting ways.
Li Po (AD 701-62) and Tu Fu (AD 712-70) were devoted friends who are traditionally considered to be among China's greatest poets. Li Po, a legendary carouser, was an itinerant poet whose writing, often dream poems or spirit-journeys, soars to sublime heights in its descriptions of natural scenes and powerful emotions. His sheer escapism and joy is balanced by Tu Fu, who expresses the Confucian virtues of humanity and humility in more autobiographical works that are imbued with great compassion and earthy reality, and shot through with humour. Together these two poets of the T'ang dynasty complement each other so…
When I was eighteen, I had an experience I call religious: I was sitting outside of an ivy-covered building at my undergraduate school and reading the opening words of Vergil’s Roman epic, The Aeneid (in Latin, but I didn’t know Latin yet). The sky became clearer; it shone with different light. It became clear to me at that moment that I was supposed to be a poet. So, yeah, I went on to learn lots of stuff, including languages, so that I could read poetry in them. I did all that to serve the greater goal of being a poet.
In addition to being the best voice-training manual, this book is a fund of delightful, at times even hilarious, sentences and phrases that get you to think about the English language purely as sound. A poet fascinated by our consonants and vowels, I do the recommended exercises not to train my voice but just for the fun of them.
Widely recognized as the most complete and rigorous text of its kind since it was first published in 1942 ESpeak With DistinctionE is an invaluable resource. It presents a comprehensive study of the sounds of Spoken English in their most important phonetic environments. This most recent revision also adds much material for comparisons of speech sounds; suggestions for accurate efficient and conversational ways of combining the sounds into connected utterance; indications that foster a working knowledge of two dialects of speech (General American and what Mrs. Skinner called Good Speech for classic and elevated texts); and beginning material to show…
I have published 18 books of poetry, most recently the one I have listed here, as well as a collection of literary essays, Fables of Representation. My emphasis has always been on the more progressive and risk-taking kinds of expression, as seen with the Beat poets, Ginsberg and Corso, and the New York School poets, Ashbery and O'Hara. Seeing a lack of that perspective on bookshelves, I edited two editions of a major anthology, Postmodern American Poetry: A Norton Anthology, and 42 issues of the literary magazine, New American Writing. I have been reading, more recently, a lot of great writing by women, especially those writing at length, with the volume up.
The book contains 70 sonnets, all with the same title as the book. Quick-witted, ironic, and politically dedicated to good cause, Hayes speaks from his own experience as an African-American: “Probably twilight makes blackness dangerous/Darkness. Probably all my encounters/Are existential Jambalaya.”
Winner of the National Book Award for his earlier work, Lighthead, he is a poet to watch for his moral sense and mastery of poetic form. The book was written in the first two hundred days of the first Trump presidency.
Finalist for the National Book Award and the National Book Critics Circle Award in Poetry
One of the New York Times Critics' Top Books of 2018
A powerful, timely, dazzling collection of sonnets from one of America's most acclaimed poets, Terrance Hayes, the National Book Award-winning author of Lighthead
"Sonnets that reckon with Donald Trump's America." -The New York Times
In seventy poems bearing the same title, Terrance Hayes explores the meanings of American, of assassin, and of love in the sonnet form. Written during the first two hundred days of the Trump presidency, these poems are haunted by the…
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
I’ve been a hillwalker and mountaineer since the age of 1 year 10 months – and longer than that, if you consider that my family’s been at it for over 150 years now. For the last 30 years, I’ve been writing walking guidebooks, general books about UK mountains, and articles in walking magazines like Trail, The Great Outdoors, and Lakeland Walker. My Book of the Bivvy on tentless sleepouts has acquired semi-classic status among the wilder sort of outdoor enthusiasts. I care about mountains, and I care about great writing about mountains, all of which is explored in my free weekly newsletter, About Mountains on Substack.
A man walking down the Pennine Way, from Kirk Yetholm to Edale, mostly on his own but sometimes with some other people. In early summer, the reasonably dry early summer of 2010.
The difference is that he's doing it without any money at all, relying on the kindness of strangers to put a few bob in an old sock. The other difference: he was the UK's future Poet Laureate.
The wandering poet has always been a feature of our cultural imagination. Odysseus journeys home, his famous flair for storytelling seducing friend and foe. The Romantic poets tramped all over the Lake District searching for inspiration. Now Simon Armitage, with equal parts enthusiasm and trepidation, as well as a wry humor all his own, has taken on Britain's version of our Appalachian Trail: the Pennine Way. Walking "the backbone of England" by day (accompanied by friends, family, strangers, dogs, the unpredictable English weather, and a backpack full of Mars Bars), each evening he gives a poetry reading in a different…
