Here are 100 books that The Weavers of Alamaxa fans have personally recommended if you like
The Weavers of Alamaxa.
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I’m the sort of person who reads history books for fun. It’s perhaps odd to be a novelist who prefers nonfiction for my personal reading, but then again, I’ve managed to utilize those traits for writing 9 historical novels. The Victorian era has fascinated me since childhood. (The first play I ever saw was Oliver!, inspired by Dickens’ Oliver Twist. I still remember it vividly.) The Victorian era was a time of momentous change, becoming more like the world we know today and yet still within living memory of a very different way of life. The books I’ve chosen here reflect that time of upheaval and how, for better or worse, people dealt with it.
This novel is sometimes described as the VictorianPride and Prejudice, and it’s true there are many similarities.
Margaret Hale moves with her parents from rural southern England to a northern manufacturing town and experiences profound culture shock. She spars with John Thornton, the wealthy owner of a cotton mill, whose outlook and opinions are very different from her own.
In time their antagonism gives way to mutual understanding, and finally to love. But North and Southisn’t only a love story.
There’s the ongoing conflict between the mill workers and the owners, and Margaret’s discoveries about herself as she begins to find ways to help the downtrodden. Gaskell was a minister’s wife in Manchester and interested in social reforms.
In this novel she explores many issues that are still relevant today. The book delves more deeply into the spiritual lives of the characters than does the…
As relevant now as when it was first published, Elizabeth Gaskell's North and South skilfully weaves a compelling love story into a clash between the pursuit of profit and humanitarian ideals. This Penguin Classics edition is edited with an introduction by Patricia Ingham.
When her father leaves the Church in a crisis of conscience, Margaret Hale is uprooted from her comfortable home in Hampshire to move with her family to the North of England. Initially repulsed by the ugliness of her new surroundings in the industrial town of Milton, Margaret becomes aware of the poverty and suffering of local mill…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
As a writer and a professor, I love sharing knowledge of my birth country (India) and the experiences of Indian immigrants in America. My first book, Arranged Marriage, is about the transformed lives of immigrant women and won an American Book Award. Mistress of Spices is about a spice-shop owner who knows magic, was a national bestseller, and became a film. One Amazing Thing is a multicultural novel about nine people trapped by an earthquake, was a Citywide Read in over 25 US cities. Recently, fascinated by the richness of Indian history, I have delved into it in novels like The Last Queen, set in the 1800s, and Independence, set in the 1940s.
Set in the present-day cosmopolitan city of Mumbai, India, the novel follows the lives of two women: Serabai Dubash, a middle-class widow, and her maidservant, Bhima. The pair experience similar situations in their lives: abuse, the death or absence of a husband, and the longing for a better future. They both have pregnant daughters, a fact that becomes significant as the novel progresses.
This book shows us the difficulties faced by women in Indian society but also their courage. Ultimately it is an upbeat book with great spirit. The plot twist at the end, and the resolution, blew me away.
In this beautifully crafted novel about the interlinked lives of two women, Thrity Umrigar explores the complex relationships between the classes in India, rarely addressed in contemporary fiction.
'Bhima is real. She worked in the house I grew up in, year after year, a shadow flitting around our middle-class home, her thin brown hands cleaning furniture she was not allowed to sit on, cooking food she was not allowed to share at the family dining table, dusting the stereo that mainly played American rock and roll, music that was alien and unfamiliar to her, that only reminded her of…
As a kid, I was consistently described as one who had her head in the clouds. I was far away imagining all sorts of fantastical things; dragons soaring in the sky, a witch blasting a fireball in the grocery store, a werewolf coming to eat the gym teacher, the coffee barista is actually a vampire, etc. There is something alluring about supernatural beings existing in our often mundane world; whether they are being subjected to the same life we are or are wreaking havoc for any reason.
Rose and Lissa are dragged back to a school for vampires; though it’s a fair bit more complicated than that, with vampires of different sorts and being able to wield magic.
Rose is Lissa’s bodyguard and the school trains their powers, so that Rose will be able to protect Lissa (who is a princess) when the time comes. Their lessons don’t stop them from getting into a whole swath of familiar teenage drama.
ONLY A TRUE BEST FRIEND CAN PROTECT YOU FROM IMMORTAL ENEMIES . . .
Lissa Dragomir is a mortal vampire. She must be protected at all times from the fiercest and most dangerous vampires of all - the ones who will never die.
Rose Hathaway is Lissa's best friend - and her bodyguard.
Now, after two years of illicit freedom, they've been dragged back inside the iron gates of St. Vladimir's Academy. The girls must survive a world of forbidden romances, a ruthless social scene and terrifying night-time rituals. But above…
Her pepper peach preserves are delectable, but murder is a jam that could ruin her life.
Roxy Constantine is the jam queen of Shavano, Colorado. But her social life is a bust, and she’s still recovering from a bad experience with a predatory chef as a line cook in Denver.…
I’m the author of two novels, a memoir, and numerous essays and humor pieces. As a reader, I’ve always been drawn to strong, flawed, funny female characters and voices. The pull is even stronger now that I’m at midlife, a phase that’s equal parts misery, hilarity, and night sweats. I read a wide range of books, from literary fiction and classics to psychological thrillers to graphic novels that I steal from my teenagers when they’re not looking. But I have a special place in my heart for books that explore the many facets of what it means to be a woman “of a certain age” today, while making me laugh—and sometimes cringe—with recognition.
I love it when stories are told through the lens of contemporary issues but still manage to be deeply personal and funny. Impersonationfits the bill, taking place against the backdrop of #MeToo and the Trump presidency, and starring sharp-witted forty-year-old single mom Allie Lang, who you root for right from the start. Allie is hired ghostwrite the memoir of a high-powered feminist with political ambitions, to make her seem more maternal and relatable. It’s a nearly impossible task—until Allie starts bringing herself to the page.
"By turns revealing, hilarious, dishy, and razor-sharp, Impersonation lives in that rarest of sweet spots: the propulsive page-turner for people with high literary standards." --Rebecca Makkai, author of The Great Believers TOGETHER, THEY MAKE THE PERFECT FEMINIST MOTHER
Allie Lang is a professional ghostwriter and a perpetually broke single mother to a young boy. Years of navigating her own and America's cultural definition of motherhood have left her a lapsed idealist. Lana Breban is a high-profile lawyer, economist, and advocate for women's rights with designs on elected office. She also has a son. Lana and her staff have decided she…
I am invested in how women juxtapose the day-to-day with the bizarre. I am curious about how women balance their lives with the insoluble and how this contributes to the fluidity of their identities. I live with women, I work with women, I shop with them, eat with them, sit next to them on the bus, I am friends with women, laugh with them, I pray with them, I am these women. In whichever format my work takes shape–whether subtle or direct, either as a performer, writer, designer, or community catalyst, I am committed to intentionally making space for womanhood. Please enjoy my book list.
I’ve read this book at least twice. The specificity of Sefi Atta's language makes me feel like I can reach into the pages and sit next to the characters as their lives unfold.
Her writing is very immersive, drawing you in and making everything in that world real and imaginable, painful yet livable. In this book, she explores the complexities of womanhood, even with certain privileges and regardless of status.
Everything Good Will Come introduces an important new voice in contemporary fiction. With insight and a lyrical wisdom, Nigerian-born Sefi Atta has written a powerful and eloquent story set in her African homeland. It is 1971, a year after the Biafran War, and Nigeria is under military rule—though the politics of the state matter less than those of her home to Enitan Taiwo, an eleven-year-old girl tired of waiting for school to start. Will her mother, who has become deeply religious since the death of Enitan’s brother, allow her friendship with the new girl next door, the brash and beautiful…
When I read, I want to read something that’s going to make me feel something. My friends make fun of me because, whether it is music or books, I want to have my heart shattered into a million pieces and then put back together. And when a little magic is added to the mix, it only makes the story richer and more heartbreaking. This list is everything I love about magical middle grades that makes me feel something on a deeper level about what it means to be human.
This story is a winner, and I love it for so many reasons. It explores some tough themes in middle grade: poverty and classism, but at the root of the story, there is a boy who doesn’t feel like he’s good enough and a girl who can’t find her way in the world.
Through their eyes in an immersive and vibrant Thai village, you experience their journeys to finding who they really are. The writing is engrossing, and the plot keeps you guessing until the end.
A boy on the run. A girl determined to find him. A compelling fantasy looks at issues of privilege, protest, and justice.
All light in Chattana is created by one man — the Governor, who appeared after the Great Fire to bring peace and order to the city. For Pong, who was born in Namwon Prison, the magical lights represent freedom, and he dreams of the day he will be able to walk among them. But when Pong escapes from prison, he realizes that the world outside is no fairer than the one behind bars.…
From Pulitzer Finalist Laurie Sheck (A Monster's Notes), a new speculative literary fiction in the spirit of Italo Calvino, Umberto Ecco and Donna Haraway's Cyborg Manifesto that enacts an incisive and moving exploration into what it means to be human in the age of AI and increasing inhumanism.
For much of my career as a sociologist and professor of social welfare, I’ve focused my research and teaching on the issue of economic and social inequality in America. Why should the United States have both great wealth and yet at the same time extreme poverty and inequities? This question has motivated much of my scholarly and popular writing over the years. For me, this represents the fault line of America. We profess the importance that all are created equal, and yet our actions undermine such a belief. Why should this be the case, and how can we change the reality to reflect the ideal?
Thomas Piketty’s earlier book, Capitalism, was one of those books that many people purchased but only wound up reading the first 20 pages because of its dense argument and writing style.
A Brief History of Capitalism is much more accessible, and in my opinion, useful. The book takes a long-term perspective for examining inequalities among social classes in human societies. Piketty’s argument is that since the end of the 18th century, there has been a long-term movement toward more social, economic, and political equality.
The book provides an excellent overview of inequality across time.
A New York Times Book Review Editors' Choice A Public Books Best Book of the Year
"An opportunity for readers to see Piketty bring his larger argument about the origins of inequality and his program for fighting it into high relief." -Nicholas Lemann, New York Times
The world's leading economist of inequality presents a short but sweeping and surprisingly optimistic history of human progress toward equality despite crises, disasters, and backsliding. A perfect introduction to the ideas developed in his monumental earlier books.
It's easy to be pessimistic about inequality. We know it has increased dramatically in many parts of…
As the author of a historical/mystery/romance series that has won over sixty international awards in multiple categories, I’m attracted to books that cannot be pinned to one genre. I love sweeping sagas with elements of all three, perhaps because I was so immersed in classic literature as a kid and fascinated by stories of the past. I suspect I may have once lived in the 1930s and, having yet to discover a handy time machine lying around, I have resorted to writing about the era as a way of getting myself back there. I am, not surprisingly, addicted to period dramas and big band music.
I came upon this 3-part series almost by accident and quickly gobbled it up, surprised that it is not more well known. It is a fabulous upstairs/downstairs type of saga in which both the aristocracy and the servants who wait upon them are upended by the outbreak of WW1. Excellent writing; hard to put down.
Before Downton Abbey, there was Abingdon Pryory, the elegant country home of the Grevilles - a titled English family who, along with their servants, see their world turned upside down when England goes to war - and their well-kept lawns and whirling social seasons give way to the horrors of battle leaving no one, upstairs or downstairs, untouched.
I grew up with a graveyard in my backyard: the historic Schenck-Covenhoven Graveyard in Penns Neck, New Jersey, just outside Princeton. This small square plot, filled with the 18th- and 19th-century graves of local families, served as the perfect playground for hide-and-seek and cops-and-robbers with my friends. Working as a tour guide and volunteer at Laurel Hill Cemetery for nearly thirty years, I fell in love with its rich history and its architectural and horticultural beauty. As I grow older, I have come to value cemeteries for their role as both a meeting place and a mediator between the living and the dead.
January 1901: Queen Victoria is dead and her subjects nervously await a new king and a new century. Two families—the aristocratic Colemans and middle-class Waterhouses—meet at their adjoining plots in London’s elegant Highgate Cemetery. Their five-year-old daughters form an immediate bond. The lives of the two families entwine over the next decade as they struggle with social change, betrayal, and grief. Surprisingly, Highgate offers a release from the confining decorum of their everyday lives. The two girls play among the graves with a gravedigger’s son, while adult members of their households indulge in forbidden liaisons there. Chevalier’s crisp prose creates rich character portraits and vivid historical scenes with only a few strokes. This slim novel resonated in my mind long after I finished it.
'Sex and death meet again in [a] marvellous evocation of Edwardian England' Daily Mail
The girl reminded me of my favourite chocolates, whipped hazelnut creams, and I knew just from looking at her that I wanted her for my best friend.
Queen Victoria is dead. In January 1901, the day after her passing, two very different families visit neighbouring graves in a London cemetery. The traditional Waterhouses revere the late Queen where the Colemans have a more modern outlook, but both families are appalled by the friendship that springs up between their respective…
A tragicomic novel about the toxic relationship between two couples who first met at medical school and whose paths cross again many years later.
Charlotte is married to Henry, a retired consultant pathologist. She abandoned her own medical training after a harrowing experience left her emotionally…
I have a deep passion for the psychology of revolution because my family has experienced revolution in our country of birth, and I have expertise on this topic because, as a psychologist, I have extensively studied revolutions for decades. This is a topic seldom studied by modern psychologists, perhaps because most research psychologists live in Western countries and have not experienced revolutions. Western psychologists have no experience with revolutions. The last book published with the title of my book, The Psychology of Revolution, came out in 1894! I am very enthusiastic about putting together this diverse reading list, which is made up of research books, novels, and a poetry collection.
I include Robert Putnam’s book because, in a sense, it is about continuity rather than change, so it is about how things stay the same in some ways rather than revolutions that change things. What I particularly like about this book is Putnam’s discussion of inheritance, which he sees as being about far more than monetary wealth. Inheritance includes all the social networks, friends, connections, social knowledge, and everything else of value that your family passes on to you. Many inherited things are intangibles–like what you learn while sitting around as a child with your family, listening to grown-ups speak.
Because inheritance is so vast, kids who are ‘poor’ are not just poor materially; they are poor because they lack the vast social knowledge and informal networks that rich kids inherit. This makes it far more difficult for poor kids to move up and make a success of themselves–so there…
A New York Times bestseller and "a passionate, urgent" (The New Yorker) examination of the growing inequality gap from the bestselling author of Bowling Alone: why fewer Americans today have the opportunity for upward mobility. Central to the very idea of America is the principle that we are a nation of opportunity. But over the last quarter century we have seen a disturbing "opportunity gap" emerge. We Americans have always believed that those who have talent and try hard will succeed, but this central tenet of the American Dream seems no longer true or at the least, much less true…
